edit proposal

.gitignore

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-
 /thesis/*.pdf
 
 

index.html

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 <b>Describing sounds:</b>
 <iframe src="project/overlapping-interface.html" width="100%" height="1200px"   name="targetframe" allowTransparency="true" scrolling="no" frameborder="0" >
     </iframe>
+
+
+
+<p id="text"></p>
+<script type="text/javascript" src="https://cdn.jsdelivr.net/remarkable/1.7.1/remarkable.min.js"></script>
+<script type="text/javascript">
+  function mdtohtml(){
+// If you use require (Node etc), require as first the module and then create the instance
+var Remarkable = require('remarkable');
+// If you're in the browser, the Remarkable class is already available in the window
+var md = new Remarkable();
+
+// Outputs: <h1>Remarkable rulezz!</h1>
+console.log(md.render('thesis/thesis-angeliki.md'));}
+document.getElementById("text").innerHTML = myFunction("thesis/thesis-angeliki.md");;
+</script>
+
 </html>
 

project/texts/proposal.md

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 ## what (strategy)
 
-I want to create space
-interrogate and explore methods of voice and presence in public
+I want to interrogate and explore methods of adress and vocal presence in public, through a feministic approach. Which means I collect material and return it back to the people involved (a feminist feedback composition). Relating in practices of listening and participating. So, first I want to explore speech acts- a performative action of making things and space for it through embodied participation and vocal expression, together with others by applying practices related to it in a safe space. And second listening to our surroundings, presences that occupy the public space, how they get expressed, what these sounds reveal.
+
+## How (example)
+I want to create a temporary (public) space of expression and active involvement.
+
+Everyone has a different interpretation when listening to surrounding sounds, because of the structures that define their identity. Patterns of sounds of the area that reveal these structures. And giving it back to them to describe and listen carefully to their everyday environment. Not just extracting, as an artist, fragments of their world. 
+
 first reflected in the landscape/soundscape of the area (private/public) and second tools for the inhabitants to get comfortable with it/discuss about it through meetings. 
 and then invite for going outside
-So, explore speech acts- a performative action of making things and space for it through embodied participation and vocal expression, by applying practices related to it in a safe space. Create a temporary public space of expression. And second listening to our surroundings, presences that occupy the public space, how they get expressed, what these sounds reveal. Everyone has a differnt interpretation when listening to these sounds, because of the structures that define this identity. Patterns of sounds of the area that reveal these structures. And giving it back to them to describe and listen carefully to their everyday environment. Not just extracting as an artist fragments of their world.   
-
-a feminist feedback composition 
 
 ## why (intention)
 silencing of women/ establishment of spaces and roles because of the relation between space and identity/ gender construction. Gender separation in public space