eaiaiaiaoi/texts/proposal-draft.md

# to think
Online audience? Online sphere?

# Project

## Titles

		Network utterance- Overflowed emotions

		Occupy your stream

		Screaming streaming

		Storage or presence (from chronopoetics) - this is the binary I am dealing with

		A social dreaming/ a social screaming

## Topics
		Uncensored speech 
		Amplification of the female voice (collective voice)
		The mystification of the female voice/ the "annoying" noise
		..Constructing understanding your own tools (streaming devices and apps) and access to the medium that amplifies the voice (privitization of medium, patriarchal structure)
Thesis_V11_EssayForm.pdf ‎(file size: 150 KB, MIME type: application/pdf)
File history/Click on a date/time to view the file as it appeared at that time.
Amplification from private to public
Streaming from public to public, private to public, public to private, private to private

		Being present in the political spheres
		An intervention in public with less medium
A guide on voice in public (the theoretical aspect of public space--the conceptual sphere)
A guide on amplification. Relation of social and spatial

Transmitting  Ugly Things (relation to talking about damage/ Queering Damage)
*you are part of the stream*


		## Amplification
		https://en.m.wikipedia.org/wiki/Amplification
		human microphone
		cars together playing the same frequency
		max neuhaus people broadcasting different frequencies that compose a piece.
		Amplification through multitude (decentralized)
		The female collective voice (thrinos)

## Methods
Methods of streaming: pi streaming, buffer file, baby phone
		Radio utterances in public
		Medidate with the voice of the frequencies like women in thrinos

		Reading rooms
		Reading with a medium and different practices of presence

		Discussion groups

		Fediverse multiplication

practices of geting "loud" and present--

		listening to frequencies of malls-- issue of private and public

amplification in abandoned public spaces, recording down where voice is appeared

		create a radio station inside leeszaal and broadcast field recordings and conversations/ inside and outside

		leeszaal/ create group conversations or silent ones
		Amplification live streaming

The connection of the public physical amplification with digital, meeting the binaries (public, private, high-pitched, low pitched)

		..Workshop: An utterance of mediated voices/ streamed and broadcasted depending on the time they are made/ sometimes they will sychronize

		mouffe: "critical artistic practices subverting the dominant hegemony" different voices, infrastructures

		Amplification and high-pitched voice outside of leeszaal

		create a poetic (audio) narrative emerging from the actual "real" contribution of people.

		include the aspect of the Caliban and the witch

Workshop: Costumize your own streaming/digital speech space

 		using the questions from my question structure of 2015/ for space and medium

for the end:
hackthon: where you ask the participants to explore a subject, through the development of a prototypes, from give a starting point.
workshop: where you bring in a certain technology/prototype/... and ask others to develop or explore it. More focused on a approach and see what that approach can lead to
(book) sprints: where the group writes collaboratively a manual / research text / book / and produces a wbesite/pdf/...
test session: where a given procedure/methods is tested on the participants and at the end feedback is given
...others or combinations of these



		 *Questions
		 What medium represents you? And how you do it?*


		## Refs
		- Mohammed Malique. Bodega hni. Mijn stad is Mijn hart https://www.vpro.nl/programmas/tegenlicht/kijk/afleveringen/2018-2019/mijn-stad-is-mijn-hart.html

		- Amplification of female voice women in Red writing articles in Wikipedia https://en.wikipedia.org/wiki/Women_in_Red

		- http://networkcultures.org/geert/2018/12/04/bridging-the-gap-between-technology-and-progressive-politics-in-europe/
		"media activists who are increasingly becoming cosmopolitan and detached from local communities and struggles." leeszaal
		Media theorist Geert Lovink is apparently missing out on what is happening here amongst other places when he writes: "The Social Media Question: Where are the Alternatives?" poking at a broadly defined "geek class" and applying the term elitism to it. I have never met him and i believe he's well known.



## Diary notes
Poetics, the poetics of the medium, the poetics of the voice being metiated
Future: leaving the social sphere and the self, after the practice has been clear. Thinking of the condition of the medium, the device, the software, the technology/ the landscape of it, the low-tech, the abandonence. Metaphor of the human loneliness. Lonileness, how I experience it, and the connection with an object. The idea of it. Detachement of myself and the responsibilty of it.



		## Bibliography
		- Carson, A. (1996) ‘The Gender of Sound’, in Glass, Irony and God. First Edition edition. New York: New Directions, pp. 119–142.
		- Barad, K. (2018) ‘Troubling time/s and ecologies of nothingness: re-turning, re-membering, and facing the incalculable’, new formations: a journal of culture/theory/politics, 92(1), pp. 56–86.
		- Beard, M. (2017) Women & Power: A Manifesto. 1 edition. New York: Liveright.
		- 667: Wartime Radio (2019) This American Life. Available at: https://www.thisamericanlife.org/667/transcript (Accessed: 5 February 2019).