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## Steve Rushton
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[](steve/ProfileSteveR.png)
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Steve Rushton is a writer and editor based in Rotterdam. Rushton’s publications include *Experience, Memory, Re-enactment*, 2005 (co-editor); *The Milgram Re-enactment*, 2003 (contributing editor) *Masters of Reality* (2011). He has written essays and stories for numerous artists’ publications. He has collaborated with a number of artists and writers, including Rod Dickinson, Thomson & Craighead, Everything Editorial and Dexter Sinister. He is a co-founder of the research group Signal:Noise (2010-12), which investigated the prevalence of notions of feedback in contemporary culture. His ongoing project, a wiki entitled *The Fabulous Loop de Loop, a cybernetic discourse as read through seven feedback machines* (2020-present), builds on these interests
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**Current project (perpetually  in-process)** *The Fabulous Loop de Loop*
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<https://hub.xpub.nl/fabulousloopdeloop/index.php/Main_Page>
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**A few past projects**
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*Closed Circuit*:
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(article related to)
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<http://www.aksioma.org/closed_circuit/steve_rushton.html>
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(video clip of)
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<https://www.roddickinson.net/pages/closedcircuit/project-video.php>
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*Short Film About War*:
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<http://www.thomson-craighead.net/warfilm.html>
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## Marloes de Valk
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[](marloes/SudDeutscheZeitung_portrait-bw.jpg)
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Marloes de Valk (NL) is a software artist and writer in the post-despair
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stage of coping with the threat of global warming and being spied on by
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the devices surrounding her. Surprised by the obsessive dedication with
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which we, even post-Snowden, share intimate details about ourselves to
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an often not too clearly defined group of others, astounded by the
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deafening noise we generate while socializing with the technology around
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us, she is looking to better understand why.
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She is a PhD researcher at the [Centre for the Study of the Networked
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Image at London South Bank University](https://www.centreforthestudyof.net/), in collaboration with [The
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Photographer's Gallery](https://thephotographersgallery.org.uk/), looking into the material and social impact of
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the networked image on the climate crisis, with special attention to the
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entanglements between greenwashing - the misdirection of attention and
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efforts in tackling the crisis - and the increasing energy and resource
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consumption associated with the circulation of networked images. Typical
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of those in the post-despair stage, she experiments with sustainable
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ways of publishing her findings.
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Marloes has participated in exhibitions internationally, teaches
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workshops, gives lectures (a.o. at Transmediale and Chaos Communication
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Congress) and has published articles on Free/Libre/Open Source Software,
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free culture, art and technology (a.o. in the Contemporary Music Review
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and Artnodes). In 2018 she was the winner of the Hash Award, an
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international production award granted by ZKM and Akademie Schloss
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Solitude. As a member of artist collective GOTO10, she has helped
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develop the puredyne GNU/Linux distribution and Make Art festival.
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Together with Aymeric Mansoux she is editor of the publication
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FLOSS+Art, published early 2009. She is part of Plutonian Corp., La
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Société Anonyme and Iodine dynamics.
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<https://bleu255.com/~marloes/>
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