A <em>Special Issue</em> is a tri-annually released publication created by the XPUB master's students, allowing students and staff to explore <!-- different workflows, collaboration, open source publication techniques and investigate not only --> not only the individual themes of each edition, but also the definition of what is or can be a publication.
<p>
Each <em>Special Issue</em> addresses a specific "issue", often coordinated with outside events and collaborations, and culminates in a release party.
<!-- The form of each <em>Special Issue</em> varies as a means of critically engaging with the diverse media, scales, and historical specificity of a particular issue. -->
The organisation, tools, and workflows are reset every trimester to both allow the rotation of roles within this publishing experiment, but also permit to explore novel collaborative methods beyond their archetypes and stereotypes.
</p>
</section>
<!-- max. width of an image is 540px -->
<h1>XPUB<br/>
SPECIAL<br/>
ISSUES</h1>
<p>A <em>Special Issue</em> is a tri-annually released publication created by the XPUB master's students, allowing students and staff to explore <!-- different workflows, collaboration, open source publication techniques and investigate not only --> not only the individual themes of each edition, but also the definition of what is or can be a publication.</p>
<p>Each <em>Special Issue</em> addresses a specific "issue", often coordinated with outside events and collaborations, and culminates in a release party. <!-- The form of each <em>Special Issue</em> varies as a means of critically engaging with the diverse media, scales, and historical specificity of a particular issue. -->
The organisation, tools, and workflows are reset every trimester to both allow the rotation of roles within this publishing experiment, but also permit to explore novel collaborative methods beyond their archetypes and stereotypes.</p>
</section><!-- max. width of an image is 540px -->
<divclass="issue-title">Counter Tourist Information Center</div>
<divclass="issue-text">
<p>Welcome to the pop-up Counter-Tourist Information Center! The only place in Rotterdam that offers a unique personalized view of the city. Do you want to experience the city—without being a nuisance to residents—as a local Rotterdammer would? Wait no more! Drop by the Counter-Tourist Information Center for all things authentic Rotterdam: loitering, littering and anti model-citizen etiquette. We offer personalized guides and blending-in equipment.</p>
<p>Peripheral centers and feminist servers investigate multiple approaches to the conditions of serving. It interrupts the endless flow of data that fuels the economy, exposing the cracks and gaps of the techno-scientific paradigm imposed on society. Where commands are executed, connections made, trust exchanged, and resources shared.</p>
<p>This feminist data center brings to light the physical infrastructure and actual labour which enable the processes we perform every day. In this exploration, we think through feminist approaches that reveal the concealed layers of our on(off)line interactions. We broaden our understanding of how this tangible, energy-intensive infrastructure truly operates behind the seemingly innocent notion of the ‘cloud’.</p>
<p>The various projects within Peripheral centers and feminist servers expose their infrastructure, emphasizing the material conditions of their production. We advocate that the fairy tale of immateriality has real socio-economic-environmental consequences.</p>
<p>In the middle of an on-going apocalypse what should be preserved, and what forgotten? In the efforts of scavenging and resurrecting a sonic archive. It is only a question of time until all will be lost. Lend an ear as we collectively explore, activate and transmit the archive of Worm community Radio. We must listen closely, we must decide what remains and how we can rebuild upon a fractured past. Become absorbed by a re-imagined reality through an archival deep-dive!</p>
<p>This issue started from a single technical object: a Model 33 Teletype machine.
The teletype is the meeting point between typewriters and computer interfaces,
a first automated translator of letters into bits. Equipped with a keyboard,
a transmitter and a punchcard read-writer, it is a historical link between early
transmission technology such as the telegraph and the Internet of today.
Under the administration of our kubernētēs, Martino Morandi, each week
hosted a guest contributor who joined us in unfolding the many cultural and
technical layers that we found stratified in such a machine, reading them
as questions to our contemporary involvements with computing and with networks.</p>
<p>The format of the issue consisted of on an on-going publishing arrangement,
constantly re-considered and escaping definition at every point in spacetime,
a sort of Exquisite Corpse Network. It evaded naming, location, and explanation;
the Briki, the Breadbrick, the Worm Blob. A plan to release weekly bricks was wattled
by a shared understanding of time into something more complex in structure,
less structured in complexity.<br></p>
<p>Special thanks to Martino Morandi (guest editor), Andrea di Serego Alighieri,
Femke Snelting, Isabelle Sully, Jara Rocha, Roel Roscam Abbing, and Zoumana Meïté.
Your generous contribution has made those releases possible,
and we are deeply grateful for your gesture.<br></p>
<p>Yours,<br>
<p>This issue started from a single technical object: a Model 33 Teletype machine. The teletype is the meeting point between typewriters and computer interfaces, a first automated translator of letters into bits. Equipped with a keyboard, a transmitter and a punchcard read-writer, it is a historical link between early transmission technology such as the telegraph and the Internet of today. Under the administration of our kubernētēs, Martino Morandi, each week hosted a guest contributor who joined us in unfolding the many cultural and technical layers that we found stratified in such a machine, reading them as questions to our contemporary involvements with computing and with networks.</p>
<p>The format of the issue consisted of on an on-going publishing arrangement, constantly re-considered and escaping definition at every point in spacetime, a sort of Exquisite Corpse Network. It evaded naming, location, and explanation; the Briki, the Breadbrick, the Worm Blob. A plan to release weekly bricks was wattled by a shared understanding of time into something more complex in structure, less structured in complexity.<br/></p>
<p>Special thanks to Martino Morandi (guest editor), Andrea di Serego Alighieri, Femke Snelting, Isabelle Sully, Jara Rocha, Roel Roscam Abbing, and Zoumana Meïté. Your generous contribution has made those releases possible, and we are deeply grateful for your gesture.<br/></p>
Dear gardener librarians, book smellers and textual explorers,
<br>
Special Issue 19 is harvested. Welcome! Here every librarian (librarians of their own library) is welcome to garden Leeszaal and discover what this library offers. We will see behind the curtains of how the unwanted books are kept in this library. Leeszaal is not a real library, it's an open-ended story where everyone is a member; a plot waiting to be tended to and tilled. Volunteers sort all the books that people contribute. Some of them aren't going to make it to the shelves. They will end up as a pile of paper in trash bins, waiting to be recycled. And that's ok.
<br>
This publication is a momentary snapshot of the current state of a library seen through the metaphor of gardening; pruning, gleaning, growing, grafting and harvesting. Garden Leeszaal is an open conversation; a collective writing tool, a cooperative collage and an archive. We would like to ask everyone to think of the library as a garden. For us, being a gardener means caring; caring for the people and books that form this space.
</p>
<p>
This experimental publication sprouted in co-production with Simon Browne and the bootleg library, Cara Manuela Mayer Yepez, Irmak Ertaş, Stephen Kerr, Aglaia Petta, Ada Varriale and Boyana Stoilova.
<p>Dear gardener librarians, book smellers and textual explorers,<br/>
Special Issue 19 is harvested. Welcome! Here every librarian (librarians of their own library) is welcome to garden Leeszaal and discover what this library offers. We will see behind the curtains of how the unwanted books are kept in this library. Leeszaal is not a real library, it's an open-ended story where everyone is a member; a plot waiting to be tended to and tilled. Volunteers sort all the books that people contribute. Some of them aren't going to make it to the shelves. They will end up as a pile of paper in trash bins, waiting to be recycled. And that's ok.<br/>
This publication is a momentary snapshot of the current state of a library seen through the metaphor of gardening; pruning, gleaning, growing, grafting and harvesting. Garden Leeszaal is an open conversation; a collective writing tool, a cooperative collage and an archive. We would like to ask everyone to think of the library as a garden. For us, being a gardener means caring; caring for the people and books that form this space.</p>
<p>This experimental publication sprouted in co-production with Simon Browne and the bootleg library, Cara Manuela Mayer Yepez, Irmak Ertaş, Stephen Kerr, Aglaia Petta, Ada Varriale and Boyana Stoilova.</p>
<divclass="issue-title">Radio Implicancies: Methods To Practice Interdependencies</div>
<divclass="issue-text">
<p>
The time pressure and weekly format framework left the overall project stuck under the surface of the water, as under an ice floe. Yet, the time spared on reflecting over past releases was invested in a bold pace of exploration, in which each week the group has re-conceptualised new work methodologies. The urgency of experimenting with new infrastructures and breaking down mainstream hierarchical ones, took over the reflection of the resulted emergencies within each project. The ice floe broke at some place, enabling water flows, but those remained disparate, a stream still waiting to be connected.
</p>
<p>
Ål Nik (Alexandra Nikolova), Carmen Gray, Chaeyoung Kim, Emma Prato, Erica Gargaglione, Francesco Luzzana, Gersande Schellinx, Jian Haake, Kimberley Cosmilla, Miriam Schöb, Mitsa Chaida, Supisara Burapachaisri
Radio Implicancies: Methods To Practice Interdependencies
</div>
<divclass="issue-text">
<p>The time pressure and weekly format framework left the overall project stuck under the surface of the water, as under an ice floe. Yet, the time spared on reflecting over past releases was invested in a bold pace of exploration, in which each week the group has re-conceptualised new work methodologies. The urgency of experimenting with new infrastructures and breaking down mainstream hierarchical ones, took over the reflection of the resulted emergencies within each project. The ice floe broke at some place, enabling water flows, but those remained disparate, a stream still waiting to be connected.</p>
<p>Ål Nik (Alexandra Nikolova), Carmen Gray, Chaeyoung Kim, Emma Prato, Erica Gargaglione, Francesco Luzzana, Gersande Schellinx, Jian Haake, Kimberley Cosmilla, Miriam Schöb, Mitsa Chaida, Supisara Burapachaisri</p>
Welcome to my productive space. Here play meets work. Time is ordered in unusual ways and patterns unravel. Together, we mess with the boundaries between leisure and labour.
</p>
<p>
How are your boundaries? Maybe you shouldn't go to work tomorrow. But could you really follow your own schedule? Would you be more productive if you chose when to work?
</p>
<p>
Ål Nik (Alexandra Nikolova), Carmen Gray, Chaeyoung Kim, Emma Prato, Erica Gargaglione, Francesco Luzzana, Gersande Schellinx, Jian Haake, Kimberley Cosmilla, Miriam Schöb, Mitsa Chaida, Supisara Burapachaisri
</p>
</div>
</a>
<p>I found you for a reason.</p>
<p>Welcome to my productive space. Here play meets work. Time is ordered in unusual ways and patterns unravel. Together, we mess with the boundaries between leisure and labour.</p>
<p>How are your boundaries? Maybe you shouldn't go to work tomorrow. But could you really follow your own schedule? Would you be more productive if you chose when to work?</p>
<p>Ål Nik (Alexandra Nikolova), Carmen Gray, Chaeyoung Kim, Emma Prato, Erica Gargaglione, Francesco Luzzana, Gersande Schellinx, Jian Haake, Kimberley Cosmilla, Miriam Schöb, Mitsa Chaida, Supisara Burapachaisri</p>
<divclass="issue-title">Learning How to Walk While Catwalking</div>
<divclass="issue-text">
<p>
Dear friend and online scroller, <br>
Beloved internet user, <br>
Dearest binge watcher and human being IRL,
</p>
<p>
We welcome you to our publication on vernacular language processing!
</p>
<p>
Be confident, be ambitious and be ready to fail a lot. Our Special Issue is a toolkit to mess around with language: from its standard taxonomies and tags, to its modes of organizing information and its shaping knowledge. With these tools we want to legitimize failures and amatorial practices by proposing a more vernacular understanding of language.
</p>
<p>
We decided to release the publication in the form of an API (Application Programming Interface).
</p>
<p>
Ål Nik (Alexandra Nikolova), Carmen Gray, Chaeyoung Kim, Emma Prato, Erica Gargaglione, Francesco Luzzana, Gersande Schellinx, Jian Haake, Kimberley Cosmilla, Miriam Schöb, Mitsa Chaida, Supisara Burapachaisri
<p>We welcome you to our publication on vernacular language processing!</p>
<p>Be confident, be ambitious and be ready to fail a lot. Our Special Issue is a toolkit to mess around with language: from its standard taxonomies and tags, to its modes of organizing information and its shaping knowledge. With these tools we want to legitimize failures and amatorial practices by proposing a more vernacular understanding of language.</p>
<p>We decided to release the publication in the form of an API (Application Programming Interface).</p>
<p>Ål Nik (Alexandra Nikolova), Carmen Gray, Chaeyoung Kim, Emma Prato, Erica Gargaglione, Francesco Luzzana, Gersande Schellinx, Jian Haake, Kimberley Cosmilla, Miriam Schöb, Mitsa Chaida, Supisara Burapachaisri</p>
If technological systems are implicated in the structuring of knowledge and knowledge systems are implicated in how technology operates … how do we start to think the world otherwise?!
<br>
<b>testing 2, 1, 4. test. test.</b>
<br>
This is the first ever broadcast of XPUB year of 2021/2022. Tune into a compilation of obscure sounds and voices of the moment. Laying the ground for many more experimental streams to come.
<br>
Eight weekly broadcasts emit the signals of different constellations within the ten of us, bringing forth different responses and creating new approaches to the way knowledge and technology interplay and create inherent structures.
<p>If technological systems are implicated in the structuring of knowledge and knowledge systems are implicated in how technology operates … how do we start to think the world otherwise?!<br/>
<b>testing 2, 1, 4. test. test.</b><br/>
This is the first ever broadcast of XPUB year of 2021/2022. Tune into a compilation of obscure sounds and voices of the moment. Laying the ground for many more experimental streams to come.<br/>
Eight weekly broadcasts emit the signals of different constellations within the ten of us, bringing forth different responses and creating new approaches to the way knowledge and technology interplay and create inherent structures.</p>
<p>Kendal Beynon, Martin Foucaut, Camilo García A., Clara Gradel, Nami Kim, Euna Lee, Jacopo Lega, Federico Poni, Louisa Teichmann and Floor van Meeuwen</p>
<p>Another lockdown; shops closed, museums closed, bars closed, cafés closed, restaurants closed. You turn to escapist media, in another attempt to climb the inner walls of a deflating castle. All that is left is the city in its rawest form and the people inhabiting its shut down structures. Where can you go if everything is closed? What could you encounter along the way? Locked within the walls of a comatose town, you are missing direction. If the city is your new playground, who are the players and what is the objective?</p>
<p>Kendal Beynon, Martin Foucaut, Camilo García A., Clara Gradel, Nami Kim, Euna Lee, Jacopo Lega, Federico Poni, Louisa Teichmann and Floor van Meeuwen</p>
<divclass="issue-title"style="font-family: 'special-issue-13-t';">WOR(<spanstyle="font-family: special-issue-13-custom; font-size: 25px;">L</span>)DS FOR THE FUTURE</div>
<p>Words have the power to shape reality. Wor(l)ds for the Future is a set of map making tools to re-imagine and collect wor(l)ds, and to re-publish an everchanging atlas. We invite you to delve into the materials and traverse the texts in any way you desire: by cutting and pasting the printed matter, or by unravelling the texts online. The choice is yours. You can reconstruct images and reinterpret words to create Wor(l)ds for the Future.</p>
<p>Kendal Beynon, Martin Foucaut, Camilo García A., Clara Gradel, Nami Kim, Euna Lee, Jacopo Lega, Federico Poni, Louisa Teichmann and Floor van Meeuwen</p>
<p> Radio Implicancies is a weekly broadcast of recorded and live matter brought to you by Piet Zwart Institute's Experimental Publishing programme. Radio Implicancies starts in the middle. Each broadcast means to engage with the way technologies are worlding the world. Take a deep breath and jump in on other ways of calculating, validating, ordering and framing collections of digital material. Let’s not wait for tomorrow to pay attention to the colonial conditionings of contemporary techno-cultures!
</p>
<p>Radio Implicancies is a weekly broadcast of recorded and live matter brought to you by Piet Zwart Institute's Experimental Publishing programme. Radio Implicancies starts in the middle. Each broadcast means to engage with the way technologies are worlding the world. Take a deep breath and jump in on other ways of calculating, validating, ordering and framing collections of digital material. Let’s not wait for tomorrow to pay attention to the colonial conditionings of contemporary techno-cultures!</p>
<p>Avital Barkai, Damlanur Bilgin, Sandra Golubjevaite, Tisa Neža Herlec, Mark van den Heuvel, Max Lehmann, Mika Motskobili, Clara Noseda, Anna Sandri, and Ioana Tomici</p>
<p>From the other side of the world we were given data about a past dictatorship. A portion of an archive that exists to keep history truthful, educating the present, the recurrent time of political urgency and authoritarian repression. We were entrusted to secure it, manage it and publish it anonymously. Here, we cannot share the archive itself, but we can share our stories (experiences) and the process (tools, methods) we underwent while working with it. If the political situation sharpens and censorship and repression over meaning endanger our beings, this collectively assembled website is the place that offers an insight into possible solutions that do everything to keep our voices heard and our bodies intact.</p>
<p>Avital Barkai, Damlanur Bilgin, Sandra Golubjevaite, Tisa Neža Herlec, Mark van den Heuvel, Max Lehmann, Mika Motskobili, Clara Noseda, Anna Sandri, and Ioana Tomici</p>
<p>We would to invite you to combine, modulate, compose, and play with our 10 unique contributions to the common assembly of the modular publication INPUT-OUTPUT. Each contribution consists of one or more modules. Each of them represents our individual interests in the matter of signals, circuits, language and interfaces, while using modular synthesis as a means to explore these concepts and systems. Outputs vary between sound, image and text. Assemble and use at your own risk.</p>
<p>Avital Barkai, Damlanur Bilgin, Sandra Golubjevaite, Tisa Neža Herlec, Mark van den Heuvel, Max Lehmann, Mika Motskobili, Clara Noseda, Anna Sandri, and Ioana Tomici</p>
<p><em>The Library Is Open</em> invites you to an afternoon of workshops that make the operations within libraries visible. Join us in exploring the actions and roles of legal and extra-legal libraries (municipal, pirate, academic, +++), their custodians, and the public that form a community around collections of texts.</p>
<p>Simon Browne, Tancredi Di Giovanni, Paloma García, Rita Graça, Artemis Gryllaki, Pedro Sá Couto, Biyi Wen and Bohye Woo</p>
<p>We traveled from home to home by bicycle, setting up homeservers. As friends and companions on this <em>Infrastructour</em>, we studied our routers over drinks served by our hosts. Where possible we installed our servers in our homes, in other cases we had to depend on another member of the group. While self-hosting together we questioned our understandings of networks, autonomy, online publishing and social infrastructures, where each of us departed from a different question. We would like to share our personal (yet interconnected) routes with you, tell you a story, present our web- and printed zines, and invite you to explore our homebrewed network.</p>
<p>Simon Browne, Tancredi Di Giovanni, Paloma García, Rita Graça, Artemis Gryllaki, Pedro Sá Couto, Biyi Wen and Bohye Woo</p>
<p>(◕‿◕) Take your time to reflect on this: Are you doing what you truly want to do? (◕‿◕) ị̞͍s̯̩̠ ̴̩͉̫̗͇ț̠ͅh̪̼̟̪̕i͠s͎̝̩̯̩̠ ̗̘̰̟̩͕p̻̘͙͓á̩̭r̳͚͕̘͖ṯ̤̼͔͖ͅ ̜̱o̯̩̦̗̮̖̣f ̺͝y̥͡o̧̺͚͉̠͙̗ͅu̧̜͖̥r̸̘ ̹̤͙̳j̴̙̗o̵̼̲͉͖̮b̥͖͘ ͕͓ḏ̷̩e̫s͖̭͕̙̱͉ć̖͉̯̙̫̪r̶̠i̖p̨̜t̨̼͓ͅi͖͈͇͙͞o͏̹̠̬̻n͍̩͇̱͞? (◕‿◕) If happiness is a currency, how rich do you think you are? (◕‿◕) ♪♬ ғɪx ᴡᴏʙʙʟʏ ᴏғғɪᴄᴇ ғᴜʀɴɪᴛᴜʀᴇ ʙʏ ᴜsɪɴɢ ᴏʟᴅ ᴄᴅs ᴛᴏ ᴀᴠᴏɪᴅ ᴡᴏʙʙʟᴇs ᴀɴᴅ ᴘʀᴏᴛᴇᴄᴛ ᴛʜᴇ ᴄᴀʀᴘᴇᴛ. ᴛʜᴇʏ ᴀʟsᴏ ᴍᴀᴋᴇ ɢʀᴇᴀᴛ ᴄᴏᴀsᴛᴇʀs. ♪♬</p>
<p>Gill Baldwin, Simon Browne, Tancredi Di Giovanni, Paloma García, Rita Graça, Artemis Gryllaki, Pedro Sá Couto, Biyi Wen and Bohye Woo</p>
<p>You're welcome to share your books with us, regardless of where you got them from.
XPPL is a platform for potential pirate librarianship where knowledge comrades share information freely. The library gathers all the books and articles floating around on our shelves, hard drives, memory sticks and bathroom floors. It starts at XPUB, but it can go anywhere you want it to.</p>
<p>You're welcome to share your books with us, regardless of where you got them from. XPPL is a platform for potential pirate librarianship where knowledge comrades share information freely. The library gathers all the books and articles floating around on our shelves, hard drives, memory sticks and bathroom floors. It starts at XPUB, but it can go anywhere you want it to.</p>
<p>Natasha Berting, Angeliki Diakrousi, Joca van der Horst, Alexander Roidl, Alice Strete and Zalán Szakács</p>
<p>In the Ouvroir de Numérisation Potentielle (the workshop of potential digitisation, or OuNuPo) the XPUB practitioners reflected on several topics: how culture is shaped by book scanning? Who has access and who is excluded from digital culture? How free software and open source hardware have bootstrapped a new culture of librarians? What happens to text when it becomes data that can be transformed, manipulated and analysed ad nauseam?
To answer these questions, the XPUB practitioners have written software, built a bookscanner and assembled a unique printed reader.</p>
<p>In the Ouvroir de Numérisation Potentielle (the workshop of potential digitisation, or OuNuPo) the XPUB practitioners reflected on several topics: how culture is shaped by book scanning? Who has access and who is excluded from digital culture? How free software and open source hardware have bootstrapped a new culture of librarians? What happens to text when it becomes data that can be transformed, manipulated and analysed ad nauseam? To answer these questions, the XPUB practitioners have written software, built a bookscanner and assembled a unique printed reader.</p>
<p>Make ocr/output/publication.txt</p>
<p>Natasha Berting, Angeliki Diakrousi, Joca van der Horst, Alexander Roidl, Alice Strete and Zalán Szakács</p>
<p>Can an archive save the Poortgebouw? This former squat and vibrant living community is facing a key moment in the future. In this publication, oral histories from the building’s illustrious past interact with material from various collections, including the Poortgebouw’s own Autonomous Archive. Here, archiving is not the end, but the beginning of a debate.</p>
<p>Join us.</p>
<p>Natasha Berting, Elisa Chaudet, Angeliki Diakrousi, Joca van der Horst, Alexander Roidl, Alice Strete and Zalán Szakács</p>
<p>Yaar be welcome amongst there books wit rum. We call on ye to battle the terror of the mind, produced by there current intellectual property regime? Transcend the juridical binary of illegal vs. legal, and claim political legitimacy on the digital seas of grey!</p>
<p>All hands ahoy!</p>
<p>Emily Buzzo, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, and Nadine Rotem-Stibbe.</p>
<p>Come Adopt a Walk or Rock Step Triple Step Triple Step along, a Fine Line, and discover Euclid in Motion towards A Sonification of the Dutch Elections 2017, to finaly embrace the Drone Oddities 1, 2 and 3 to Rest.</p>
<p>Concretely yours,</p>
<p>Emily Buzzo, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, and Kimmy Spreeuwenberg.</p>
<p>Pick the Pig, you are a risky trader. Pick the Chicken, and you'll sit on your eggs until they hatch. Maybe you'll be lucky and get a Bull market, or maybe not and have to deal with the Bear. Tear up a book, and get dealing with the free market, exploitation, taxation and the privatization of services. Pit resources and economics against each other and feel the Artifical Scarity burn.</p>
<p>Looking forward to ruin you!</p>
<p>Emily Buzzo, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Pleun Gremmen, Francisco González, Julia Kul, Margreet Riphagen, Kimmy Spreeuwenberg, and Noémie Vidé</p>
</div></a>
</div>
</a>
</div>
</section>
<sectionid="info"class="endpoint">
<h1>XPUB</h1>
<p>
XPUB is the Master of Arts in Fine Art and Design: <em>Experimental Publishing</em> of the Piet Zwart Institute. XPUB focuses on the acts of making things public and creating publics in the age of post-digital networks. XPUB's interests in publishing are twofold:
</p>
<p>
<strong>first</strong>, publishing as the inquiry and participation into the technological frameworks, political context and cultural processes through which things are made public;
</p>
<p>
and <strong>second</strong>, how these are, or can be, used to create publics by expanding the means of discourse circulation beyond print media and its direct digital translation.
<p>XPUB is the Master of Arts in Fine Art and Design: <em>Experimental Publishing</em> of the Piet Zwart Institute. XPUB focuses on the acts of making things public and creating publics in the age of post-digital networks. XPUB's interests in publishing are twofold:</p>
<p><strong>first</strong>, publishing as the inquiry and participation into the technological frameworks, political context and cultural processes through which things are made public;</p>
<p>and <strong>second</strong>, how these are, or can be, used to create publics by expanding the means of discourse circulation beyond print media and its direct digital translation.</p>
A <em>Special Issue</em> is a tri-annually released publication created by the XPUB master's students, allowing students and staff to explore <!-- different workflows, collaboration, open source publication techniques and investigate not only --> not only the individual themes of each edition, but also the definition of what is or can be a publication.
<p>
Each <em>Special Issue</em> addresses a specific "issue", often coordinated with outside events and collaborations, and culminates in a release party.
<!-- The form of each <em>Special Issue</em> varies as a means of critically engaging with the diverse media, scales, and historical specificity of a particular issue. -->
The organisation, tools, and workflows are reset every trimester to both allow the rotation of roles within this publishing experiment, but also permit to explore novel collaborative methods beyond their archetypes and stereotypes.
Dear gardener librarians, book smellers and textual explorers,
<br>
Special Issue 19 is harvested. Welcome! Here every librarian (librarians of their own library) is welcome to garden Leeszaal and discover what this library offers. We will see behind the curtains of how the unwanted books are kept in this library. Leeszaal is not a real library, it's an open-ended story where everyone is a member; a plot waiting to be tended to and tilled. Volunteers sort all the books that people contribute. Some of them aren't going to make it to the shelves. They will end up as a pile of paper in trash bins, waiting to be recycled. And that's ok.
<br>
This publication is a momentary snapshot of the current state of a library seen through the metaphor of gardening; pruning, gleaning, growing, grafting and harvesting. Garden Leeszaal is an open conversation; a collective writing tool, a cooperative collage and an archive. We would like to ask everyone to think of the library as a garden. For us, being a gardener means caring; caring for the people and books that form this space.
</p>
<p>
This experimental publication sprouted in co-production with Simon Browne and the bootleg library, Cara Manuela Mayer Yepez, Irmak Ertaş, Stephen Kerr, Aglaia Petta, Ada Varriale and Boyana Stoilova.
<divclass="issue-title">Radio Implicancies: Methods To Practice Interdependencies</div>
<divclass="issue-text">
<p>
The time pressure and weekly format framework left the overall project stuck under the surface of the water, as under an ice floe. Yet, the time spared on reflecting over past releases was invested in a bold pace of exploration, in which each week the group has re-conceptualised new work methodologies. The urgency of experimenting with new infrastructures and breaking down mainstream hierarchical ones, took over the reflection of the resulted emergencies within each project. The ice floe broke at some place, enabling water flows, but those remained disparate, a stream still waiting to be connected.
</p>
<p>
Ål Nik (Alexandra Nikolova), Carmen Gray, Chaeyoung Kim, Emma Prato, Erica Gargaglione, Francesco Luzzana, Gersande Schellinx, Jian Haake, Kimberley Cosmilla, Miriam Schöb, Mitsa Chaida, Supisara Burapachaisri
<divclass="issue-title">This box found you for a reason</div>
<divclass="issue-text">
<p>Dear Player,</p>
<p>
I found you for a reason.
</p>
<p>
Welcome to my productive space. Here play meets work. Time is ordered in unusual ways and patterns unravel. Together, we mess with the boundaries between leisure and labour.
</p>
<p>
How are your boundaries? Maybe you shouldn't go to work tomorrow. But could you really follow your own schedule? Would you be more productive if you chose when to work?
</p>
<p>
Ål Nik (Alexandra Nikolova), Carmen Gray, Chaeyoung Kim, Emma Prato, Erica Gargaglione, Francesco Luzzana, Gersande Schellinx, Jian Haake, Kimberley Cosmilla, Miriam Schöb, Mitsa Chaida, Supisara Burapachaisri
<divclass="issue-title">Learning How to Walk While Catwalking</div>
<divclass="issue-text">
<p>
Dear friend and online scroller, <br>
Beloved internet user, <br>
Dearest binge watcher and human being IRL,
</p>
<p>
We welcome you to our publication on vernacular language processing!
</p>
<p>
Be confident, be ambitious and be ready to fail a lot. Our Special Issue is a toolkit to mess around with language: from its standard taxonomies and tags, to its modes of organizing information and its shaping knowledge. With these tools we want to legitimize failures and amatorial practices by proposing a more vernacular understanding of language.
</p>
<p>
We decided to release the publication in the form of an API (Application Programming Interface).
</p>
<p>
Ål Nik (Alexandra Nikolova), Carmen Gray, Chaeyoung Kim, Emma Prato, Erica Gargaglione, Francesco Luzzana, Gersande Schellinx, Jian Haake, Kimberley Cosmilla, Miriam Schöb, Mitsa Chaida, Supisara Burapachaisri
If technological systems are implicated in the structuring of knowledge and knowledge systems are implicated in how technology operates … how do we start to think the world otherwise?!
<br>
<b>testing 2, 1, 4. test. test.</b>
<br>
This is the first ever broadcast of XPUB year of 2021/2022. Tune into a compilation of obscure sounds and voices of the moment. Laying the ground for many more experimental streams to come.
<br>
Eight weekly broadcasts emit the signals of different constellations within the ten of us, bringing forth different responses and creating new approaches to the way knowledge and technology interplay and create inherent structures.
</p>
<p>Kendal Beynon, Martin Foucaut, Camilo García A., Clara Gradel, Nami Kim, Euna Lee, Jacopo Lega, Federico Poni, Louisa Teichmann and Floor van Meeuwen</p>
<divclass="issue-title">I Don't Know Where We're Going, But...</div>
<divclass="issue-text">
<p>Another lockdown; shops closed, museums closed, bars closed, cafés closed, restaurants closed. You turn to escapist media, in another attempt to climb the inner walls of a deflating castle. All that is left is the city in its rawest form and the people inhabiting its shut down structures. Where can you go if everything is closed? What could you encounter along the way? Locked within the walls of a comatose town, you are missing direction. If the city is your new playground, who are the players and what is the objective?</p>
<p>Kendal Beynon, Martin Foucaut, Camilo García A., Clara Gradel, Nami Kim, Euna Lee, Jacopo Lega, Federico Poni, Louisa Teichmann and Floor van Meeuwen</p>
<divclass="issue-title"style="font-family: 'special-issue-13-t';">WOR(<spanstyle="font-family: special-issue-13-custom; font-size: 25px;">L</span>)DS FOR THE FUTURE</div>
<p>Words have the power to shape reality. Wor(l)ds for the Future is a set of map making tools to re-imagine and collect wor(l)ds, and to re-publish an everchanging atlas. We invite you to delve into the materials and traverse the texts in any way you desire: by cutting and pasting the printed matter, or by unravelling the texts online. The choice is yours. You can reconstruct images and reinterpret words to create Wor(l)ds for the Future.</p>
<p>Kendal Beynon, Martin Foucaut, Camilo García A., Clara Gradel, Nami Kim, Euna Lee, Jacopo Lega, Federico Poni, Louisa Teichmann and Floor van Meeuwen</p>
<p> Radio Implicancies is a weekly broadcast of recorded and live matter brought to you by Piet Zwart Institute's Experimental Publishing programme. Radio Implicancies starts in the middle. Each broadcast means to engage with the way technologies are worlding the world. Take a deep breath and jump in on other ways of calculating, validating, ordering and framing collections of digital material. Let’s not wait for tomorrow to pay attention to the colonial conditionings of contemporary techno-cultures!
</p>
<p>Avital Barkai, Damlanur Bilgin, Sandra Golubjevaite, Tisa Neža Herlec, Mark van den Heuvel, Max Lehmann, Mika Motskobili, Clara Noseda, Anna Sandri, and Ioana Tomici</p>
<p>From the other side of the world we were given data about a past dictatorship. A portion of an archive that exists to keep history truthful, educating the present, the recurrent time of political urgency and authoritarian repression. We were entrusted to secure it, manage it and publish it anonymously. Here, we cannot share the archive itself, but we can share our stories (experiences) and the process (tools, methods) we underwent while working with it. If the political situation sharpens and censorship and repression over meaning endanger our beings, this collectively assembled website is the place that offers an insight into possible solutions that do everything to keep our voices heard and our bodies intact.</p>
<p>Avital Barkai, Damlanur Bilgin, Sandra Golubjevaite, Tisa Neža Herlec, Mark van den Heuvel, Max Lehmann, Mika Motskobili, Clara Noseda, Anna Sandri, and Ioana Tomici</p>
<divclass="issue-title">INPUT / OUTPUT<br/>Tales from another module</div>
<divclass="issue-text">
<p>Dear operators,</p>
<p>We would to invite you to combine, modulate, compose, and play with our 10 unique contributions to the common assembly of the modular publication INPUT-OUTPUT. Each contribution consists of one or more modules. Each of them represents our individual interests in the matter of signals, circuits, language and interfaces, while using modular synthesis as a means to explore these concepts and systems. Outputs vary between sound, image and text. Assemble and use at your own risk.</p>
<p>Avital Barkai, Damlanur Bilgin, Sandra Golubjevaite, Tisa Neža Herlec, Mark van den Heuvel, Max Lehmann, Mika Motskobili, Clara Noseda, Anna Sandri, and Ioana Tomici</p>
<p><em>The Library Is Open</em> invites you to an afternoon of workshops that make the operations within libraries visible. Join us in exploring the actions and roles of legal and extra-legal libraries (municipal, pirate, academic, +++), their custodians, and the public that form a community around collections of texts.</p>
<p>Simon Browne, Tancredi Di Giovanni, Paloma García, Rita Graça, Artemis Gryllaki, Pedro Sá Couto, Biyi Wen and Bohye Woo</p>
<divclass="issue-title">The Network We (de)Served</div>
<divclass="issue-text">
<p>Dear guest,</p>
<p>We traveled from home to home by bicycle, setting up homeservers. As friends and companions on this <em>Infrastructour</em>, we studied our routers over drinks served by our hosts. Where possible we installed our servers in our homes, in other cases we had to depend on another member of the group. While self-hosting together we questioned our understandings of networks, autonomy, online publishing and social infrastructures, where each of us departed from a different question. We would like to share our personal (yet interconnected) routes with you, tell you a story, present our web- and printed zines, and invite you to explore our homebrewed network.</p>
<p>Simon Browne, Tancredi Di Giovanni, Paloma García, Rita Graça, Artemis Gryllaki, Pedro Sá Couto, Biyi Wen and Bohye Woo</p>
<divclass="issue-title">Start up, Burn out: Life Hacks</div>
<divclass="issue-text">
<p>Dear Entreprecarious Life Hackers,</p>
<p>(◕‿◕) Take your time to reflect on this: Are you doing what you truly want to do? (◕‿◕) ị̞͍s̯̩̠ ̴̩͉̫̗͇ț̠ͅh̪̼̟̪̕i͠s͎̝̩̯̩̠ ̗̘̰̟̩͕p̻̘͙͓á̩̭r̳͚͕̘͖ṯ̤̼͔͖ͅ ̜̱o̯̩̦̗̮̖̣f ̺͝y̥͡o̧̺͚͉̠͙̗ͅu̧̜͖̥r̸̘ ̹̤͙̳j̴̙̗o̵̼̲͉͖̮b̥͖͘ ͕͓ḏ̷̩e̫s͖̭͕̙̱͉ć̖͉̯̙̫̪r̶̠i̖p̨̜t̨̼͓ͅi͖͈͇͙͞o͏̹̠̬̻n͍̩͇̱͞? (◕‿◕) If happiness is a currency, how rich do you think you are? (◕‿◕) ♪♬ ғɪx ᴡᴏʙʙʟʏ ᴏғғɪᴄᴇ ғᴜʀɴɪᴛᴜʀᴇ ʙʏ ᴜsɪɴɢ ᴏʟᴅ ᴄᴅs ᴛᴏ ᴀᴠᴏɪᴅ ᴡᴏʙʙʟᴇs ᴀɴᴅ ᴘʀᴏᴛᴇᴄᴛ ᴛʜᴇ ᴄᴀʀᴘᴇᴛ. ᴛʜᴇʏ ᴀʟsᴏ ᴍᴀᴋᴇ ɢʀᴇᴀᴛ ᴄᴏᴀsᴛᴇʀs. ♪♬</p>
<p>Gill Baldwin, Simon Browne, Tancredi Di Giovanni, Paloma García, Rita Graça, Artemis Gryllaki, Pedro Sá Couto, Biyi Wen and Bohye Woo</p>
<p>You're welcome to share your books with us, regardless of where you got them from.
XPPL is a platform for potential pirate librarianship where knowledge comrades share information freely. The library gathers all the books and articles floating around on our shelves, hard drives, memory sticks and bathroom floors. It starts at XPUB, but it can go anywhere you want it to.</p>
<p>Natasha Berting, Angeliki Diakrousi, Joca van der Horst, Alexander Roidl, Alice Strete and Zalán Szakács</p>
<p>In the Ouvroir de Numérisation Potentielle (the workshop of potential digitisation, or OuNuPo) the XPUB practitioners reflected on several topics: how culture is shaped by book scanning? Who has access and who is excluded from digital culture? How free software and open source hardware have bootstrapped a new culture of librarians? What happens to text when it becomes data that can be transformed, manipulated and analysed ad nauseam?
To answer these questions, the XPUB practitioners have written software, built a bookscanner and assembled a unique printed reader.</p>
<p>Make ocr/output/publication.txt</p>
<p>Natasha Berting, Angeliki Diakrousi, Joca van der Horst, Alexander Roidl, Alice Strete and Zalán Szakács</p>
<divclass="issue-title">A BED, A CHAIR AND A TABLE</div>
<divclass="issue-text">
<p>Dear active archivist,</p>
<p>Can an archive save the Poortgebouw? This former squat and vibrant living community is facing a key moment in the future. In this publication, oral histories from the building’s illustrious past interact with material from various collections, including the Poortgebouw’s own Autonomous Archive. Here, archiving is not the end, but the beginning of a debate.</p>
<p>Join us.</p>
<p>Natasha Berting, Elisa Chaudet, Angeliki Diakrousi, Joca van der Horst, Alexander Roidl, Alice Strete and Zalán Szakács</p>
<p>Yaar be welcome amongst there books wit rum. We call on ye to battle the terror of the mind, produced by there current intellectual property regime? Transcend the juridical binary of illegal vs. legal, and claim political legitimacy on the digital seas of grey!</p>
<p>All hands ahoy!</p>
<p>Emily Buzzo, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, and Nadine Rotem-Stibbe.</p>
<p>Come Adopt a Walk or Rock Step Triple Step Triple Step along, a Fine Line, and discover Euclid in Motion towards A Sonification of the Dutch Elections 2017, to finaly embrace the Drone Oddities 1, 2 and 3 to Rest.</p>
<p>Concretely yours,</p>
<p>Emily Buzzo, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, and Kimmy Spreeuwenberg.</p>
<p>Pick the Pig, you are a risky trader. Pick the Chicken, and you'll sit on your eggs until they hatch. Maybe you'll be lucky and get a Bull market, or maybe not and have to deal with the Bear. Tear up a book, and get dealing with the free market, exploitation, taxation and the privatization of services. Pit resources and economics against each other and feel the Artifical Scarity burn.</p>
<p>Looking forward to ruin you!</p>
<p>Emily Buzzo, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Pleun Gremmen, Francisco González, Julia Kul, Margreet Riphagen, Kimmy Spreeuwenberg, and Noémie Vidé</p>
</div>
</a>
</div>
</section>
<sectionid="info"class="endpoint">
<h1>XPUB</h1>
<p>
XPUB is the Master of Arts in Fine Art and Design: <em>Experimental Publishing</em> of the Piet Zwart Institute. XPUB focuses on the acts of making things public and creating publics in the age of post-digital networks. XPUB's interests in publishing are twofold:
</p>
<p>
<strong>first</strong>, publishing as the inquiry and participation into the technological frameworks, political context and cultural processes through which things are made public;
</p>
<p>
and <strong>second</strong>, how these are, or can be, used to create publics by expanding the means of discourse circulation beyond print media and its direct digital translation.
