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<!DOCTYPE html>
<html lang="en">
<head>
<meta charset="UTF-8" />
<meta http-equiv="X-UA-Compatible" content="IE=edge" />
<meta name="viewport" content="width=device-width, initial-scale=1.0" />
<title>Document</title>
<link rel="stylesheet" href="style.css" />
</head>
<body>
<div class="text">
<span class="text1">This</span><span class="text1">publication</span
><span class="text1">is</span><span class="text1">the</span
><span class="text2">The</span><span class="text2">epigraph</span
><span class="text2">,</span><span class="text2">from</span
><span class="text1">initial</span><span class="text2">Ursula</span
><span class="text1">result</span><span class="text2">Le</span
><span class="text1">of</span><span class="text1">a</span
><span class="text1">research</span><span class="text2">Guin’s</span
><span class="text2">science</span><span class="text2">fiction</span
><span class="text1">project</span><span class="text1">that</span
><span class="text1">began</span><span class="text1">in</span
><span class="text2">novel</span><span class="text2">The</span
><span class="text2">Left</span><span class="text2">Hand</span
><span class="text1">2010</span><span class="text2">of</span
><span class="text1">when</span><span class="text2">Darkness</span
><span class="text1">Anne</span><span class="text1">Teresa</span
><span class="text1">De</span><span class="text2">,</span
><span class="text2">describes</span><span class="text2">the</span
><span class="text1">Keersmaeker</span><span class="text1">addressed</span
><span class="text1">the</span><span class="text1">following</span
><span class="text2">encounter</span><span class="text2">of</span
><span class="text2">protagonist</span><span class="text2">Genly</span
><span class="text1">question</span><span class="text2">Ai</span
><span class="text1">to</span><span class="text2">with</span
><span class="text1">me</span><span class="text1">.</span><span class="text1">I</span
><span class="text2">Faxe</span><span class="text2">,</span
><span class="text2">acolyte</span><span class="text1">paraphrase</span
><span class="text1">:</span><span class="text1">I</span><span class="text1">am</span
><span class="text2">of</span><span class="text2">the</span
><span class="text2">Zen-</span><span class="text2">like</span
><span class="text1">reviving</span><span class="text2">cult</span
><span class="text1">my</span><span class="text2">of</span
><span class="text1">four</span><span class="text1">early</span
><span class="text1">works</span><span class="text2">the</span
><span class="text2">Handdarata</span><span class="text2">and</span
><span class="text1">in</span><span class="text1">which</span
><span class="text1">I</span><span class="text1">myself</span
><span class="text2">their</span><span class="text2">tradition</span
><span class="text2">of</span><span class="text2">unlearning</span
><span class="text1">will</span><span class="text2">(</span
><span class="text1">dance</span><span class="text2">57</span
><span class="text1">for</span><span class="text1">the</span
><span class="text1">last</span><span class="text2">)</span><span class="text2">.</span
><span class="text2">Given</span><span class="text1">time</span
><span class="text1">.</span><span class="text1">Is</span><span class="text1">this</span
><span class="text2">to</span><span class="text2">negatives</span
><span class="text2">(</span><span class="text2">57</span><span class="text1">an</span
><span class="text2">)</span><span class="text1">occasion</span
><span class="text2">,</span><span class="text1">to</span
><span class="text1">write</span><span class="text1">these</span
><span class="text2">the</span><span class="text2">Handdarata</span
><span class="text2">would</span><span class="text1">choreographies</span
><span class="text1">down</span><span class="text1">?</span
><span class="text1">Fase</span><span class="text2">immediately</span
><span class="text2">recognize</span><span class="text2">unthought</span
><span class="text2">as</span><span class="text1">,</span
><span class="text2">indicating</span><span class="text1">Four</span
><span class="text2">a</span><span class="text1">Movements</span
><span class="text1">to</span><span class="text1">the</span
><span class="text2">kind</span><span class="text2">of</span
><span class="text2">thinking</span><span class="text1">Music</span
><span class="text1">of</span><span class="text1">Steve</span
><span class="text1">Reich</span><span class="text2">without</span
><span class="text2">thinking</span><span class="text2">.</span
><span class="text2">There</span><span class="text1">(</span
><span class="text2">is</span><span class="text1">1982</span
><span class="text2">thought</span><span class="text1">)</span
><span class="text1">,</span><span class="text1">Rosas</span><span class="text2">,</span
><span class="text2">but</span><span class="text2">before</span
><span class="text1">danst</span><span class="text1">Rosas</span
><span class="text1">(</span><span class="text1">1983</span><span class="text2">it</span
><span class="text2">is</span><span class="text2">unthought</span
><span class="text2">:</span><span class="text1">)</span><span class="text2">a</span
><span class="text1">,</span><span class="text2">mode</span
><span class="text1">Elena</span><span class="text1">'s</span
><span class="text1">Aria</span><span class="text2">of</span
><span class="text2">interacting</span><span class="text2">with</span
><span class="text1">(</span><span class="text1">1984</span><span class="text1">)</span
><span class="text1">,</span><span class="text2">the</span
><span class="text2">world</span><span class="text2">enmeshed</span
><span class="text2">in</span><span class="text1">and</span
><span class="text2">the</span><span class="text1">Bartok/Mikrokosmos</span
><span class="text2">eternal</span><span class="text1">(</span
><span class="text1">originally</span><span class="text1">called</span
><span class="text2">present</span><span class="text2">that</span
><span class="text2">forever</span><span class="text1">Mikrokosmos</span
><span class="text1">,</span><span class="text1">1</span><span class="text1">987</span
><span class="text2">eludes</span><span class="text2">the</span
><span class="text2">belated</span><span class="text2">grasp</span
><span class="text1">)</span><span class="text2">of</span><span class="text1">were</span
><span class="text2">consciousness</span><span class="text1">to</span
><span class="text1">be</span><span class="text1">performed</span
><span class="text2">.</span><span class="text2">Unthought</span
><span class="text2">may</span><span class="text1">in</span><span class="text1">a</span
><span class="text1">row</span><span class="text1">for</span
><span class="text2">also</span><span class="text2">be</span
><span class="text2">taken</span><span class="text2">to</span
><span class="text1">the</span><span class="text2">refer</span
><span class="text1">first</span><span class="text2">to</span
><span class="text1">time</span><span class="text1">.</span
><span class="text1">The</span><span class="text2">recent</span
><span class="text2">discoveries</span><span class="text2">in</span
><span class="text1">series</span><span class="text1">formed</span
><span class="text1">under</span><span class="text1">the</span
><span class="text2">neuroscience</span><span class="text2">confirming</span
><span class="text2">the</span><span class="text2">existence</span
><span class="text1">title</span><span class="text2">of</span
><span class="text1">``</span><span class="text2">nonconscious</span
><span class="text1">Early</span><span class="text1">Works</span
><span class="text1">''</span><span class="text2">cognitive</span
><span class="text2">processes</span><span class="text2">inaccessible</span
><span class="text1">was</span><span class="text1">going</span
><span class="text1">to</span><span class="text1">enable</span
><span class="text2">to</span><span class="text2">conscious</span
><span class="text2">introspection</span><span class="text2">but</span
><span class="text1">a</span><span class="text2">nevertheless</span
><span class="text1">reflective</span><span class="text2">essential</span
><span class="text1">insight</span><span class="text1">into</span
><span class="text1">four</span><span class="text2">for</span
><span class="text2">consciousness</span><span class="text2">to</span
><span class="text1">distinctive</span><span class="text1">directions</span
><span class="text1">in</span><span class="text1">the</span
><span class="text2">function</span><span class="text2">.</span
><span class="text2">Understanding</span><span class="text2">the</span
><span class="text1">development</span><span class="text2">full</span
><span class="text1">of</span><span class="text2">extent</span
><span class="text1">choreography</span><span class="text1">in</span
><span class="text1">a</span><span class="text2">of</span
><span class="text2">their</span><span class="text2">power</span
><span class="text1">large</span><span class="text1">oeuvre</span
><span class="text1">.</span><span class="text1">Fase</span
><span class="text2">requires</span><span class="text2">a</span
><span class="text2">radical</span><span class="text2">rethinking</span
><span class="text1">was</span><span class="text2">of</span><span class="text1">De</span
><span class="text2">cognition</span><span class="text1">Keersmaeker</span
><span class="text1">'</span><span class="text1">s</span><span class="text2">from</span
><span class="text2">the</span><span class="text2">ground</span>
</div>
</body>
</html>

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This publication is the initial result of a research project that began
in 2010 when Anne Teresa De Keersmaeker addressed the following question
to me . I paraphrase: I am reviving my four early works in which I myself
will dance for the last time . Is this an occasion to write these choreographies down? Fase, Four Movements to the Music of Steve Reich (1982) ,
Rosas danst Rosas (1983) , Elena's Aria (1984) , and Bartok/Mikrokosmos
(originally called Mikrokosmos, 1 987) were to be performed in a row for
the first time . The series formed under the title "Early Works" was going
to enable a reflective insight into four distinctive directions in the
development of choreography in a large oeuvre. Fase was De Keersmaeker ' s
first programmatic statement of formal-abstract choreography to the music
of a composer who will return several times in her oeuvre; Rosas danst
Rosas confirmed a rigorous structural approach to choreographic composition as well as dramaturgical development with solely choreographic
means and gave rise to a new dance idiom and style known as Rosas;
Elena's Aria pointed to the theatrical strain of composing words close
to movement and uncovered choreographic structure in the absence of
music; the choreography to Bart6k' s String Quartet No. 4 reasserted the
choreographer' s conunitment to classical music, a case of dexterous intertwining of distinct compositional principles of music and dance which
is nowadays becoming rather exceptional . These four works introduce four
lines that run through more than forty choreographies De Keersmaeker has
made to this day .

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html {
font-size: 2rem;
}
.text {
text-align: justify;
max-width: 60ch;
margin: 50px auto;
}
span::after {
content: " ";
}
.text1 {
color: red;
}
.text2 {
color: blue;
}

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The epigraph, from Ursula Le Guin’s science fiction novel The Left
Hand of Darkness, describes the encounter of protagonist Genly Ai with
Faxe, acolyte of the Zen- like cult of the Handdarata and their tradition
of unlearning (57). Given to negatives (57), the Handdarata would
immediately recognize unthought as indicating a kind of thinking
without thinking. There is thought, but before it is unthought: a mode
of interacting with the world enmeshed in the eternal present that
forever eludes the belated grasp of consciousness.
Unthought may also be taken to refer to recent discoveries in
neuroscience confirming the existence of nonconscious cognitive processes inaccessible to conscious introspection but nevertheless essential for consciousness to function. Understanding the full extent of
their power requires a radical rethinking of cognition from the ground
up. In addition, because the very existence of nonconscious cognitive
processes is largely unknown in the humanities, unthought indicates the terra incognita that beckons beyond our received notions of
how consciousness operates. Gesturing toward the rich possibilities
that open when nonconscious cognition is taken into account, unthought also names the potent force of conceptualizing interactions
between human and technical systems that enables us to understand more clearly the political, cultural, and ethical stakes of living in contemporary developed societies.
The first step toward actualizing this potential is terminological
ground clearing about conscious, unconscious, and nonconscious
mental processes.

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weave.py
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import nltk
from nltk.tokenize import word_tokenize
# open two text files as text1 and text2
with open('./rosas.txt', 'r') as result1:
text1 = result1.read()
with open('./unthought.txt', 'r') as result2:
text2 = result2.read()
# HTML TOKENIZER (word + span)
# return a list of tag from a text
# each item in the list is transformed into a html <span> tag,
# with the class defined by the text_class argument
#
# es: to_html('Lorem ipsum dolor', 'test')
# return
# [
# "<span class='test'>Lorem</span>",
# "<span class='test'>ipsum</span>",
# "<span class='test'>dolor</span>"
# ]
def to_html(text, text_class):
text_html = []
text_list = word_tokenize(text)
for word in text_list:
text_html += ['<span class="' + text_class + '">' + word + '</span>']
return text_html
# WEAVER
# weave two texts following a pattern structured as a string of A and B
# es: ABABAAAABBBB
# the repetition argument specifies how many times the pattern is repeated
# the start1 and start2 arguments specify the starting point in the texts' array
# it returns a string
def weave(text1, text2, pattern, repetition, start1=0, start2=0):
embroidery = ''
text1_cursor = start1
text2_cursor = start2
repeated_pattern = pattern * repetition
for choice in repeated_pattern:
if choice == 'A':
embroidery += text1[text1_cursor]
text1_cursor += 1
if choice == 'B':
embroidery += text2[text2_cursor]
text2_cursor += 1
return embroidery
# DEMO
text_a = to_html(text1, 'text1')
text_b = to_html(text2, 'text2')
text_embroidery = weave(text_a, text_b, 'AAAABBBBABABAAABBB', 16)
# BASIC HTML5 boilerplate
html_boilerplate = '''
<!DOCTYPE html >
<html lang="en" >
<head >
<meta charset="UTF-8" />
<meta http-equiv="X-UA-Compatible" content="IE=edge" />
<meta name="viewport" content="width=device-width, initial-scale=1.0" />
<title > Document </title >
<link rel="stylesheet" href="style.css" />
</head >
<body >
<div class= "text">
{{{contents}}}
</div>
</body>
</html>
'''
# the {{{contents}}} line will be replaced with our text_embroidery
html_out = html_boilerplate.replace('{{{contents}}}', text_embroidery)
# Write the results in the index.html file
with open('result.html', 'w') as index:
index.write(html_out)
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