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This week's broadcast will focus on the concepts of:<br>
authorship<br>
/ˈɔːθəʃɪp/<br>
noun<br>
the state or fact of being the writer of a book, article, or document, or the creator of a work of art.<br>
<br>
ownership<br>
/ˈəʊnəʃɪp/<br>
noun<br>
the act, state, or right of possessing something.<br>
<br>
To what extent are you the author of your work? Does this mean that you own it? <br>
How could ownership and authorship be redefined in the context of contemporary cultural production?<br>
<br>
Is everything a remix? <br>
At what point can appropriation become problematic?<br>
Where does friction arise between the concepts of authorship and ownership?
</p>
In this weeks podcast well be questionning how our works depend, and have been depending all along, on preexisting material.<br>
Is everything a remix?<br>
To what extent are we the authors of our work?<br>
In what ways do we own it ? <br>
<br>
authorship<br>
/ˈɔːθəʃɪp/<br>
noun<br>
the state or fact of being the writer of a book, article, or document, or the creator of a work of art.<br>
<br>
ownership<br>
/ˈəʊnəʃɪp/<br>
noun<br>
the act, state, or right of possessing something.<br>
<br>
Well explore the frictions between the concepts of authorship and ownership, and the ways in which they can be redefined in the context of contemporary cultural production.
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<p class="frame">òòòòòòòòòòòòòòòòòòòòòòòòòòòòò</p>
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