curl

index.html

@@ -1104,7 +1104,7 @@
 				<h3>Dealing with archival material when its impossible to interact with the original</h3>                                                                                                                                        
 				
 				<div class="placeholder">
-					<img src="img/mvdh_1.jpg" alt="alternative_title" width="100">
+					<img src="img/mvdh_1.jpg" alt="markvandeheuvel">
 				</div>  
 				
 				<p>
@@ -2544,7 +2544,7 @@
 				<h3>The redistribution of sensitive, underground or non-commercial archival material</h3>
 				
 				<div class="placeholder">
-					<img src="img/mvdh_2.jpg" alt="alternative_title" width="100">
+					<img src="img/mvdh_2.jpg" alt="markvandeheuvel">
 				</div>  
 				<p>
 					<i>"In a time where it's possible to freely transfer gigabytes of files over a wireless network within a couple of minutes, an archive of sensitive material was brought to us on a USB stick, hidden in a bag which was transported by a human through the air on a 17-hour flight."</i>
@@ -3609,7 +3609,7 @@
 		
 				
 				<div class="placeholder">
-					<img src="img/mvdh3.jpg" alt="alternative_title" width="100">
+					<img src="img/mvdh_3.jpg" alt="markvandeheuvel">
 				</div> 
 		
 				<p>
@@ -3689,7 +3689,7 @@
 						In ‘The Art of Zines’ (Factsheet Five #63, 1998) C. Becker gives an examples on how collective binding methods could function: “The publisher invites contributions and from a few people and each of them sends multiple copies of their work to cover the number of copies in that edition. Each zine copy is then collated and bound making (it) unique, and personalized.” 
 					</p>
 				<div class="placeholder">
-					<img src="img/mvdh3.jpg" alt="alternative_title" width="100">
+					<img src="img/mvdh_4.jpg" alt="markvandeheuvel">
 				</div> 
 					<h6>3.8 On distributing physical documents </h6>
 					<p>