@ -48,8 +48,6 @@ The third iteration of OOC could be two-parts workshop: in the first moment part
2. a different 3d environment for each iteration of the workshop i.e digital gallery ?
2. a different 3d environment for each iteration of the workshop i.e digital gallery ?
3. the 3D editor
3. the 3D editor
---
## first part - design the VR environment
## first part - design the VR environment
@ -100,7 +98,6 @@ The third iteration of OOC could be two-parts workshop: in the first moment part
* terraforming - sebastian lague [https://www.youtube.com/watch?v=vTMEdHcKgM4](https://www.youtube.com/watch?v=vTMEdHcKgM4), for volumes modelling
* terraforming - sebastian lague [https://www.youtube.com/watch?v=vTMEdHcKgM4](https://www.youtube.com/watch?v=vTMEdHcKgM4), for volumes modelling
* my inner wolf - studio moniker [https://studiomoniker.com/projects/myinnerwolf](https://studiomoniker.com/projects/myinnerwolf), for the multiplayer work with images and textures
* my inner wolf - studio moniker [https://studiomoniker.com/projects/myinnerwolf](https://studiomoniker.com/projects/myinnerwolf), for the multiplayer work with images and textures
---
### what's the plan:
### what's the plan:
@ -274,7 +271,7 @@ Then a performative workshop with a choreographer / performer that guides and ex
The VR editor is used as an installation. Other than the normal functionalities to model the environment it contains a timeline with the structure of the workshop recorded as audio. The performer activate the installation following the script. The text is written with the choreographer / performer. it's a mix between the two moments of the workshop version descripted before. After the performance, participants (up to three at the same time) can follow the audio it and being guided in the creation of the environment.
The VR editor is used as an installation. Other than the normal functionalities to model the environment it contains a timeline with the structure of the workshop recorded as audio. The performer activate the installation following the script. The text is written with the choreographer / performer. it's a mix between the two moments of the workshop version descripted before. After the performance, participants (up to three at the same time) can follow the audio it and being guided in the creation of the environment.
---
~
Both options can be activated multiple times, with different results. The resulting 3D environments can be archived on a dedicated space (like a showcase website) in order to document, (communicate, and $ell the project again for further iterations)
Both options can be activated multiple times, with different results. The resulting 3D environments can be archived on a dedicated space (like a showcase website) in order to document, (communicate, and $ell the project again for further iterations)
@ -573,7 +570,7 @@ So now a break and let's try to list what we need and the ideas that are around
Could be used for notification composition during the first interaction?
Could be used for notification composition during the first interaction?
After the invitation, a moment of composition.
After the invitation, a moment of composition.
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~
- *Tapping*, *and that floor moment with the body stretching *
- *Tapping*, *and that floor moment with the body stretching *
floor movements for a second part ? between interaction touch and xy
floor movements for a second part ? between interaction touch and xy
@ -584,7 +581,7 @@ So now a break and let's try to list what we need and the ideas that are around
- *Knot*, *Velocity*
- *Knot*, *Velocity*
The stationary movement could then start traversing more the space, integrating also the quality and intensity of efficiency and velocity.
The stationary movement could then start traversing more the space, integrating also the quality and intensity of efficiency and velocity.
---
~
- *Scrolling*
- *Scrolling*
could be used during the xy interaction, again as a form of invitation
could be used during the xy interaction, again as a form of invitation
