"title":" Permeable Glossary for a Living Publishing Practice "
}
],
[
{
"properties":[
{
"title":"action",
"symbol":"A",
"color":"var(--action-color)"
},
{
"title":"situation",
"symbol":"S",
"color":"var(--situation-color)"
},
{
"title":"logic",
"symbol":"C",
"color":"var(--logic-color)"
},
{
"title":"proposition",
"symbol":"T",
"color":"var(--proposition-color)"
},
{
"title":"hyperlink",
"symbol":"N",
"color":"var(--hyperlink-color)"
},
{
"title":"process",
"symbol":"P",
"color":"var(--process-color)"
},
{
"title":"language",
"symbol":"G",
"color":"var(--language-color)"
},
{
"title":"agent",
"symbol":"E",
"color":"var(--agent-color)"
},
{
"title":"tool",
"symbol":"T",
"color":"var(--tool-color)"
},
{
"title":"form",
"symbol":"Y",
"color":"var(--form-color)"
}
]
}
],
[
{
"words":[
{
"Word#":"1",
"title":"Reflection",
"properties":[
{
"title":"logic",
"symbol":"C",
"color":"var(--logic-color)"
},
{
"title":"situation",
"symbol":"S",
"color":"var(--situation-color)"
},
{
"title":"action",
"symbol":"A",
"color":"var(--action-color)"
}
],
"voices":[
{
"voice":"⤷ “Stop and look at your own process and understand it. Eventually, I suppose you do run into the infinite recursion problem, but I guess you get used to that.” (Mary Catherine Bateson)"
},
{
"voice":"⤷ Es como un círculo: un punto que en su recorrido vuelve a sí mismo"
},
{
"voice":"⤷ The projection of an image on the mirror"
},
{
"voice":"⤷ It is a useful way to think when finding common ground"
"voice":"⤷ An attribute, characteristic, or quality"
},
{
"voice":"⤷ From etymology the word comes from properte which means “nature, quality, distinctive character always present in an individual or class”"
}
]
},
{
"Word#":"4",
"title":"Atata",
"properties":[
{
"title":"proposition",
"symbol":"T",
"color":"var(--proposition-color)"
},
{
"title":"logic",
"symbol":"C",
"color":"var(--logic-color)"
},
{
"title":"hyperlink",
"symbol":"N",
"color":"var(--hyperlink-color)"
}
],
"voices":[
{
"voice":"⤷ It is a composition of two ideograms (fig.1)in the Mhuysqa dead language . ATATA can be defined as ‘ I give myself and you give yourself , ’ where giving is an act of receiving , because what you do for others is also affecting yourself . This exercise oofreciprocity is a very important vibration of life because nobody can live without others , this includes all living creatures with whom we share the Earth ."
},
{
"voice":"⤷ Reciprocity awarness. ",
"link":[
"https://issue.xpub.nl/13/ATATA/"
]
},
{
"voice":"⤷ to be reciprocal"
}
]
},
{
"Word#":"5",
"title":"Paratext",
"properties":[
{
"title":"form",
"symbol":"Y",
"color":"var(--form-color)"
}
],
"voices":[
{
"voice":"⤷ thresholds to the text"
},
{
"voice":"⤷ thresholds to a publication"
},
{
"voice":"⤷ Interesting to be aware of the spaces that open, close, introduce and mediate the publication."
"voice":"⤷ Acción de convivir (vivir en compañía de otrxs). Sobre la coexistencia pacífica y armoniosa de grupos humanos en un mismo espacio; la calle, la plaza, el almacén, la rambla. Por más espacios de intercambio humano y cultural, y una convivencia diversa y enriquecedora para todxs. ︎",
"link":[
"https://microutopias.press/alfabetocomunitario"
]
},
{
"voice":"⤷ What is beyond the human conviviality? Is there conviviality with the non-human?"
}
]
},
{
"Word#":"7",
"title":"Habitar",
"properties":[
{
"title":"action",
"symbol":"A",
"color":"var(--action-color)"
}
],
"voices":[
{
"voice":"⤷ Habitar un lugar es dejar huella"
},
{
"voice":"⤷ Habitar un lugar es reconocerlo"
},
{
"voice":"⤷ Habitar un lugar es recorrerlo"
},
{
"voice":"⤷ Habitar un lugar es convivirlo"
},
{
"voice":"⤷ Habitar un lugar es compartirlo"
},
{
"voice":"⤷ Habitar un lugar es defenderlo"
},
{
"voice":"⤷ ︎",
"link":[
"https://microutopias.press/alfabetocomunitario"
]
}
]
},
{
"Word#":"8",
"title":"Resistencias",
"properties":[
{
"title":"action",
"symbol":"A",
"color":"var(--action-color)"
},
{
"title":"proposition",
"symbol":"T",
"color":"var(--proposition-color)"
},
{
"title":"hyperlink",
"symbol":"N",
"color":"var(--hyperlink-color)"
}
],
"voices":[
{
"voice":"⤷ Acción o capacidad de resistir/resistirse. La acción colectiva como resistencia social a los contextos de desigualdad, precariedad y urgencias. Por reinvindicaciones, disputa de espacios y contranarrativas al discurso hegemónico capitalista.︎",
"voice":"⤷ Por una zonificación no capitalista del espacio. Contra la funcionalidad y especulación bajo lógicas de mercado. Por zonas para perder el tiempo, para la improductividad, para la imaginación, para el afecto, para el diálogo y la vida lenta.︎",
"voice":"⤷ Tener la urgencia como guía para la acción implica una búsqueda constante para posibilitar la publicación de contenidos relevantes de forma accesible y democrática. (…) Es importante decir que cuando hablamos de relevancia, no necesariamente estamos hablando de panfletos y obras explícitamente políticas. En una sociedad adversa a las diferencias y violentamente estandarizada, las obras que dan visibilidad a subjetividades no hegemónicas son potencialmente transformadoras, además de jugar un papel importante en el registro de diferentes formas de existencia, algo profundamente político en sí mismo. ",
"voice":"⤷ to challenge the dominant narratives about growth and progress, and re-envision social metabolism through an understanding of the energy it requires, reconnecting human survival with the living, material qualities of the biosphere, drawing on ecofeminism, indigenous knowledge, environmental accounting and historical materialism. ",
"link":[
"http://postgrowth.art/"
]
},
{
"voice":"⤷ To leave behind an activity of accumulation, to find yourselve in a different work rhythm"
"voice":"⤷ what if instead of reflecting about the why, we focus about the how? ",
"link":[
"https://tdingsun.github.io/reading-machines/"
]
},
{
"voice":"⤷ What is teleological? ",
"link":[
"https://en.wikipedia.org/wiki/Teleology"
]
},
{
"voice":"⤷ Have you question how would it be the reading process of your publication?"
},
{
"voice":"⤷ ¿Por qué publicamos lo que publicamos, en la forma en que lo publicamos? Habrá momentos en que no será necesario preguntar por qué, sino cómo."
"voice":"⤷ The visible act of “commoning-in-the-crisis.” An outcome of solidarity and coming together in urgent times using modest tools and materials. It’s the manifestation that we can work from shared, common positions, in common, and on common ground. Examples: collaborative spreadsheets, online petitions, protests, surveys,letter-writing, essay writing, note-taking, shared open access writing spaces, streaming workshops, performances, talks, teach-ins, raw and unedited poetry, and quickly made zines. ",
"voice":"⤷ Is a set of principles that works to resist oppression-based design ideologies, especially in art and design education. URGENTCRAFT isn’t a manifesto, but rather a constellation of tactics — a series of incomplete observations. A note to self. A reminder that we can use art and design to loosen hegemonic power."
"voice":"⤷ Complexity does not mean complicated. Complex systems can in fact be relatively simple."
},
{
"voice":"⤷ La complejidad es múltiple, en el sentido que nunca se logra desenredar en sí, siempre resulta irresoluble. Viene de la mano mano con no entender lo que se quiere explicar. Alguna vez leí que la complejidad es aquello que no se puede resumir a una sola palabra. Este glossario, por ejemplo, intenta explicar con múltiples palabras aquello que parece complejo. Falla en el intento."
},
{
"voice":"⤷ Humans use metaphors often to deal with complexity."
"voice":"⤷ Term adapted from plant biology by Gilles Deleuze and Félix Guattari to conceptualize non-linear relations in both the realm of pure thought and the concrete and the everyday."
},
{
"voice":"⤷ Thinking multiplicity as a substantive"
"voice":"⤷ Acronym for Electronic Publication. An ebook format developed by the international Digital Publishing Forum (IDPF). EPUB is an open standard and the most commonly used and supported file format for electronic books. EPUB was designed to accommodate reflow-able content. ",
"voice":"⤷ the act of publishing through differents mediums and techniches in order to adapt and contextualize to a specific project or part of it. A hybrid publication can offer a varied spectrum of objects and processes that together construct the body of it."
"voice":"⤷ Risograph is a brand of digital duplicators that are designed mainly for high-volume photocopying and printing."
},
{
"voice":"⤷ The process creates micro-imperfections in printing, similar to spontaneity, or even comparable to how improvisation in jazz can lead to an unexpected but pleasant result. ",
"voice":"⤷ It is defined as the capacity of individuals to act independently and to make their own free choices. On publishing it suggests to take responsability of the public-action. Publication as an act. See with Urgent-craft."
"voice":"⤷ Resisting burnout and future trash puts artist and their work in a good position to solve problems. By sustaining a publishing practice over time and creating objects that persist with meaning as their inherent value, artist publishers can continue to create, contribute to, and maintain the radically open, imaginative, accessible and inclusive community that makes up artist publishing. (Alex Arzt, pag 20, What Problems Can Artist Publishers Solve?)"
"voice":"⤷ “A promiscuous publication is NOT like parallel, hybrid, or cross-media publishing. It is a multi-headed and polycentric form of making public. It enjoys its various forms, and embraces their idiosyncracies. As a multi-headed publication it is NOT obsessed with providing uniform outcomes across diverse media. Having many centers, it can produce new focal points and obfuscate its origins. It explores playfully a spectral diversity with sibling out-comes and bastard children that operate out of sync or tune.” (Christoph Haag, make make do in: The Techno-Galactic Guide to Software Observation, 2016) ",
"voice":"⤷ On publishing, festivals are events that congregates creators, editors, publishers and readers that are interested into share and encounter books, fanzines, panflets, objects and so on."
},
{
"voice":"⤷ Events created to enhance community building"
},
{
"voice":"⤷ Festival may expand the individual practice into multiple collective ones."
"voice":"⤷ Markdown’s syntax is intended for one purpose: to be used as a format for writing for the web."
},
{
"voice":"⤷ Markdown is not a replacement for HTML, or even close to it. Its syntax is very small, corresponding only to a very small subset of HTML tags. The idea is not to create a syntax that makes it easier to insert HTML tags. In my opinion, HTML tags are already easy to insert. The idea for Markdown is to make it easy to read, write, and edit prose. HTML is a publishing format; Markdown is a writing format. Thus, Markdown’s formatting syntax only addresses issues that can be conveyed in plain text. ",
"voice":"⤷ On publishing, to be aware of the resources used to create, maintain and circulate a publication"
},
{
"voice":"⤷ What type of printing process are you using? Do you know where the materias come from? What type of inks are you using? What’s the impact of your digital publication’s infrastructure?"
"voice":"⤷ At its simplest, a website is a folder of text files broadcast from a computer to the rest of the world. [] (https://solarpunk.cool/zines/web-zine-01/introduction.html)"
"voice":"⤷ Utilizar los recursos que sean necesarios con las circuntancias contextuales particulares actuales."
},
{
"voice":"⤷ To leave behind the digital hype?"
},
{
"voice":"⤷ The “post-digital mindset” allows a more inclusive research framework of the publishing field, in which e-books and book-apps aren’t the only object of study and where “old” and “new” media are not in a natural opposition. In the field of post-digital publishing, printed matter doesn’t belong to the past and digital tools are not inherently innovative. ",
"voice":"⤷ Regeneration has its origins in ecology: taking care of the soil and preventing it from depletion. Nowadays, the idea has broadened and refers to caring in a general sense: caring for the living world, the cultural heritage and our fellow human beings, both now and in the future. [] (https://common-in.nl/slider/#slide3)"
"voice":"⤷ The term autopoiesis (from Greek αὐτo- (auto-) ‘self’, and ποίησις (poiesis) ‘creation, production’) refers to a system capable of reproducing and maintaining itself by creating its own parts and eventually further components."
},
{
"voice":"⤷ De qué manera lo vivo se crea a sí mismo?"
"voice":"⤷ “screen based publishing is intimate in my opinion, as it reaches the space of personal screens often in intimate spaces, but it establishes a remote intimacy, as the publisher is not necessarily meant to be present on the other side and his or her body is certainly distant and invisible” (alessandro Ludovico)"
"voice":"⤷ lentitud / animalidad / el estigma vaca / la carne / el no saber cómo decir pero ir rumiando"
},
{
"voice":"⤷ Los rumiantes, como los bovinos, tienen un complejo sistema de digestión que les permite aprovechar eficientemente los nutrientes de los alimentos, inclusive los de baja calidad nutricional. La rumia debe hacerse en un lugar cómodo, plano, con sombra, para poder echarse. El rumiante procurará contar con las condiciones necesarias para poder rumiar cómodamente. Buscará entonces las condiciones de posibilidad, es decir lugar cómodo y seguro, entre afines que lo sostengan."
},
{
"voice":"⤷ El rumiante es irreverente e iconoclasta."
},
{
"voice":"⤷ No cree en ideas propias, se sabe no original. Sabe que siempre que habla, traduce"
},
{
"voice":"⤷ El rumiante apuesta por un ejercicio de invención política que es colectivo, siempre. Procura darse, para sí y su comunidad, herramientas, y entiende que estas herramientas no son algo a lo que se llega, sino que están en constante construcción."
},
{
"voice":"⤷ En su acción de rumiar, rinde tributo al proceso y no al producto acabado."
},
{
"voice":"⤷ El rumiante es precaria, y como precaria ha desafiado al futuro."
},
{
"voice":"⤷ El futuro no es nuestro. No hay futuro. No hay tiempo. El rumiante es lento. (Lucresia Masson, Epistemología rumiante)"
