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<div class="card"><DOCUMENT_FRAGMENT><div class="mw-parser-output"><h1><span class="mw-headline" id="producing_texts">producing texts</span><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/mw-mediadesign/index.php?title=User:Simon/Producing_texts&amp;action=edit&amp;section=1" title="Edit section: producing texts">edit</a><span class="mw-editsection-bracket">]</span></span></h1>
<p>see also <a href="Annotating.html" title="User:Simon/Annotating">annotating</a>, <a href="Glossing.html" title="User:Simon/Glossing">glossing</a>, <a href="Understanding_texts.html" title="User:Simon/Understanding texts">understanding texts</a>
</p><p>Historically, the word “text” comes from the Proto-Indo-European word <i>teks-</i>, meaning “to weave, to fabricate, to make; make wicker or wattle framework”. The written word is a text, and so is a conversation, both represent the exchange of shared concepts woven into the fabric of communication. There is also an exchange between written and spoken texts; discussions which influence writing, and writing which sparks conversations.
</p><p>The digital library creates texts through its catalogue, where the metadata for each entry comprises a paratext<sup class="reference" id="cite_ref-1"><a href="#cite_note-1">[1]</a></sup> that not only adds meaning to the core text, but also influences how a reader will discover it in the collection by fields such as <i>tags</i> and <i>description</i>. Metadata which is downloaded and entered automatically comes from online commercial sources has a particular promotional tone. Those who write metadata should do so subjectively; descriptions based on personal significance represent the text and the readers, equivalently.
</p><p>The library is sustained through producing texts.
</p><p>Image: Papyrus, an early writing surface made from woven reeds
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<div class="mw-references-wrap"><ol class="references">
<li id="cite_note-1"><span class="mw-cite-backlink"><a href="#cite_ref-1"></a></span> <span class="reference-text">Genette, G. (1997) <i>Paratexts: thresholds of interpretation</i>. Literature, culture, theory 20. Cambridge; New York, NY, USA: Cambridge University Press.</span>
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