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a
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1 a p
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fo a Pa
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6 , a mes
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on h a show
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for P a half
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thoug A Good N
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t Istan a pity th
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a pity t a shower i
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e was one a context w
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wrote : “ a flame in t
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n very dark a confidence
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ts . It is l a promise. ” O
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s located som a bibliography
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ddle East . I a “ Hope Syllabu
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essively a bibl a response to the
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” I ’ ve been c A Sociology of Hop
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Chantal Mouffe ’ a “ democracy to co
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nected with the no a cynical withdrawal
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ary ? ” Agamben des a particular relation
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blinded by its ligh a light that strives b
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ontemporary is nostal a particular time yet s
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she is aware of her e a certain historical sen
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erogeneous , Agamben ar a particular relationship
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en hope and remembrance a full engagement with the
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w yet persistent work of a social reality larger tha
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t sense , being hopeful en a non-linear understanding o
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me . In that regard , hope a project-driven world where
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and meaning in the journey i a series works since the mid-1
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for Mouffe refers to the set a society is created and govern
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to the uncontested hegemony o a rationalist and individualist
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ration this antagonistic dimens a compromise among competing inte
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negotiate a compromise among com a rational , fully inclusive conse
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us/them distinction of antagonis a way that is compatible with the r
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tion of pluralism . In other words a democracy that acknowledges the in
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wledges the ineradicable dimension a pluralist public space in which the
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blish a pluralist public space in wh a nonviolent way . For Mouffe , this e
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ails transforming antagonism to “ ago a situation where opposing political su
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now an adversary rather than an enemy a final agreement can be reached . Anoth
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’ s understanding of the political is “ a hegemonic one established by a series o
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cal is “ hegemony. ” Every social order a series of practices and institutions wi
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egemonic one established by a series of p a context of contingency . In other word
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tutions within a context of contingency . a temporary and precarious articulation
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order is a temporary and precarious articu a given moment as ‘ natural ’ or as ‘
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ng order to install another form of hegemony a complex argument into a bite-size p
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her form of hegemony . It may not be fair to a bite-size portion , but for this e
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of radical democracy as the “ impossibility of a genuinely pluralistic democracy i
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s to remain pluralistic at all ) . That is , if a given order it would not be plur
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rst place ; there wouldn ’ t be any differences a static situation that could eve
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. This would culminate in a static situation tha a totalitarian society . Neverth
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’ s not going to be completely realized , it will a process [ i ] that we work to
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eed to despair . Laclau and Mouffe ’ s ideas about a project without an end ” res
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our political struggles , without the expectation of a final destination . In the
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final destination . In the wake of the Jörg Haider m a right-wing mobilization ag
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ddressed the concept of hope and its relation to passi a more direct manner [ 15 ]
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material representations that evoke certain meanings an a flag , a song , a style
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representations that evoke certain meanings and emotions a song , a style of speak
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ations that evoke certain meanings and emotions such as a a style of speaking , et
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the origin of racist articulations , the Left has been add a moralistic discourse
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exploits . During the Gezi protests in June 2013 , I realiz a futile effort to app
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oğan supporters what the protests meant for the participants a “ coupt attempt , ”
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protests meant for the participants . It was not a “ coupt at a riot provoked by “
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ed by “ foreign spies. ” Dialogue is possible if all sides sha a square millimeter
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13 , the Prime Minister and the pro-government media started to a blatant lie , no
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o circulate a blatant lie , now known as the “ Kabataş lie. ” Al a group of toples
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topless male Gezi protesters clad in black skinny leather pants a woman in heads
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tions failed to come to terms with the phenomenon . I found out Fr a concept for i
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Freud ’ s concept of “ illusion ” is mostly about religion , it ’ a useful conce
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r helplessness [ 18 ] . Granted our psychological inclination for se a source of p
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s the social sciences and the arts , I observe both fields are practi a critical w
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f the times—as it has become common practice lately when , for instanc a public sy
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ublic symposium on current issues in the contemporary dance field becom a collecti
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as become symptomatic of our epoch . Are we , perhaps , equating adoptin a hopeles
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nly describing and analyzing the world but also contributing to making it a better
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