side note works woo

master
Stephen 1 month ago
parent 80dedd3c2c
commit a17ff77ac0

Binary file not shown.

@ -161,7 +161,7 @@ Every reader starts from 1 and continues until 12, with a consecutive numeric or
alt="knot words from Leeszaal" />
</figure>
<div class="loops">
<section class="loops">
## Working End
### Loop 1
### Why am I doing this?
@ -214,7 +214,10 @@ me realise that it doesnt have to be or even can be a perfect story.
In the end with the experience I had with loss, I believe the story turned out to be an ode to
remembering or might I say an ode to not being able to forget or an ode to the fear of forgetting
### Loop 2 <sup><span class="margin-note"><div>9 <img src="../irmak/loop.png"></div><div>11<img src="../irmak/loop.png"></div><div>8 <img src="../irmak/loop.png"></div></div></span></sup>
### Loop 2
<sup><span class="margin-note loop-note">9 11 8<img src="../irmak/loop.png"></span></sup>
The effect of storytelling knowledge on kids development and creativity. What can
we learn from open ended and multiple ending stories?
@ -663,7 +666,7 @@ as a prototype was a breakthrough. I feel like my interest and desire to discove
writing, reading and experiencing literature is ongoing and it was a beautiful journey so far. I am
looking forward to making more knots on this long and mysterious string at hand.
</div>
</section>
## Bibliography
Cope, B. and Kalantzis, M. (2009) “multiliteracies”:

@ -1,7 +1,7 @@
.loops{
margin-left: -15mm;
padding-left: 40mm;
background-image: url('../img/loopstest.png');
background-image: url('../irmak/strings.png');
background-size: 35mm 180mm;
background-repeat: no-repeat;
}
@ -17,7 +17,22 @@
position: absolute;
margin-left: 15mm;
padding: 5mm 0;
/* text-align-last: justify;*/
}
.loops .margin-note.loop-note{
text-align: justify;
width: 25mm;
font-weight: 700;
color: black;
text-align-last: justify;
}
.loops .margin-note>div{
display: inline-flex;
flex-direction: column;
align-items: center;
width: 10mm;
}
.loops .margin-note>div:first-of-type{
margin-left: -2.5mm;
}
.loops .note-call{
display: none;

@ -2160,8 +2160,8 @@ numeric order, according to their color/mode.
<img src="../images/../images/../irmak/map.png"
alt="knot words from Leeszaal" />
</figure>
<section id="working-end" class="loops">
<h2>Working End</h2>
<section class="loops">
<h2 id="working-end">Working End</h2>
<h3 id="loop-1">Loop 1</h3>
<h3 id="why-am-i-doing-this">Why am I doing this?</h3>
<p>My desire to write a childrens book about grief and memory ignited
@ -2223,20 +2223,12 @@ story.</p>
<p>In the end with the experience I had with loss, I believe the story
turned out to be an ode to remembering or might I say an ode to not
being able to forget or an ode to the fear of forgetting</p>
### Loop 2 <sup><span class="margin-note">
<div>
9 <img src="../images/../images/../irmak/loop.png">
</div>
<div>
11<img src="../images/../images/../irmak/loop.png">
</div>
<div>
8 <img src="../images/../images/../irmak/loop.png">
</div>
</section>
<p></span></sup> The effect of storytelling knowledge on kids
development and creativity. What can we learn from open ended and
multiple ending stories?</p>
<h3 id="loop-2">Loop 2</h3>
<p><sup><span class="margin-note loop-note">9 11
8<img src="../images/../images/../irmak/loop.png"></span></sup></p>
<p>The effect of storytelling knowledge on kids development and
creativity. What can we learn from open ended and multiple ending
stories?</p>
<p>ability to form basic stories or to express their emotions through
fictional characters or events. Children are not born with a wide
vocabulary of emotions and expressions. They learn how to read, mimic
@ -2765,7 +2757,7 @@ feel like my interest and desire to discover new ways of writing,
reading and experiencing literature is ongoing and it was a beautiful
journey so far. I am looking forward to making more knots on this long
and mysterious string at hand.</p>
</div>
</section>
<h2 id="bibliography">Bibliography</h2>
<p>Cope, B. and Kalantzis, M. (2009) “multiliteracies”: New Literacies,
new learning, Pedagogies: An International Journal, 4(3), pp. 164195.

Loading…
Cancel
Save