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1
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00:00:04,594 --> 00:00:10,594
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2
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00:01:53,238 --> 00:01:58,367
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This is the story of a man
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marked by an image from his childhood.
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3
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00:01:59,411 --> 00:02:02,246
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The violent scene that upset him,
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4
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00:02:02,372 --> 00:02:05,917
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and whose meaning
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he was to grasp only years later,
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5
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00:02:06,502 --> 00:02:08,961
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happened on the observation deck
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at Orly Airport
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6
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00:02:09,128 --> 00:02:12,256
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a few years
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before the outbreak of World War III.
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7
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00:02:23,685 --> 00:02:28,689
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Parents take their children to Orly
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on Sunday to watch the departing planes.
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8
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00:02:29,358 --> 00:02:31,317
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Of this particular Sunday,
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9
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00:02:31,443 --> 00:02:33,027
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the child whose story
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we're about to tell
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10
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00:02:33,195 --> 00:02:36,030
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would long remember the frozen sun,
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11
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00:02:36,198 --> 00:02:38,783
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the setting at the end of the deck,
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12
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00:02:39,618 --> 00:02:41,911
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and a woman's face.
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13
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00:02:43,205 --> 00:02:46,582
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Nothing distinguishes memories
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from ordinary moments.
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14
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00:02:46,875 --> 00:02:51,254
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Only later do they become memorable
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by the scars they leave.
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15
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00:02:52,798 --> 00:02:55,299
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That face was to be
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the only image from peacetime
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16
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00:02:55,467 --> 00:02:57,885
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to survive the war.
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17
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00:02:58,011 --> 00:03:00,721
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He often wondered
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if he'd really seen it
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18
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00:03:00,889 --> 00:03:03,391
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or just invented
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that tender moment
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19
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00:03:03,559 --> 00:03:06,978
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to counter the moments
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of madness to follow.
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20
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00:03:07,104 --> 00:03:08,521
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The sudden roar,
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21
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00:03:08,647 --> 00:03:09,939
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the woman's gesture,
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22
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00:03:10,065 --> 00:03:11,899
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the crumpling body,
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23
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00:03:12,025 --> 00:03:15,945
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and the cries of the crowd,
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blurred by fear.
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24
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00:03:18,115 --> 00:03:22,243
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Later he realized
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that he'd seen a man die.
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25
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00:03:23,912 --> 00:03:26,956
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Soon afterwards,
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Paris was destroyed.
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26
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00:04:39,988 --> 00:04:41,739
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Many died.
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27
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00:04:41,907 --> 00:04:44,325
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Some considered themselves victors.
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28
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00:04:44,451 --> 00:04:46,577
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Others were taken prisoner.
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29
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00:04:46,995 --> 00:04:50,915
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The survivors settled in underground
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passages beneath Chaillot.
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30
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00:04:54,419 --> 00:04:58,172
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Aboveground, Paris,
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like most of the world,
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31
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00:04:58,340 --> 00:05:02,510
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was uninhabitable,
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riddled with radioactivity.
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32
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00:05:03,387 --> 00:05:06,138
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The victors stood guard
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over a kingdom of rats.
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33
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00:05:10,185 --> 00:05:12,853
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Prisoners were subjected
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to experiments
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34
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00:05:13,021 --> 00:05:16,524
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apparently of great concern
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to those who conducted them.
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35
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00:05:49,391 --> 00:05:53,060
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The outcome was disappointment
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for the experimenters,
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36
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00:05:53,645 --> 00:05:56,063
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and for the subjects,
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either death
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37
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00:05:56,189 --> 00:05:57,565
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or madness.
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38
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00:06:39,066 --> 00:06:43,319
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One day they came to select a new
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guinea pig from among the prisoners.
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39
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00:06:43,445 --> 00:06:46,572
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He was the man whose story
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we are now telling.
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40
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00:07:16,978 --> 00:07:18,813
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He was frightened.
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41
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00:07:22,984 --> 00:07:25,611
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He had heard
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about the head experimenter
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42
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00:07:25,779 --> 00:07:28,572
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and was prepared
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to face the mad scientist
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43
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00:07:28,698 --> 00:07:31,408
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or Dr. Frankenstein.
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44
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00:07:31,576 --> 00:07:33,494
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Instead, he found
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a reasonable man
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45
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00:07:33,662 --> 00:07:38,040
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who calmly explained
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that the human race was doomed.
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46
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00:07:38,166 --> 00:07:40,167
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Space was out of the question.
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47
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00:07:40,752 --> 00:07:45,089
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The only hope for survival
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lay in time.
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48
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00:07:46,508 --> 00:07:49,802
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A loophole in time
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might make it possible
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49
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00:07:49,928 --> 00:07:54,181
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to reach food, medicine, energy.
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50
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00:07:55,475 --> 00:07:57,852
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This was the aim of the experiments:
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51
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00:07:57,978 --> 00:08:00,396
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to send emissaries into time
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52
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00:08:00,522 --> 00:08:03,274
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to summon past and future
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to the rescue of the present.
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53
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00:08:04,526 --> 00:08:07,278
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But the human mind recoiled.
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54
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00:08:07,404 --> 00:08:09,363
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To wake up in another time
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55
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00:08:10,031 --> 00:08:13,534
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was to be born again, as an adult.
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56
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00:08:13,660 --> 00:08:15,661
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The shock was too great.
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57
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00:08:16,413 --> 00:08:20,666
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After sending lifeless or unconscious
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bodies into different time zones,
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58
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00:08:21,126 --> 00:08:26,088
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the inventors now focused on men
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with powerful mental images.
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59
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00:08:26,381 --> 00:08:29,550
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lf they could conceive of
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or dream of another time,
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60
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00:08:29,718 --> 00:08:32,887
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perhaps they would be able
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to enter into it.
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61
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00:08:35,222 --> 00:08:38,683
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The camp police spied
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even on dreams.
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62
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00:08:38,809 --> 00:08:41,060
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This man was selected
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63
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00:08:41,229 --> 00:08:44,982
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due to his fixation
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on an image from his past.
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64
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00:09:34,324 --> 00:09:39,787
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First, the present and all its supports
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must be stripped away.
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65
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00:09:42,207 --> 00:09:44,041
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They start again.
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66
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00:10:18,952 --> 00:10:20,661
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The subject doesn't die
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67
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00:10:20,787 --> 00:10:22,496
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or go mad.
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68
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00:10:22,664 --> 00:10:23,998
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He suffers.
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69
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00:10:24,541 --> 00:10:26,333
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They continue.
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70
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00:11:05,540 --> 00:11:07,875
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On the tenth day,
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71
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00:11:08,043 --> 00:11:11,545
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images begin to well up
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like confessions.
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72
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00:11:12,213 --> 00:11:14,465
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A peacetime morning.
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73
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00:11:17,427 --> 00:11:20,387
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A peacetime bedroom.
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A real bedroom.
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74
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00:11:22,849 --> 00:11:24,516
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Real children.
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75
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00:11:28,021 --> 00:11:29,646
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Real birds.
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76
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00:11:32,359 --> 00:11:34,026
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Real cats.
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77
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00:11:37,238 --> 00:11:38,906
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Real graves.
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78
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00:11:42,452 --> 00:11:45,245
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On the 1 6th day,
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he's on the observation deck.
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79
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00:11:45,372 --> 00:11:47,081
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lt's empty.
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80
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00:11:49,918 --> 00:11:52,628
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Sometimes he finds
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a day of happiness,
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81
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00:11:52,754 --> 00:11:54,671
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but it's a different one.
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82
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00:11:58,802 --> 00:12:02,346
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A happy face,
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but it's a different one.
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83
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00:12:06,476 --> 00:12:08,102
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Ruins.
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84
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00:12:10,355 --> 00:12:12,940
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A girl who could be
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the one he seeks.
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85
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00:12:15,235 --> 00:12:17,277
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He crosses her path
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on the observation deck.
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86
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00:12:20,782 --> 00:12:22,950
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She smiles at him from a car.
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87
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00:12:25,370 --> 00:12:28,288
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Other images pour out
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and mix
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88
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00:12:28,415 --> 00:12:31,291
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in a museum
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that is perhaps his memory.
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89
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00:13:12,876 --> 00:13:16,086
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On the 30th day,
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the meeting takes place.
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90
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00:13:19,591 --> 00:13:22,468
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This time he's sure
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he recognizes her.
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91
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00:13:22,594 --> 00:13:24,720
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ln fact, it's the only thing
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he's sure of
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92
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00:13:24,888 --> 00:13:28,765
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in this timeless world
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that amazes him with its riches.
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93
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00:13:44,157 --> 00:13:47,117
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All around him
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are astonishing materials:
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94
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00:13:47,702 --> 00:13:50,037
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glass, plastic,
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95
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00:13:50,163 --> 00:13:52,206
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terry cloth.
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96
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00:13:52,999 --> 00:13:55,959
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When he shakes off his fascination,
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97
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00:13:56,085 --> 00:13:58,170
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the woman has disappeared.
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98
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00:14:02,008 --> 00:14:05,385
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The experimenters tighten their control
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99
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00:14:05,553 --> 00:14:08,055
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and send him back on the trail.
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100
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00:14:08,223 --> 00:14:11,725
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Time rolls back again.
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The moment returns.
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101
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00:14:18,983 --> 00:14:22,444
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This time he's close to her
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and speaks to her.
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102
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00:14:22,570 --> 00:14:24,905
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She greets him without surprise.
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103
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00:14:26,407 --> 00:14:29,076
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They have no memories, no plans.
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104
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00:14:29,536 --> 00:14:32,621
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Time takes shape
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painlessly around them.
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105
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00:14:32,747 --> 00:14:35,582
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Their sole landmarks
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are the taste of the moment
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106
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00:14:36,084 --> 00:14:38,585
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and the markings on the walls.
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107
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00:14:49,347 --> 00:14:52,182
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Later they're in a garden.
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108
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00:14:52,350 --> 00:14:55,269
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Ηe remembers that there were gardens.
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109
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00:15:25,883 --> 00:15:27,926
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She asks him about his necklace,
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110
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00:15:28,094 --> 00:15:32,097
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the combat necklace he wore at the start
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of the war that is to break out someday.
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111
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00:15:32,599 --> 00:15:34,808
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He makes up an explanation.
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112
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00:15:39,230 --> 00:15:43,400
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They stop before a redwood trunk
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marked with historical dates.
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113
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00:15:44,152 --> 00:15:46,486
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She mentions a foreign name
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he doesn't understand.
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114
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00:15:54,871 --> 00:15:58,999
|
|
|
As in a dream, he points beyond
|
|
|
the tree trunk and hears himself say,
|
|
|
|
|
|
115
|
|
|
00:15:59,542 --> 00:16:01,335
|
|
|
"That's where l come from"...
|
|
|
|
|
|
116
|
|
|
00:16:04,088 --> 00:16:07,090
|
|
|
and falls back, exhausted.
|
|
|
|
|
|
117
|
|
|
00:16:09,677 --> 00:16:13,347
|
|
|
Then another wave of time lifts him up.
|
|
|
|
|
|
118
|
|
|
00:16:13,973 --> 00:16:16,266
|
|
|
They probably give him another shot.
|
|
|
|
|
|
119
|
|
|
00:16:26,694 --> 00:16:29,196
|
|
|
Now she lies sleeping in the sun.
|
|
|
|
|
|
120
|
|
|
00:16:37,705 --> 00:16:40,832
|
|
|
He thinks that,
|
|
|
in the time it took him
|
|
|
|
|
|
121
|
|
|
00:16:40,958 --> 00:16:44,169
|
|
|
to return to her world, she died.
|
|
|
|
|
|
122
|
|
|
00:16:51,886 --> 00:16:54,721
|
|
|
She wakes up.
|
|
|
Ηe speaks to her again.
|
|
|
|
|
|
123
|
|
|
00:16:55,348 --> 00:16:58,016
|
|
|
The truth being
|
|
|
too fantastic to be believed,
|
|
|
|
|
|
124
|
|
|
00:16:58,142 --> 00:17:01,353
|
|
|
he mentions only the essentials:
|
|
|
a distant land,
|
|
|
|
|
|
125
|
|
|
00:17:01,479 --> 00:17:03,855
|
|
|
a long way to travel.
|
|
|
|
|
|
126
|
|
|
00:17:04,232 --> 00:17:06,650
|
|
|
She listens and doesn't laugh.
|
|
|
|
|
|
127
|
|
|
00:17:36,055 --> 00:17:37,681
|
|
|
ls it the same day?
|
|
|
|
|
|
128
|
|
|
00:17:37,849 --> 00:17:39,683
|
|
|
Ηe no longer knows.
|
|
|
|
|
|
129
|
|
|
00:17:39,809 --> 00:17:42,978
|
|
|
They'll take countless walks
|
|
|
like this one,
|
|
|
|
|
|
130
|
|
|
00:17:43,104 --> 00:17:45,647
|
|
|
and an unspoken trust
|
|
|
will grow between them,
|
|
|
|
|
|
131
|
|
|
00:17:45,773 --> 00:17:48,608
|
|
|
trust in its purest form.
|
|
|
|
|
|
132
|
|
|
00:17:48,776 --> 00:17:53,113
|
|
|
No memories, no plans,
|
|
|
until the moment he senses
|
|
|
|
|
|
133
|
|
|
00:17:53,239 --> 00:17:56,158
|
|
|
a barrier ahead.
|
|
|
|
|
|
134
|
|
|
00:18:06,294 --> 00:18:09,463
|
|
|
Thus the first set of experiments
|
|
|
came to an end.
|
|
|
|
|
|
135
|
|
|
00:18:14,135 --> 00:18:16,511
|
|
|
lt was the starting point
|
|
|
for a series of tests
|
|
|
|
|
|
136
|
|
|
00:18:16,679 --> 00:18:18,805
|
|
|
in which he'd meet her
|
|
|
at different times.
|
|
|
|
|
|
137
|
|
|
00:18:24,520 --> 00:18:28,356
|
|
|
He meets her a few times
|
|
|
before their markings on the walls.
|
|
|
|
|
|
138
|
|
|
00:18:33,321 --> 00:18:35,739
|
|
|
She welcomes him simply.
|
|
|
|
|
|
139
|
|
|
00:18:36,199 --> 00:18:38,200
|
|
|
She calls him her ghost.
|
|
|
|
|
|
140
|
|
|
00:18:41,913 --> 00:18:43,830
|
|
|
One day she seems frightened.
|
|
|
|
|
|
141
|
|
|
00:18:46,918 --> 00:18:49,419
|
|
|
One day she leans over him.
|
|
|
|
|
|
142
|
|
|
00:18:52,673 --> 00:18:55,509
|
|
|
He never knows
|
|
|
whether he moves toward her
|
|
|
|
|
|
143
|
|
|
00:18:55,635 --> 00:18:57,135
|
|
|
or is pushed,
|
|
|
|
|
|
144
|
|
|
00:18:57,261 --> 00:19:00,889
|
|
|
whether he's made it all up
|
|
|
or is only dreaming.
|
|
|
|
|
|
145
|
|
|
00:20:02,577 --> 00:20:04,744
|
|
|
Around the 50th day,
|
|
|
|
|
|
146
|
|
|
00:20:05,079 --> 00:20:08,790
|
|
|
they meet in a museum
|
|
|
filled with ageless animals.
|
|
|
|
|
|
147
|
|
|
00:20:36,110 --> 00:20:39,446
|
|
|
Now their aim is perfect.
|
|
|
|
|
|
148
|
|
|
00:20:39,989 --> 00:20:42,282
|
|
|
They can aim him at a given moment,
|
|
|
|
|
|
149
|
|
|
00:20:42,450 --> 00:20:45,410
|
|
|
and he can stay there
|
|
|
and move around at ease.
|
|
|
|
|
|
150
|
|
|
00:22:20,047 --> 00:22:22,298
|
|
|
She too seems to have adjusted.
|
|
|
|
|
|
151
|
|
|
00:22:30,891 --> 00:22:34,936
|
|
|
She accepts the ways of this visitor
|
|
|
as a natural phenomenon,
|
|
|
|
|
|
152
|
|
|
00:22:35,062 --> 00:22:39,107
|
|
|
how he comes and goes,
|
|
|
exists, talks,
|
|
|
|
|
|
153
|
|
|
00:22:39,233 --> 00:22:42,277
|
|
|
laughs with her, falls silent,
|
|
|
listens to her,
|
|
|
|
|
|
154
|
|
|
00:22:42,403 --> 00:22:44,237
|
|
|
and then vanishes.
|
|
|
|
|
|
155
|
|
|
00:23:39,752 --> 00:23:42,587
|
|
|
Once back in the laboratory,
|
|
|
|
|
|
156
|
|
|
00:23:42,713 --> 00:23:45,965
|
|
|
he sensed that something
|
|
|
had changed.
|
|
|
|
|
|
157
|
|
|
00:23:46,342 --> 00:23:48,635
|
|
|
The camp director was there.
|
|
|
|
|
|
158
|
|
|
00:23:49,512 --> 00:23:52,138
|
|
|
From what was said around him,
|
|
|
|
|
|
159
|
|
|
00:23:52,264 --> 00:23:55,600
|
|
|
he gathered that after the success
|
|
|
of the experiments in the past,
|
|
|
|
|
|
160
|
|
|
00:23:55,726 --> 00:23:59,145
|
|
|
they now meant
|
|
|
to launch him into the future.
|
|
|
|
|
|
161
|
|
|
00:23:59,271 --> 00:24:02,148
|
|
|
His excitement
|
|
|
made him forget for a moment
|
|
|
|
|
|
162
|
|
|
00:24:02,316 --> 00:24:06,319
|
|
|
that the meeting in the museum
|
|
|
was their last.
|
|
|
|
|
|
163
|
|
|
00:24:13,327 --> 00:24:16,162
|
|
|
The future was better armored
|
|
|
than the past.
|
|
|
|
|
|
164
|
|
|
00:24:18,499 --> 00:24:21,793
|
|
|
After several
|
|
|
even more grueling attempts,
|
|
|
|
|
|
165
|
|
|
00:24:21,919 --> 00:24:25,088
|
|
|
he eventually caught
|
|
|
some waves of the world to come.
|
|
|
|
|
|
166
|
|
|
00:24:28,050 --> 00:24:30,718
|
|
|
He crossed a planet transformed...
|
|
|
|
|
|
167
|
|
|
00:24:32,304 --> 00:24:34,347
|
|
|
with Paris rebuilt...
|
|
|
|
|
|
168
|
|
|
00:24:34,849 --> 00:24:37,225
|
|
|
10,000 incomprehensible streets.
|
|
|
|
|
|
169
|
|
|
00:24:42,273 --> 00:24:44,607
|
|
|
Others were waiting for him.
|
|
|
|
|
|
170
|
|
|
00:24:48,195 --> 00:24:50,530
|
|
|
lt was a brief encounter.
|
|
|
|
|
|
171
|
|
|
00:24:50,656 --> 00:24:54,659
|
|
|
They clearly refused
|
|
|
this slag from another time.
|
|
|
|
|
|
172
|
|
|
00:24:57,163 --> 00:24:59,831
|
|
|
He recited his lesson:
|
|
|
|
|
|
173
|
|
|
00:24:59,957 --> 00:25:02,083
|
|
|
Since humanity had survived,
|
|
|
|
|
|
174
|
|
|
00:25:02,251 --> 00:25:07,213
|
|
|
it couldn't refuse to its own past
|
|
|
the means of its own survival.
|
|
|
|
|
|
175
|
|
|
00:25:12,011 --> 00:25:15,680
|
|
|
This sophism was taken
|
|
|
for fate in disguise.
|
|
|
|
|
|
176
|
|
|
00:25:27,902 --> 00:25:29,777
|
|
|
They gave him a power unit
|
|
|
|
|
|
177
|
|
|
00:25:29,904 --> 00:25:33,448
|
|
|
strong enough to set
|
|
|
all human industry in motion again.
|
|
|
|
|
|
178
|
|
|
00:25:34,074 --> 00:25:37,035
|
|
|
Then the gates of the future
|
|
|
closed once again.
|
|
|
|
|
|
179
|
|
|
00:25:45,502 --> 00:25:47,795
|
|
|
Shortly after his return,
|
|
|
|
|
|
180
|
|
|
00:25:47,922 --> 00:25:50,673
|
|
|
he was transferred
|
|
|
to another part of the camp.
|
|
|
|
|
|
181
|
|
|
00:25:51,258 --> 00:25:54,093
|
|
|
He knew his jailers
|
|
|
would not spare him.
|
|
|
|
|
|
182
|
|
|
00:25:54,929 --> 00:25:57,096
|
|
|
He'd been a tool in their hands.
|
|
|
|
|
|
183
|
|
|
00:25:57,264 --> 00:26:01,434
|
|
|
His childhood image
|
|
|
had served as bait to train him.
|
|
|
|
|
|
184
|
|
|
00:26:01,560 --> 00:26:04,729
|
|
|
He'd lived up to their expectations
|
|
|
and played his part.
|
|
|
|
|
|
185
|
|
|
00:26:04,855 --> 00:26:07,398
|
|
|
Now he only waited to be executed,
|
|
|
|
|
|
186
|
|
|
00:26:07,524 --> 00:26:12,362
|
|
|
with the memory of a twice-lived
|
|
|
moment in time somewhere inside him.
|
|
|
|
|
|
187
|
|
|
00:26:14,114 --> 00:26:18,284
|
|
|
Deep in this limbo, he received word
|
|
|
from the people of the future.
|
|
|
|
|
|
188
|
|
|
00:26:19,453 --> 00:26:21,704
|
|
|
They too could travel through time,
|
|
|
|
|
|
189
|
|
|
00:26:22,289 --> 00:26:24,374
|
|
|
and more easily.
|
|
|
|
|
|
190
|
|
|
00:26:24,875 --> 00:26:26,918
|
|
|
There they were,
|
|
|
|
|
|
191
|
|
|
00:26:27,044 --> 00:26:30,964
|
|
|
ready to accept him
|
|
|
as one of their own.
|
|
|
|
|
|
192
|
|
|
00:26:33,259 --> 00:26:35,802
|
|
|
But he had a different request.
|
|
|
|
|
|
193
|
|
|
00:26:36,345 --> 00:26:39,097
|
|
|
Rather than that pacified future,
|
|
|
|
|
|
194
|
|
|
00:26:39,223 --> 00:26:43,268
|
|
|
he asked to be returned
|
|
|
to the world of his childhood
|
|
|
|
|
|
195
|
|
|
00:26:43,769 --> 00:26:46,980
|
|
|
and that woman
|
|
|
who might be waiting for him.
|
|
|
|
|
|
196
|
|
|
00:26:52,987 --> 00:26:55,113
|
|
|
Once again
|
|
|
on the observation deck at Orly...
|
|
|
|
|
|
197
|
|
|
00:26:56,240 --> 00:27:00,076
|
|
|
on this warm Sunday before the war
|
|
|
where he could now stay,
|
|
|
|
|
|
198
|
|
|
00:27:00,202 --> 00:27:02,996
|
|
|
he thought confusedly
|
|
|
how the child he'd been
|
|
|
|
|
|
199
|
|
|
00:27:03,122 --> 00:27:07,166
|
|
|
must be there too,
|
|
|
watching the planes.
|
|
|
|
|
|
200
|
|
|
00:27:07,751 --> 00:27:09,961
|
|
|
But first he sought out
|
|
|
a woman's face
|
|
|
|
|
|
201
|
|
|
00:27:10,087 --> 00:27:12,672
|
|
|
at the end of the deck.
|
|
|
|
|
|
202
|
|
|
00:27:32,318 --> 00:27:34,193
|
|
|
He ran toward her.
|
|
|
|
|
|
203
|
|
|
00:27:34,361 --> 00:27:37,280
|
|
|
And when he recognized the man
|
|
|
who'd trailed him from the camp,
|
|
|
|
|
|
204
|
|
|
00:27:38,490 --> 00:27:41,034
|
|
|
he realized there was
|
|
|
no escape from time,
|
|
|
|
|
|
205
|
|
|
00:27:41,744 --> 00:27:45,121
|
|
|
and that that moment
|
|
|
he'd been granted to see as a child,
|
|
|
|
|
|
206
|
|
|
00:27:45,581 --> 00:27:48,291
|
|
|
and that had obsessed him
|
|
|
forever after...
|
|
|
|
|
|
207
|
|
|
00:27:49,877 --> 00:27:52,754
|
|
|
was the moment of his own death.
|
|
|
|
|
|
208
|
|
|
00:27:59,594 --> 00:28:06,594
|
|
|
|
|
|
|