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<i style="position: absolute;
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bottom: 1rem;
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right: 1rem;">Giulia Rossena</i>
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</div>
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<div>
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<p><span class="contact">lorenzopuntoponte [at] gmail.com </span></p>
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<p>I was born in Rome, raised between Palermo and Milan.</p>
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<p>I graduated in <strong>Classics literature</strong> at the Catholic University of Milan thinking that I would be a literature professor. Then I started a course of theater and I decided to look for a different relationship with words. Therefore I went to study Theater Direction at the <strong>Paolo Grassi Civic School</strong> in Milan. Among the most precious meetings for my artistic and professional growth I count Mariano Furlani, Maurizio Schmidt, Carmelo Rifici, Marco Maccieri, Renata Molinari, Davide Carnevali, Giuliana Musso, and Claudio Autelli. From each of them I have stolen and I continue to steal. After my studies I started working as an assistant director at the Teatro alla Scala in Milan and at the Teatro Franco Parenti with Andrée Ruth Shammah. These were the years of my apprenticeship, in which I began to understand how a theater stage is made and who its inhabitants are. </p>
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<p>I’ve directed prose theater and opera shows.
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Sometimes I feel the need to write the stories I tell myself, sometimes I work with the words of Others.</p>
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<p>In 2018, together with Maddalena Massafra, Clio Sciro Saccà, Marco Sinopoli, we won the Macerata Opera Festival 4.0 competition for the writing and composition of a contemporary opera. In 2022, I received the 3rd prize of the EOP – European Opera Prize for Directors, together with Alice Benazzi and Giulia Rossena. In 2023, we won the 13th edition of the <strong>EOP – European Opera Award for Directors</strong>. </p>
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<p><em>From that shame, impotence and pain, something was born that I believe was the desire to become a poet, that is, to be able to express what it means to feel regret for someone, to have been loved, to be alone.</em> <br>Stig Dagerman</p>
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</a>
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<p><a href="https://www.alicebenazzi.com">Alice Benazzi</a></p>
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<p><a href="https://www.instagram.com/giuliarossena/?hl=it">Giulia Rossena</a></p>
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<p><a href="https://www.k5600design.com">Emanuele Agliati</a></p>
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<p><a href="https://www.rosabelhuguet.com">Rosabel Huguet Dueñas</a></p>
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<p><a href="https://www.instagram.com/praxis.ass.cult/">Praxis</a></p>
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<p><a href="https://www.larailariabraconi.com">Lara Ilaria Braconi</a></p>
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<p><a href="https://arbaro.it">Arbaro</a></p>
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<p><a href="https://gliasinirivista.org">Gli Asini</a></p>
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<a href="../../../" id="name">Lorenzo Ponte</a>
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<a href="../../../en/#work" onclick="toggleMenu(false)">Works</a>
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<a href='../../idomeneo/en' >Idomeneo, re di Creta</a><br>
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<a href='../../quando_non_saremo_grandi/en' >Once we won't be great</a><br>
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<a href='../../buoni_a_nulla/en' >Good for Nothing</a><br>
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<a href='../../tu_sei_agatha/en' class="selected" >You Are Agatha</a><br>
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<a href='../../confabulazioni/en' >Confabulazioni</a><br>
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<a href="../../../en/#work">Works</a>
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<div class="index desktop">
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<a href='../../idomeneo/en' >Idomeneo, re di Creta</a>
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<a href='../../quando_non_saremo_grandi/en' >Once we won't be great</a>
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<a href='../../buoni_a_nulla/en' >Good for Nothing</a>
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<a href='../../tu_sei_agatha/en' class="selected" >You Are Agatha</a>
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<a href='../../confabulazioni/en' >Confabulazioni</a>
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</div>
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<div class="content scrollbar">
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<h1>You Are Agatha</h1>
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<iframe src='https://player.vimeo.com/video/219024393?h=83c62b88eb&title=0&byline=0&portrait=0' frameborder='0' allow='autoplay; fullscreen; picture-in-picture' allowfullscreen></iframe><script src='https://player.vimeo.com/api/player.js'></script>
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<div class="text_content">
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<ul>
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<li>from Agatha by Marguerite Duras</li>
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<li>dramaturgy and direction Lorenzo Ponte</li>
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<li>with Christian La Rosa and Valentina Picello</li>
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<li>set design Davide Signorini</li>
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<li>music Sebastiano Bronzato</li>
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<li>light design Giuliano Almerighi</li>
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<li>Pictures by Luca Del Pia</li>
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<li>Production Teatro Franco parenti</li>
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</ul>
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<p>Thanks to Sabrina Sinatti, project tutor - Civica Scuola di Teatro Paolo Grassi - Lab121 - VIE dei Festival, Rome - Stanze, Milan</p>
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<p>There are bonds that nothing can undermine. You are Agatha gives poetic form to an
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unrepresentable mystery: the desperate and impossible love between a brother and a
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sister. Hidden in this fictional story there is of course the burning autobiography of
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Marguerite Duras and the memory of her love for her brother Paulo who died when he was
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an adolescent.</p>
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<p>In her childhood villa, now abandoned, Agatha meets her brother. She has decided to
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leave and interrupt the incestuous relationship that unites them; she has met a man and
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will go to live with him. However the impending separation brings back memories, which
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are not fading away. Their incestuous and indissoluble relationship is an inverted mirror
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that reflects our difficulty in meeting and accepting the freedom of the Other and the pain
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of failure.</p>
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<p>The stage is empty in order to host a ritual between two bodies that have always looked
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for each other without being able to touch. Theater becomes the ideal place to investigate
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the heart of the relationship and release that ferocious desire that has long been
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frustrated.</p>
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<p><em>Tu sei Agatha</em> is the story of a love and the attempt to survive its strength.</p>
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<p>October 2018</p>
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<span>Software Artisan:
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<a target="_blank" href="http://federicoponi.it">Federico Poni</a>
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