@ -41,7 +41,7 @@ alt="WDKA- Winjhaven Building- February 2024- reading of act0 and act1" />
reading of act0 and act1</figcaption>
reading of act0 and act1</figcaption>
</figure>
</figure>
<p>This project appeared as a need to explore potential bureaucratic
<p>This project appeared as a need to explore potential bureaucratic
dramaturgies within the educational institution I was part as a student.
dramaturgies within the educational institution I was part of as a student.
I was curious about educational bureaucratic mechanisms being driven by
I was curious about educational bureaucratic mechanisms being driven by
smaller-scale paperwork struggles and peers’ narratives, stories and
smaller-scale paperwork struggles and peers’ narratives, stories and
experiences. However, unexpected emergencies - due to my eviction on the
experiences. However, unexpected emergencies - due to my eviction on the
@ -56,11 +56,11 @@ in order to unravel and foreground questions related to the role of
bureaucracy as less material border and as a regulatory mechanism
bureaucracy as less material border and as a regulatory mechanism
reflecting narratives, ideologies, policies.</p>
reflecting narratives, ideologies, policies.</p>
<p>Central element of this project is a seven-act scenario that
<p>Central element of this project is a seven-act scenario that
construct my personal paperwork story, unraveling the actual struggles
construct my personal paperwork story, unravelling the actual struggles
of my communication with the government. The body of the text of the
of my communication with the government. The body of the text of the
“theatrical” script is sourced from the original documents, email
“theatrical” script is sourced from the original documents, email
threads as well as recordings of the conversations with the municipality
threads as well as recordings of the conversations with the municipality
of Rotterdam I documented and archived throughout this period. I
of Rotterdam, I documented and archived throughout this period. I
preserved the sequence of the given sentences and by discarding the
preserved the sequence of the given sentences and by discarding the
graphic design of the initial forms, I structured and repurposed the
graphic design of the initial forms, I structured and repurposed the
text into a playable scenario.</p>
text into a playable scenario.</p>
@ -79,18 +79,15 @@ deregistration”</figcaption>
</figure>
</figure>
<p><imgsrc="../aglaia/dereg2.png"/></p>
<p><imgsrc="../aglaia/dereg2.png"/></p>
<p>I perceive the document as a unit and as the fundamental symbolic
<p>I perceive the document as a unit and as the fundamental symbolic
interface of the bureaucratic network. The transformation of the
interface of the bureaucratic network. The transformation of the materiality of a document into a scenario to be enacted collectively in public aims to examine these artefacts and highlight the shrouded performative elements of these processes.</p>
materiality of a document into a scenario to be enacted collectively in
public aims to examine these artifacts and highlight the shrouded
performative elements of these processes.</p>
<p>I see the collective readings of these scenarios as a way of instant
<p>I see the collective readings of these scenarios as a way of instant
publishing and as a communal tool of inspecting bureaucratic bordering
publishing and as a communal tool for inspecting bureaucratic bordering
infrastructures. How can these re-enactments be situated in different
infrastructures. How can these re-enactments be situated in different
institutional contexts and examine their structures? I organized a
institutional contexts and examine their structures? I organized a
series of performative readings of my own bureaucratic literature in
series of performative readings of my own bureaucratic literature in
different spaces and contexts, pubic and semi-public WDKA, Art Meets
different spaces and contexts, pubic and semi-public WDKA, Art Meets
Radical Openness Festival in Linz, the City Hall of Rotterdam where I
Radical Openness Festival in Linz, the City Hall of Rotterdam where I
invited people to perform the play together, like a tiny theater.</p>
invited people to perform the play together, like a tiny theatre.</p>
<figure>
<figure>
<imgsrc="../aglaia/AMRO_all.jpg"
<imgsrc="../aglaia/AMRO_all.jpg"
alt="Art Meets Radical Openness Festival – Linz, Austria - May 2024 - Reading Act 2 and Act3 in the tent" />
alt="Art Meets Radical Openness Festival – Linz, Austria - May 2024 - Reading Act 2 and Act3 in the tent" />
@ -112,7 +109,7 @@ of Act 5 and Act 6</figcaption>
<p>The marginal voices of potential applicants are embodying and
<p>The marginal voices of potential applicants are embodying and
enacting a role. “The speech does not only describe but brings things
enacting a role. “The speech does not only describe but brings things
into existence”(Austin, 1975). My intention was to stretch the limits of
into existence”(Austin, 1975). My intention was to stretch the limits of
dramaturgical speech through vocalizing a document and turn individual
dramaturgical speech through vocalizing a document and turning individual
administrative cases into public ones. How do the inscribed words in the
administrative cases into public ones. How do the inscribed words in the
documents are not descriptive but on the contrary “are instrumentalized
documents are not descriptive but on the contrary “are instrumentalized
in getting things done”(Butler,1997). Words as active agents. Bodies as
in getting things done”(Butler,1997). Words as active agents. Bodies as
