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< title > Low-Tech Chronicles < / title >
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< h1 id = 'project-title' > Low-Tech Chronicles < a href = '#hleft-text' class = 'show' > ⓘ< / a > < / h1 >
< h2 id = 'student-name' > Mark van den Heuvel< / h2 >
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< p > XPUB is the Master of Arts in Fine Art and Design: Experimental Publishing of the Piet Zwart Institute. XPUB focuses on the acts of making things public and creating publics in the age of post-digital networks. XPUB's interests in publishing are twofold:< / br > < / br >
-> first, publishing as the inquiry and participation into the technological frameworks, political context and cultural processes through which things are made public;< / br > < / br >
-> and second, how these are, or can be, used to create publics by expanding the means of discourse circulation beyond print media and its direct digital translation.< / br > < / br > < a id = 'getback' class = 'int' > go back < / a > < / p >
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< p > LOW-TECH CHRONICLES is an experimental publication series that focuses on (re)activating so-called obsolete technologies. Each issue embeds possibly forgotten media standards and techniques into today's (networked) media environments so as to collectively rethink their lost and new potential. While there is a pressure to constantly adopt fast, slick, and state-of-the-art high-tech, this series proposes instead to engage with slower, 'unstable' and forgotten low-tech alternatives.< / p >
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< p > < em > Issue #1: Ephemeral Encodings< / em >
This FIRST issue revolves around the topic how sound can play a role in the perception of the material properties of computation as the latter is often perceived as 'immaterial'. The publication consists of 2 readers and an audio cassette. The first part is a collection of stories and anecdotes by 18 contributors. For this part, each contributor was invited to share a vivid memory or almost-forgotten experience on how sound connected them to the material world of computation and digital networking. To enrich their stories, each contributor provided a piece of audio and an (modulated) image with their text. The second part is a thesis that discusses the the topic of the (disappearing) sound of computer activity more in-depth. The issue explores the theme by experimenting with the material properties of the contents itself.< / p >
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< p > Mark van den Heuvel is a researcher, designer and musician from the Netherlands. His works mainly focusses on reframing the potential and context of so-called obsolete technologies trough artistic research. This takes place in the midst of publishing, performing, presenting and collaborating.< / p >
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< div class = 'col1' > < img src = 'img/xpub_logo_2020.svg' class = 'logo' style = "width: 95%;" / > < p class = 'gradShow' > c_o_l_l_e_c_t_i_v_e_i_o_n_i_n_g< / p > < p > July 2020< / p > < / div >
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< p class = 'subcl1' > Bohye Woo< / p >
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< p class = 'subcl1' > Angeliki Diakrousi< / p >
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< p class = 'subcl1' > Zalán Szakács< / p >
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< div class = 'col1' > < img src = 'img/xpub_logo_2018.svg' class = 'logo' / > < p class = 'gradShow' > Ex, XPUB< / p > < p > July 2018< / p >
< div class = 'attch' >
< p > < a href = 'https://media.xpub.nl/gradshow-2018-web.mp4' target = '_blank' class = 'ext' > 📎 gradshow.mp4< / a > < / p >
< div id = 'gradshow' >
< h3 class = 'gal-title' > Graduation Show< / h3 >
< img src = "img/gradshow1.jpg" class = 'workimg' / >
< img src = "img/gradshow2.jpg" class = 'workimg' / >
< img src = "img/gradshow3.jpg" class = 'workimg' / >
< img src = "img/gradshow4.jpg" class = 'workimg' / >
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< div class = 'col6' >
< div class = 'subrow' >
< p class = 'subcl1' > Karina Dukalska< / p >
< p class = 'subcl2' > < a href = 'back-it-up/' class = 'ext' > Back It Up< / a > < / p >
< p class = 'subcl3' > < a href = 'back-it-up/pdf/Publication-Karina_ABC_thesis.pdf' target = '_blank' class = 'ext' > PDF< / a > // < a href = '#2018-att1' class = 'int' > IMG< / a > < / p >
< / div >
< div class = 'subrow' >
< p class = 'subcl1' > Franc González< / p >
< p class = 'subcl2' > < a href = 'referendum-medialogs/' class = 'ext' > Referendum Medialogs< / a > < / p >
< p class = 'subcl3' > < a href = 'referendum-medialogs/pdf/Publication-referendum_medialogs.pdf' target = '_blank' class = 'ext' > PDF< / a > // < a href = '#2018-att2' class = 'int' > IMG< / a > < / p >
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< div class = 'subrow' >
< p class = 'subcl1' > Max Franklin< / p >
< p class = 'subcl2' > < a href = 'anomolous-faces/' class = 'ext' > Anomolous faces< / a > < / p >
< p class = 'subcl3' > < a href = 'anomolous-faces/pdf/Publication-POD_Thesis_Max-Franklin.pdf' target = '_blank' class = 'ext' > PDF< / a > // < a href = '#2018-att3' class = 'int' > IMG< / a > < / p >
< / div >
< div class = 'subrow' >
< p class = 'subcl1' > Nadine Rotem-Stibbe< / p >
< p class = 'subcl2' > < a href = 'unpublishing/' class = 'ext' > Unpublishing< / a > < / p >
< p class = 'subcl3' > < a href = 'unpublishing/Thesis-N.Rotem-Stibbe.pdf' target = '_blank' class = 'ext' > PDF< / a > // < a href = '#2018-att4' class = 'int' > IMG< / a > < / p >
< / div >
< div class = 'subrow' >
< p class = 'subcl1' > Pleun Gremmen< / p >
< p class = 'subcl2' > < a href = 'alt-reality-lexicon/' class = 'ext' > Alt Reality Lexicon< / a > < / p >
< p class = 'subcl3' > < a href = 'alt-reality-lexicon/pdf/Publication-AltRealityLexBook.pdf' target = '_blank' class = 'ext' > PDF< / a > // < a href = '#2018-att5' class = 'int' > IMG< / a > < / p >
< / div >
< div class = 'subrow' >
< p class = 'subcl1' > Giulia de Giovanelli< / p >
< p class = 'subcl2' > < a href = 'unlearning-the-rules-of-collectivity/' class = 'ext' > Unlearning the Rules of Collectivity< / a > < / p >
< p class = 'subcl3' > < a href = 'unlearning-the-rules-of-collectivity/pdf/Publication-thesis Giuliade Giovanelli.pdf' target = '_blank' class = 'ext' > PDF< / a > // < a href = '#2018-att6' class = 'int' > IMG< / a > < / p >
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< / section >
< footer > < / footer >
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