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# to think
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Online audience? Online sphere?
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# Project
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Personal questions:
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Why people would care about this vocal presence/representation in public spaces? Because they want to talk about how they imagine the world around them, what experiences they have.
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inside outside gender separation
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female voice Amplification
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## Titles
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Network utterance- Overflowed emotions
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Occupy your stream
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Screaming streaming
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Storage or presence (from chronopoetics) - this is the binary I am dealing with
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A social dreaming/ a social screaming
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## Topics
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Uncensored speech
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Amplification of the female voice (collective voice)
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The mystification of the female voice/ the "annoying" noise
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..Constructing understanding your own tools (streaming devices and apps) and access to the medium that amplifies the voice (privitization of medium, patriarchal structure)
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Thesis_V11_EssayForm.pdf (file size: 150 KB, MIME type: application/pdf)
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File history
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Amplification from private to public
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Streaming from public to public, private to public, public to private, private to private
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Click on a date/time to view the file as it appeared at that time.
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Being present in the political spheres
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An intervention in public with less medium
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A guide on voice in public (the theoretical aspect of public space--the conceptual sphere)
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A guide on amplification. Relation of social and spatial
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Transmitting Ugly Things
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*you are part of the stream*
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## Amplification
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https://en.m.wikipedia.org/wiki/Amplification
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human microphone
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cars together playing the same frequency
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max neuhaus people broadcasting different frequencies that compose a piece.
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Amplification through multitude (decentralized)
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The female collective voice (thrinos)
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## Methods
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Methods of streaming: pi streaming, buffer file, baby phone
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Radio utterances in public
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Medidate with the voice of the frequencies like women in thrinos
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Reading rooms
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Reading with a medium and different practices of presence
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Discussion groups
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Fediverse multiplication
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practices of geting "loud" and present--
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listening to frequencies of malls-- issue of private and public
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amplification in abandoned public spaces, recording down where voice is appeared
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create a radio station inside leeszaal and broadcast field recordings and conversations/ inside and outside
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leeszaal/ create group conversations or silent ones
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Amplification live streaming
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The connection of the public physical amplification with digital, meeting the binaries (public, private, high-pitched, low pitched)
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..Workshop: An utterance of mediated voices/ streamed and broadcasted depending on the time they are made/ sometimes they will sychronize
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mouffe: "critical artistic practices subverting the dominant hegemony" different voices, infrastructures
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Amplification and high-pitched voice outside of leeszaal
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create a poetic (audio) narrative emerging from the actual "real" contribution of people.
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include the aspect of the Caliban and the witch
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Qustumize your own streaming/digital space
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using the questions from my question structure of 2015/ for space and medium
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hackthon: where you ask the participants to explore a subject, through the development of a prototypes, from give a starting point.
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workshop: where you bring in a certain technology/prototype/... and ask others to develop or explore it. More focused on a approach and see what that approach can lead to
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(book) sprints: where the group writes collaboratively a manual / research text / book / and produces a wbesite/pdf/...
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test session: where a given procedure/methods is tested on the participants and at the end feedback is given
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...others or combinations of these
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*Questions
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What medium represents you? And how you do it?*
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## Refs
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- Mohammed Malique. Bodega hni. Mijn stad is Mijn hart https://www.vpro.nl/programmas/tegenlicht/kijk/afleveringen/2018-2019/mijn-stad-is-mijn-hart.html
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- Nazi soundscapes. Birdsall
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- Amplification of female voice women in Red writing articles in Wikipedia https://en.wikipedia.org/wiki/Women_in_Red
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- http://networkcultures.org/geert/2018/12/04/bridging-the-gap-between-technology-and-progressive-politics-in-europe/
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"media activists who are increasingly becoming cosmopolitan and detached from local communities and struggles." leeszaal
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Media theorist Geert Lovink is apparently missing out on what is happening here amongst other places when he writes: "The Social Media Question: Where are the Alternatives?" poking at a broadly defined "geek class" and applying the term elitism to it. I have never met him and i believe he's well known.
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- Queering damage
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## Diary notes
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Poetics, the poetics of the medium, the poetics of the voice being metiated
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Future: leaving the social sphere and the self, after the practice has been clear. Thinking of the condition of the medium, the device, the software, the technology/ the landscape of it, the low-tech, the abandonence. Metaphor of the human loneliness. Lonileness, how I experience it, and the connection with an object. The idea of it. Detachement of myself and the responsibilty of it.
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# Proposals
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## Streaming voices of West Rotterdam !!!I KEEP THAT ONE!!! Subterranean streams {#streaming_voices_of_west_rotterdam_i_keep_that_one_subterranean_streams}
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It is a social project.Sound is used as a way to reveal things about
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private and public, suppression of voices in that area with a broader
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concern on how the voices are amplified. It is about revealing hidden
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aspects of this Dutch area that it is connected How stories underneath
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are revealed Sound excavation Where the private/public and gender
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separation is present in that specific example. What modes of address
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are present. How they are mediated. Is there a collective voice?
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Leeszaal is my meeting point I visit the area, recording characteristic
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sounds from it, walk and then visit Leeszaal as a meeting point of these
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people that are related to that area.
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what: a publication of a collection of feminist practices from wiki/git to printable pdf. A structure of a speaker listening to the surrouding and broadcasting back
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why: occuping with sound, female ways of knowing, caring, concerning
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I will make my archive of recorded sounds open to the people that are
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related to the area and I will start conversations about them and their
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personal connection with them. I wil give an object to discuss, like a
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printed soundwave where they can annotate on it and then I will come
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back with a new thing. THe process will be about involvement. Then
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gradually this process will reveal topic that are important for them to
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discuss and record voices or not. This process will create an archive of
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sounds either recordings, findings, voices that maybe I will stream.
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The process is about liveness. Spread the area\'s secret sides live. Its
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also about \"re-membering of the past which, against the colonialist
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practices of erasure and avoidance and the related desire to set time
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aright, calls for thinking a certain undoing of time; a work of mourning
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more accountable to, and doing justice to, the victims of ecological
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destruction and of racist, colonialist, and nationalist violence, human
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and otherwise -- those victims who are no longer there, and those yet to
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come\" (Barad, 2018)
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I am going introduce layers of mapping and I will reflect with my own
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voice as well
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in streaming you dont have the time to edit and reflect you just accept
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it is like the agonistic model no time for thinking about future utopias
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and realities but what is happening now. West Rotterdam what is
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happening now. Archive as a process for transmitting (storage or
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presence)
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## Bibliography
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- Carson, A. (1996) ‘The Gender of Sound’, in Glass, Irony and God. First Edition edition. New York: New Directions, pp. 119–142.
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- Barad, K. (2018) ‘Troubling time/s and ecologies of nothingness: re-turning, re-membering, and facing the incalculable’, new formations: a journal of culture/theory/politics, 92(1), pp. 56–86.
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- Beard, M. (2017) Women & Power: A Manifesto. 1 edition. New York: Liveright.
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- 667: Wartime Radio (2019) This American Life. Available at: https://www.thisamericanlife.org/667/transcript (Accessed: 5 February 2019).
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