You cannot select more than 25 topics Topics must start with a letter or number, can include dashes ('-') and can be up to 35 characters long.

5.4 KiB

Raw Blame History Unescape Escape

to think

Online audience? Online sphere?

Project

Titles

	Network utterance- Overflowed emotions

	Occupy your stream

	Screaming streaming

	Storage or presence (from chronopoetics) - this is the binary I am dealing with

	A social dreaming/ a social screaming

Topics

	Uncensored speech 
	Amplification of the female voice (collective voice)
	The mystification of the female voice/ the "annoying" noise
	..Constructing understanding your own tools (streaming devices and apps) and access to the medium that amplifies the voice (privitization of medium, patriarchal structure)

Thesis_V11_EssayForm.pdf ‎(file size: 150 KB, MIME type: application/pdf) File history/Click on a date/time to view the file as it appeared at that time. Amplification from private to public Streaming from public to public, private to public, public to private, private to private

	Being present in the political spheres
	An intervention in public with less medium

A guide on voice in public (the theoretical aspect of public space--the conceptual sphere) A guide on amplification. Relation of social and spatial

Transmitting Ugly Things (relation to talking about damage/ Queering Damage) you are part of the stream

	## Amplification
	https://en.m.wikipedia.org/wiki/Amplification
	human microphone
	cars together playing the same frequency
	max neuhaus people broadcasting different frequencies that compose a piece.
	Amplification through multitude (decentralized)
	The female collective voice (thrinos)

Methods

Methods of streaming: pi streaming, buffer file, baby phone Radio utterances in public Medidate with the voice of the frequencies like women in thrinos

	Reading rooms
	Reading with a medium and different practices of presence

	Discussion groups

	Fediverse multiplication

practices of geting "loud" and present--

	listening to frequencies of malls-- issue of private and public

amplification in abandoned public spaces, recording down where voice is appeared

	create a radio station inside leeszaal and broadcast field recordings and conversations/ inside and outside

	leeszaal/ create group conversations or silent ones
	Amplification live streaming

The connection of the public physical amplification with digital, meeting the binaries (public, private, high-pitched, low pitched)

	..Workshop: An utterance of mediated voices/ streamed and broadcasted depending on the time they are made/ sometimes they will sychronize

	mouffe: "critical artistic practices subverting the dominant hegemony" different voices, infrastructures

	Amplification and high-pitched voice outside of leeszaal

	create a poetic (audio) narrative emerging from the actual "real" contribution of people.

	include the aspect of the Caliban and the witch

Workshop: Costumize your own streaming/digital speech space

	using the questions from my question structure of 2015/ for space and medium

for the end: hackthon: where you ask the participants to explore a subject, through the development of a prototypes, from give a starting point. workshop: where you bring in a certain technology/prototype/... and ask others to develop or explore it. More focused on a approach and see what that approach can lead to (book) sprints: where the group writes collaboratively a manual / research text / book / and produces a wbesite/pdf/... test session: where a given procedure/methods is tested on the participants and at the end feedback is given ...others or combinations of these

	 *Questions
	 What medium represents you? And how you do it?*


	## Refs
	- Mohammed Malique. Bodega hni. Mijn stad is Mijn hart https://www.vpro.nl/programmas/tegenlicht/kijk/afleveringen/2018-2019/mijn-stad-is-mijn-hart.html

	- Amplification of female voice women in Red writing articles in Wikipedia https://en.wikipedia.org/wiki/Women_in_Red

	- http://networkcultures.org/geert/2018/12/04/bridging-the-gap-between-technology-and-progressive-politics-in-europe/
	"media activists who are increasingly becoming cosmopolitan and detached from local communities and struggles." leeszaal
	Media theorist Geert Lovink is apparently missing out on what is happening here amongst other places when he writes: "The Social Media Question: Where are the Alternatives?" poking at a broadly defined "geek class" and applying the term elitism to it. I have never met him and i believe he's well known.

Diary notes

Poetics, the poetics of the medium, the poetics of the voice being metiated Future: leaving the social sphere and the self, after the practice has been clear. Thinking of the condition of the medium, the device, the software, the technology/ the landscape of it, the low-tech, the abandonence. Metaphor of the human loneliness. Lonileness, how I experience it, and the connection with an object. The idea of it. Detachement of myself and the responsibilty of it.

	## Bibliography
	- Carson, A. (1996) ‘The Gender of Sound’, in Glass, Irony and God. First Edition edition. New York: New Directions, pp. 119–142.
	- Barad, K. (2018) ‘Troubling time/s and ecologies of nothingness: re-turning, re-membering, and facing the incalculable’, new formations: a journal of culture/theory/politics, 92(1), pp. 56–86.
	- Beard, M. (2017) Women & Power: A Manifesto. 1 edition. New York: Liveright.
	- 667: Wartime Radio (2019) This American Life. Available at: https://www.thisamericanlife.org/667/transcript (Accessed: 5 February 2019).

5.4 KiB Raw Blame History Unescape Escape