|
|
|
@ -16,8 +16,7 @@
|
|
|
|
|
|
|
|
|
|
|
|
talk to you titty
|
|
|
|
talk to you titty
|
|
|
|
<body>
|
|
|
|
<body>
|
|
|
|
<p>
|
|
|
|
<p><strong>A typewriter?</strong>
|
|
|
|
<strong>A typewriter?</strong>
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
why shd it only make use of the tips of the fingers as contact points of flowing multi directional
|
|
|
|
why shd it only make use of the tips of the fingers as contact points of flowing multi directional
|
|
|
|
creativity. If I invented a word placing machine, an “expression-scriber,” if you will, then I would
|
|
|
|
creativity. If I invented a word placing machine, an “expression-scriber,” if you will, then I would
|
|
|
|
@ -69,67 +68,77 @@
|
|
|
|
TTY was produced in april-june 2023 as special issue 21 of the xpub at piet zwart institute,
|
|
|
|
TTY was produced in april-june 2023 as special issue 21 of the xpub at piet zwart institute,
|
|
|
|
rotterdam. xpub is the master of arts in fine art and design: experimental publishing of the
|
|
|
|
rotterdam. xpub is the master of arts in fine art and design: experimental publishing of the
|
|
|
|
piet zwart institute. xpub focuses on the acts of making things public and creating publics
|
|
|
|
piet zwart institute. xpub focuses on the acts of making things public and creating publics
|
|
|
|
in the age of post-digital networks. For more see issue.xpub.nl/21
|
|
|
|
in the age of post-digital networks. For more see issue.xpub.nl/21 </p>
|
|
|
|
|
|
|
|
|
|
|
|
</p>
|
|
|
|
<strong>Subrelease <a href="enconv/enconv.html">Encoding Converter</a></strong>
|
|
|
|
|
|
|
|
|
|
|
|
Subrelease
|
|
|
|
|
|
|
|
<a href="enconv/enconv.html">Encoding Converter</a>
|
|
|
|
<strong>We are on <a href="strike/index.html">Strike</a></strong>
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
<strong>Hey Babe!</strong>
|
|
|
|
We are on <a href="strike/index.html">Strike</a>
|
|
|
|
<p>Hey Babe! is a publication of XPUB1 as part of the Special Issue 21. It consists of excerpts from the
|
|
|
|
|
|
|
|
conversations at the Houweling Telecom Museum, parts from the documentary The Phantom of the Operator
|
|
|
|
<strong>Hey Babe!</strong>
|
|
|
|
and a collective reading experience on binary systems, time, worms and pebbles.
|
|
|
|
Hey Babe! is a publication of XPUB1 as part of the Special Issue 21. It consists of excerpts from the
|
|
|
|
|
|
|
|
conversations at the Houweling Telecom Museum, parts from the documentary The Phantom of the Operator
|
|
|
|
This publication aims to act as a familiar sound over the phone and requires a caller to be heard.
|
|
|
|
and a collective reading experience on binary systems, time, worms and pebbles. This publication aims to act
|
|
|
|
Unless anyone calls, our memories about the last couple of months will be phantomized.
|
|
|
|
as a familiar sound over the phone and requires a caller to be heard. Unless anyone calls, our memories about
|
|
|
|
This is our ode to the invisible labor of operators, long distance relationships,
|
|
|
|
the last couple of months will be phantomized. This is our ode to the invisible labor of operators,
|
|
|
|
people who could not hear from their lovers for years, trembling voices over the phone
|
|
|
|
long distance relationships, people who could not hear from their lovers for years, trembling voices
|
|
|
|
and all the people who took an effort and spend time to reach someone. This is the sound
|
|
|
|
over the phone and all the people who took an effort and spend time to reach someone. This is the sound
|
|
|
|
of your friend saying “hello” on the phone.
|
|
|
|
of your friend saying “hello” on the phone. The pubication consists of many sound clips. The caller
|
|
|
|
|
|
|
|
will listen to a random clip each time they call.
|
|
|
|
The pubication consists of many sound clips. The caller will listen to a random clip each time they call. </p>
|
|
|
|
<br>
|
|
|
|
<br>
|
|
|
|
Some of the teletales:
|
|
|
|
Some of the teletales:
|
|
|
|
<audio controls>
|
|
|
|
<audio controls>
|
|
|
|
<source src="audio/closing.wav" type="audio/wav">
|
|
|
|
<source src="audio/closing.wav" type="audio/wav">
|
|
|
|
<source src="audio/telecompart1.wav" type="audio/wav">
|
|
|
|
<source src="audio/telecompart1.wav" type="audio/wav">
|
|
|
|
<source src="audio/museumtour.wav" type="audio/wav">
|
|
|
|
<source src="audio/museumtour.wav" type="audio/wav">
|
|
|
|
<source src="audio/closing.wav" type="audio/wav">
|
|
|
|
<source src="audio/closing.wav" type="audio/wav">
|
|
|
|
<source src="audio/voicewithasmile.wav" type="audio/wav">
|
|
|
|
<source src="audio/voicewithasmile.wav" type="audio/wav">
|
|
|
|
<source src="audio/zero.wav" type="audio/wav">
|
|
|
|
<source src="audio/zero.wav" type="audio/wav">
|
|
|
|
<source src="audio/mol1.wav" type="audio/wav">
|
|
|
|
<source src="audio/mol1.wav" type="audio/wav">
|
|
|
|
<source src="audio/mosquitoatagate.wav" type="audio/wav">
|
|
|
|
<source src="audio/mosquitoatagate.wav" type="audio/wav">
|
|
|
|
<source src="audio/void.wav" type="audio/wav">
|
|
|
|
<source src="audio/void.wav" type="audio/wav">
|
|
|
|
</audio>
|
|
|
|
</audio>
|
|
|
|
|
|
|
|
|
|
|
|
<div class="images">
|
|
|
|
<div class="images">
|
|
|
|
<img src="gsm.jpg" alt="GSM card">
|
|
|
|
<img src="gsm.jpg" alt="GSM card">
|
|
|
|
</div>
|
|
|
|
</div>
|
|
|
|
|
|
|
|
|
|
|
|
<a href="gesture/templates/template-index.html">Gesture Glossary</a>
|
|
|
|
<strong><a href="https://hub.xpub.nl/breadcube/gesture/">Gesture Glossary</a></strong>
|
|
|
|
|
|
|
|
<p>This is the gesture glossary. Click a word to see the gestures related to it.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The aim is to see if a gesture glossary works and how it will work best.
|
|
|
|
Overlap
|
|
|
|
Also to see what kind of different interpretations there will be on gestures of our memory.
|
|
|
|
We have a bag full of planets, stars, our favorite moments, darkest fears, best intentions and worst
|
|
|
|
To test the gesture glossary idea, and see what different meanings appear
|
|
|
|
feelings. We contain them and sometimes they overlap each other. Sometimes we are happy and sad;
|
|
|
|
or already exist in the current vocabulary. Putting next to each other
|
|
|
|
sometimes we forget why we were even mad in the beginning. But we also share some of these moments or
|
|
|
|
different agreements on linguistic and body units, testing what makes sense.
|
|
|
|
galaxies that reside in our bags with other souls. We remember the same moment through a different
|
|
|
|
Investigating and playing with communicational channels in between us,
|
|
|
|
window. We remember that day as cold, whereas they remember it as warm. One by one, these moments
|
|
|
|
how a body language is documented, how it expands, how it is capable of creating
|
|
|
|
create one snapshot of the reality. The reality we create collectively. We sometimes trust our memories
|
|
|
|
or enhancing identities. To be an xpub means to speak/perform the xpub language?</p>
|
|
|
|
and our memories always trust us.
|
|
|
|
|
|
|
|
<br>
|
|
|
|
|
|
|
|
We overlap, we crawl through the memory lane. We go silently through the gates of space and time,
|
|
|
|
<strong>Overlap</strong>
|
|
|
|
we exchange our sights with each other and for one spectacular moment, all the stars in our bags spill
|
|
|
|
|
|
|
|
and we get to see through each other’s’ eyes. Our bag is now in the middle, its ready for you to
|
|
|
|
<p>We have a bag full of planets, stars, our favorite moments, darkest fears, best intentions and worst
|
|
|
|
discover and see the networks of our minds, make knots in the middle or intervene with what we call is
|
|
|
|
feelings. We contain them and sometimes they overlap each other. Sometimes we are happy and sad;
|
|
|
|
a collective memory of few xpubbers.
|
|
|
|
sometimes we forget why we were even mad in the beginning. But we also share some of these moments or
|
|
|
|
|
|
|
|
galaxies that reside in our bags with other souls. We remember the same moment through a different
|
|
|
|
<div class="images">
|
|
|
|
window. We remember that day as cold, whereas they remember it as warm. One by one, these moments
|
|
|
|
<img src="overlap2.png">
|
|
|
|
create one snapshot of the reality. The reality we create collectively. We sometimes trust our memories
|
|
|
|
<img src="overlap1.png">
|
|
|
|
and our memories always trust us.
|
|
|
|
</div>
|
|
|
|
<br>
|
|
|
|
|
|
|
|
We overlap, we crawl through the memory lane. We go silently through the gates of space and time,
|
|
|
|
|
|
|
|
we exchange our sights with each other and for one spectacular moment, all the stars in our bags spill
|
|
|
|
|
|
|
|
and we get to see through each other’s’ eyes. Our bag is now in the middle, its ready for you to
|
|
|
|
|
|
|
|
discover and see the networks of our minds, make knots in the middle or intervene with what we call is
|
|
|
|
|
|
|
|
a collective memory of few xpubbers.</p>
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
<div class="images">
|
|
|
|
|
|
|
|
<img src="overlap2.png">
|
|
|
|
|
|
|
|
<img src="overlap1.png">
|
|
|
|
|
|
|
|
</div>
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
</pre>
|
|
|
|
</pre>
|
|
|
|
|
