<divclass="draggable ui-draggable-handle group_extracts pile0"><divclass="tooltip-wrap no-pink"><ahref="images/carson-extract.jpg"target="_blank"><imgsrc="images/carson-extract.jpg"width="550px"/></a><divclass="tooltip-content-right"style="min-width: 40% !important;"><div>Carson, A. (1996) ‘The Gender of Sound’, in Glass, Irony and God. First Edition edition. New York: New Directions, pp. 119–142</div></div></div></div>
<divclass="draggable ui-draggable-handle group_extracts pile0"><div class="tooltip-wrap no-pink"><ahref="images/volkskrant-00.jpg" target="_blank"><imgsrc="images/volkskrant-00.jpg" width="600px"/></a><divclass="tooltip-content-right"style="min-width: 40% !important;"><div>Vries, J. de (2016) ‘Mannen zijn stevige debaters, vrouwen kijvende wijven’, de Volkskrant. Available at: https://www.volkskrant.nl/gs-be7ace6e (Accessed: 10 June 2019)</div></div></div></div>
<divclass="draggable ui-draggable-handle group_extracts pile0"><div class="tooltip-wrap no-pink"><a href="images/volkskrant-01.jpg" target="_blank"><imgsrc="images/volkskrant-01.jpg" width="600px"/></a><divclass="tooltip-content-right"style="min-width: 40% !important;"><div>Vries, J. de (2016) ‘Mannen zijn stevige debaters, vrouwen kijvende wijven’, de Volkskrant. Available at: https://www.volkskrant.nl/gs-be7ace6e (Accessed: 10 June 2019)</div></div></div></div>
<divclass="draggable ui-draggable-handle group_extracts pile0"><div class="tooltip-wrap no-pink"><a href="images/volkskrant-02.jpg" target="_blank"><imgsrc="images/volkskrant-02.jpg" width="600px"/></a><divclass="tooltip-content-right"style="min-width: 40% !important;"><div>Vries, J. de (2016) ‘Mannen zijn stevige debaters, vrouwen kijvende wijven’, de Volkskrant. Available at: https://www.volkskrant.nl/gs-be7ace6e (Accessed: 10 June 2019)</div></div></div></div>
<divclass="draggable ui-draggable-handle group_extracts pile0"><div class="tooltip-wrap no-pink"><a href="images/volkskrant-03.jpg" target="_blank"><imgsrc="images/volkskrant-03.jpg" width="600px"/></a><divclass="tooltip-content-right"style="min-width: 40% !important;"><div>Vries, J. de (2016) ‘Mannen zijn stevige debaters, vrouwen kijvende wijven’, de Volkskrant. Available at: https://www.volkskrant.nl/gs-be7ace6e (Accessed: 10 June 2019)</div></div></div></div>
<divclass="draggable ui-draggable-handle group_extracts pile0"><div class="tooltip-wrap no-pink"><a href="images/extracts-leeszaal-20190606-2.jpg" target="_blank"><imgsrc="images/extracts-leeszaal-20190606-2.jpg" width="600px"/></a><divclass="tooltip-content-right"style="min-width: 40% !important;"><div>Carson, A. (1996) ‘The Gender of Sound’, in Glass, Irony and God. First Edition edition. New York: New Directions, pp. 119–142 + ANNOTATIONS</div></div></div></div>
1. Ballout, D. (2019) ‘Good Morning, Kafranbel’, This American Life: Wartime Radio.<br/>
1. Ballout, D. (2019) ‘Good Morning, Kafranbel’, This American Life: Wartime Radio. Available at: https://www.thisamericanlife.org/667/transcript (Accessed: 5 February 2019).<br/>
2. Carson, A. (1996) ‘The Gender of Sound’, in Glass, Irony and God. First Edition edition. New York: New Directions, pp. 119–142.</span></span>in random order
</li>
<li>Discussion on public voice</li>
<li>Warming up</li>
<li>Transcribing the vowels of each other's sentences</li>
<li>Reading back the vowels</li>
<li>Reading outloud all together the score of vowels</li>
1. Ballout, D. (2019) ‘Good Morning, Kafranbel’, This American Life: Wartime Radio.<br/>
1. Ballout, D. (2019) ‘Good Morning, Kafranbel’, This American Life: Wartime Radio. Available at: https://www.thisamericanlife.org/667/transcript (Accessed: 5 February 2019).<br/>
2. Carson, A. (1996) ‘The Gender of Sound’, in Glass, Irony and God. First Edition edition. New York: New Directions, pp. 119–142.</span></span>in random order
</li>
<li>Discussion on public voice</li>
<li>Warming up</li>
<li>Transcribing the vowels of each other's sentences</li>
<li>Reading back the vowels</li>
<li>Reading outloud all together the score of vowels</li>
1. Ballout, D. (2019) ‘Good Morning, Kafranbel’, This American Life: Wartime Radio.<br/>
1. Ballout, D. (2019) ‘Good Morning, Kafranbel’, This American Life: Wartime Radio. Available at: https://www.thisamericanlife.org/667/transcript (Accessed: 5 February 2019).<br/>
2. Carson, A. (1996) ‘The Gender of Sound’, in Glass, Irony and God. First Edition edition. New York: New Directions, pp. 119–142.</span></span>in random order
</li>
<li>Discussion on public voice</li>
<li>Warming up</li>
<li>Transcribing the vowels of each other's sentences</li>
<li><s>Reading back the vowels</s></li>
<li><s>Reading outloud all together the score of vowels</s></li>
<li><s>Reading outloud all together the score of vowels in high-pitch</s></li>
<li>Reading outloud all together back the vowels for each person</li>
1. Ballout, D. (2019) ‘Good Morning, Kafranbel’, This American Life: Wartime Radio.<br/>
1. Ballout, D. (2019) ‘Good Morning, Kafranbel’, This American Life: Wartime Radio. Available at: https://www.thisamericanlife.org/667/transcript (Accessed: 5 February 2019).<br/>
2. Carson, A. (1996) ‘The Gender of Sound’, in Glass, Irony and God. First Edition edition. New York: New Directions, pp. 119–142.</span></span>in random order
</li>
<li>Discussion on public voice</li>
<li>Warming up</li>
<li>Transcribing the vowels of each other's sentences</li>
<li>Reading back the vowels</li>
<li>Reading outloud all together the score of vowels</li>
<li><s>Reading outloud all together the score of vowels in high-pitch</s></li>
<li><s>Reading outloud all together back the vowels for each person</s></li>
<li>Speaking about personal experiences</li>
<li>Listen back our <spanclass="tooltip-wrap">distorted voices<spanclass="tooltip-content-right">The voices were electronically distorted from female to male (high-pitch to low-pitch) with a bash script<br/>
1. Ballout, D. (2019) ‘Good Morning, Kafranbel’, This American Life: Wartime Radio.<br/>
1. Ballout, D. (2019) ‘Good Morning, Kafranbel’, This American Life: Wartime Radio. Available at: https://www.thisamericanlife.org/667/transcript (Accessed: 5 February 2019).<br/>
2. Carson, A. (1996) ‘The Gender of Sound’, in Glass, Irony and God. First Edition edition. New York: New Directions, pp. 119–142.</span></span>in random order
</li>
<li>Discussion on public voice</li>
<li>Warming up</li>
<li>Transcribing the vowels of each other's sentences</li>
<li>Reading back the vowels</li>
<li><s>Reading outloud all together the score of vowels in high-pitch</s></li>
<li><s>Reading outloud all together back the vowels for each person</s></li>
<li><s>Speaking about personal experiences</s></li>
<li>Reading outloud all together the score of vowels</li>
<li>Speaking like "men"</li>
<li>Listen back our <spanclass="tooltip-wrap">distorted voices<spanclass="tooltip-content-right">The voices were electronically distorted from female to male (high-pitch to low-pitch) with a bash script and vice versa<br/>
@ -293,6 +315,55 @@
<li>Other: Part of <spanclass="tooltip-wrap">Women@Art<spanclass="tooltip-content-right">A series of workshops dedicated to 'wereldvrouwen', a group of women around the world. They meet every Wednesday at Leeszaal</span></span><li>
1. Vries, J. de (2016) ‘Mannen zijn stevige debaters, vrouwen kijvende wijven’, de Volkskrant. Available at: https://www.volkskrant.nl/gs-be7ace6e (Accessed: 10 June 2019).<br/>
2. Carson, A. (1996) ‘The Gender of Sound’, in Glass, Irony and God. First Edition edition. New York: New Directions, pp. 119–142.</span></span>in random order
</li>
<li>Discussion on public voice</li>
<li>Discussion on voice's pitch</li>
<li>Discussion based on a <spanclass="tooltip-wrap">list of questions <spanclass="tooltip-content-right">
<pre>
Have you ever had to change your voice in order to be heard? Have you consciously done that?
In what spaces and occasions?
Have you ever being judged for your voice?
When do you feel the (quality of) voice communicates uncertainty?
What are the connotations you make when you think of voice as a metaphor (´one voice´, ´womans voice´,´world voices´)
How would you describe your voice? (or somebody elses)
</pre>
</li>
<li>Warming up</li>
<li><s>Transcribing the vowels of each other's sentences</s></li>
<li><s>Reading back the vowels</s></li>
<li><s>Reading outloud all together the score of vowels in high-pitch</s></li>
<li><s>Reading outloud all together back the vowels for each person</s></li>
<li><s>Speaking about personal experiences</s></li>
<li><s>Reading outloud all together the score of vowels</s></li>
<li>Speaking like "men"</li>
<li><s>Listen back our distorted voices. The voices were electronically distorted from female to male (high-pitch to low-pitch) with a bash script and vice versa</s></li>
</ul>
<li>Equipment: </li>
<ul>
<li>Printed extracts</li>
<li>Audio recorder</li>
<li>Paper + pens</li>
<li>Microphone</li>
<li>Small speaker</li>
<li>Food</li>
</ul>
<li>Outcome:</li>
<ul>
<li>Audio recordings of the actions</li>
<li>Videp recordings of the actions</li>
<li>Handwritten score of vowels</li>
</ul>
<li>Date: 30/5/2019</li>
<li>Location: Leeszaal, Rotterdam</li>
<li>Other: Part of <spanclass="tooltip-wrap">Women@Art<spanclass="tooltip-content-right">A series of workshops dedicated to 'wereldvrouwen', a group of women around the world. They meet every Wednesday at Leeszaal</span></span><li>
<divclass="tooltip-wrap"><imgsrc="images/carson-list.jpg"style="width: 100%;"></img><divclass="tooltip-content-right"style="min-width: 40% !important;"><div>this is how female/high-pitched voices have been described since acient times as Anne Carson observes</div></div></div>
<divclass="tooltip-wrap"><imgsrc="images/carson-list.jpg"style="width: 100%;"></img><divclass="tooltip-content-right"style="min-width: 40% !important;"><div>this is how female/high-pitched voices have been described since acient times as Anne Carson observes</div></div></div>
you are invited to <div class="tooltip-wrap">amplify</div> parts of the podcasts that you find worthy of attention by listening, recording and repeating them, with your own voice, and upload them in the archive. The stories and sounds, you will listen to, are related to how female voices have been marginalised and what methods (rational/irrational) amplify and bring them in the front. Amplification can happen through repetition and multiplication. Your recording can become part of a gathering of multiple individual voices, that repeat fragments of situations and things that are unspeakable, and appear as feedback to them. This online collection will be then used as an input for workshops of remixing it together with the rest of the archive, with <div class="tooltip-wrap">Wereldvrouwen <div class="tooltip-content-right" ><div>a group of women, who have migrated in Netherlands and meet at <a href="http://www.leeszaalrotterdamwest.nl/" target="_blank">Leeszaal</a> every week to eat breakfast together and speak in Dutch</div></div></div> and other participants who their voices have become part of the podcasts.
you are invited to <div class="tooltip-wrap">amplify</div> parts of the podcasts that you find worthy of attention by listening, recording and repeating them, with your own voice, and upload them in the archive. The stories and sounds, you will listen to, are related to how female voices have been marginalised and what methods (rational/irrational) amplify and bring them in the front. Amplification can happen through repetition and multiplication. Your recording can become part of a gathering of multiple individual voices, that repeat fragments of situations and things that are unspeakable, and can appear as feedback to them. This online collection will be then used as an input for <a href="amplification.php" class="underline" target="_blank">workshops</a> of remixing it together with the rest of the archive, with <div class="tooltip-wrap">Wereldvrouwen <div class="tooltip-content-right" ><div>a group of women, who have migrated in Netherlands and meet at <a href="http://www.leeszaalrotterdamwest.nl/" class="underline" target="_blank">Leeszaal</a> every week to eat breakfast together and speak in Dutch</div></div></div> and other participants who their voices have become part of the podcasts.
