<ahref="texts/thesis/thesis-angeliki.html"target="_blank">Let' s Talk About Unspeakable Things <divclass="description">THESIS, ANNOTATIONS</div></a>
<ahref="texts/thesis/thesis-angeliki.html"target="_blank">Let' s Talk About Unspeakable Things <divclass="description">THESIS</div></a>
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<ahref="../Grad_project proposal/1902_describe-soundwalks/West Rotterdam/leeszaal_repetition.html"target="_blank">Diary of West Rotterdam <divclass="description">PROCESS, ARCHIVE</div></a>
It is a collection of audio recordings coming from meetings I co-organised, internet sources, podcasts and soundwalks. 'Revisiting podcasts' questions the establishment of authoritative/male voices that create exclusive speech platforms, along the assumption that voices have to be rational, authoritative (voice of expertise) etc. The intervention that changes the paradigm becomes a set of podcasts that revisit the sound material produced in situated amplification meetings and soundwalks. Every podcast includes the previous one, on a way that creates repetetive layers of the same material. Creating presence by repetetion.'Revisiting podcasts' are upsetting binaries such as male/female, expert/amateur, rational/irrational
How can we engage politically with the exclusion of specific (female) voices from the public sphere through our own voice? Here I document my attempts to create a safe common space of discussing that topic in Leeszaal, that I consider a diverse public space, where we can explore our public voices in situ, and trying out vocal performances. I am doing that together with Christina Karagianni, who is also from Greece and with whom I share similar experiences of silencing. We combine our practices -her practice lies on choreography and mine on social interaction and sound- and try vocal exercises and reading in moments of Leeszaal. Structure of the meetings: reading extracts in random order, discuss peronal associations, warm up, say a personal sentence in any language, transcribe only the vowels, read back the vowels, sing all together the score of vowels. <divclass="tooltip-wrap">First experiments<divclass="tooltip-content-down">ffff</div></div>
<aclass="internet"href="https://www.youtube.com/watch?v=JVpoOdz1AKQ&feature=youtu.be"target="popup"onclick="window.open('https://www.youtube.com/watch?v=HlvfPizooII','popup','width=600,height=600'); return false;">Angela Davis @Occupy</a>
How can we engage politically with the exclusion of specific (female) voices from the public sphere through our own voice? Here I document my attempts to create a safe common space of discussing that topic in Leeszaal, that I consider a diverse public space, where we can explore our public voices in situ, and trying out vocal performances. I am doing that together with Christina Karagianni, who is also from Greece and with whom I share similar experiences of silencing. We combine our practices -her practice lies on choreography and mine on social interaction and sound- and try vocal exercises and reading in moments of Leeszaal. Structure of the meetings: reading extracts in random order, discuss peronal associations, warm up, say a personal sentence in any language, transcribe only the vowels, read back the vowels, sing all together the score of vowels. <divclass="tooltip-wrap">First experiments<divclass="tooltip-content-down">ffff</div></div>
