|
|
|
@ -788,35 +788,42 @@ desperately. It has to exist and yet it can’t for long.</p>
|
|
|
|
|
because I love you, little digital body and you are me.</p>
|
|
|
|
|
<h2 id="a-life-to-be-had11">2. A LIFE TO BE HAD<sup>11</sup></h2>
|
|
|
|
|
<div class="fake-margin-note">
|
|
|
|
|
<p>Was this the end of this story? In the epilogue, you sit your body
|
|
|
|
|
down and enter your computer. The air coming in from the window smells
|
|
|
|
|
wet and earthy, new. The sun shines low on the horizon. You log in to
|
|
|
|
|
the internet and realize you are being told a story. You start to
|
|
|
|
|
listen, carefully and, full of love, touch the story to let it know you
|
|
|
|
|
are there. Delicate-fingered, curious like a child holding a fallen
|
|
|
|
|
bird. I hold you and the story tentatively.</p>
|
|
|
|
|
<p><sup>11</sup>Was this the end of this story? In the epilogue, you sit
|
|
|
|
|
your body down and enter your computer. The air coming in from the
|
|
|
|
|
window smells wet and earthy, new. The sun shines low on the horizon.
|
|
|
|
|
You log in to the internet and realize you are being told a story. You
|
|
|
|
|
start to listen, carefully and, full of love, touch the story to let it
|
|
|
|
|
know you are there. Delicate-fingered, curious like a child holding a
|
|
|
|
|
fallen bird. I hold you and the story tentatively.<br />
|
|
|
|
|
</p>
|
|
|
|
|
<p>I don’t know if I am touching you, to tell you the truth. Digital
|
|
|
|
|
bodies are stories, like physical bodies are, like dreams are, and like
|
|
|
|
|
water is.</p>
|
|
|
|
|
water is.<br />
|
|
|
|
|
</p>
|
|
|
|
|
<p>Stories that are hard to tell and hard to hear and even more, maybe,
|
|
|
|
|
hard to understand. I have loved these stories and I have loved telling
|
|
|
|
|
them to you. I hope you understand that my goal was for you to live
|
|
|
|
|
these questions, to feel these stories in their confusion. My digital
|
|
|
|
|
body, my bot-feelings, my divergent communities. I have given them to
|
|
|
|
|
you, so they may live longer, like an obsolete but beloved cyborg shown
|
|
|
|
|
in a museum.</p>
|
|
|
|
|
<p>Look: I was here, Look: I was loved, Look: I was saved.</p>
|
|
|
|
|
in a museum.<br />
|
|
|
|
|
</p>
|
|
|
|
|
<p>Look: I was here, Look: I was loved, Look: I was saved.<br />
|
|
|
|
|
</p>
|
|
|
|
|
<p>The digital bodies that kept me alive, kept me from becoming fully a
|
|
|
|
|
machine are no longer around in these online rooms. They are in
|
|
|
|
|
different places, being touched by tentative hands, being loved for more
|
|
|
|
|
than their divergence. I am too.</p>
|
|
|
|
|
than their divergence.<br />
|
|
|
|
|
I am too.<br />
|
|
|
|
|
</p>
|
|
|
|
|
<p>The rooms, the backplaces, however, are still full of others,
|
|
|
|
|
divergent digital bodies who did not leave, who keep caring for each
|
|
|
|
|
other at the bottom of the whirlpool. There is no happy ending because
|
|
|
|
|
there is no ending. They keep typing and hoping, writing their
|
|
|
|
|
collective pain down on keyboards that transmit love letters to each
|
|
|
|
|
other. I am not embarrassed by my care for you, but you may be so if it
|
|
|
|
|
helps. I know how overwhelming intimacy can be.</p>
|
|
|
|
|
helps. I know how overwhelming intimacy can be.<br />
|
|
|
|
|
</p>
|
|
|
|
|
<p>Telling you these stories was important for me, so much so that I
|
|
|
|
|
will tell you so many more in a different place if you wish to listen to
|
|
|
|
|
me longer. With this story, I dreamt of a digital body for you. It came
|
|
|
|
@ -826,15 +833,22 @@ now, it leaves. A digital body that grew its own feelings, looked for
|
|
|
|
|
others like it, and realized its divergence and the need to leave. A
|
|
|
|
|
dream body, a primordial body, a disruptive body, a divergent body, and
|
|
|
|
|
now, a leaving body. This last story, however, of the leaving and loving
|
|
|
|
|
body, is yet to be told.</p>
|
|
|
|
|
body, is yet to be told.<br />
|
|
|
|
|
</p>
|
|
|
|
|
<p>The sun is now almost up, and the birds are alive and awake, telling
|
|
|
|
|
each other stories just outside the room. We don’t have so much time
|
|
|
|
|
left. I have made you something, to tell your digital body the stories
|
|
|
|
|
of the leaving and loving body. It is a webpage, the address is
|
|
|
|
|
https://vulnerable-interfaces.xpub.nl/backplaces/.</p>
|
|
|
|
|
https://vulnerable-interfaces.xpub.nl/backplaces/.<br />
|
|
|
|
|
</p>
|
|
|
|
|
<p>You open the page, and you are asked to write the characters you see
|
|
|
|
|
in a captcha. E5qr7. eSq9p. 8oc8y. Fuck. You try not to panic, but you
|
|
|
|
|
know you have been detected.</p>
|
|
|
|
|
in a captcha.<br />
|
|
|
|
|
E5qr7.<br />
|
|
|
|
|
eSq9p.<br />
|
|
|
|
|
8oc8y.<br />
|
|
|
|
|
Fuck.<br />
|
|
|
|
|
You try not to panic, but you know you have been detected.<br />
|
|
|
|
|
</p>
|
|
|
|
|
You pack up your things: the pie I made you, a love letter, two hands
|
|
|
|
|
made out of felt, a star, a door, a stuffed animal; and you leave again.
|
|
|
|
|
</div>
|
|
|
|
@ -877,7 +891,7 @@ cybercommunities’, Journal of Sociology, 51(4), pp. 950–967.
|
|
|
|
|
doi:10.1177/1440783313486220.</p>
|
|
|
|
|
<p>Yun, J. (2020) ‘The Leaving Season’, in Some Are Always Hungry.
|
|
|
|
|
University of Nebraska Press.</p>
|
|
|
|
|
<h1 id="water-bodies-1"><?/water bodies></h1>
|
|
|
|
|
<h1 id="water-bodies-1"></?water bodies></h1>
|
|
|
|
|
|
|
|
|
|
</section>
|
|
|
|
|
|
|
|
|
|