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<pre>
<!DOCTYPE html>
<html lang="en">
<head> <head>
<title>SI21</title>
<link rel="stylesheet" type="text/css" href="style.css" /> <meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
<meta http-equiv="Content-Style-Type" content="text/css" />
<meta name="viewport" content="initial-scale=1, maximum-scale=1">
<link rel="stylesheet" type="text/css" href="style.css" />
<title>SI21</title>
</head> </head>
<h1>Special Issue 21</h1>
<h2>experimental publishing</h2> <body>
<h1>Special Issue 21</h1>
<h2>experimental publishing</h2>
_ _ _ _
| |_| |_ _ _ transparent touches you time touches you teletype | |_| |_ _ _ transparent touches you time touches you teletype
@ -15,10 +24,10 @@
tele touching you try touching yourself teletales teleroot tele touching you try touching yourself teletales teleroot
talk to you titty talk to you titty
<body>
<p><strong>A typewriter?</strong> <h2>A typewriter?</h2>
why shd it only make use of the tips of the fingers as contact points of flowing multi directional <p>why shd it only make use of the tips of the fingers as contact points of flowing multi directional
creativity. If I invented a word placing machine, an “expression-scriber,” if you will, then I would creativity. If I invented a word placing machine, an “expression-scriber,” if you will, then I would
have a kind of instrument into which I could step & sit or sprawl or hang & use not only my fingers have a kind of instrument into which I could step & sit or sprawl or hang & use not only my fingers
to make words express feelings but elbows, feet, head, behind, and all the sounds I wanted, screams, to make words express feelings but elbows, feet, head, behind, and all the sounds I wanted, screams,
@ -68,14 +77,32 @@
TTY was produced in april-june 2023 as special issue 21 of the xpub at piet zwart institute, TTY was produced in april-june 2023 as special issue 21 of the xpub at piet zwart institute,
rotterdam. xpub is the master of arts in fine art and design: experimental publishing of the rotterdam. xpub is the master of arts in fine art and design: experimental publishing of the
piet zwart institute. xpub focuses on the acts of making things public and creating publics piet zwart institute. xpub focuses on the acts of making things public and creating publics
in the age of post-digital networks. For more see issue.xpub.nl/21 </p> in the age of post-digital networks.</p>
<h2>Subrelease <a href="enconv/enconv.html">Encoding Converter</a></h2>
<strong>Subrelease <a href="enconv/enconv.html">Encoding Converter</a></strong>
<h2>We are on <a href="strike/index.html">Strike</a></h2>
<p>Inspired by "The Phantom of the Operator" documentary we watched in class,
we explored the concept of a website going on strike.
Our discussions revolved around the nature of strikes, labor actions, and the often overlooked invisible labor.
After answering several questions, we concluded that it would be impactful to disrupt the functioning
of the XPUB & LBM Wiki, where everyone is accustomed to accessing information. Initially, we considered
making all the links redirect to SI21's page or a Manifesto, effectively occupying the wiki. However, due to
the upcoming assessment weeks for XPUB and LBM, we decided against disrupting users' daily wiki experience
and workflow.
To achieve our objective while maintaining the wiki's functionality, we took a different approach.
We devised a new method to make the previously unseen labor visible, thus shedding light
on its significance. As a result, we added specific texts to specific wiki pages so that
the publication captures the essence of the current SI21 sub-release. To distinguish these texts
as additional commentary and explanations, we chose to add them to the wiki pages as "<!- comments ->"
which made them hidden elements. This allowed us to provide comprehensive details about our intentions
and the underlying ideas, while still preserving the wiki's regular functionality.</p>
<strong>We are on <a href="strike/index.html">Strike</a></strong>
<strong>Hey Babe!</strong> <h2>Hey Babe!</h2>
<p>Hey Babe! is a publication of XPUB1 as part of the Special Issue 21. It consists of excerpts from the <p>Hey Babe! is a publication of XPUB1 as part of the Special Issue 21. It consists of excerpts from the
conversations at the Houweling Telecom Museum, parts from the documentary The Phantom of the Operator conversations at the Houweling Telecom Museum, parts from the documentary The Phantom of the Operator
and a collective reading experience on binary systems, time, worms and pebbles. and a collective reading experience on binary systems, time, worms and pebbles.
@ -106,7 +133,7 @@
<img src="gsm.jpg" alt="GSM card"> <img src="gsm.jpg" alt="GSM card">
</div> </div>
<strong><a href="https://hub.xpub.nl/breadcube/gesture/">Gesture Glossary</a></strong> <h2><a href="https://hub.xpub.nl/breadcube/gesture/">Gesture Glossary</a></h2>
<p>This is the gesture glossary. Click a word to see the gestures related to it. <p>This is the gesture glossary. Click a word to see the gestures related to it.
The aim is to see if a gesture glossary works and how it will work best. The aim is to see if a gesture glossary works and how it will work best.
@ -119,7 +146,7 @@
or enhancing identities. To be an xpub means to speak/perform the xpub language?</p> or enhancing identities. To be an xpub means to speak/perform the xpub language?</p>
<strong>Overlap</strong> <h2>Overlap</h2>
<p>We have a bag full of planets, stars, our favorite moments, darkest fears, best intentions and worst <p>We have a bag full of planets, stars, our favorite moments, darkest fears, best intentions and worst
feelings. We contain them and sometimes they overlap each other. Sometimes we are happy and sad; feelings. We contain them and sometimes they overlap each other. Sometimes we are happy and sad;
@ -141,5 +168,4 @@
</div> </div>
</pre>
</body> </body>

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