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COLOPHON/A3colophon.html
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@ -579,7 +579,7 @@ A3 Cover PDF<a href="A3COVER.pdf" target="blank">(here)</a><br><br>
<div><!--<span class="title2">WOr(L)DS<br>foR THE FuTUrE-</span><br>--->
<span class="title">WOR(<symbol2>L</symbol2>)DS<br> FOR THE FUTURE</span><br>
<div><span class="titleitalic">A Republishing Tool Kit for an Imaginary Atlas</span></div>
<div><span class="titleitalic">Republishing Tool Kit for an Imaginary Atlas</span></div>
<div><span class="titlevertical">WѺR(L)DS FҨӶ THξ FUTURЭ</span></div>
<div><span class="titleverticalleft">XPUB</span></div>
<div><span class="titlebottom">XPUB</span></div>
@ -595,7 +595,7 @@ A3 Cover PDF<a href="A3COVER.pdf" target="blank">(here)</a><br><br>
<br>
<br>
<br>
<bigmedium>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Words have the power to shape reality. Wor(l)ds for the Future is a set of map making tools to reimagine and collect wor(l)ds and republish an everchanging atlas. We invite you to delve into the materials and traverse the texts in any way you desire: by cutting and pasting the printed matter, or by unravelling the texts online. The choice is yours. You can reconstruct images and reinterpret wor(l)ds, to create Wor(l)ds for the Future.<br><br>
<bigmedium>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Words have the power to shape reality. Wor(l)ds for the Future is a set of map making tools to reimagine and collect wor(l)ds and to republish an everchanging atlas. We invite you to delve into the materials and traverse the texts in any way you desire: by cutting and pasting the printed matter, or by unravelling the texts online. The choice is yours. You can reconstruct images and reinterpret words, to create Wor(l)ds for the Future.<br><br>
</bigmedium><br><br>
</div>
@ -610,9 +610,9 @@ A3 Cover PDF<a href="A3COVER.pdf" target="blank">(here)</a><br><br>
<bigregular>This project is a republication of Words for the Future (2018), a multivoiced series of ten booklets. In the 2020 version, XPUB (Experimental Publishing) students from the Piet Zwart institute reinterpret the original material through methods such as annotating and prototyping in Python (a coding language we used to analyse text as texture). The ten booklets were cross-examined and mapped in order to find interconnections and links.<br><br>
We approached this project through the perspective of cartography. Alfred Korzybski wrote: "The map is not the territory". In other words, the description of the thing is not the thing itself. The model is not reality. Cartography always entails a selection and transformation of properties of a complex reality that affect the way maps – partial views of reality – are deciphered and received. With this notion in mind, we created a mapping to highlight our individual explorations and interpretations using a language of symbols created to represent our understanding of the original essays.<br><br>
We approached this project through the perspective of cartography. Alfred Korzybski wrote: "The map is not the territory". In other words, the description of the thing is not the thing itself. The model is not reality. Cartography always entails a selection and transformation of properties of a complex reality that affect the way maps – partial views of reality – are deciphered and received. With this notion in mind, we created a mapping to highlight our individual explorations and interpretations using a language of symbols created to represent our understanding of the original material of Words for the Future.<br><br>
A map could thus relate to something that no longer exists. It could also relate to something that does not yet exist. Maps could be seen as fictions therefore, as spaces for the imaginary.<br><br>
A map could relate to something that no longer exists. It could also relate to something that does not yet exist. Maps could be seen as fictions therefore, as spaces for the imaginary.<br><br>
Join us to un-map and re-map an infinite amount of potential constellations of tomorrow, and to navigate speculative wor(l)ds which holds the capacity to bleed into the very fabric of our shared grounds.
<br><br>
@ -635,50 +635,50 @@ A map could thus relate to something that no longer exists. It could also relate
<br><br><br>
<line>——————————————————————————————</line>
<br><br>
<symbol>L</symbol><italic>Liquid</italic><p2>&#9;&#9;&#9;&#9;&#9;&#9;&#9;&#9;by Kendal Beynon</p2><br>
<symbol>L</symbol><italic>Liquid</italic><p2>&#9;&#9;&#9;&#9;&#9;&#9;&#9;&#9;Kendal Beynon</p2><br>
<br>
<line>——————————————————————————————</line>
<br><br>
<symbol>T</symbol><italic>Tense</italic><p2>&#9;&#9;&#9;&#9;&#9;&#9;&#9;&#9;by Martin Foucaut</p2><br>
<symbol>T</symbol><italic>Tense</italic><p2>&#9;&#9;&#9;&#9;&#9;&#9;&#9;&#9;Martin Foucaut</p2><br>
<br>
<line>——————————————————————————————</line>
<br><br>
<symbol>A</symbol><italic>Atata</italic><p2>&#9;&#9;&#9;&#9;&#9;&#9;&#9;&#9;by Camilo García A.</p2><br>
<symbol>A</symbol><italic>Atata</italic><p2>&#9;&#9;&#9;&#9;&#9;&#9;&#9;Camilo García A.</p2><br>
<br>
<line>——————————————————————————————</line>
<br><br>
<symbol>M</symbol><italic>!?</italic><p2>&#9;&#9;&#9;&#9;&#9;&#9;&#9;&#9;by Clara Gradel</p2><br>
<symbol>M</symbol><italic>!?</italic><p2>&#9;&#9;&#9;&#9;&#9;&#9;&#9;&#9;Clara Gradel</p2><br>
<br>
<line>——————————————————————————————</line>
<br><br>
<symbol>U</symbol><italic>Undecidability</italic><p2>&#9;&#9;&#9;&#9;&#9;&#9;&#9;&#9;by Nami Kim</p2><br>
<symbol>U</symbol><italic>Undecidability</italic><p2>&#9;&#9;&#9;&#9;&#9;&#9;&#9;&#9;Nami Kim</p2><br>
<br>
<line>——————————————————————————————</line>
<br><br>
<symbol>H</symbol><italic>Hope</italic><p2>&#9;&#9;&#9;&#9;&#9;&#9;&#9;&#9;by Euna Lee</p2><br>
<symbol>H</symbol><italic>Hope</italic><p2>&#9;&#9;&#9;&#9;&#9;&#9;&#9;&#9;Euna Lee</p2><br>
<br>
<line>——————————————————————————————</line>
<br><br>
<symbol>O</symbol><italic>Otherness</italic><p2>&#9;&#9;&#9;&#9;&#9;&#9;&#9;&#9;by Jacopo Lega</p2><br>
<symbol>O</symbol><italic>Otherness</italic><p2>&#9;&#9;&#9;&#9;&#9;&#9;&#9;&#9;Jacopo Lega</p2><br>
<br>
<line>——————————————————————————————</line>
<br><br>
<symbol>P</symbol><italic>Practical Vision</italic><p2>&#9;&#9;&#9;&#9;&#9;&#9;&#9;&#9;by Federico Poni </p2><br>
<symbol>P</symbol><italic>Practical Vision</italic><p2>&#9;&#9;&#9;&#9;&#9;&#9;&#9;&#9;Federico Poni </p2><br>
<br>
<line>——————————————————————————————</line>
<br><br>
<symbol>R</symbol><italic>Resurgence</italic><p2>&#9;&#9;&#9;&#9;&#9;&#9;&#9;&#9;by Louisa Teichmann</p2><br>
<symbol>R</symbol><italic>Resurgence</italic><p2>&#9;&#9;&#9;&#9;&#9;&#9;&#9;&#9;Louisa Teichmann</p2><br>
<br>
<line>——————————————————————————————</line>
<br><br>
<symbol>E</symbol><italic>Eco-Swaraj</italic><p2>&#9;&#9;&#9;&#9;&#9;&#9;&#9;&#9;by Floor van Meeuwen</p2><br>
<symbol>E</symbol><italic>Eco-Swaraj</italic><p2>&#9;&#9;&#9;&#9;&#9;&#9;&#9;&#9;Floor van Meeuwen</p2><br>
<br>
<line>——————————————————————————————</line>
<br><br>

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<br><br>
<p3><h2>We encourage you to: </h2>
• &nbsp;&nbsp;&nbsp;introduce the project to your neighbours, friends, family, etc;<br><br>
• &nbsp;&nbsp;&nbsp;Introduce the project to your neighbours, friends, family, etc;<br><br>
• &nbsp;&nbsp;&nbsp;translate the contents into other languages;<br><br>
• &nbsp;&nbsp;&nbsp;Translate the contents into other languages;<br><br>
• &nbsp;&nbsp;&nbsp;create new dramaturgies (structures, stories, worlds) from the contents;<br><br>
• &nbsp;&nbsp;&nbsp;Create new dramaturgies (structures, stories, worlds) from the contents;<br><br>
• &nbsp;&nbsp;&nbsp;extend this license, as long as the kinship, commercial use and attribution conditions remain in force.</p3>
• &nbsp;&nbsp;&nbsp;Extend this license, as long as the kinship, commercial use and attribution conditions remain in force.</p3>
<br><br>
<p3><h2>Kinship:</h2>
@ -558,12 +558,28 @@
</div>
<div class="columnmiddle " style="background-color:white;">
<h2>Tutors:</h2>
<p3><medium>Aymeric Mansoux</medium></p3><br><br>
<p3><medium>Lídia Pereira</medium></p3><br><br>
<p3><medium>Manetta Berends</medium></p3><br><br>
<p3><medium>Michael Murtaugh</medium></p3><br><br>
<p3><medium>Steve Rushton</medium></p3><br><br>
<h2>Wor(l)ds for the Future (2020)</h2>
<p3>Conceptualised, designed, created, edited, produced, published and distributed by the XPUB 1 class of 2020:<br><br>
• &nbsp;&nbsp;&nbsp;Kendal Beynon<br>
• &nbsp;&nbsp;&nbsp;Martin Foucaut<br>
• &nbsp;&nbsp;&nbsp;Camilo García A.<br>
• &nbsp;&nbsp;&nbsp;Clara Gradel<br>
• &nbsp;&nbsp;&nbsp;Nami Kim<br>
• &nbsp;&nbsp;&nbsp;Euna Lee<br>
• &nbsp;&nbsp;&nbsp;Jacopo Lega<br>
• &nbsp;&nbsp;&nbsp;Federico Poni<br>
• &nbsp;&nbsp;&nbsp;Louisa Teichmann<br>
• &nbsp;&nbsp;&nbsp;Floor van Meeuwen<br>
</p3> <h2>Tutors:</h2><p3>
• &nbsp;&nbsp;&nbsp;Manetta Berends<br>
• &nbsp;&nbsp;&nbsp;Aymeric Mansoux<br>
• &nbsp;&nbsp;&nbsp;Michael Murtaugh<br>
• &nbsp;&nbsp;&nbsp;Lídia Pereira<br>
• &nbsp;&nbsp;&nbsp;Steve Rushton<br>
• &nbsp;&nbsp;&nbsp;Nienke Scholts<br>
</p3>
<!-- <h2>Students:</h2>
<p3><medium>Camilo García</medium>&nbsp;&nbsp;&nbsp;Republishing response: ATATA / Print Production </p3><br><br>
@ -582,7 +598,7 @@
• &nbsp;&nbsp;&nbsp;The A0 poster was printed by ------<br><br>
<medium>Special Type set in:</medium> <br><br>
• &nbsp;&nbsp;&nbsp;Custom Roboto (All caps Roboto with 10 custom characters made by XPUB1 students)<br><br>
• &nbsp;&nbsp;&nbsp;wftfs regular ( 10 symbols made by XPUB1 students)<br><br>
• &nbsp;&nbsp;&nbsp;WFTF Regular ( 10 symbols made by XPUB1 students)<br><br>
<h2>Thanks</h2>
<medium>Made possible by Piet Zwart Institute</medium><br>
<br>
@ -593,7 +609,7 @@ Winter, 2020<br>
</div>
<div class="columnright" style="background-color:white">
<h2>Words for the future (2017/18)</h2>
<h2>Words for the Future (2017/18)</h2>
<p3>Curated and edited by Nienke Scholts, in collaboration with Veem Huis for Performance, designed and printend by THE FUTURE printing & publishing: www.nienkescholts.com/words-for-the-future<br><br>
<h2>Authors</h2></p3>
<line>————————————————————————————————————————</line>
@ -608,7 +624,7 @@ Winter, 2020<br>
<br>
<brut>🡢</brut>&nbsp;<italic>Practical Vision</italic><p2>&nbsp;&nbsp;&nbsp;Moses Kilolo (Jalada), Klara van Duijkeren & Vincent Schipper (The Future)</p2><br>
<br><br>
<br>
<line>————————————————————————————————————————</line>
<br><br>
@ -617,7 +633,7 @@ Winter, 2020<br>
<line>————————————————————————————————————————</line>
<br><br>
<brut>🡢</brut>&nbsp;<italic>Hope</italic><p2>&nbsp;&nbsp;&nbsp;by Gurur Ertem, Ogutu Murayalink</p2><br>
<brut>🡢</brut>&nbsp;<italic>Hope</italic><p2>&nbsp;&nbsp;&nbsp;Gurur Ertem, Ogutu Muraya</p2><br>
<br>
<line>————————————————————————————————————————</line>
<br><br>

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@ -169,7 +169,7 @@ is a social scientist and performance studies scholar specializing in the sociol
<b>Abstract of web project</b>
Fascinated by “recognition of pluralism”, one of the solutions to approach Hope, (Euna Lee) made this website where you can experience this solution. To Ertem’s voice, the XPUB students add their own voices and further, various anonymous <span style="font-family: faunei;">x</span> (maybe you, your neighbours or a dinosaur) participate in this digital journey.
Fascinated by “recognition of pluralism”, one of the solutions to approach Hope, 👩🏻‍🔧 made this website where you can experience this solution. To Ertem’s voice, the XPUB students add their own voices and further, various anonymous <span style="font-family: faunei;">x</span> (maybe you, your neighbours or a dinosaur) participate in this digital journey.
<b>References</b>

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@ -755,7 +755,7 @@ chap4.addEventListener('click', function changeText(){
var chap5 = document.getElementById("emoji5");
chap5.addEventListener('click', function changeText(){
chap5.innerHTML = "What and who did you work for?<br>You were the subject and owner of your work, not being forced by external party in market hierarchy.<br>Not only your performance was undecidable, but your labours entangled with it were also undecidable, accompanying immaterial activities <b>and</b> it triggered feelings, which are abstract. For you, the labours are a majour part of yourself. Your identity <b>and</b> existence aren't seperate with your work.<br>As you are being undecidbable, you get freedom.";
chap5.innerHTML = "What and who did you work for?<br>You were the subject and owner of your work, not being forced by external party in market hierarchy.<br>Not only your performance was undecidable, but your labours entangled with it were also undecidable, accompanying immaterial activities. Both in the process <b>and</b> in the final producing, what you mostly embraced was your time <b>and</b> emotion, which are abstract. Thus you may say such labours are a majour part of yourself. Your identity <b>and</b> existence are closely attached with your work. That's why you get power to carry on your life. <br>As you are being undecidbable, your work becomes free <b>and</b> you get freedom.";
chap5.style.cssText = "position: relative; display: inline-block; font-size: 16px; font-family: 'Avenir'; left: 5px; margin-left: 12%; line-height: 1.8; color: white; background-color: black; width: 60%; text-align: left; border: 1px solid; box-shadow: 5px 5px blue;"
});

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index.html
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@ -4,7 +4,7 @@
<html>
<head>
<meta charset="utf-8">
<title>Wor(l)ds for the Future</title>
<title>Wor(l)ds for the Future!</title>
<meta name="viewport" content="width=device-width, initial-scale=1">
<script src="scripts/plain-draggable.min.js"></script>
<script data-require="p5.js@0.5.7" data-semver="0.5.7" src="https://cdnjs.cloudflare.com/ajax/libs/p5.js/0.5.7/p5.min.js"></script>

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