azoth azoth azoth azoth azoth azoth azoth
parent
7ebec52559
commit
a3feef5dc6
@ -0,0 +1,52 @@
|
||||
---------------------------------------------------------------------------------------------------
|
||||
Hexalogue
|
||||
(writings by) The Computercations People to Come
|
||||
---------------------------------------------------------------------------------------------------
|
||||
Introduction
|
||||
---------------------------------------------------------------------------------------------------
|
||||
|
||||
This booklet is a trace, a memory, a script, a score, a single item, a collection. Six people coincided to discuss binaries, definitions, explanations, times, circlusions, pebbles. Aglaia Petta, Boyana Stoilova, Irmak Ertaş,
|
||||
Jara Rocha, Martino Morandi, Stephen Kerr. Six steps: individual writing produced six texts, collective rewriting braided them back into eachother.
|
||||
Six voices separated them once more, only to be rejoined in a single audio recording. Six speakers pull the wormball apart yet again, until this publication inevitably entangles.
|
||||
|
||||
But there is always the ghost, there are after all seven planets in total. Your gravity pulls from a distance that we cannot close, but you will take the seventh step: continue, complete, open, adapt, forget, remember. Do you remember? Will you remember for us?
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
Hexalogue was produced in June 2023 as part of TTY, special issue 21 of the experimental publishing masters at piet zwart institute, rotterdam. For more see issue.xpub.nl/21
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
䷥
|
@ -0,0 +1,61 @@
|
||||
<html>
|
||||
<head>
|
||||
<link rel="stylesheet" href="http://localhost:5000/static/style.css">
|
||||
<link rel="stylesheet" href="http://localhost:5000/static/style-iframe.css">
|
||||
</head>
|
||||
<body>
|
||||
---------------------------------------------------------------------------------------------------
|
||||
Hexalogue
|
||||
(writings by) The Computercations People to Come
|
||||
---------------------------------------------------------------------------------------------------
|
||||
Introduction
|
||||
---------------------------------------------------------------------------------------------------
|
||||
|
||||
This booklet is a trace, a memory, a script, a score, a single item, a collection. Six people coincided to discuss binaries, definitions, explanations, times, circlusions, pebbles. Aglaia Petta, Boyana Stoilova, Irmak Ertaş,
|
||||
Jara Rocha, Martino Morandi, Stephen Kerr. Six steps: individual writing produced six texts, collective rewriting braided them back into eachother.
|
||||
Six voices separated them once more, only to be rejoined in a single audio recording. Six speakers pull the wormball apart yet again, until this publication inevitably entangles.
|
||||
|
||||
But there is always the ghost, there are after all seven planets in total. Your gravity pulls from a distance that we cannot close, but you will take the seventh step: continue, complete, open, adapt, forget, remember. Do you remember? Will you remember for us?
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
Hexalogue was produced in June 2023 as part of TTY, special issue 21 of the experimental publishing masters at piet zwart institute, rotterdam. For more see issue.xpub.nl/21
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
䷥
|
||||
|
||||
</body>
|
||||
</html>
|
@ -0,0 +1,8 @@
|
||||
:root{
|
||||
--color2: #ffc;
|
||||
--color1: #103;
|
||||
}
|
||||
body{
|
||||
overflow: hidden;
|
||||
font-size: 0.6em;
|
||||
}
|
@ -0,0 +1,72 @@
|
||||
:root{
|
||||
--color1: #ffc;
|
||||
--color2: #103;
|
||||
}
|
||||
@font-face {
|
||||
font-family: "TeleType";
|
||||
src: url("./static/css/teletype.ttf");
|
||||
}
|
||||
body{
|
||||
clear: both;
|
||||
margin: 2rem;
|
||||
font-family: "TeleType", 'Courier New', Courier, monospace;
|
||||
line-height: 1.3;
|
||||
text-transform: uppercase;
|
||||
color: var(--color1);
|
||||
background-color: var(--color2);
|
||||
}
|
||||
a{
|
||||
color: var(--color1);
|
||||
text-decoration: none;
|
||||
}
|
||||
a:hover{opacity: 0.7;}
|
||||
.abraxas{
|
||||
text-align: center;
|
||||
}
|
||||
h1,h2,h3,h4,h5,h6,p{
|
||||
margin: 0 0 1rem;;
|
||||
font-size: 1rem;
|
||||
font-weight: normal;
|
||||
}
|
||||
img,video,.divaudio,audio, .abraxas,iframe{
|
||||
display:inline-block;
|
||||
width: calc( 100% / 7 );
|
||||
margin: 0;
|
||||
padding: 0;
|
||||
object-fit: cover;
|
||||
height: calc( 100% / 6) ;
|
||||
overflow: hidden;
|
||||
border: none;
|
||||
}
|
||||
.intro{
|
||||
padding-right: 2rem;
|
||||
margin: 1rem 0;
|
||||
width: 100%;
|
||||
flex: 1;
|
||||
}
|
||||
.intro-outer{
|
||||
width: 100%;
|
||||
display: flex;
|
||||
gap: 1rem;
|
||||
}
|
||||
a{position:relative;
|
||||
z-index:2;}
|
||||
video,audio{position:relative; z-index:1;}
|
||||
audio{height:auto;position:absolute;}
|
||||
img:hover{
|
||||
filter: invert(1);
|
||||
}
|
||||
::selection{
|
||||
color: var(--color2);
|
||||
background-color: var(--color1);
|
||||
}
|
||||
|
||||
@media screen and (min-width: 768px){
|
||||
p{font-size: 1rem;}
|
||||
body{font-size: 1.5rem;}
|
||||
}
|
||||
|
||||
@media screen and (max-width: 767px){
|
||||
.intro-outer{flex-direction: column;}
|
||||
body{font-size: 3rem;}
|
||||
}
|
Binary file not shown.
Loading…
Reference in New Issue