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<i style="position: absolute;
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bottom: 1rem;
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right: 1rem;">Giulia Rossena</i>
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<p><span class="contact">lorenzopuntoponte [at] gmail.com </span></p>
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<p>I was born in Rome, raised between Palermo and Milan.</p>
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<p>I graduated in <strong>Classics literature</strong> at the Catholic University of Milan thinking that I would be a literature professor. Then I started a course of theater and I decided to look for a different relationship with words. Therefore I went to study Theater Direction at the <strong>Paolo Grassi Civic School</strong> in Milan. Among the most precious meetings for my artistic and professional growth I count Mariano Furlani, Maurizio Schmidt, Carmelo Rifici, Marco Maccieri, Renata Molinari, Davide Carnevali, Giuliana Musso, and Claudio Autelli. From each of them I have stolen and I continue to steal. After my studies I started working as an assistant director at the Teatro alla Scala in Milan and at the Teatro Franco Parenti with Andrée Ruth Shammah. These were the years of my apprenticeship, in which I began to understand how a theater stage is made and who its inhabitants are. </p>
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<p>I’ve directed prose theater and opera shows.
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Sometimes I feel the need to write the stories I tell myself, sometimes I work with the words of Others.</p>
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<p>In 2018, together with Maddalena Massafra, Clio Sciro Saccà, Marco Sinopoli, we won the Macerata Opera Festival 4.0 competition for the writing and composition of a contemporary opera. In 2022, I received the 3rd prize of the EOP – European Opera Prize for Directors, together with Alice Benazzi and Giulia Rossena. In 2023, we won the 13th edition of the <strong>EOP – European Opera Award for Directors</strong>. </p>
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<p><em>From that shame, impotence and pain, something was born that I believe was the desire to become a poet, that is, to be able to express what it means to feel regret for someone, to have been loved, to be alone.</em> <br>Stig Dagerman</p>
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</a>
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<p><a href="https://www.alicebenazzi.com">Alice Benazzi</a></p>
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<p><a href="https://www.rosabelhuguet.com">Rosabel Huguet Dueñas</a></p>
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<p><a href="https://www.instagram.com/praxis.ass.cult/">Praxis</a></p>
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<p><a href="https://www.larailariabraconi.com">Lara Ilaria Braconi</a></p>
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<p><a href="https://arbaro.it">Arbaro</a></p>
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<p><a href="https://gliasinirivista.org">Gli Asini</a></p>
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<a href='../../idomeneo/en' >Idomeneo, re di Creta</a><br>
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<a href='../../quando_non_saremo_grandi/en' class="selected" >Once we won't be great</a><br>
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<a href='../../buoni_a_nulla/en' >Good for Nothing</a><br>
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<a href='../../tu_sei_agatha/en' >You Are Agatha</a><br>
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<a href='../../confabulazioni/en' >Confabulazioni</a><br>
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<div class="index desktop">
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<a href='../../idomeneo/en' >Idomeneo, re di Creta</a>
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<a href='../../quando_non_saremo_grandi/en' class="selected" >Once we won't be great</a>
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<a href='../../buoni_a_nulla/en' >Good for Nothing</a>
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<a href='../../tu_sei_agatha/en' >You Are Agatha</a>
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<a href='../../confabulazioni/en' >Confabulazioni</a>
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</div>
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<div class="content scrollbar">
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<h1>Once we won't be great</h1>
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<iframe src='https://www.youtube-nocookie.com/embed/BvKjANlXRMc?si=5bgDtodbD7bAmQWg' title='YouTube video player' frameborder='0' allow='accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share' referrerpolicy='strict-origin-when-cross-origin' allowfullscreen></iframe>
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<div class="text_content">
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<ul>
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<li>directed by Lorenzo Ponte</li>
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<li>subject Giulia Lombezzi and Lorenzo Ponte</li>
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<li>dramaturgy Giulia Lombezzi</li>
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<li>with llaria Marchianò, Elia Galeotti</li>
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<li>scenes and costumes Chiara Previato</li>
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<li>Voice of the Greats Alberto Mancioppi</li>
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<li>production Teatro Franco Parenti in collaboration with the Pier Lombardo Association</li>
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<li>Photo by Andea Salafia</li>
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</ul>
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<p>Milan. Year 2123. Uma and Mo, teenagers, live in the nomadic community of
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the Great Ones. Mo is the eldest, but it is Uma who takes care of him, who
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takes on all the responsibilities for both of them. Mo is sick and has a secret.</p>
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<p>They live in a drought-stricken Milan, devoid of social order, where electricity
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resources are limited and everything, due to the climate crisis, has stopped.
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They have to work under endless rules and merciless scores. The desired
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prize is a transfer to Planet B, where well-being reigns, where water is not
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rationed and you can turn on the light whenever you want. While Uma strives
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for the transition to planet B, Mo raves about the Outside, the forbidden
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territory beyond the Districts, where nature survives despite climate change.
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Is it possible that Planet B is the only hope? What if outside there was a
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possibility of recovering our relationship with nature, with our humanity?</p>
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<p>May / November 2023</p>
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