<h2style="text-align: left !important;"><ahref="podcast1.php"target="_blank">About</a></h2>
<divclass="drag-content">It is a collection of audio recordings coming from meetings I co-organised, internet sources, podcasts and soundwalks on amplification of female and collective voices, by Angeliki. 'Revisiting podcasts' questions the establishment of authoritative/male voices that create exclusive speech platforms, along the assumption that voices have to be rational, authoritative (voice of expertise) etc. The intervention that changes the paradigm becomes <divclass="tooltip-wrap"style="display: inline;text-decoration:underline;">a set of podcasts <divclass="tooltip-content-right"><div>what conflicts or frictions the technical aspect provokes?</div></div></div>that revisit the sound material produced in situated amplification meetings and soundwalks. Every podcast includes the previous one, on a way that creates repetetive layers of the same material. Creating presence by repetetion.'Revisiting podcasts' are upsetting binaries such as male/female, expert/amateur, rational/irrational
<divclass="tooltip-wrap"style="text-decoration:underline;"><imgsrc="texts/thesis/carson-list.jpg"style="width: 100%"></img><divclass="tooltip-content-right"><div>this is how female/high-pitched voices have been described since acient times as Anne Carson observes</div></div></div>
<h2style="text-align: left !important;"><ahref="podcast1.php"target="_blank">Podcasts</a></h2>
<divclass="drag-content"> Podcast is a series of episodes of moments of an online audio archive overlayered by my voice as a narrator.
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<h2style="text-align: left !important;"><ahref="texts/thesis/thesis-angeliki.html"target="_blank">Let' s Talk About Unspeakable Things</a></h2>
<divclass="drag-content">Thesis</div>
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<h2style="text-align: left !important;"><ahref="amplification.html"target="_blank">Amplification of female voices</a></h2>
<divclass="drag-content">How can we engage politically with the exclusion of specific (female) voices from the public sphere through our own voice? Here I document my attempts to create a safe common space of discussing that topic in Leeszaal, that I consider a diverse public space, where we can explore our public voices in situ, and trying out vocal performances. I am doing that together with Christina Karagianni, who is also from Greece and with whom I share similar experiences of silencing. We combine our practices -her practice lies on choreography and mine on social interaction and sound- and try vocal exercises and reading in moments of Leeszaal.<divclass="tooltip-wrap"style="display: inline;text-decoration:underline;">We invite <divclass="tooltip-content-right"><div>how we should approch the gender terminology and false association with voice when inviting people? Should it be about femme sounding? Female voice? </div></div></div>women from Leeszaal. Structure of the meetings: reading extracts in random order, <divclass="tooltip-wrap"style="display: inline;text-decoration:underline;">discuss <divclass="tooltip-content-right"><div>what conflicts or frictions the technical aspect provokes?</div></div></div>personal associations and experiences with voice in public, warm up, say a personal sentence in any language, transcribe only the vowels, read back the vowels, sing all together the score of vowels.</div>
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<h2style="text-align: left !important;"><ahref=""target="_blank">Diary of West Rotterdam</a></h2>
<divclass="drag-content"><p>I recorded sounds from West Rotterdam, while walking around a neighborhood for several days. This action was part of my first experiments when I was in attempt to understand how gender binaries regarding voice are reflected in space, especially public space.
