index.html edit irmak

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{
"liveServer.settings.port": 5501
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@ -28,13 +28,16 @@ consumerism and low attention span is a rising issue especially amongst
young readers, this was an important task to tackle. The thought of Wink young readers, this was an important task to tackle. The thought of Wink
emerged to find a more sustainable and creative way of reading for emerged to find a more sustainable and creative way of reading for
elementary school children.</p> elementary school children.</p>
<p><img src="../irmak/improv.JPG" <figure><img src="../irmak/improv.JPG"
alt="A tag made by a participant in the public moment at XPUB studio. Trying to understand different approaches to certain emotions/states for a bee" /> alt="A tag made by a participant in the public moment at XPUB studio. Trying to understand different approaches to certain emotions/states for a bee" />
<figcaption aria-hidden="true">A tag made by a participant in the public moment at XPUB studio. Trying to understand different approaches to certain emotions/states for a bee</figcaption>
<img src="../irmak/leeszaal knot poems.jpg" <img src="../irmak/leeszaal knot poems.jpg"
alt="From the event at Leeszaal West, experimenting with knots and poetry. How can we see movement in text?" /> alt="From the event at Leeszaal West, experimenting with knots and poetry. How can we see movement in text?" />
<figcaption aria-hidden="true">From the event at Leeszaal West, experimenting with knots and poetry. How can we see movement in text?</figcaption>
<img src="../irmak/knotpoems2.jpg" <img src="../irmak/knotpoems2.jpg"
alt="From the event at Leeszaal West. Some of the results of knotting text." /> alt="From the event at Leeszaal West. Some of the results of knotting text." />
</p> <figcaption aria-hidden="true">From the event at Leeszaal West. Some of the results of knotting text.</figcaption>
</figure>
<p>Working as a childrens literature editor for years, I came to a <p>Working as a childrens literature editor for years, I came to a
realisation that picture books were turning into another object that realisation that picture books were turning into another object that
kids read and consume on daily basis. At least this is what I observed kids read and consume on daily basis. At least this is what I observed
@ -45,11 +48,13 @@ for children as there is for adults; such as ebooks, audiobooks etc. But
moreover a “book” that can be redefined, reread or be interacted with. moreover a “book” that can be redefined, reread or be interacted with.
So I revisited an old story I wrote, translated to English and named it, So I revisited an old story I wrote, translated to English and named it,
“Bee Within”.</p> “Bee Within”.</p>
<p><img src="../irmak/printp3.jpg" <figure><img src="../irmak/printp3.jpg"
alt="Example page from the print version of the picture book." /> alt="Example page from the print version of the picture book." />
<figcaption aria-hidden="true">Example page from the print version of the picture book.</figcaption>
<img src="../irmak/printp4.jpg" <img src="../irmak/printp4.jpg"
alt="Example page from the print version of the picture book." /> alt="Example page from the print version of the picture book." />
</p> <figcaption aria-hidden="true">Example page from the print version of the picture book.</figcaption>
</figure>
<p>Bee Within, is a story about grief and it is based on my experiences <p>Bee Within, is a story about grief and it is based on my experiences
throughout the years. I erased it, rewrote it, edited it, destroyed it throughout the years. I erased it, rewrote it, edited it, destroyed it
multiple times over the past years, simultaneously with new experiences multiple times over the past years, simultaneously with new experiences
@ -59,30 +64,39 @@ to the fear of forgetting which I now think is a great and sweet battle
between death and life. I think it is an important subject to touch between death and life. I think it is an important subject to touch
upon, especially for children dealing with trauma in many parts of the upon, especially for children dealing with trauma in many parts of the
world.</p> world.</p>
<p><img src="../irmak/printp1.jpg" <figure><img src="../irmak/printp1.jpg"
alt="Example page from the print version of the picture book." /> alt="Example page from the print version of the picture book." />
<figcaption aria-hidden="true">Example page from the print version of the picture book.</figcaption>
<img src="../irmak/printp2.jpg" <img src="../irmak/printp2.jpg"
alt="Example page from the print version of the picture book." /> alt="Example page from the print version of the picture book." />
<figcaption aria-hidden="true">Example page from the print version of the picture book.</figcaption>
</figure>
<p> Over the past two years, I've been experimenting with storytelling techniques,
interactivity options and workshops with children and adults, around
reading and doing various exercises on Bee Within. I improved the story
to be a more playful and interactive one which can be re-read, re-played
and eventually re-formed non digitally to be reachable for all children. It
serves as a beginning for a longer research.
</p> </p>
<p>Over the past two years, experimenting with storytelling techniques, <figure>
interactivity options and workshops with children and adults, around <img src="../irmak/twine.png"
reading and doing various exercises on Bee Within, I improved the story
to be a more playful and interactive one which can be re-read, re-played
and eventually re-formed non digitally to be reachable for all children.
</p>
<p><img src="../irmak/twine.png"
alt="The twine map of text based story, reachable from Bee Within by clicking to hear more about Gray the tree." /> alt="The twine map of text based story, reachable from Bee Within by clicking to hear more about Gray the tree." />
<figcaption aria-hidden="true">The twine map of text based story, reachable from Bee Within by clicking to hear more about Gray the tree.</figcaption>
<img src="../irmak/clickgame.png" <img src="../irmak/clickgame.png"
alt="Click game story of the Queen Bee that is reachable within Maya's main storyline." /> alt="Click game story of the Queen Bee that is reachable within Maya's main storyline." />
</p> <figcaption aria-hidden="true">Click game story of the Queen Bee that is reachable within Maya's main storyline.</figcaption>
</figure>
<p> <p>
Here is some documentation from the beggining of this journey towards Here is some more documentation from the beggining of this journey towards
making accesible interactive narratives…</p> making accesible interactive narratives…</p>
<p><img src="../irmak/animationseq.png" <figure>
<img src="../irmak/animationseq.png"
alt="A small sequence of onclick animation for Bee Within." /> alt="A small sequence of onclick animation for Bee Within." />
<figcaption aria-hidden="true">A small sequence of onclick animation for Bee Within.</figcaption>
<img src="../irmak/fictionfriction.CR3" <img src="../irmak/fictionfriction.CR3"
alt="Fiction Friction cards from SI20, working on storytelling of collective traumas." /> alt="Fiction Friction cards from SI20, working on storytelling of collective traumas." />
</p> <figcaption aria-hidden="true">Fiction Friction cards from SI20, working on storytelling of collective traumas.</figcaption>
</figure>
</div> </div>
</body> </body>
</html> </html>

@ -18,8 +18,7 @@
</ul> </ul>
</nav> </nav>
<div id="content"><h1 id="fair-leads">Fair Leads</h1> <div id="content"><h1 id="fair-leads">Fair Leads</h1>
<h3 <h3 id="fair-leads-or-fair-winds-is-a-saying-sailors-and-knotters-use-to-greet-each-other.-it-comes-from-the-working-end-of-a-string-that-will-soon-be-forming-a-knot.">
id="fair-leads-or-fair-winds-is-a-saying-sailors-and-knotters-use-to-greet-each-other.-it-comes-from-the-working-end-of-a-string-that-will-soon-be-forming-a-knot.">
Fair leads or Fair winds is a saying sailors and knotters use to greet each Fair leads or Fair winds is a saying sailors and knotters use to greet each
other. It comes from the working end of a string that will soon be other. It comes from the working end of a string that will soon be
forming a knot.</h3> forming a knot.</h3>
@ -30,7 +29,11 @@ on how interactive picture books can be used to foster curiosity for
reading and creativity for children. I am building a web platform called reading and creativity for children. I am building a web platform called
Wink that aims to contain a childrens story I wrote and am making into Wink that aims to contain a childrens story I wrote and am making into
an interactive experience, in relation to my research.</p> an interactive experience, in relation to my research.</p>
<img src="../irmak/unnamed.png"/> <figure>
<img src="../irmak/unnamed.png"
alt="knot words from Leeszaal" />
<figcaption aria-hidden="true">knot words from Leeszaal</figcaption>
</figure>
<p>Through this bight of the thesis, I feel the necessity to clarify my <p>Through this bight of the thesis, I feel the necessity to clarify my
intention of using knots as a “thinking and writing object” throughout intention of using knots as a “thinking and writing object” throughout
my research journey. Although knots are physical objects and technically my research journey. Although knots are physical objects and technically
@ -54,8 +57,16 @@ of connection, binding, bridge and support. Keeping these answers in
mind or by coming up with your words on knots and embodying them in the mind or by coming up with your words on knots and embodying them in the
practice of reading would make a difference in how you understand the practice of reading would make a difference in how you understand the
same text.</p> same text.</p>
<img src="../irmak/knot1.jpeg"/> <figure>
<img src="../irmak/knot2.jpeg"/> <img src="../irmak/knot1.jpeg"
alt="knot words from Leeszaal" />
<figcaption aria-hidden="true">knot words from Leeszaal</figcaption>
</figure>
<figure>
<img src="../irmak/knot2.jpeg"
alt="knot words from Leeszaal" />
<figcaption aria-hidden="true">knot words from Leeszaal</figcaption>
</figure>
<p>Seeing how these words, interpretations of a physical object were so <p>Seeing how these words, interpretations of a physical object were so
different to each other was transcendental. In this thesis, I am different to each other was transcendental. In this thesis, I am
excited to share my understanding of knots with you. My three words for excited to share my understanding of knots with you. My three words for
@ -95,11 +106,11 @@ past years, where you think with the object and imagine it vividly
during the process and address meanings to it as you read or write during the process and address meanings to it as you read or write
along. This way its easier to compartmentalize or attribute certain along. This way its easier to compartmentalize or attribute certain
parts of a text to an imagined or real physical item which makes the parts of a text to an imagined or real physical item which makes the
mind at ease with complex chains of thought. Imagine you are reading a mind at ease with complex chains of thought. </p>
story… What if you think of the string itself as the journey and the <p>Imagine you are reading a story… What if you think of the string itself
slip knot (which is a type of stopper knot) as a representation of an as the journey and the slip knot (which is a type of stopper knot) as a
antagonist because of its specific use in hunting, would this change representation of an antagonist because of its specific use in hunting,
your approach to reading this story? I believe so…</p> would this change your approach to reading this story? I believe so…</p>
<p>What if instead of a slip knot a Bowline was on the string, would <p>What if instead of a slip knot a Bowline was on the string, would
that represent something else in the story because of its usage in that represent something else in the story because of its usage in
practice. A Bowline is commonly used to form a fixed loop at the end of practice. A Bowline is commonly used to form a fixed loop at the end of
@ -123,6 +134,8 @@ and transmit information ranging from accounting and census data to
communicate complex mathematical and narrative information (Medrano, communicate complex mathematical and narrative information (Medrano,
Urton, 2018). Another example is the Yakima Time Ball, which was used by Urton, 2018). Another example is the Yakima Time Ball, which was used by
North-American Yakama people to show life events and family aff airs. North-American Yakama people to show life events and family aff airs.
</p>
<p>
This is why I humbly decided to document my research process with a This is why I humbly decided to document my research process with a
Quipu of my own. I am trying to symbolize the twists, decisions and Quipu of my own. I am trying to symbolize the twists, decisions and
practices throughout this year with knots of my choosing. I was inspired practices throughout this year with knots of my choosing. I was inspired
@ -134,7 +147,8 @@ option to have a mode of reading, where you will be guided by strings to
start reading from a certain section according to the type of reader you start reading from a certain section according to the type of reader you
are and read the loops one by one until the end, weaving through the are and read the loops one by one until the end, weaving through the
text. To determine the string or mode of reading, there are some simple text. To determine the string or mode of reading, there are some simple
questions to answer. The three modes of reading are combine, slide, questions to answer.</p>
<p> The three modes of reading are combine, slide,
build . After you discover the starting point with the yes or no map in build . After you discover the starting point with the yes or no map in
the upcoming pages, you will continue the reading journey through the the upcoming pages, you will continue the reading journey through the
strings of diff erent colors that will get you through the text. This strings of diff erent colors that will get you through the text. This
@ -170,7 +184,10 @@ number on top of the sign with a color. This is the numeric order you
should follow to read the thesis, if you choose to read with a mode. should follow to read the thesis, if you choose to read with a mode.
Every reader starts from 1 and continues until 12, with a consecutive numeric Every reader starts from 1 and continues until 12, with a consecutive numeric
order, according to their color/mode.</p> order, according to their color/mode.</p>
<img src="../irmak/map.png"/> <figure>
<img src="../irmak/map.png"
alt="knot words from Leeszaal" />
</figure>
<h2 id="working-end">Working End</h2> <h2 id="working-end">Working End</h2>
<h3 id="why-am-i-doing-this">Why am I doing this?</h3> <h3 id="why-am-i-doing-this">Why am I doing this?</h3>
<p>My desire to write a childrens book about grief and memory ignited <p>My desire to write a childrens book about grief and memory ignited
@ -761,33 +778,54 @@ feel like my interest and desire to discover new ways of writing,
reading and experiencing literature is ongoing and it was a beautiful reading and experiencing literature is ongoing and it was a beautiful
journey so far. I am looking forward to making more knots on this long journey so far. I am looking forward to making more knots on this long
and mysterious string at hand.</p> and mysterious string at hand.</p>
<p>Bibliography: Cope, B. and Kalantzis, M. (2009) “multiliteracies”: <div id= "bibliography">
New Literacies, new learning, Pedagogies: An International Journal, <div id= "bibliography">
4(3), pp. 164195. doi:10.1080/15544800903076044. Dettore, E. (2002) <h3>Bibliography:</h3>
“Childrens emotional GrowthAdults role as emotional archaeologists,” Cope, B. and Kalantzis, M. (2009) “multiliteracies”:
Childhood education, 78(5), pp. 278281. doi: New Literacies, new learning, Pedagogies: An International Journal,
10.1080/00094056.2002.10522741. Ingold, T. (2015) The life of lines. 4(3), pp. 164195. doi:10.1080/15544800903076044.
London, England: Routledge. Lawrence, R. L. and Paige, D. S. (2016) <br>
“What our ancestors knew: Teaching and learning through storytelling: Dettore, E. (2002) “Childrens emotional GrowthAdults role as emotional archaeologists,”
What our ancestors knew: Teaching and learning through storytelling,” Childhood education, 78(5), pp. 278281. doi:
New directions for adult and continuing education, 2016(149), pp. 6372. 10.1080/00094056.2002.10522741.
doi: 10.1002/ace.20177. Papert, S. and Papert, S. A. (2020) Mindstorms <br>
(revised): Children, computers, and powerful ideas. London, England: Ingold, T. (2015) The life of lines.London, England: Routledge.
Basic Books. Ryan, M.-L. (2009) “From narrative games to playable <br>
stories: Toward a poetics of interactive narrative,” StoryWorlds A Lawrence, R. L. and Paige, D. S. (2016) “What our ancestors knew: Teaching and learning through storytelling:
Journal of Narrative Studies, 1(1), pp. 4359. doi: 10.1353/stw.0.0003. What our ancestors knew: Teaching and learning through storytelling,”
Smeets, D. and Bus, A. (2013) “Picture Storybooks Go Digital: Pros and New directions for adult and continuing education, 2016(149), pp. 6372.
Cons,” in Quality Reading Instruction in the Age of Common Core doi: 10.1002/ace.20177.
Standards. International Reading Association, pp. 176189. Strohecker, <br>
C. (ed.) (1978) Why knot? MIT. The Effect of Multimodality in Increasing Papert, S. and Papert, S. A. (2020) Mindstorms
Motivation and Collaboration among 4th CSE EFL Students (no date). (revised): Children, computers, and powerful ideas. London, England:
Turkle, S. (ed.) (2014) Evocative objects: Things we think with. MIT Basic Books.
Press. Urton, M. M. &amp;. (2018) The khipu code: the knotty mystery of <br>
the Inkas 3D records, aeon. Available at: https:// Ryan, M.-L. (2009) “From narrative games to playable
aeon.co/ideas/the-khipu-code-the-knotty-mystery-of-the-inkas-3d-records. stories: Toward a poetics of interactive narrative,” StoryWorlds A
Vega, N. (2022) Codes in Knots. Sensing Digital Memories, The Whole Journal of Narrative Studies, 1(1), pp. 4359. doi: 10.1353/stw.0.0003.
Life. Available at: https://wholelife.hkw.de/ <br>
codes-in-knots-sensing-digital-memories/.</p> Smeets, D. and Bus, A. (2013) “Picture Storybooks Go Digital: Pros and
Cons,” in Quality Reading Instruction in the Age of Common Core
Standards. International Reading Association, pp. 176189.
<br>
Strohecker, C. (ed.) (1978) Why knot? MIT.
<br>
The Effect of Multimodality in Increasing Motivation and Collaboration among
4th CSE EFL Students (no date).
<br>
Turkle, S. (ed.) (2014) Evocative objects: Things we think with. MIT
Press.
<br>
Urton, M. M. &amp;. (2018) The khipu code: the knotty mystery of
the Inkas 3D records, aeon. Available at: https://
aeon.co/ideas/the-khipu-code-the-knotty-mystery-of-the-inkas-3d-records.
<br>
Vega, N. (2022) Codes in Knots.
Sensing Digital Memories, The Whole
Life. Available at: https://wholelife.hkw.de/
codes-in-knots-sensing-digital-memories/.
</p>
</div>
</div> </div>
</body> </body>
</html> </html>

@ -64,6 +64,7 @@ this sense is a way of thinking that I adapted to in the past years, where you t
and imagine it vividly during the process and address meanings to it as you read or write along. and imagine it vividly during the process and address meanings to it as you read or write along.
This way its easier to compartmentalize or attribute certain parts of a text to an imagined or real This way its easier to compartmentalize or attribute certain parts of a text to an imagined or real
physical item which makes the mind at ease with complex chains of thought. physical item which makes the mind at ease with complex chains of thought.
Imagine you are reading a story… What if you think of the string itself as the journey and the Imagine you are reading a story… What if you think of the string itself as the journey and the
slip knot (which is a type of stopper knot) as a representation of an antagonist because of its specific use in hunting, would this change your approach to reading this story? I believe so… slip knot (which is a type of stopper knot) as a representation of an antagonist because of its specific use in hunting, would this change your approach to reading this story? I believe so…
@ -85,6 +86,7 @@ camelid string that would be knotted in a specific way to record, store and tran
ranging from accounting and census data to communicate complex mathematical and narrative ranging from accounting and census data to communicate complex mathematical and narrative
information (Medrano, Urton, 2018). Another example is the Yakima Time Ball, which was used information (Medrano, Urton, 2018). Another example is the Yakima Time Ball, which was used
by North-American Yakama people to show life events and family aff airs. by North-American Yakama people to show life events and family aff airs.
This is why I humbly decided to document my research process with a Quipu of my own. I am This is why I humbly decided to document my research process with a Quipu of my own. I am
trying to symbolize the twists, decisions and practices throughout this year with knots of my trying to symbolize the twists, decisions and practices throughout this year with knots of my
choosing. I was inspired by Nayeli Vegas question, “What can a knot become and what can become choosing. I was inspired by Nayeli Vegas question, “What can a knot become and what can become
@ -96,6 +98,7 @@ This thesis expects participation from its reader. You have the option to have a
where you will be guided by strings to start reading from a certain section according to the type of where you will be guided by strings to start reading from a certain section according to the type of
reader you are and read the loops one by one until the end, weaving through the text. To determine reader you are and read the loops one by one until the end, weaving through the text. To determine
the string or mode of reading, there are some simple questions to answer. the string or mode of reading, there are some simple questions to answer.
The three modes of reading are combine, slide, build . After you discover the starting point The three modes of reading are combine, slide, build . After you discover the starting point
with the yes or no map in the upcoming pages, you will continue the reading journey through the with the yes or no map in the upcoming pages, you will continue the reading journey through the
strings of diff erent colors that will get you through the text. This way, the linear text will become strings of diff erent colors that will get you through the text. This way, the linear text will become
@ -114,14 +117,14 @@ Alongside the different strings to follow the text, there will be little drawing
For example if I couldnt manage to do something I planned to do, this will be represented with a For example if I couldnt manage to do something I planned to do, this will be represented with a
broken knot. Bend knots which are used to connect two strings, will be representing the relation between theories and my ownexperiences/motivations. Hitches which are knots that are formed around a broken knot. Bend knots which are used to connect two strings, will be representing the relation between theories and my ownexperiences/motivations. Hitches which are knots that are formed around a
solid object, such as a spar, post, or ring will be representing the evidence or data I have collected on the subject. We move on now with the working end and make some loops! solid object, such as a spar, post, or ring will be representing the evidence or data I have collected on the subject. We move on now with the working end and make some loops!
## HOW TO CHOOSE YOUR STRING
This map will reveal your mode of reading. The order of reading will be indicated with a loop sign This map will reveal your mode of reading. The order of reading will be indicated with a loop sign
Please hold a string in your hand as you read the text and make knots or loops as you weave through the Please hold a string in your hand as you read the text and make knots or loops as you weave through the
reading as an exercise for concrete thinking. See you at the standing end! reading as an exercise for concrete thinking. See you at the standing end!
and a number on top of the sign with a color. This is the numeric order you can follow to read the thesis. and a number on top of the sign with a color. This is the numeric order you can follow to read the thesis.
## Working End ## Working End
### Loop 1
### Why am I doing this? ### Why am I doing this?
My desire to write a childrens book about grief and memory ignited when I was studying in college My desire to write a childrens book about grief and memory ignited when I was studying in college
@ -621,26 +624,49 @@ as a prototype was a breakthrough. I feel like my interest and desire to discove
writing, reading and experiencing literature is ongoing and it was a beautiful journey so far. I am writing, reading and experiencing literature is ongoing and it was a beautiful journey so far. I am
looking forward to making more knots on this long and mysterious string at hand. looking forward to making more knots on this long and mysterious string at hand.
Bibliography: ## Bibliography
Cope, B. and Kalantzis, M. (2009) “multiliteracies”: New Literacies, new learning, Pedagogies: An International Cope, B. and Kalantzis, M. (2009) “multiliteracies”:
Journal, 4(3), pp. 164195. doi:10.1080/15544800903076044. New Literacies, new learning, Pedagogies: An International Journal,
Dettore, E. (2002) “Childrens emotional GrowthAdults role as emotional archaeologists,” Childhood education, 4(3), pp. 164195. doi:10.1080/15544800903076044.
78(5), pp. 278281. doi: 10.1080/00094056.2002.10522741. <br>
Ingold, T. (2015) The life of lines. London, England: Routledge. Dettore, E. (2002) “Childrens emotional GrowthAdults role as emotional archaeologists,”
Lawrence, R. L. and Paige, D. S. (2016) “What our ancestors knew: Teaching and learning through storytelling: What Childhood education, 78(5), pp. 278281. doi:
our ancestors knew: Teaching and learning through storytelling,” New directions for adult and continuing education, 10.1080/00094056.2002.10522741.
2016(149), pp. 6372. doi: 10.1002/ace.20177. <br>
Papert, S. and Papert, S. A. (2020) Mindstorms (revised): Children, computers, and powerful ideas. London, England: Ingold, T. (2015) The life of lines.London, England: Routledge.
Basic Books. <br>
Ryan, M.-L. (2009) “From narrative games to playable stories: Toward a poetics of interactive narrative,” StoryWorlds Lawrence, R. L. and Paige, D. S. (2016) “What our ancestors knew: Teaching and learning through storytelling:
A Journal of Narrative Studies, 1(1), pp. 4359. doi: 10.1353/stw.0.0003. What our ancestors knew: Teaching and learning through storytelling,”
Smeets, D. and Bus, A. (2013) “Picture Storybooks Go Digital: Pros and Cons,” in Quality Reading Instruction in the New directions for adult and continuing education, 2016(149), pp. 6372.
Age of Common Core Standards. International Reading Association, pp. 176189. doi: 10.1002/ace.20177.
Strohecker, C. (ed.) (1978) Why knot? MIT. <br>
The Effect of Multimodality in Increasing Motivation and Collaboration among 4th CSE EFL Students (no date). Papert, S. and Papert, S. A. (2020) Mindstorms
Turkle, S. (ed.) (2014) Evocative objects: Things we think with. MIT Press. (revised): Children, computers, and powerful ideas. London, England:
Urton, M. M. &. (2018) The khipu code: the knotty mystery of the Inkas 3D records, aeon. Available at: https:// Basic Books.
<br>
Ryan, M.-L. (2009) “From narrative games to playable
stories: Toward a poetics of interactive narrative,” StoryWorlds A
Journal of Narrative Studies, 1(1), pp. 4359. doi: 10.1353/stw.0.0003.
<br>
Smeets, D. and Bus, A. (2013) “Picture Storybooks Go Digital: Pros and
Cons,” in Quality Reading Instruction in the Age of Common Core
Standards. International Reading Association, pp. 176189.
<br>
Strohecker, C. (ed.) (1978) Why knot? MIT.
<br>
The Effect of Multimodality in Increasing Motivation and Collaboration among
4th CSE EFL Students (no date).
<br>
Turkle, S. (ed.) (2014) Evocative objects: Things we think with. MIT
Press.
<br>
Urton, M. M. &amp;. (2018) The khipu code: the knotty mystery of
the Inkas 3D records, aeon. Available at: https://
aeon.co/ideas/the-khipu-code-the-knotty-mystery-of-the-inkas-3d-records. aeon.co/ideas/the-khipu-code-the-knotty-mystery-of-the-inkas-3d-records.
Vega, N. (2022) Codes in Knots. Sensing Digital Memories, The Whole Life. Available at: https://wholelife.hkw.de/ <br>
Vega, N. (2022) Codes in Knots.
Sensing Digital Memories, The Whole
Life. Available at: https://wholelife.hkw.de/
codes-in-knots-sensing-digital-memories/. codes-in-knots-sensing-digital-memories/.

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@ -114,12 +114,12 @@ body{
h1, h2, h3, h4, h5, h6 { h1, h2, h3, h4, h5, h6 {
font-size: 1.2em; font-size: 1.2em;
line-height: 1; line-height: 1;
string-set: title content(text);
} }
h1 { h1 {
font-size: 1.8rem; font-size: 1.8rem;
break-after: page; break-after: page;
string-set: title content(text);
/* margin: 0; */ /* margin: 0; */
/* padding: 0; */ /* padding: 0; */
} }
@ -185,3 +185,8 @@ section {
color: var(--spot-color-1); color: var(--spot-color-1);
padding: 0 1rem; padding: 0 1rem;
} }
#bibliography{
page-break-before: always;
font-size: 7pt;
font-weight: lighter;
}
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