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<h1>XPUB<br>SPECIAL<br>ISSUES</h1>
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<h1>XPUB<br />
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<p>
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SPECIAL<br />
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A <em>Special Issue</em> is a tri-annually released publication created by the XPUB master's students, allowing students and staff to explore <!-- different workflows, collaboration, open source publication techniques and investigate not only --> not only the individual themes of each edition, but also the definition of what is or can be a publication.
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ISSUES</h1>
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<p>
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<p>A <em>Special Issue</em> is a tri-annually released publication created by the XPUB master's students, allowing students and staff to explore <!-- different workflows, collaboration, open source publication techniques and investigate not only --> not only the individual themes of each edition, but also the definition of what is or can be a publication.</p>
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Each <em>Special Issue</em> addresses a specific "issue", often coordinated with outside events and collaborations, and culminates in a release party.
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<p>Each <em>Special Issue</em> addresses a specific "issue", often coordinated with outside events and collaborations, and culminates in a release party. <!-- The form of each <em>Special Issue</em> varies as a means of critically engaging with the diverse media, scales, and historical specificity of a particular issue. -->
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<!-- The form of each <em>Special Issue</em> varies as a means of critically engaging with the diverse media, scales, and historical specificity of a particular issue. -->
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The organisation, tools, and workflows are reset every trimester to both allow the rotation of roles within this publishing experiment, but also permit to explore novel collaborative methods beyond their archetypes and stereotypes.</p>
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The organisation, tools, and workflows are reset every trimester to both allow the rotation of roles within this publishing experiment, but also permit to explore novel collaborative methods beyond their archetypes and stereotypes.
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<section id="issues">
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</section>
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<!-- Special Issue 22 + 23 + 24 -->
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<section id="issues">
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Special<br />
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Issue 24
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<!-- Special Issue 19 + 20 + 21 -->
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</div>
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<div class="issue-date">
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<div id="special-issue-21" class="issue future" data-cycle="1">
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April/June 2024
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<a href="21/index.html">
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</div>
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<div class="issue-nr">Special<br> Issue 21</div>
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<div class="issue-img"><img src="img/si24.thumb.jpg" /></div>
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<div class="issue-date">April/June 2023</div>
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<div class="issue-title">Counter Tourist Information Center</div>
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<div class="issue-img"><img src="img/si21-3-cover.jpg"></div>
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<div class="issue-text">
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<div class="issue-title"></div>
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<p>Welcome to the pop-up Counter-Tourist Information Center! The only place in Rotterdam that offers a unique personalized view of the city. Do you want to experience the city—without being a nuisance to residents—as a local Rotterdammer would? Wait no more! Drop by the Counter-Tourist Information Center for all things authentic Rotterdam: loitering, littering and anti model-citizen etiquette. We offer personalized guides and blending-in equipment.</p>
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<div class="issue-text">
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</div></a>
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<p>This issue started from a single technical object: a Model 33 Teletype machine.
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</div>
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The teletype is the meeting point between typewriters and computer interfaces,
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<div id="special-issue-23" class="issue" data-cycle="5">
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a first automated translator of letters into bits. Equipped with a keyboard,
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<a href="23/">
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a transmitter and a punchcard read-writer, it is a historical link between early
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<div class="issue-nr">
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transmission technology such as the telegraph and the Internet of today.
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Special<br />
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Under the administration of our kubernētēs, Martino Morandi, each week
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Issue 23
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hosted a guest contributor who joined us in unfolding the many cultural and
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</div>
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technical layers that we found stratified in such a machine, reading them
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<div class="issue-date">
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as questions to our contemporary involvements with computing and with networks.</p>
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January/March 2024
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</div>
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<p>The format of the issue consisted of on an on-going publishing arrangement,
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<div class="issue-img"><img src="img/si23.thumb.jpg" /></div>
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constantly re-considered and escaping definition at every point in spacetime,
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<div class="issue-title">
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a sort of Exquisite Corpse Network. It evaded naming, location, and explanation;
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Peripheral Centers and feminist servers
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the Briki, the Breadbrick, the Worm Blob. A plan to release weekly bricks was wattled
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</div>
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by a shared understanding of time into something more complex in structure,
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<div class="issue-text">
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less structured in complexity.<br> </p>
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<p>Peripheral centers and feminist servers investigate multiple approaches to the conditions of serving. It interrupts the endless flow of data that fuels the economy, exposing the cracks and gaps of the techno-scientific paradigm imposed on society. Where commands are executed, connections made, trust exchanged, and resources shared.</p>
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<p>This feminist data center brings to light the physical infrastructure and actual labour which enable the processes we perform every day. In this exploration, we think through feminist approaches that reveal the concealed layers of our on(off)line interactions. We broaden our understanding of how this tangible, energy-intensive infrastructure truly operates behind the seemingly innocent notion of the ‘cloud’.</p>
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<p>Special thanks to Martino Morandi (guest editor), Andrea di Serego Alighieri,
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<p>The various projects within Peripheral centers and feminist servers expose their infrastructure, emphasizing the material conditions of their production. We advocate that the fairy tale of immateriality has real socio-economic-environmental consequences.</p>
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Femke Snelting, Isabelle Sully, Jara Rocha, Roel Roscam Abbing, and Zoumana Meïté.
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<p>With <a href="https://varia.zone">Varia</a></p>
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Your generous contribution has made those releases possible,
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</div></a>
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and we are deeply grateful for your gesture.<br></p>
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</div>
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<div id="special-issue-22" class="issue" data-cycle="6">
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<p>Yours,<br>
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<a href="22/">
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xpub1</p>
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<div class="issue-nr">
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</div>
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Special<br />
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</a>
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Issue 22
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</div>
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<div class="issue-date">
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September/December 2023
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</div>
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<div class="issue-img"><img src="img/si23.thumb.jpg" /></div>
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<div class="issue-title">
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Signal Lost: Archive Unzipped
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</div>
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<div class="issue-text">
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<p>In the middle of an on-going apocalypse what should be preserved, and what forgotten? In the efforts of scavenging and resurrecting a sonic archive. It is only a question of time until all will be lost. Lend an ear as we collectively explore, activate and transmit the archive of Worm community Radio. We must listen closely, we must decide what remains and how we can rebuild upon a fractured past. Become absorbed by a re-imagined reality through an archival deep-dive!</p>
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<p>With <a href="https://radio.worm.org">Radio WORM</a>.</p>
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</div></a>
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</div>
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</div>
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<!-- Special Issue 19 + 20 + 21 -->
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<div id="special-issue-21" class="issue" data-cycle="1">
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<a href="21/index.html">
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<div class="issue-nr">
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Special<br />
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Issue 21
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</div>
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<div class="issue-date">
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April/June 2023
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</div>
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<div class="issue-img"><img src="img/si21-3-cover.jpg" /></div>
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<div class="issue-title"></div>
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<div class="issue-text">
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<p>This issue started from a single technical object: a Model 33 Teletype machine. The teletype is the meeting point between typewriters and computer interfaces, a first automated translator of letters into bits. Equipped with a keyboard, a transmitter and a punchcard read-writer, it is a historical link between early transmission technology such as the telegraph and the Internet of today. Under the administration of our kubernētēs, Martino Morandi, each week hosted a guest contributor who joined us in unfolding the many cultural and technical layers that we found stratified in such a machine, reading them as questions to our contemporary involvements with computing and with networks.</p>
|
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|
|
|
|
|
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<p>The format of the issue consisted of on an on-going publishing arrangement, constantly re-considered and escaping definition at every point in spacetime, a sort of Exquisite Corpse Network. It evaded naming, location, and explanation; the Briki, the Breadbrick, the Worm Blob. A plan to release weekly bricks was wattled by a shared understanding of time into something more complex in structure, less structured in complexity.<br /></p>
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<p>Special thanks to Martino Morandi (guest editor), Andrea di Serego Alighieri, Femke Snelting, Isabelle Sully, Jara Rocha, Roel Roscam Abbing, and Zoumana Meïté. Your generous contribution has made those releases possible, and we are deeply grateful for your gesture.<br /></p>
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<p>Yours,<br />
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xpub1</p>
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</div></a>
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</div>
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<div id="special-issue-20" class="issue future" data-cycle="2">
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<div id="special-issue-20" class="issue future" data-cycle="2">
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<a href="20/index.html">
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<a href="20/index.html">
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<div class="issue-nr">Special<br> Issue 20</div>
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<div class="issue-nr">
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<div class="issue-date">January/March 2023</div>
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Special<br />
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<div class="issue-img"><img src="img/console.jpg"></div>
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Issue 20
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<div class="issue-title"></div>
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</div>
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<div class="issue-text">
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<div class="issue-date">
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<p>Console is an oracle; an emotional first aid kit that helps you help yourself. <br>
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January/March 2023
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Console invites you to open the box and discover ways of healing; <br>
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</div>
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Console provides shelter for your dreams, memories and worries. <br>
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<div class="issue-img"><img src="img/console.jpg" /></div>
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Face the past and encounter your fortune.<br>
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<div class="issue-title"></div>
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Console gives you a new vantage point; a set of rituals and practices that help you cope and care; <br>
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<div class="issue-text">
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Console asks everyday questions that give magical answers.<br>
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<p>Console is an oracle; an emotional first aid kit that helps you help yourself.<br />
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Are you ready to play?<br> </p>
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Console invites you to open the box and discover ways of healing;<br />
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<p>
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Console provides shelter for your dreams, memories and worries.<br />
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This publication was made possible thanks to:<br>
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Face the past and encounter your fortune.<br />
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Lídia Pereira ♈︎ (ed.)<br>
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Console gives you a new vantage point; a set of rituals and practices that help you cope and care;<br />
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Artemis Gryllaki ♐︎ (ed.)<br>
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Console asks everyday questions that give magical answers.<br />
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Manetta Berends ♉︎<br>
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Are you ready to play?<br /></p>
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Joseph Knierzinger ♑︎<br>
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<p>This publication was made possible thanks to:<br />
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Steve Rushton ♑︎<br>
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Lídia Pereira ♈︎ (ed.)<br />
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Leslie Robbins ♉︎<br>
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Artemis Gryllaki ♐︎ (ed.)<br />
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Michael Murtaugh ♏︎<br>
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Manetta Berends ♉︎<br />
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Sébastien Tien ♈︎<br>
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Joseph Knierzinger ♑︎<br />
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Eva Örk ♍︎<br>
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Steve Rushton ♑︎<br />
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Ola Vasiljeva ♉︎<br>
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Leslie Robbins ♉︎<br />
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and everyone from Page Not Found ♒︎<br>
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Michael Murtaugh ♏︎<br />
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Shana Moulton ♋︎<br>
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Sébastien Tien ♈︎<br />
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Rihanna ♓︎<br>
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Eva Örk ♍︎<br />
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The Sun is its father ☉<br>
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Ola Vasiljeva ♉︎<br />
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The Moon its mother ☽︎<br>
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and everyone from Page Not Found ♒︎<br />
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The Wind hath carried it in its belly 🜁<br>
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Shana Moulton ♋︎<br />
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The Earth is its nurse 🜃 <br>
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Rihanna ♓︎<br />
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The Sun is its father ☉<br />
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<br>Co-published by XPUB and Page Not Found.</p>
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The Moon its mother ☽︎<br />
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</div>
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The Wind hath carried it in its belly 🜁<br />
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</a>
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The Earth is its nurse 🜃<br />
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<br />
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Co-published by XPUB and Page Not Found.</p>
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</div></a>
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</div>
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</div>
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<div id="special-issue-19" class="issue" data-cycle="3">
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<div id="special-issue-19" class="issue" data-cycle="3">
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<a href="19/index.html">
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<a href="19/index.html">
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<div class="issue-nr">Special<br> Issue 19</div>
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<div class="issue-nr">
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<div class="issue-date">September/December 2022</div>
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Special<br />
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<div class="issue-img"><img src="img/si19-temp.jpg"></div>
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Issue 19
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<div class="issue-title">Garden Leeszaal</div>
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</div>
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<div class="issue-text">
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<div class="issue-date">
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<p>
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September/December 2022
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Dear gardener librarians, book smellers and textual explorers,
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</div>
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<br>
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<div class="issue-img"><img src="img/si19-temp.jpg" /></div>
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Special Issue 19 is harvested. Welcome! Here every librarian (librarians of their own library) is welcome to garden Leeszaal and discover what this library offers. We will see behind the curtains of how the unwanted books are kept in this library. Leeszaal is not a real library, it's an open-ended story where everyone is a member; a plot waiting to be tended to and tilled. Volunteers sort all the books that people contribute. Some of them aren't going to make it to the shelves. They will end up as a pile of paper in trash bins, waiting to be recycled. And that's ok.
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<div class="issue-title">
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<br>
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Garden Leeszaal
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This publication is a momentary snapshot of the current state of a library seen through the metaphor of gardening; pruning, gleaning, growing, grafting and harvesting. Garden Leeszaal is an open conversation; a collective writing tool, a cooperative collage and an archive. We would like to ask everyone to think of the library as a garden. For us, being a gardener means caring; caring for the people and books that form this space.
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</div>
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</p>
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<div class="issue-text">
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<p>
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<p>Dear gardener librarians, book smellers and textual explorers,<br />
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This experimental publication sprouted in co-production with Simon Browne and the bootleg library, Cara Manuela Mayer Yepez, Irmak Ertaş, Stephen Kerr, Aglaia Petta, Ada Varriale and Boyana Stoilova.
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Special Issue 19 is harvested. Welcome! Here every librarian (librarians of their own library) is welcome to garden Leeszaal and discover what this library offers. We will see behind the curtains of how the unwanted books are kept in this library. Leeszaal is not a real library, it's an open-ended story where everyone is a member; a plot waiting to be tended to and tilled. Volunteers sort all the books that people contribute. Some of them aren't going to make it to the shelves. They will end up as a pile of paper in trash bins, waiting to be recycled. And that's ok.<br />
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</p>
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This publication is a momentary snapshot of the current state of a library seen through the metaphor of gardening; pruning, gleaning, growing, grafting and harvesting. Garden Leeszaal is an open conversation; a collective writing tool, a cooperative collage and an archive. We would like to ask everyone to think of the library as a garden. For us, being a gardener means caring; caring for the people and books that form this space.</p>
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</div>
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<p>This experimental publication sprouted in co-production with Simon Browne and the bootleg library, Cara Manuela Mayer Yepez, Irmak Ertaş, Stephen Kerr, Aglaia Petta, Ada Varriale and Boyana Stoilova.</p>
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</a>
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</div></a>
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</div>
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</div><!-- Special Issue 16 + 17 + 18 -->
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<!-- Special Issue 16 + 17 + 18 -->
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<div id="special-issue-18" class="issue" data-cycle="4">
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<div id="special-issue-18" class="issue" data-cycle="4">
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<a href="18/index.html">
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<a href="18/index.html">
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<div class="issue-nr">Special<br> Issue 18</div>
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<div class="issue-nr">
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<div class="issue-date">April/July 2022</div>
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Special<br />
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<div class="issue-img"><img src="img/si18-cover.jpg"></div>
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Issue 18
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<div class="issue-title">Radio Implicancies: Methods To Practice Interdependencies</div>
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</div>
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<div class="issue-text">
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<div class="issue-date">
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<p>
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April/July 2022
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The time pressure and weekly format framework left the overall project stuck under the surface of the water, as under an ice floe. Yet, the time spared on reflecting over past releases was invested in a bold pace of exploration, in which each week the group has re-conceptualised new work methodologies. The urgency of experimenting with new infrastructures and breaking down mainstream hierarchical ones, took over the reflection of the resulted emergencies within each project. The ice floe broke at some place, enabling water flows, but those remained disparate, a stream still waiting to be connected.
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</div>
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</p>
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<div class="issue-img"><img src="img/si18-cover.jpg" /></div>
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<p>
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<div class="issue-title">
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Ål Nik (Alexandra Nikolova), Carmen Gray, Chaeyoung Kim, Emma Prato, Erica Gargaglione, Francesco Luzzana, Gersande Schellinx, Jian Haake, Kimberley Cosmilla, Miriam Schöb, Mitsa Chaida, Supisara Burapachaisri
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Radio Implicancies: Methods To Practice Interdependencies
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</p>
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</div>
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</div>
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<div class="issue-text">
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</a>
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<p>The time pressure and weekly format framework left the overall project stuck under the surface of the water, as under an ice floe. Yet, the time spared on reflecting over past releases was invested in a bold pace of exploration, in which each week the group has re-conceptualised new work methodologies. The urgency of experimenting with new infrastructures and breaking down mainstream hierarchical ones, took over the reflection of the resulted emergencies within each project. The ice floe broke at some place, enabling water flows, but those remained disparate, a stream still waiting to be connected.</p>
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</div>
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<p>Ål Nik (Alexandra Nikolova), Carmen Gray, Chaeyoung Kim, Emma Prato, Erica Gargaglione, Francesco Luzzana, Gersande Schellinx, Jian Haake, Kimberley Cosmilla, Miriam Schöb, Mitsa Chaida, Supisara Burapachaisri</p>
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</div></a>
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<div id="special-issue-17" class="issue" data-cycle="5" >
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</div>
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<a href="17/index.html">
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<div id="special-issue-17" class="issue" data-cycle="5">
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<div class="issue-nr">Special<br> Issue 17</div>
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<a href="17/index.html">
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<div class="issue-date">January/April 2022</div>
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<div class="issue-nr">
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<div id="issue-img-17" class="issue-img"><img src="img/si17-cover.jpg"></div>
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Special<br />
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<div class="issue-title">This box found you for a reason</div>
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Issue 17
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<div class="issue-text">
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</div>
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<p>Dear Player,</p>
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<div class="issue-date">
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<p>
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January/April 2022
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I found you for a reason.
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</div>
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</p>
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<div id="issue-img-17" class="issue-img"><img src="img/si17-cover.jpg" /></div>
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<div class="issue-title">
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This box found you for a reason
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<p>
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</div>
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<div class="issue-text">
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Welcome to my productive space. Here play meets work. Time is ordered in unusual ways and patterns unravel. Together, we mess with the boundaries between leisure and labour.
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<p>Dear Player,</p>
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</p>
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|
<p>I found you for a reason.</p>
|
|
|
|
<p>
|
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|
|
<p>Welcome to my productive space. Here play meets work. Time is ordered in unusual ways and patterns unravel. Together, we mess with the boundaries between leisure and labour.</p>
|
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|
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<p>How are your boundaries? Maybe you shouldn't go to work tomorrow. But could you really follow your own schedule? Would you be more productive if you chose when to work?</p>
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|
How are your boundaries? Maybe you shouldn't go to work tomorrow. But could you really follow your own schedule? Would you be more productive if you chose when to work?
|
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|
|
<p>Ål Nik (Alexandra Nikolova), Carmen Gray, Chaeyoung Kim, Emma Prato, Erica Gargaglione, Francesco Luzzana, Gersande Schellinx, Jian Haake, Kimberley Cosmilla, Miriam Schöb, Mitsa Chaida, Supisara Burapachaisri</p>
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</p>
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</div></a>
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</div>
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<div id="special-issue-16" class="issue" data-cycle="6">
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<p>
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<a href="16/index.html">
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Ål Nik (Alexandra Nikolova), Carmen Gray, Chaeyoung Kim, Emma Prato, Erica Gargaglione, Francesco Luzzana, Gersande Schellinx, Jian Haake, Kimberley Cosmilla, Miriam Schöb, Mitsa Chaida, Supisara Burapachaisri
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<div class="issue-nr">
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</p>
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Special<br />
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</div>
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Issue 16
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</a>
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</div>
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</div>
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<div class="issue-date">
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September/December 2021
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<div id="special-issue-16" class="issue" data-cycle="6" >
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</div>
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<a href="16/index.html">
|
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<div class="issue-img"><img src="img/si16-cover.jpg" /></div>
|
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<div class="issue-nr">Special<br> Issue 16</div>
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<div class="issue-title">
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<div class="issue-date">September/December 2021</div>
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|
Learning How to Walk While Catwalking
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</div>
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<div class="issue-img" ><img src="img/si16-cover.jpg"></div>
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<div class="issue-text">
|
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|
<div class="issue-title">Learning How to Walk While Catwalking</div>
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|
|
<p>Dear friend and online scroller,<br />
|
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|
|
<div class="issue-text">
|
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|
|
Beloved internet user,<br />
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|
|
Dearest binge watcher and human being IRL,</p>
|
|
|
|
|
|
|
|
<p>We welcome you to our publication on vernacular language processing!</p>
|
|
|
|
<p>
|
|
|
|
<p>Be confident, be ambitious and be ready to fail a lot. Our Special Issue is a toolkit to mess around with language: from its standard taxonomies and tags, to its modes of organizing information and its shaping knowledge. With these tools we want to legitimize failures and amatorial practices by proposing a more vernacular understanding of language.</p>
|
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|
|
Dear friend and online scroller, <br>
|
|
|
|
<p>We decided to release the publication in the form of an API (Application Programming Interface).</p>
|
|
|
|
Beloved internet user, <br>
|
|
|
|
<p>Ål Nik (Alexandra Nikolova), Carmen Gray, Chaeyoung Kim, Emma Prato, Erica Gargaglione, Francesco Luzzana, Gersande Schellinx, Jian Haake, Kimberley Cosmilla, Miriam Schöb, Mitsa Chaida, Supisara Burapachaisri</p>
|
|
|
|
Dearest binge watcher and human being IRL,
|
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|
|
</div></a>
|
|
|
|
</p>
|
|
|
|
</div><!-- Special Issue 13 + 14 + 15 -->
|
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|
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|
<div id="special-issue-15" class="issue" data-cycle="1">
|
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|
<p>
|
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|
<a href="15/index.html">
|
|
|
|
We welcome you to our publication on vernacular language processing!
|
|
|
|
<div class="issue-nr" style="font-family:'special-issue-15-t';">
|
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|
|
</p>
|
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|
|
Special<br />
|
|
|
|
|
|
|
|
Issue 15
|
|
|
|
<p>
|
|
|
|
</div>
|
|
|
|
Be confident, be ambitious and be ready to fail a lot. Our Special Issue is a toolkit to mess around with language: from its standard taxonomies and tags, to its modes of organizing information and its shaping knowledge. With these tools we want to legitimize failures and amatorial practices by proposing a more vernacular understanding of language.
|
|
|
|
<div class="issue-date" style="font-family:'special-issue-15';">
|
|
|
|
</p>
|
|
|
|
April/July 2021
|
|
|
|
|
|
|
|
</div>
|
|
|
|
<p>
|
|
|
|
<div class="issue-img"><img src="img/special-issue-15.png" /></div>
|
|
|
|
We decided to release the publication in the form of an API (Application Programming Interface).
|
|
|
|
<div class="issue-title" style="font-family:'special-issue-15-t';">
|
|
|
|
</p>
|
|
|
|
Radio Implicancies
|
|
|
|
|
|
|
|
</div>
|
|
|
|
<p>
|
|
|
|
<div class="issue-text" style="font-family:'special-issue-15';">
|
|
|
|
Ål Nik (Alexandra Nikolova), Carmen Gray, Chaeyoung Kim, Emma Prato, Erica Gargaglione, Francesco Luzzana, Gersande Schellinx, Jian Haake, Kimberley Cosmilla, Miriam Schöb, Mitsa Chaida, Supisara Burapachaisri
|
|
|
|
<p>If technological systems are implicated in the structuring of knowledge and knowledge systems are implicated in how technology operates … how do we start to think the world otherwise?!<br />
|
|
|
|
</p>
|
|
|
|
<b>testing 2, 1, 4. test. test.</b><br />
|
|
|
|
|
|
|
|
This is the first ever broadcast of XPUB year of 2021/2022. Tune into a compilation of obscure sounds and voices of the moment. Laying the ground for many more experimental streams to come.<br />
|
|
|
|
|
|
|
|
Eight weekly broadcasts emit the signals of different constellations within the ten of us, bringing forth different responses and creating new approaches to the way knowledge and technology interplay and create inherent structures.</p>
|
|
|
|
|
|
|
|
<p>Kendal Beynon, Martin Foucaut, Camilo García A., Clara Gradel, Nami Kim, Euna Lee, Jacopo Lega, Federico Poni, Louisa Teichmann and Floor van Meeuwen</p>
|
|
|
|
</div>
|
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|
</div></a>
|
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|
|
</a>
|
|
|
|
</div>
|
|
|
|
</div>
|
|
|
|
<div id="special-issue-14" class="issue" data-cycle="2">
|
|
|
|
|
|
|
|
<a href="14/index.html">
|
|
|
|
<!-- Special Issue 13 + 14 + 15 -->
|
|
|
|
<div class="issue-nr">
|
|
|
|
|
|
|
|
Special<br />
|
|
|
|
<div id="special-issue-15" class="issue" data-cycle="1">
|
|
|
|
Issue 14
|
|
|
|
<a href="15/index.html">
|
|
|
|
</div>
|
|
|
|
<div class="issue-nr" style=" font-family:'special-issue-15-t';">Special<br> Issue 15</div>
|
|
|
|
<div class="issue-date">
|
|
|
|
<div class="issue-date" style=" font-family:'special-issue-15';">April/July 2021</div>
|
|
|
|
January/April 2021
|
|
|
|
<div class="issue-img"><img src="img/special-issue-15.png"></div>
|
|
|
|
</div>
|
|
|
|
<div class="issue-title" style=" font-family:'special-issue-15-t';">Radio Implicancies</div>
|
|
|
|
<div class="issue-img"><img src="img/special-issue-14.gif" /></div>
|
|
|
|
<div class="issue-text" style=" font-family:'special-issue-15';">
|
|
|
|
<div class="issue-title">
|
|
|
|
<p>
|
|
|
|
I Don't Know Where We're Going, But...
|
|
|
|
If technological systems are implicated in the structuring of knowledge and knowledge systems are implicated in how technology operates … how do we start to think the world otherwise?!
|
|
|
|
</div>
|
|
|
|
<br>
|
|
|
|
<div class="issue-text">
|
|
|
|
<b>testing 2, 1, 4. test. test.</b>
|
|
|
|
<p>Another lockdown; shops closed, museums closed, bars closed, cafés closed, restaurants closed. You turn to escapist media, in another attempt to climb the inner walls of a deflating castle. All that is left is the city in its rawest form and the people inhabiting its shut down structures. Where can you go if everything is closed? What could you encounter along the way? Locked within the walls of a comatose town, you are missing direction. If the city is your new playground, who are the players and what is the objective?</p>
|
|
|
|
<br>
|
|
|
|
<p>Kendal Beynon, Martin Foucaut, Camilo García A., Clara Gradel, Nami Kim, Euna Lee, Jacopo Lega, Federico Poni, Louisa Teichmann and Floor van Meeuwen</p>
|
|
|
|
This is the first ever broadcast of XPUB year of 2021/2022. Tune into a compilation of obscure sounds and voices of the moment. Laying the ground for many more experimental streams to come.
|
|
|
|
</div></a>
|
|
|
|
<br>
|
|
|
|
</div>
|
|
|
|
Eight weekly broadcasts emit the signals of different constellations within the ten of us, bringing forth different responses and creating new approaches to the way knowledge and technology interplay and create inherent structures.
|
|
|
|
<div id="special-issue-13" class="issue" data-cycle="3">
|
|
|
|
</p>
|
|
|
|
<a href="13/index.html">
|
|
|
|
<p>Kendal Beynon, Martin Foucaut, Camilo García A., Clara Gradel, Nami Kim, Euna Lee, Jacopo Lega, Federico Poni, Louisa Teichmann and Floor van Meeuwen</p>
|
|
|
|
<div class="issue-nr">
|
|
|
|
</div>
|
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|
|
Special<br />
|
|
|
|
</a>
|
|
|
|
Issue 13
|
|
|
|
</div>
|
|
|
|
</div>
|
|
|
|
<div id="special-issue-14" class="issue" data-cycle="2">
|
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|
|
<div class="issue-date" style="font-family:'special-issue-13'; font-size: 12pt;">
|
|
|
|
<a href="14/index.html">
|
|
|
|
September/December 2020
|
|
|
|
<div class="issue-nr">Special<br> Issue 14</div>
|
|
|
|
</div>
|
|
|
|
<div class="issue-date">January/April 2021</div>
|
|
|
|
<div class="issue-img-13"><img src="img/special-issue-13.png" style='max-width: 100%;' /></div>
|
|
|
|
<div class="issue-img"><img src="img/special-issue-14.gif"></div>
|
|
|
|
<div class="issue-title" style="font-family: 'special-issue-13-t';">
|
|
|
|
<div class="issue-title">I Don't Know Where We're Going, But...</div>
|
|
|
|
WOR(<span style="font-family: special-issue-13-custom; font-size: 25px;">L</span>)DS FOR THE FUTURE
|
|
|
|
<div class="issue-text">
|
|
|
|
</div>
|
|
|
|
<p>Another lockdown; shops closed, museums closed, bars closed, cafés closed, restaurants closed. You turn to escapist media, in another attempt to climb the inner walls of a deflating castle. All that is left is the city in its rawest form and the people inhabiting its shut down structures. Where can you go if everything is closed? What could you encounter along the way? Locked within the walls of a comatose town, you are missing direction. If the city is your new playground, who are the players and what is the objective?</p>
|
|
|
|
<div class="issue-text" style="font-family:'special-issue-13'; font-size: 12pt;">
|
|
|
|
<p>Kendal Beynon, Martin Foucaut, Camilo García A., Clara Gradel, Nami Kim, Euna Lee, Jacopo Lega, Federico Poni, Louisa Teichmann and Floor van Meeuwen</p>
|
|
|
|
<p>Words have the power to shape reality. Wor(l)ds for the Future is a set of map making tools to re-imagine and collect wor(l)ds, and to re-publish an everchanging atlas. We invite you to delve into the materials and traverse the texts in any way you desire: by cutting and pasting the printed matter, or by unravelling the texts online. The choice is yours. You can reconstruct images and reinterpret words to create Wor(l)ds for the Future.</p>
|
|
|
|
</div>
|
|
|
|
<p>Kendal Beynon, Martin Foucaut, Camilo García A., Clara Gradel, Nami Kim, Euna Lee, Jacopo Lega, Federico Poni, Louisa Teichmann and Floor van Meeuwen</p>
|
|
|
|
</a>
|
|
|
|
</div></a>
|
|
|
|
</div>
|
|
|
|
</div><!-- Special Issue 10 + 11 + 12 -->
|
|
|
|
<div id="special-issue-13" class="issue" data-cycle="3">
|
|
|
|
<div id="special-issue-12" class="issue" data-cycle="4">
|
|
|
|
<a href="13/index.html">
|
|
|
|
<a href="12/index.html">
|
|
|
|
<div class="issue-nr">Special<br> Issue 13</div>
|
|
|
|
<div class="issue-nr">
|
|
|
|
<div class="issue-date" style="font-family:'special-issue-13'; font-size: 12pt;">September/December 2020</div>
|
|
|
|
Special<br />
|
|
|
|
<div class="issue-img-13"><img src="img/special-issue-13.png" style='max-width: 100%;'></div>
|
|
|
|
Issue 12
|
|
|
|
<div class="issue-title" style="font-family: 'special-issue-13-t';">WOR(<span style="font-family: special-issue-13-custom; font-size: 25px;">L</span>)DS FOR THE FUTURE</div>
|
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|
</div>
|
|
|
|
<div class="issue-text" style="font-family:'special-issue-13'; font-size: 12pt;">
|
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|
<div class="issue-date">
|
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<p>Words have the power to shape reality. Wor(l)ds for the Future is a set of map making tools to re-imagine and collect wor(l)ds, and to re-publish an everchanging atlas. We invite you to delve into the materials and traverse the texts in any way you desire: by cutting and pasting the printed matter, or by unravelling the texts online. The choice is yours. You can reconstruct images and reinterpret words to create Wor(l)ds for the Future.</p>
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May/June 2020
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<p>Kendal Beynon, Martin Foucaut, Camilo García A., Clara Gradel, Nami Kim, Euna Lee, Jacopo Lega, Federico Poni, Louisa Teichmann and Floor van Meeuwen</p>
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</div>
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</div>
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<div class="issue-img"><img src="img/special-issue-12.png" /></div>
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</a>
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<div class="issue-title">
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</div>
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Radio Implicancies
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</div>
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<!-- Special Issue 10 + 11 + 12 -->
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<div class="issue-text">
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<div id="special-issue-12" class="issue" data-cycle="4">
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<p>Radio Implicancies is a weekly broadcast of recorded and live matter brought to you by Piet Zwart Institute's Experimental Publishing programme. Radio Implicancies starts in the middle. Each broadcast means to engage with the way technologies are worlding the world. Take a deep breath and jump in on other ways of calculating, validating, ordering and framing collections of digital material. Let’s not wait for tomorrow to pay attention to the colonial conditionings of contemporary techno-cultures!</p>
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<a href="12/index.html">
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<p>Avital Barkai, Damlanur Bilgin, Sandra Golubjevaite, Tisa Neža Herlec, Mark van den Heuvel, Max Lehmann, Mika Motskobili, Clara Noseda, Anna Sandri, and Ioana Tomici</p>
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<div class="issue-nr">Special<br> Issue 12</div>
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</div></a>
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<div class="issue-date">May/June 2020</div>
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</div>
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<div class="issue-img"><img src="img/special-issue-12.png"></div>
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<div id="special-issue-11" class="issue" data-cycle="5">
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<div class="issue-title">Radio Implicancies</div>
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<a href="11/index.html">
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<div class="issue-text">
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<div class="issue-nr">
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<p> Radio Implicancies is a weekly broadcast of recorded and live matter brought to you by Piet Zwart Institute's Experimental Publishing programme. Radio Implicancies starts in the middle. Each broadcast means to engage with the way technologies are worlding the world. Take a deep breath and jump in on other ways of calculating, validating, ordering and framing collections of digital material. Let’s not wait for tomorrow to pay attention to the colonial conditionings of contemporary techno-cultures!
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Special<br />
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</p>
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Issue 11
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<p>Avital Barkai, Damlanur Bilgin, Sandra Golubjevaite, Tisa Neža Herlec, Mark van den Heuvel, Max Lehmann, Mika Motskobili, Clara Noseda, Anna Sandri, and Ioana Tomici</p>
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</div>
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</div>
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<div class="issue-date">
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</a>
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April 2020
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</div>
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</div>
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<div id="special-issue-11" class="issue" data-cycle="5">
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<div class="issue-img"><img src="img/special-issue-11.jpg" /></div>
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<a href="11/index.html">
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<div class="issue-title">
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<div class="issue-nr">Special<br> Issue 11</div>
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Post-Digital Itch
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<div class="issue-date">April 2020</div>
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</div>
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<div class="issue-img"><img src="img/special-issue-11.jpg"></div>
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<div class="issue-text">
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<div class="issue-title">Post-Digital Itch</div>
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<p>From the other side of the world we were given data about a past dictatorship. A portion of an archive that exists to keep history truthful, educating the present, the recurrent time of political urgency and authoritarian repression. We were entrusted to secure it, manage it and publish it anonymously. Here, we cannot share the archive itself, but we can share our stories (experiences) and the process (tools, methods) we underwent while working with it. If the political situation sharpens and censorship and repression over meaning endanger our beings, this collectively assembled website is the place that offers an insight into possible solutions that do everything to keep our voices heard and our bodies intact.</p>
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<div class="issue-text">
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<p>Avital Barkai, Damlanur Bilgin, Sandra Golubjevaite, Tisa Neža Herlec, Mark van den Heuvel, Max Lehmann, Mika Motskobili, Clara Noseda, Anna Sandri, and Ioana Tomici</p>
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</div></a>
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<p>From the other side of the world we were given data about a past dictatorship. A portion of an archive that exists to keep history truthful, educating the present, the recurrent time of political urgency and authoritarian repression. We were entrusted to secure it, manage it and publish it anonymously. Here, we cannot share the archive itself, but we can share our stories (experiences) and the process (tools, methods) we underwent while working with it. If the political situation sharpens and censorship and repression over meaning endanger our beings, this collectively assembled website is the place that offers an insight into possible solutions that do everything to keep our voices heard and our bodies intact.</p>
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</div>
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<div id="special-issue-10" class="issue" data-cycle="6">
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<p>Avital Barkai, Damlanur Bilgin, Sandra Golubjevaite, Tisa Neža Herlec, Mark van den Heuvel, Max Lehmann, Mika Motskobili, Clara Noseda, Anna Sandri, and Ioana Tomici</p>
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<a href="10/index.html">
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</div>
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<div class="issue-nr">
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</a>
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Special<br />
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</div>
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Issue 10
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<div id="special-issue-10" class="issue" data-cycle="6">
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</div>
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<a href="10/index.html">
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<div class="issue-date">
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<div class="issue-nr">Special<br> Issue 10</div>
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December 2019
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<div class="issue-date">December 2019</div>
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</div>
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<div class="issue-img"><img src="img/special-issue-10.jpg"></div>
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<div class="issue-img"><img src="img/special-issue-10.jpg" /></div>
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<div class="issue-title">INPUT / OUTPUT<br/>Tales from another module</div>
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<div class="issue-title">
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<div class="issue-text">
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INPUT / OUTPUT<br />
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<p>Dear operators,</p>
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Tales from another module
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</div>
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<p>We would to invite you to combine, modulate, compose, and play with our 10 unique contributions to the common assembly of the modular publication INPUT-OUTPUT. Each contribution consists of one or more modules. Each of them represents our individual interests in the matter of signals, circuits, language and interfaces, while using modular synthesis as a means to explore these concepts and systems. Outputs vary between sound, image and text. Assemble and use at your own risk.</p>
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<div class="issue-text">
|
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<p>Dear operators,</p>
|
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<p>Avital Barkai, Damlanur Bilgin, Sandra Golubjevaite, Tisa Neža Herlec, Mark van den Heuvel, Max Lehmann, Mika Motskobili, Clara Noseda, Anna Sandri, and Ioana Tomici</p>
|
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|
|
<p>We would to invite you to combine, modulate, compose, and play with our 10 unique contributions to the common assembly of the modular publication INPUT-OUTPUT. Each contribution consists of one or more modules. Each of them represents our individual interests in the matter of signals, circuits, language and interfaces, while using modular synthesis as a means to explore these concepts and systems. Outputs vary between sound, image and text. Assemble and use at your own risk.</p>
|
|
|
|
</div>
|
|
|
|
<p>Avital Barkai, Damlanur Bilgin, Sandra Golubjevaite, Tisa Neža Herlec, Mark van den Heuvel, Max Lehmann, Mika Motskobili, Clara Noseda, Anna Sandri, and Ioana Tomici</p>
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</a>
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</div></a>
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</div>
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</div><!-- Special Issue 7 + 8 + 9 -->
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<div id="special-issue-9" class="issue" data-cycle="1" style="font-family: sans-serif;">
|
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|
<!-- Special Issue 7 + 8 + 9 -->
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<a href="09">
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<div id="special-issue-9" class="issue" data-cycle="1" style="font-family: sans-serif;">
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<div class="issue-nr">
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<a href="09">
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Special<br />
|
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|
<div class="issue-nr">Special<br> Issue 9</div>
|
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|
Issue 9
|
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<div class="issue-date">June 2019</div>
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</div>
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<div class="issue-img"><img src="img/special-issue-9.jpg"></div>
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<div class="issue-date">
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<div class="issue-title">The Library Is Open</div>
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June 2019
|
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<div class="issue-text">
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</div>
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|
<p>Dear readers,</p>
|
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|
|
<div class="issue-img"><img src="img/special-issue-9.jpg" /></div>
|
|
|
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|
<div class="issue-title">
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<p><em>The Library Is Open</em> invites you to an afternoon of workshops that make the operations within libraries visible. Join us in exploring the actions and roles of legal and extra-legal libraries (municipal, pirate, academic, +++), their custodians, and the public that form a community around collections of texts.</p>
|
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|
|
The Library Is Open
|
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|
<p>Simon Browne, Tancredi Di Giovanni, Paloma García, Rita Graça, Artemis Gryllaki, Pedro Sá Couto, Biyi Wen and Bohye Woo</p>
|
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</div>
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</div>
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<div class="issue-text">
|
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</a>
|
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|
|
<p>Dear readers,</p>
|
|
|
|
</div>
|
|
|
|
<p><em>The Library Is Open</em> invites you to an afternoon of workshops that make the operations within libraries visible. Join us in exploring the actions and roles of legal and extra-legal libraries (municipal, pirate, academic, +++), their custodians, and the public that form a community around collections of texts.</p>
|
|
|
|
<div id="special-issue-8" class="issue" data-cycle="2" style='font-family: "Courier New", Courier, monospace;'>
|
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|
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<p>Simon Browne, Tancredi Di Giovanni, Paloma García, Rita Graça, Artemis Gryllaki, Pedro Sá Couto, Biyi Wen and Bohye Woo</p>
|
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|
|
<a href="08">
|
|
|
|
</div></a>
|
|
|
|
<div class="issue-nr">Special<br> Issue 8</div>
|
|
|
|
</div>
|
|
|
|
<div class="issue-date">April 2019</div>
|
|
|
|
<div id="special-issue-8" class="issue" data-cycle="2" style='font-family: "Courier New", Courier, monospace;'>
|
|
|
|
<div class="issue-img"><img src="./img/special-issue-8.gif"></div>
|
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|
|
<a href="08">
|
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|
|
<div class="issue-title">The Network We (de)Served</div>
|
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|
<div class="issue-nr">
|
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|
|
<div class="issue-text">
|
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|
|
Special<br />
|
|
|
|
<p>Dear guest,</p>
|
|
|
|
Issue 8
|
|
|
|
|
|
|
|
</div>
|
|
|
|
<p>We traveled from home to home by bicycle, setting up homeservers. As friends and companions on this <em>Infrastructour</em>, we studied our routers over drinks served by our hosts. Where possible we installed our servers in our homes, in other cases we had to depend on another member of the group. While self-hosting together we questioned our understandings of networks, autonomy, online publishing and social infrastructures, where each of us departed from a different question. We would like to share our personal (yet interconnected) routes with you, tell you a story, present our web- and printed zines, and invite you to explore our homebrewed network.</p>
|
|
|
|
<div class="issue-date">
|
|
|
|
<p>Simon Browne, Tancredi Di Giovanni, Paloma García, Rita Graça, Artemis Gryllaki, Pedro Sá Couto, Biyi Wen and Bohye Woo</p>
|
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|
|
April 2019
|
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|
|
</div>
|
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|
|
</div>
|
|
|
|
</a>
|
|
|
|
<div class="issue-img"><img src="./img/special-issue-8.gif" /></div>
|
|
|
|
</div>
|
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|
|
<div class="issue-title">
|
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|
|
<div id="special-issue-7" class="issue" data-cycle="3">
|
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|
The Network We (de)Served
|
|
|
|
<a href="07">
|
|
|
|
</div>
|
|
|
|
<div class="issue-nr">Special<br> Issue 7</div>
|
|
|
|
<div class="issue-text">
|
|
|
|
<div class="issue-date">December 2018</div>
|
|
|
|
<p>Dear guest,</p>
|
|
|
|
<div class="issue-img"><img src="img/special-issue-7.png"></div>
|
|
|
|
<p>We traveled from home to home by bicycle, setting up homeservers. As friends and companions on this <em>Infrastructour</em>, we studied our routers over drinks served by our hosts. Where possible we installed our servers in our homes, in other cases we had to depend on another member of the group. While self-hosting together we questioned our understandings of networks, autonomy, online publishing and social infrastructures, where each of us departed from a different question. We would like to share our personal (yet interconnected) routes with you, tell you a story, present our web- and printed zines, and invite you to explore our homebrewed network.</p>
|
|
|
|
<div class="issue-title">Start up, Burn out: Life Hacks</div>
|
|
|
|
<p>Simon Browne, Tancredi Di Giovanni, Paloma García, Rita Graça, Artemis Gryllaki, Pedro Sá Couto, Biyi Wen and Bohye Woo</p>
|
|
|
|
<div class="issue-text">
|
|
|
|
</div></a>
|
|
|
|
<p>Dear Entreprecarious Life Hackers,</p>
|
|
|
|
</div>
|
|
|
|
|
|
|
|
<div id="special-issue-7" class="issue" data-cycle="3">
|
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|
|
<p>(◕‿◕) Take your time to reflect on this: Are you doing what you truly want to do? (◕‿◕) ị̞͍s̯̩̠ ̴̩͉̫̗͇ț̠ͅh̪̼̟̪̕i͠s͎̝̩̯̩̠ ̗̘̰̟̩͕p̻̘͙͓á̩̭r̳͚͕̘͖ṯ̤̼͔͖ͅ ̜̱o̯̩̦̗̮̖̣f ̺͝y̥͡o̧̺͚͉̠͙̗ͅu̧̜͖̥r̸̘ ̹̤͙̳j̴̙̗o̵̼̲͉͖̮b̥͖͘ ͕͓ḏ̷̩e̫s͖̭͕̙̱͉ć̖͉̯̙̫̪r̶̠i̖p̨̜t̨̼͓ͅi͖͈͇͙͞o͏̹̠̬̻n͍̩͇̱͞? (◕‿◕) If happiness is a currency, how rich do you think you are? (◕‿◕) ♪♬ ғɪx ᴡᴏʙʙʟʏ ᴏғғɪᴄᴇ ғᴜʀɴɪᴛᴜʀᴇ ʙʏ ᴜsɪɴɢ ᴏʟᴅ ᴄᴅs ᴛᴏ ᴀᴠᴏɪᴅ ᴡᴏʙʙʟᴇs ᴀɴᴅ ᴘʀᴏᴛᴇᴄᴛ ᴛʜᴇ ᴄᴀʀᴘᴇᴛ. ᴛʜᴇʏ ᴀʟsᴏ ᴍᴀᴋᴇ ɢʀᴇᴀᴛ ᴄᴏᴀsᴛᴇʀs. ♪♬</p>
|
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|
<a href="07">
|
|
|
|
<p>Gill Baldwin, Simon Browne, Tancredi Di Giovanni, Paloma García, Rita Graça, Artemis Gryllaki, Pedro Sá Couto, Biyi Wen and Bohye Woo</p>
|
|
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|
<div class="issue-nr">
|
|
|
|
</div>
|
|
|
|
Special<br />
|
|
|
|
</a>
|
|
|
|
Issue 7
|
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</div>
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</div>
|
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|
<div class="issue-date">
|
|
|
|
<!-- Special Issue 4 + 5 + 6 -->
|
|
|
|
December 2018
|
|
|
|
<div id="special-issue-6" class="issue" data-cycle="4">
|
|
|
|
</div>
|
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|
<a href="https://issue.xpub.nl/06/">
|
|
|
|
<div class="issue-img"><img src="img/special-issue-7.png" /></div>
|
|
|
|
<div class="issue-nr">Special<br> Issue 6</div>
|
|
|
|
<div class="issue-title">
|
|
|
|
<div class="issue-date">June 2018</div>
|
|
|
|
Start up, Burn out: Life Hacks
|
|
|
|
<div class="issue-img"><img src="img/special-issue-6.png"></div>
|
|
|
|
</div>
|
|
|
|
<div class="issue-title">Interfacing the law</div>
|
|
|
|
<div class="issue-text">
|
|
|
|
<div class="issue-text">
|
|
|
|
<p>Dear Entreprecarious Life Hackers,</p>
|
|
|
|
<p>Dear potential pirate,</p>
|
|
|
|
<p>(◕‿◕) Take your time to reflect on this: Are you doing what you truly want to do? (◕‿◕) ị̞͍s̯̩̠ ̴̩͉̫̗͇ț̠ͅh̪̼̟̪̕i͠s͎̝̩̯̩̠ ̗̘̰̟̩͕p̻̘͙͓á̩̭r̳͚͕̘͖ṯ̤̼͔͖ͅ ̜̱o̯̩̦̗̮̖̣f ̺͝y̥͡o̧̺͚͉̠͙̗ͅu̧̜͖̥r̸̘ ̹̤͙̳j̴̙̗o̵̼̲͉͖̮b̥͖͘ ͕͓ḏ̷̩e̫s͖̭͕̙̱͉ć̖͉̯̙̫̪r̶̠i̖p̨̜t̨̼͓ͅi͖͈͇͙͞o͏̹̠̬̻n͍̩͇̱͞? (◕‿◕) If happiness is a currency, how rich do you think you are? (◕‿◕) ♪♬ ғɪx ᴡᴏʙʙʟʏ ᴏғғɪᴄᴇ ғᴜʀɴɪᴛᴜʀᴇ ʙʏ ᴜsɪɴɢ ᴏʟᴅ ᴄᴅs ᴛᴏ ᴀᴠᴏɪᴅ ᴡᴏʙʙʟᴇs ᴀɴᴅ ᴘʀᴏᴛᴇᴄᴛ ᴛʜᴇ ᴄᴀʀᴘᴇᴛ. ᴛʜᴇʏ ᴀʟsᴏ ᴍᴀᴋᴇ ɢʀᴇᴀᴛ ᴄᴏᴀsᴛᴇʀs. ♪♬</p>
|
|
|
|
|
|
|
|
<p>Gill Baldwin, Simon Browne, Tancredi Di Giovanni, Paloma García, Rita Graça, Artemis Gryllaki, Pedro Sá Couto, Biyi Wen and Bohye Woo</p>
|
|
|
|
<p>You're welcome to share your books with us, regardless of where you got them from.
|
|
|
|
</div></a>
|
|
|
|
XPPL is a platform for potential pirate librarianship where knowledge comrades share information freely. The library gathers all the books and articles floating around on our shelves, hard drives, memory sticks and bathroom floors. It starts at XPUB, but it can go anywhere you want it to.</p>
|
|
|
|
</div><!-- Special Issue 4 + 5 + 6 -->
|
|
|
|
<p>Natasha Berting, Angeliki Diakrousi, Joca van der Horst, Alexander Roidl, Alice Strete and Zalán Szakács</p>
|
|
|
|
<div id="special-issue-6" class="issue" data-cycle="4">
|
|
|
|
</div>
|
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|
|
<a href="https://issue.xpub.nl/06/">
|
|
|
|
</a>
|
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|
|
<div class="issue-nr">
|
|
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|
</div>
|
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|
Special<br />
|
|
|
|
<div id="special-issue-5" class="issue" data-cycle="5">
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Issue 6
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<a href="https://issue.xpub.nl/05/">
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</div>
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<div class="issue-nr">Special<br> Issue 5</div>
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<div class="issue-date">
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<div class="issue-date">March 2018</div>
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June 2018
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<div class="issue-img"><img src="img/special-issue-5.png"></div>
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</div>
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<div class="issue-title">OuNuPo</div>
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<div class="issue-img"><img src="img/special-issue-6.png" /></div>
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<div class="issue-text">
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<div class="issue-title">
|
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<p>Dear OuNuPian,</p>
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|
Interfacing the law
|
|
|
|
<p>In the Ouvroir de Numérisation Potentielle (the workshop of potential digitisation, or OuNuPo) the XPUB practitioners reflected on several topics: how culture is shaped by book scanning? Who has access and who is excluded from digital culture? How free software and open source hardware have bootstrapped a new culture of librarians? What happens to text when it becomes data that can be transformed, manipulated and analysed ad nauseam?
|
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</div>
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<div class="issue-text">
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To answer these questions, the XPUB practitioners have written software, built a bookscanner and assembled a unique printed reader.</p>
|
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|
|
<p>Dear potential pirate,</p>
|
|
|
|
<p>Make ocr/output/publication.txt</p>
|
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|
|
<p>You're welcome to share your books with us, regardless of where you got them from. XPPL is a platform for potential pirate librarianship where knowledge comrades share information freely. The library gathers all the books and articles floating around on our shelves, hard drives, memory sticks and bathroom floors. It starts at XPUB, but it can go anywhere you want it to.</p>
|
|
|
|
<p>Natasha Berting, Angeliki Diakrousi, Joca van der Horst, Alexander Roidl, Alice Strete and Zalán Szakács</p>
|
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|
|
<p>Natasha Berting, Angeliki Diakrousi, Joca van der Horst, Alexander Roidl, Alice Strete and Zalán Szakács</p>
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</div>
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</div></a>
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</a>
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</div>
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</div>
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<div id="special-issue-5" class="issue" data-cycle="5">
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<div id="special-issue-4" class="issue" data-cycle="6">
|
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<a href="https://issue.xpub.nl/05/">
|
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<a href="https://issue.xpub.nl/04/">
|
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|
<div class="issue-nr">
|
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|
|
<div class="issue-nr">Special<br> Issue 4</div>
|
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|
Special<br />
|
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|
|
<div class="issue-date">December 2017</div>
|
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|
|
Issue 5
|
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|
<div class="issue-img"><img src="img/special-issue-4-alternative-2.png"></div>
|
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</div>
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<div class="issue-title">A BED, A CHAIR AND A TABLE</div>
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|
<div class="issue-date">
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|
|
<div class="issue-text">
|
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|
|
March 2018
|
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|
|
<p>Dear active archivist,</p>
|
|
|
|
</div>
|
|
|
|
<p>Can an archive save the Poortgebouw? This former squat and vibrant living community is facing a key moment in the future. In this publication, oral histories from the building’s illustrious past interact with material from various collections, including the Poortgebouw’s own Autonomous Archive. Here, archiving is not the end, but the beginning of a debate.</p>
|
|
|
|
<div class="issue-img"><img src="img/special-issue-5.png" /></div>
|
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|
|
<p>Join us.</p>
|
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|
|
<div class="issue-title">
|
|
|
|
<p>Natasha Berting, Elisa Chaudet, Angeliki Diakrousi, Joca van der Horst, Alexander Roidl, Alice Strete and Zalán Szakács</p>
|
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|
|
OuNuPo
|
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|
</div>
|
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|
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</div>
|
|
|
|
</a>
|
|
|
|
<div class="issue-text">
|
|
|
|
</div>
|
|
|
|
<p>Dear OuNuPian,</p>
|
|
|
|
|
|
|
|
<p>In the Ouvroir de Numérisation Potentielle (the workshop of potential digitisation, or OuNuPo) the XPUB practitioners reflected on several topics: how culture is shaped by book scanning? Who has access and who is excluded from digital culture? How free software and open source hardware have bootstrapped a new culture of librarians? What happens to text when it becomes data that can be transformed, manipulated and analysed ad nauseam? To answer these questions, the XPUB practitioners have written software, built a bookscanner and assembled a unique printed reader.</p>
|
|
|
|
<!-- Special Issue 1 + 2 + 3 -->
|
|
|
|
<p>Make ocr/output/publication.txt</p>
|
|
|
|
<div id="special-issue-3" class="issue" data-cycle="1">
|
|
|
|
<p>Natasha Berting, Angeliki Diakrousi, Joca van der Horst, Alexander Roidl, Alice Strete and Zalán Szakács</p>
|
|
|
|
<a href="https://issue.xpub.nl/03/">
|
|
|
|
</div></a>
|
|
|
|
<div class="issue-nr">Special<br> Issue 3</div>
|
|
|
|
</div>
|
|
|
|
<div class="issue-date">June 2017</div>
|
|
|
|
<div id="special-issue-4" class="issue" data-cycle="6">
|
|
|
|
<div class="issue-img"><img src="img/special-issue-3.png"></div>
|
|
|
|
<a href="https://issue.xpub.nl/04/">
|
|
|
|
<div class="issue-title">Interfacing the Law</div>
|
|
|
|
<div class="issue-nr">
|
|
|
|
<div class="issue-text">
|
|
|
|
Special<br />
|
|
|
|
<p>Pirates come ye!</p>
|
|
|
|
Issue 4
|
|
|
|
<p>Yaar be welcome amongst there books wit rum. We call on ye to battle the terror of the mind, produced by there current intellectual property regime? Transcend the juridical binary of illegal vs. legal, and claim political legitimacy on the digital seas of grey!</p>
|
|
|
|
</div>
|
|
|
|
<p>All hands ahoy!</p>
|
|
|
|
<div class="issue-date">
|
|
|
|
<p>Emily Buzzo, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, and Nadine Rotem-Stibbe.</p>
|
|
|
|
December 2017
|
|
|
|
</div>
|
|
|
|
</div>
|
|
|
|
</a>
|
|
|
|
<div class="issue-img"><img src="img/special-issue-4-alternative-2.png" /></div>
|
|
|
|
</div>
|
|
|
|
<div class="issue-title">
|
|
|
|
<div id="special-issue-2" class="issue" data-cycle="2">
|
|
|
|
A BED, A CHAIR AND A TABLE
|
|
|
|
<a href="https://issue.xpub.nl/02/">
|
|
|
|
</div>
|
|
|
|
<div class="issue-nr">Special<br> Issue 2</div>
|
|
|
|
<div class="issue-text">
|
|
|
|
<div class="issue-date">March 2017</div>
|
|
|
|
<p>Dear active archivist,</p>
|
|
|
|
<div class="issue-img"><img src="img/special-issue-2.jpg"></div>
|
|
|
|
<p>Can an archive save the Poortgebouw? This former squat and vibrant living community is facing a key moment in the future. In this publication, oral histories from the building’s illustrious past interact with material from various collections, including the Poortgebouw’s own Autonomous Archive. Here, archiving is not the end, but the beginning of a debate.</p>
|
|
|
|
<div class="issue-title">TGC #3</div>
|
|
|
|
<p>Join us.</p>
|
|
|
|
<div class="issue-text">
|
|
|
|
<p>Natasha Berting, Elisa Chaudet, Angeliki Diakrousi, Joca van der Horst, Alexander Roidl, Alice Strete and Zalán Szakács</p>
|
|
|
|
<p>Dearest listeners,</p>
|
|
|
|
</div></a>
|
|
|
|
<p>Come Adopt a Walk or Rock Step Triple Step Triple Step along, a Fine Line, and discover Euclid in Motion towards A Sonification of the Dutch Elections 2017, to finaly embrace the Drone Oddities 1, 2 and 3 to Rest.</p>
|
|
|
|
</div><!-- Special Issue 1 + 2 + 3 -->
|
|
|
|
<p>Concretely yours,</p>
|
|
|
|
<div id="special-issue-3" class="issue" data-cycle="1">
|
|
|
|
<p>Emily Buzzo, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, and Kimmy Spreeuwenberg.</p>
|
|
|
|
<a href="https://issue.xpub.nl/03/">
|
|
|
|
</div>
|
|
|
|
<div class="issue-nr">
|
|
|
|
</a>
|
|
|
|
Special<br />
|
|
|
|
</div>
|
|
|
|
Issue 3
|
|
|
|
<div id="special-issue-1" class="issue" data-cycle="3">
|
|
|
|
</div>
|
|
|
|
<a href="https://issue.xpub.nl/01/">
|
|
|
|
<div class="issue-date">
|
|
|
|
<div class="issue-nr">Special<br> Issue 1</div>
|
|
|
|
June 2017
|
|
|
|
<div class="issue-date">December 2016</div>
|
|
|
|
</div>
|
|
|
|
<div class="issue-img"><img src="img/special-issue-1.jpg"></div>
|
|
|
|
<div class="issue-img"><img src="img/special-issue-3.png" /></div>
|
|
|
|
<div class="issue-title">OP=OP</div>
|
|
|
|
<div class="issue-title">
|
|
|
|
<div class="issue-text">
|
|
|
|
Interfacing the Law
|
|
|
|
<p>Dear gamers,</p>
|
|
|
|
</div>
|
|
|
|
<p>Pick the Pig, you are a risky trader. Pick the Chicken, and you'll sit on your eggs until they hatch. Maybe you'll be lucky and get a Bull market, or maybe not and have to deal with the Bear. Tear up a book, and get dealing with the free market, exploitation, taxation and the privatization of services. Pit resources and economics against each other and feel the Artifical Scarity burn.</p>
|
|
|
|
<div class="issue-text">
|
|
|
|
<p>Looking forward to ruin you!</p>
|
|
|
|
<p>Pirates come ye!</p>
|
|
|
|
<p>Emily Buzzo, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Pleun Gremmen, Francisco González, Julia Kul, Margreet Riphagen, Kimmy Spreeuwenberg, and Noémie Vidé</p>
|
|
|
|
<p>Yaar be welcome amongst there books wit rum. We call on ye to battle the terror of the mind, produced by there current intellectual property regime? Transcend the juridical binary of illegal vs. legal, and claim political legitimacy on the digital seas of grey!</p>
|
|
|
|
</div>
|
|
|
|
<p>All hands ahoy!</p>
|
|
|
|
</a>
|
|
|
|
<p>Emily Buzzo, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, and Nadine Rotem-Stibbe.</p>
|
|
|
|
</div>
|
|
|
|
</div></a>
|
|
|
|
|
|
|
|
</div>
|
|
|
|
|
|
|
|
<div id="special-issue-2" class="issue" data-cycle="2">
|
|
|
|
|
|
|
|
<a href="https://issue.xpub.nl/02/">
|
|
|
|
|
|
|
|
<div class="issue-nr">
|
|
|
|
|
|
|
|
Special<br />
|
|
|
|
|
|
|
|
Issue 2
|
|
|
|
|
|
|
|
</div>
|
|
|
|
|
|
|
|
<div class="issue-date">
|
|
|
|
|
|
|
|
March 2017
|
|
|
|
|
|
|
|
</div>
|
|
|
|
|
|
|
|
<div class="issue-img"><img src="img/special-issue-2.jpg" /></div>
|
|
|
|
</section>
|
|
|
|
<div class="issue-title">
|
|
|
|
<section id="info" class="endpoint">
|
|
|
|
TGC #3
|
|
|
|
<h1>XPUB</h1>
|
|
|
|
</div>
|
|
|
|
<p>
|
|
|
|
<div class="issue-text">
|
|
|
|
XPUB is the Master of Arts in Fine Art and Design: <em>Experimental Publishing</em> of the Piet Zwart Institute. XPUB focuses on the acts of making things public and creating publics in the age of post-digital networks. XPUB's interests in publishing are twofold:
|
|
|
|
<p>Dearest listeners,</p>
|
|
|
|
</p>
|
|
|
|
<p>Come Adopt a Walk or Rock Step Triple Step Triple Step along, a Fine Line, and discover Euclid in Motion towards A Sonification of the Dutch Elections 2017, to finaly embrace the Drone Oddities 1, 2 and 3 to Rest.</p>
|
|
|
|
<p>
|
|
|
|
<p>Concretely yours,</p>
|
|
|
|
<strong>first</strong>, publishing as the inquiry and participation into the technological frameworks, political context and cultural processes through which things are made public;
|
|
|
|
<p>Emily Buzzo, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, and Kimmy Spreeuwenberg.</p>
|
|
|
|
</p>
|
|
|
|
</div></a>
|
|
|
|
<p>
|
|
|
|
</div>
|
|
|
|
and <strong>second</strong>, how these are, or can be, used to create publics by expanding the means of discourse circulation beyond print media and its direct digital translation.
|
|
|
|
<div id="special-issue-1" class="issue" data-cycle="3">
|
|
|
|
</p>
|
|
|
|
<a href="https://issue.xpub.nl/01/">
|
|
|
|
<p id="xpubsite">
|
|
|
|
<div class="issue-nr">
|
|
|
|
<a href="https://xpub.nl" target="_blank">xpub.nl</a>
|
|
|
|
Special<br />
|
|
|
|
</p>
|
|
|
|
Issue 1
|
|
|
|
|
|
|
|
</div>
|
|
|
|
</section>
|
|
|
|
<div class="issue-date">
|
|
|
|
</div>
|
|
|
|
December 2016
|
|
|
|
|
|
|
|
</div>
|
|
|
|
|
|
|
|
<div class="issue-img"><img src="img/special-issue-1.jpg" /></div>
|
|
|
|
|
|
|
|
<div class="issue-title">
|
|
|
|
|
|
|
|
OP=OP
|
|
|
|
|
|
|
|
</div>
|
|
|
|
|
|
|
|
<div class="issue-text">
|
|
|
|
|
|
|
|
<p>Dear gamers,</p>
|
|
|
|
|
|
|
|
<p>Pick the Pig, you are a risky trader. Pick the Chicken, and you'll sit on your eggs until they hatch. Maybe you'll be lucky and get a Bull market, or maybe not and have to deal with the Bear. Tear up a book, and get dealing with the free market, exploitation, taxation and the privatization of services. Pit resources and economics against each other and feel the Artifical Scarity burn.</p>
|
|
|
|
|
|
|
|
<p>Looking forward to ruin you!</p>
|
|
|
|
|
|
|
|
<p>Emily Buzzo, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Pleun Gremmen, Francisco González, Julia Kul, Margreet Riphagen, Kimmy Spreeuwenberg, and Noémie Vidé</p>
|
|
|
|
|
|
|
|
</div></a>
|
|
|
|
|
|
|
|
</div>
|
|
|
|
|
|
|
|
</section>
|
|
|
|
|
|
|
|
<section id="info" class="endpoint">
|
|
|
|
|
|
|
|
<h1>XPUB</h1>
|
|
|
|
|
|
|
|
<p>XPUB is the Master of Arts in Fine Art and Design: <em>Experimental Publishing</em> of the Piet Zwart Institute. XPUB focuses on the acts of making things public and creating publics in the age of post-digital networks. XPUB's interests in publishing are twofold:</p>
|
|
|
|
|
|
|
|
<p><strong>first</strong>, publishing as the inquiry and participation into the technological frameworks, political context and cultural processes through which things are made public;</p>
|
|
|
|
|
|
|
|
<p>and <strong>second</strong>, how these are, or can be, used to create publics by expanding the means of discourse circulation beyond print media and its direct digital translation.</p>
|
|
|
|
|
|
|
|
<p id="xpubsite"><a href="https://xpub.nl" target="_blank">xpub.nl</a></p>
|
|
|
|
|
|
|
|
</section>
|
|
|
|
|
|
|
|
</div>
|
|
|
|
</body>
|
|
|
|
</body>
|
|
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|
</html>
|
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</html>
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|
