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Notes from *Resonant Bodies, Voices, Memories*
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Bangma, A. and Piet Zwart Instituut (eds.) (2009) *Resonant bodies, voices, memories*. Berlin: Revolver Publ.
# 'Phonophobia: The dumb devil of stammering' by Steven Connor, pages 132-144
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Bangma, A. and Piet Zwart Instituut (eds.) (2009) *Resonant bodies, voices, memories*. Berlin: Revolver Publ.
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(https://pad.xpub.nl/p/resonant_bodies_voices_memories)
Bangma, A. and Piet Zwart Instituut (eds.) (2009) Resonant bodies, voices, memories. Berlin: Revolver Publ.
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https://pad.xpub.nl/p/resonant_bodies_voices_memories
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'Phonophobia: The dumb devil of stammering' by Steven Connor, pages 132-144
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The voice is a dream voice - "when we speak of the materiality of the voice, we evoke imaginary substance and mythical powers" (pg 133) "there is no disembodied voice" (pg 133), a voice always has "somebody,
something of somebody's body, in it" (pg 133) "The voice is the body's second life---something between a substance and a force---a fluency that is yet a form." (pg 133)
The voice is a dream voice
- "when we speak of the materiality of the voice, we evoke imaginary substance and mythical powers" (pg 133)
- "there is no disembodied voice" (pg 133)
- a voice always has "somebody, something of somebody's body, in it" (pg 133)
- "The voice is the body's second life---something between a substance and a force---a fluency that is yet a form." (pg 133)
### Stammering has been regarded through history as the result of a material or physical impediment, not a spiritual one
@ -109,8 +103,4 @@ Aristotle: "only creatures that have life can give voice, but not everything tha
In coughs, whispers, drawls, hisses, hesitations, laughs, stammers the voice \"meets and mingles with what it is not---indeed, it is, in the end, nothing more than this mingling
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The pathos and finesse of a voice that gives out, gives way, comes not from the virile figure it cuts against the ground of things, but rather from its suggestion of a *persona*---a being that has its being 'through sound', which is like our own bodies, rather than our dream of those bodies" (pg 144)
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"The pathos and finesse of a voice that gives out, gives way, comes not from the virile figure it cuts against the ground of things, but rather from its suggestion of a *persona*---a being that has its being 'through sound', which is like our own bodies, rather than our dream of those bodies" (pg 144)
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