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aglaia 5 months ago
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# Performing the Bureaucratic Border(line)s
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## introduction
This thesis is an assemblage<sup><span class="margin-note">I live somewhere in the margins of scattered references, footnotes, citations, examinations embracing the inconvenience of talking back to myself, to the reader and to all those people whose ideas gave soul to the text. I shelter in the borderlands of the pages my fragmented thoughts, flying words, introspections, voices. Enlightenment and inspiration given by the text “Dear Science” written by Katherine McKittrick.</span></sup> of thoughts, experiences, interpretations, intuitive explorations of what borders are, attempting to unleash a conversation concerning the entangled relation between material injurious borders and bureaucracy. I unravel empirically the thread of how borders as entities are manifested and (de)established. How does the lived experience of crossing multiple borders change and under what conditions?
@ -29,6 +29,7 @@ In the second chapter, I unpack bureaucracy and focus on its bordering function.
In the third and last chapter, I bridge the written text with the ongoing project that runs simultaneously as part of my graduation work in Experimental Publishing, where I mainly speak through my prototypes. Talking documents(5) are performative bureaucratic text inspections, vocal and non-vocal, that intend to create temporal public interventions through performative readings. The intention is to underline how the vocalization of bureaucracies as a tool can potentially reveal their territorial exclusive function and provide space for the invisible vulnerability.
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> “on the other side is the river
> and I cannot cross it
> on the other side is the sea
@ -91,6 +92,7 @@ According to Hannah Arendt, the right to have rights and claim somebody else
> “…<sup><span class="margin-note">This is a transcribed recording of my phone during a protest on migration at Dam Square in Amsterdam. I insert part of the speech of a Palestinian woman addressing the matter of undocumentedness. Date and time of the recording 18th of June 2023, 15:05.</span></sup> I am here for the rights of the children which haven't be in the taking part in the education since they have undocumented mothers and they are more than *<sup><span class="margin-note">“*” means undecipherable</span></sup> years. I am here to represent mothers who are looking for a place to have a sense of belonging or how long are you trying to continue humiliating them and the female gender. I am here to express my frustration with IND<sup><span class="margin-note">Immigratie- en Naturalisatiedienst - Dutch Immigration and Naturalisation Service</span></sup>. So frustrated. And I will not stop talking about democracy. Democracy is the rule of law where everybody feels included. Democracy is a rule of law where everybody feels * We, undocumented people, we don't feel a sense of belonging from the system."
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## bureaucracy as immaterial border
Apart from the rigid visible borders, bureaucracy related to migrants, refugees and asylum seekers can also constitute an in-between less visible borderland. I used to perceive bureaucracy as an immaterial and intangible entity. However, now I can claim that this assumption is not true. Bureaucracy is material and spatial and can be seen as an apparatus, a machine, a circuitry, an institution, a territory, a borderland, a body, a zone a “dead zone of imagination” as Graeber claims. It can be inscribed on piles of papers, folders, drawers, booklets, passports, IDs, documents, screens, tapes, bodies, hospital corridors, offices, permissions to enter, stay, work, travel, exist, come and go, leave, visit family, bury a friend.
@ -164,6 +166,7 @@ How performing a collection of small bureaucratic stories can function as an ins
I started working and engaging more with different bureaucratic material that my peers and I encountered regularly or appeared in our (e)mail (in)boxes and are partly related to our identities as foreign students coming from different places. I chose to start touching and looking for various bureaucracies that surround me as a personal filter towards it. From identification documents and application forms to rental contracts, funding applications, visa applications, quality assurance questionnaires related to the university, assessment criteria, supermarket point gathering cards, receipts. A sequence of locked doors to be unlocked more or less easily via multiple bureaucratic keys. The methods and tools used to scrutinize the administrative artifacts are not rigid or distinct. It is mainly a “collection” of small bureaucratic experiments - closely related to language as well as the performative “nature” of these texts themselves. I was intrigued by how transforming the material conditions of a piece of text could influence the potential understandings and perceptions of its meaning.
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## prototypes
#### 1.
@ -180,6 +183,7 @@ These 'rituals' are components of a larger “culture of evidence”, serving as
![The linguistic experiment of the Quality Assurance Questionnaire Document](../aglaia/quality.jpg)
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#### 2.
**Title:** “Department of Bureaucracy and Administration Customs Enforcement”
**When:** November 2023
@ -195,6 +199,7 @@ The provided context of this “play” was a social library hosting a masters c
![One of the forms that the audience had to fill out during the Lesszaal event](../aglaia/mitsi.jpg)
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#### 3.
**Title:** “Passport Reading Session”
**When:** January 2024
@ -214,6 +219,7 @@ We read the embedded signs, symbols, categories, texts, magical numbers in our p
![ ](../aglaia/passport2.png)
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#### 4.
**Title:** “Postal Address Application Scenario”
**When:** February 2024
@ -228,6 +234,7 @@ The first and the last moment of the performance was during a semi-public tryout
![A6 booklet of the first chapter of the “theatrical” scenario created out of the Postal Address Application documents and performed by XPUB peers](../aglaia/postal.png)
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## conclusion
### next chapters of the case with reference number A.B.2024.4.03188
@ -238,14 +245,16 @@ My case has finished by this time. I withdrew my objection [7/03/2024] and I de-
My intention is to facilitate a series of collective performative readings of bureaucratic scenarios or other portable paperwork stories as a way of publishing and inspecting bureaucratic bordering infrastructures. The marginal voices of potential applicants are embodying and performing a role. “The speech does not only describe but brings things into existence” (Austin, 1975). I would like to stretch the limits of dramaturgical speech through vocalizing a document in public with others and turn an individual administrative case into a public one. How do the inscribed words in the documents are not descriptive but on the contrary “are instrumentalized in getting things done” (Butler, 1997). Words as active agents. I am inviting past and future applicants, traumatized students, injured bearers, bureaucratic border crossers, stressed expired document holders or just curious people to share, vocalize, talk through, read out loud, amplify, (un)name, unplace, dismantle the injurious words of these artifacts.
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![ ](../aglaia/objection1.png)
![ ](../aglaia/objection2.png)
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#### “we didnt cross the border, the border crossed us”(20)
As I sit in the waiting area at the gate B7 in the airport preparing to come back to the Netherlands, I am writing the last lines of this text. I am thinking of all these borders and gates that my body was able to pass through smoothly, carrying my magical object through which I embody power- at least within this context. However, I yearn for a reality where we stop looking at those bodies that cross the multifaceted borders and get crossed and entrenched by them, but on the contrary we start interrogating and shouting at the contexts and the frameworks that construct them and render them invisible, natural and powerful.
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## references
Agamben, G. (2000) Means without end: Notes on politics. Minneapolis, MN: University of Minnesota Press.

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