|
|
|
|
@ -1,10 +1,19 @@
|
|
|
|
|
<pre>
|
|
|
|
|
|
|
|
|
|
<!DOCTYPE html>
|
|
|
|
|
<html lang="en">
|
|
|
|
|
<head>
|
|
|
|
|
<title>SI21</title>
|
|
|
|
|
<link rel="stylesheet" type="text/css" href="style.css" />
|
|
|
|
|
|
|
|
|
|
<meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
|
|
|
|
|
<meta http-equiv="Content-Style-Type" content="text/css" />
|
|
|
|
|
<meta name="viewport" content="initial-scale=1, maximum-scale=1">
|
|
|
|
|
<link rel="stylesheet" type="text/css" href="style.css" />
|
|
|
|
|
<title>SI21</title>
|
|
|
|
|
|
|
|
|
|
</head>
|
|
|
|
|
<h1>Special Issue 21</h1>
|
|
|
|
|
<h2>experimental publishing</h2>
|
|
|
|
|
|
|
|
|
|
<body>
|
|
|
|
|
<h1>Special Issue 21</h1>
|
|
|
|
|
<h2>experimental publishing</h2>
|
|
|
|
|
|
|
|
|
|
_ _
|
|
|
|
|
| |_| |_ _ _ transparent touches you time touches you teletype
|
|
|
|
|
@ -15,10 +24,10 @@
|
|
|
|
|
tele touching you try touching yourself teletales teleroot
|
|
|
|
|
|
|
|
|
|
talk to you titty
|
|
|
|
|
<body>
|
|
|
|
|
<p><strong>A typewriter?</strong>
|
|
|
|
|
|
|
|
|
|
why shd it only make use of the tips of the fingers as contact points of flowing multi directional
|
|
|
|
|
<h2>A typewriter?</h2>
|
|
|
|
|
|
|
|
|
|
<p>why shd it only make use of the tips of the fingers as contact points of flowing multi directional
|
|
|
|
|
creativity. If I invented a word placing machine, an “expression-scriber,” if you will, then I would
|
|
|
|
|
have a kind of instrument into which I could step & sit or sprawl or hang & use not only my fingers
|
|
|
|
|
to make words express feelings but elbows, feet, head, behind, and all the sounds I wanted, screams,
|
|
|
|
|
@ -68,14 +77,32 @@
|
|
|
|
|
TTY was produced in april-june 2023 as special issue 21 of the xpub at piet zwart institute,
|
|
|
|
|
rotterdam. xpub is the master of arts in fine art and design: experimental publishing of the
|
|
|
|
|
piet zwart institute. xpub focuses on the acts of making things public and creating publics
|
|
|
|
|
in the age of post-digital networks. For more see issue.xpub.nl/21 </p>
|
|
|
|
|
in the age of post-digital networks.</p>
|
|
|
|
|
|
|
|
|
|
<h2>Subrelease <a href="enconv/enconv.html">Encoding Converter</a></h2>
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
<h2>We are on <a href="strike/index.html">Strike</a></h2>
|
|
|
|
|
<p>Inspired by "The Phantom of the Operator" documentary we watched in class,
|
|
|
|
|
we explored the concept of a website going on strike.
|
|
|
|
|
|
|
|
|
|
<strong>Subrelease <a href="enconv/enconv.html">Encoding Converter</a></strong>
|
|
|
|
|
Our discussions revolved around the nature of strikes, labor actions, and the often overlooked invisible labor.
|
|
|
|
|
After answering several questions, we concluded that it would be impactful to disrupt the functioning
|
|
|
|
|
of the XPUB & LBM Wiki, where everyone is accustomed to accessing information. Initially, we considered
|
|
|
|
|
making all the links redirect to SI21's page or a Manifesto, effectively occupying the wiki. However, due to
|
|
|
|
|
the upcoming assessment weeks for XPUB and LBM, we decided against disrupting users' daily wiki experience
|
|
|
|
|
and workflow.
|
|
|
|
|
|
|
|
|
|
To achieve our objective while maintaining the wiki's functionality, we took a different approach.
|
|
|
|
|
We devised a new method to make the previously unseen labor visible, thus shedding light
|
|
|
|
|
on its significance. As a result, we added specific texts to specific wiki pages so that
|
|
|
|
|
the publication captures the essence of the current SI21 sub-release. To distinguish these texts
|
|
|
|
|
as additional commentary and explanations, we chose to add them to the wiki pages as "<!- comments ->"
|
|
|
|
|
which made them hidden elements. This allowed us to provide comprehensive details about our intentions
|
|
|
|
|
and the underlying ideas, while still preserving the wiki's regular functionality.</p>
|
|
|
|
|
|
|
|
|
|
<strong>We are on <a href="strike/index.html">Strike</a></strong>
|
|
|
|
|
|
|
|
|
|
<strong>Hey Babe!</strong>
|
|
|
|
|
<h2>Hey Babe!</h2>
|
|
|
|
|
<p>Hey Babe! is a publication of XPUB1 as part of the Special Issue 21. It consists of excerpts from the
|
|
|
|
|
conversations at the Houweling Telecom Museum, parts from the documentary The Phantom of the Operator
|
|
|
|
|
and a collective reading experience on binary systems, time, worms and pebbles.
|
|
|
|
|
@ -106,7 +133,7 @@
|
|
|
|
|
<img src="gsm.jpg" alt="GSM card">
|
|
|
|
|
</div>
|
|
|
|
|
|
|
|
|
|
<strong><a href="https://hub.xpub.nl/breadcube/gesture/">Gesture Glossary</a></strong>
|
|
|
|
|
<h2><a href="https://hub.xpub.nl/breadcube/gesture/">Gesture Glossary</a></h2>
|
|
|
|
|
<p>This is the gesture glossary. Click a word to see the gestures related to it.
|
|
|
|
|
|
|
|
|
|
The aim is to see if a gesture glossary works and how it will work best.
|
|
|
|
|
@ -119,7 +146,7 @@
|
|
|
|
|
or enhancing identities. To be an xpub means to speak/perform the xpub language?</p>
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
<strong>Overlap</strong>
|
|
|
|
|
<h2>Overlap</h2>
|
|
|
|
|
|
|
|
|
|
<p>We have a bag full of planets, stars, our favorite moments, darkest fears, best intentions and worst
|
|
|
|
|
feelings. We contain them and sometimes they overlap each other. Sometimes we are happy and sad;
|
|
|
|
|
@ -141,5 +168,4 @@
|
|
|
|
|
</div>
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
</pre>
|
|
|
|
|
</body>
|
|
|
|
|
|
