<divclass="draggable ui-draggable-handle group_extracts pile0"><divclass="tooltip-wrap no-pink"><ahref="images/carson-extract.jpg"target="_blank"><imgsrc="images/carson-extract.jpg"width="550px"/></a><divclass="tooltip-content-right"style="min-width: 40% !important;"><div>Carson, A. (1996) ‘The Gender of Sound’, in Glass, Irony and God. First Edition edition. New York: New Directions, pp. 119–142</div></div></div></div>
<divclass="draggable ui-draggable-handle group_extracts pile0"><divclass="tooltip-wrap no-pink"><ahref="images/fresh1.jpg"target="_blank"><imgsrc="images/fresh1.jpg"width="600px"/></a><divclass="tooltip-content-right"style="min-width: 40% !important;"><div>Ballout, D. (2019) ‘Good Morning, Kafranbel’, This American Life: Wartime Radio. Available at: https://www.thisamericanlife.org/667/transcript (Accessed: 5 February 2019)</div></div></div></div>
<divclass="draggable ui-draggable-handle group_extracts pile0"><divclass="tooltip-wrap no-pink"><ahref="images/fresh2.jpg"target="_blank"><imgsrc="images/fresh2.jpg"width="600px"/></a><divclass="tooltip-content-right"style="min-width: 40% !important;"><div>Ballout, D. (2019) ‘Good Morning, Kafranbel’, This American Life: Wartime Radio. Available at: https://www.thisamericanlife.org/667/transcript (Accessed: 5 February 2019)</div></div></div></div>
<divclass="draggable ui-draggable-handle group_extracts pile0"><divclass="tooltip-wrap no-pink"><ahref="images/volkskrant-00.jpg"target="_blank"><imgsrc="images/volkskrant-00.jpg"width="600px"/></a><divclass="tooltip-content-right"style="min-width: 40% !important;"><div>Vries, J. de (2016) ‘Mannen zijn stevige debaters, vrouwen kijvende wijven’, de Volkskrant. Available at: https://www.volkskrant.nl/gs-be7ace6e (Accessed: 10 June 2019)</div></div></div></div>
<divclass="draggable ui-draggable-handle group_extracts pile0"><divclass="tooltip-wrap no-pink"><ahref="images/volkskrant-01.jpg"target="_blank"><imgsrc="images/volkskrant-01.jpg"width="600px"/></a><divclass="tooltip-content-right"style="min-width: 40% !important;"><div>Vries, J. de (2016) ‘Mannen zijn stevige debaters, vrouwen kijvende wijven’, de Volkskrant. Available at: https://www.volkskrant.nl/gs-be7ace6e (Accessed: 10 June 2019)</div></div></div></div>
<divclass="draggable ui-draggable-handle group_extracts pile0"><divclass="tooltip-wrap no-pink"><ahref="images/volkskrant-02.jpg"target="_blank"><imgsrc="images/volkskrant-02.jpg"width="600px"/></a><divclass="tooltip-content-right"style="min-width: 40% !important;"><div>Vries, J. de (2016) ‘Mannen zijn stevige debaters, vrouwen kijvende wijven’, de Volkskrant. Available at: https://www.volkskrant.nl/gs-be7ace6e (Accessed: 10 June 2019)</div></div></div></div>
<divclass="draggable ui-draggable-handle group_extracts pile0"><divclass="tooltip-wrap no-pink"><ahref="images/volkskrant-03.jpg"target="_blank"><imgsrc="images/volkskrant-03.jpg"width="600px"/></a><divclass="tooltip-content-right"style="min-width: 40% !important;"><div>Vries, J. de (2016) ‘Mannen zijn stevige debaters, vrouwen kijvende wijven’, de Volkskrant. Available at: https://www.volkskrant.nl/gs-be7ace6e (Accessed: 10 June 2019)</div></div></div></div>
<divclass="draggable ui-draggable-handle group_extracts pile0"><divclass="tooltip-wrap no-pink"><ahref="images/extracts-leeszaal-20190606.jpg"target="_blank"><imgsrc="images/extracts-leeszaal-20190606.jpg"width="600px"/></a><divclass="tooltip-content-right"style="min-width: 40% !important;"><div>Vries, J. de (2016) ‘Mannen zijn stevige debaters, vrouwen kijvende wijven’, de Volkskrant. Available at: https://www.volkskrant.nl/gs-be7ace6e (Accessed: 10 June 2019) + ANNOTATIONS</div></div></div></div>
<divclass="draggable ui-draggable-handle group_extracts pile0"><divclass="tooltip-wrap no-pink"><ahref="images/extracts-leeszaal-20190606-2.jpg"target="_blank"><imgsrc="images/extracts-leeszaal-20190606-2.jpg"width="600px"/></a><divclass="tooltip-content-right"style="min-width: 40% !important;"><div>Carson, A. (1996) ‘The Gender of Sound’, in Glass, Irony and God. First Edition edition. New York: New Directions, pp. 119–142 + ANNOTATIONS</div></div></div></div>
1. Ballout, D. (2019) ‘Good Morning, Kafranbel’, This American Life: Wartime Radio. Available at: https://www.thisamericanlife.org/667/transcript (Accessed: 5 February 2019).<br/>
2. Carson, A. (1996) ‘The Gender of Sound’, in Glass, Irony and God. First Edition edition. New York: New Directions, pp. 119–142.</span></span>in random order
1. Ballout, D. (2019) ‘Good Morning, Kafranbel’, This American Life: Wartime Radio. Available at: https://www.thisamericanlife.org/667/transcript (Accessed: 5 February 2019).<br/>
2. Carson, A. (1996) ‘The Gender of Sound’, in Glass, Irony and God. First Edition edition. New York: New Directions, pp. 119–142.</span></span>in random order
1. Ballout, D. (2019) ‘Good Morning, Kafranbel’, This American Life: Wartime Radio. Available at: https://www.thisamericanlife.org/667/transcript (Accessed: 5 February 2019).<br/>
2. Carson, A. (1996) ‘The Gender of Sound’, in Glass, Irony and God. First Edition edition. New York: New Directions, pp. 119–142.</span></span>in random order
1. Ballout, D. (2019) ‘Good Morning, Kafranbel’, This American Life: Wartime Radio. Available at: https://www.thisamericanlife.org/667/transcript (Accessed: 5 February 2019).<br/>
2. Carson, A. (1996) ‘The Gender of Sound’, in Glass, Irony and God. First Edition edition. New York: New Directions, pp. 119–142.</span></span>in random order
<li>Transcribing the vowels of each other's sentences</li>
<li>Reading back the vowels</li>
<li>Reading outloud all together the score of vowels</li>
<li>Speaking about personal experiences</li>
<li>Listen back our <spanclass="tooltip-wrap">distorted voices<spanclass="tooltip-content-right">The voices were electronically distorted from female to male (high-pitch to low-pitch) with a bash script<br/>
1. Ballout, D. (2019) ‘Good Morning, Kafranbel’, This American Life: Wartime Radio. Available at: https://www.thisamericanlife.org/667/transcript (Accessed: 5 February 2019).<br/>
2. Carson, A. (1996) ‘The Gender of Sound’, in Glass, Irony and God. First Edition edition. New York: New Directions, pp. 119–142.</span></span>in random order
<li>Transcribing the vowels of each other's sentences</li>
<li>Reading back the vowels</li>
<li>Reading outloud all together the score of vowels</li>
<li>Speaking like "men"</li>
<li>Listen back our <spanclass="tooltip-wrap">distorted voices<spanclass="tooltip-content-right">The voices were electronically distorted from female to male (high-pitch to low-pitch) with a bash script and vice versa<br/>
<li>Other: Part of <spanclass="tooltip-wrap">Women@Art<spanclass="tooltip-content-right">A series of workshops dedicated to 'wereldvrouwen', a group of women around the world. They meet every Wednesday at Leeszaal</span></span><li>
1. Vries, J. de (2016) ‘Mannen zijn stevige debaters, vrouwen kijvende wijven’, de Volkskrant. Available at: https://www.volkskrant.nl/gs-be7ace6e (Accessed: 10 June 2019).<br/>
2. Carson, A. (1996) ‘The Gender of Sound’, in Glass, Irony and God. First Edition edition. New York: New Directions, pp. 119–142.</span></span>in random order
</li>
<li>Discussion on public voice</li>
<li>Discussion on voice's pitch</li>
<li>Discussion based on a <spanclass="tooltip-wrap">list of questions <spanclass="tooltip-content-right">
<pre>
Have you ever had to change your voice in order to be heard? Have you consciously done that?
In what spaces and occasions?
Have you ever being judged for your voice?
When do you feel the (quality of) voice communicates uncertainty?
What are the connotations you make when you think of voice as a metaphor (´one voice´, ´womans voice´,´world voices´)
How would you describe your voice? (or somebody elses)
</pre>
</li>
<li>Warming up</li>
</ul>
<li>Equipment: </li>
<ul>
<li>Printed extracts</li>
<li>Audio recorder</li>
<li>Paper + pens</li>
<li>Microphone</li>
<li>Small speaker</li>
<li>Food</li>
</ul>
<li>Outcome:</li>
<ul>
<li>Audio recordings of the actions</li>
<li>Videp recordings of the actions</li>
<li>Handwritten score of vowels</li>
</ul>
<li>Date: 30/5/2019</li>
<li>Location: Leeszaal, Rotterdam</li>
<li>Other: Part of <spanclass="tooltip-wrap">Women@Art<spanclass="tooltip-content-right">A series of workshops dedicated to 'wereldvrouwen', a group of women around the world. They meet every Wednesday at Leeszaal</span></span><li>
