new website
commit
5c0126477c
@ -0,0 +1,24 @@
|
||||
.DS_Store
|
||||
node_modules
|
||||
/dist
|
||||
|
||||
# local env files
|
||||
.env.local
|
||||
.env.*.local
|
||||
|
||||
# Log files
|
||||
npm-debug.log*
|
||||
yarn-debug.log*
|
||||
yarn-error.log*
|
||||
|
||||
# Editor directories and files
|
||||
.idea
|
||||
.vscode
|
||||
*.suo
|
||||
*.ntvs*
|
||||
*.njsproj
|
||||
*.sln
|
||||
*.sw?
|
||||
|
||||
#static files
|
||||
media/*
|
||||
@ -0,0 +1,674 @@
|
||||
GNU GENERAL PUBLIC LICENSE
|
||||
Version 3, 29 June 2007
|
||||
|
||||
Copyright (C) 2007 Free Software Foundation, Inc. <https://fsf.org/>
|
||||
Everyone is permitted to copy and distribute verbatim copies
|
||||
of this license document, but changing it is not allowed.
|
||||
|
||||
Preamble
|
||||
|
||||
The GNU General Public License is a free, copyleft license for
|
||||
software and other kinds of works.
|
||||
|
||||
The licenses for most software and other practical works are designed
|
||||
to take away your freedom to share and change the works. By contrast,
|
||||
the GNU General Public License is intended to guarantee your freedom to
|
||||
share and change all versions of a program--to make sure it remains free
|
||||
software for all its users. We, the Free Software Foundation, use the
|
||||
GNU General Public License for most of our software; it applies also to
|
||||
any other work released this way by its authors. You can apply it to
|
||||
your programs, too.
|
||||
|
||||
When we speak of free software, we are referring to freedom, not
|
||||
price. Our General Public Licenses are designed to make sure that you
|
||||
have the freedom to distribute copies of free software (and charge for
|
||||
them if you wish), that you receive source code or can get it if you
|
||||
want it, that you can change the software or use pieces of it in new
|
||||
free programs, and that you know you can do these things.
|
||||
|
||||
To protect your rights, we need to prevent others from denying you
|
||||
these rights or asking you to surrender the rights. Therefore, you have
|
||||
certain responsibilities if you distribute copies of the software, or if
|
||||
you modify it: responsibilities to respect the freedom of others.
|
||||
|
||||
For example, if you distribute copies of such a program, whether
|
||||
gratis or for a fee, you must pass on to the recipients the same
|
||||
freedoms that you received. You must make sure that they, too, receive
|
||||
or can get the source code. And you must show them these terms so they
|
||||
know their rights.
|
||||
|
||||
Developers that use the GNU GPL protect your rights with two steps:
|
||||
(1) assert copyright on the software, and (2) offer you this License
|
||||
giving you legal permission to copy, distribute and/or modify it.
|
||||
|
||||
For the developers' and authors' protection, the GPL clearly explains
|
||||
that there is no warranty for this free software. For both users' and
|
||||
authors' sake, the GPL requires that modified versions be marked as
|
||||
changed, so that their problems will not be attributed erroneously to
|
||||
authors of previous versions.
|
||||
|
||||
Some devices are designed to deny users access to install or run
|
||||
modified versions of the software inside them, although the manufacturer
|
||||
can do so. This is fundamentally incompatible with the aim of
|
||||
protecting users' freedom to change the software. The systematic
|
||||
pattern of such abuse occurs in the area of products for individuals to
|
||||
use, which is precisely where it is most unacceptable. Therefore, we
|
||||
have designed this version of the GPL to prohibit the practice for those
|
||||
products. If such problems arise substantially in other domains, we
|
||||
stand ready to extend this provision to those domains in future versions
|
||||
of the GPL, as needed to protect the freedom of users.
|
||||
|
||||
Finally, every program is threatened constantly by software patents.
|
||||
States should not allow patents to restrict development and use of
|
||||
software on general-purpose computers, but in those that do, we wish to
|
||||
avoid the special danger that patents applied to a free program could
|
||||
make it effectively proprietary. To prevent this, the GPL assures that
|
||||
patents cannot be used to render the program non-free.
|
||||
|
||||
The precise terms and conditions for copying, distribution and
|
||||
modification follow.
|
||||
|
||||
TERMS AND CONDITIONS
|
||||
|
||||
0. Definitions.
|
||||
|
||||
"This License" refers to version 3 of the GNU General Public License.
|
||||
|
||||
"Copyright" also means copyright-like laws that apply to other kinds of
|
||||
works, such as semiconductor masks.
|
||||
|
||||
"The Program" refers to any copyrightable work licensed under this
|
||||
License. Each licensee is addressed as "you". "Licensees" and
|
||||
"recipients" may be individuals or organizations.
|
||||
|
||||
To "modify" a work means to copy from or adapt all or part of the work
|
||||
in a fashion requiring copyright permission, other than the making of an
|
||||
exact copy. The resulting work is called a "modified version" of the
|
||||
earlier work or a work "based on" the earlier work.
|
||||
|
||||
A "covered work" means either the unmodified Program or a work based
|
||||
on the Program.
|
||||
|
||||
To "propagate" a work means to do anything with it that, without
|
||||
permission, would make you directly or secondarily liable for
|
||||
infringement under applicable copyright law, except executing it on a
|
||||
computer or modifying a private copy. Propagation includes copying,
|
||||
distribution (with or without modification), making available to the
|
||||
public, and in some countries other activities as well.
|
||||
|
||||
To "convey" a work means any kind of propagation that enables other
|
||||
parties to make or receive copies. Mere interaction with a user through
|
||||
a computer network, with no transfer of a copy, is not conveying.
|
||||
|
||||
An interactive user interface displays "Appropriate Legal Notices"
|
||||
to the extent that it includes a convenient and prominently visible
|
||||
feature that (1) displays an appropriate copyright notice, and (2)
|
||||
tells the user that there is no warranty for the work (except to the
|
||||
extent that warranties are provided), that licensees may convey the
|
||||
work under this License, and how to view a copy of this License. If
|
||||
the interface presents a list of user commands or options, such as a
|
||||
menu, a prominent item in the list meets this criterion.
|
||||
|
||||
1. Source Code.
|
||||
|
||||
The "source code" for a work means the preferred form of the work
|
||||
for making modifications to it. "Object code" means any non-source
|
||||
form of a work.
|
||||
|
||||
A "Standard Interface" means an interface that either is an official
|
||||
standard defined by a recognized standards body, or, in the case of
|
||||
interfaces specified for a particular programming language, one that
|
||||
is widely used among developers working in that language.
|
||||
|
||||
The "System Libraries" of an executable work include anything, other
|
||||
than the work as a whole, that (a) is included in the normal form of
|
||||
packaging a Major Component, but which is not part of that Major
|
||||
Component, and (b) serves only to enable use of the work with that
|
||||
Major Component, or to implement a Standard Interface for which an
|
||||
implementation is available to the public in source code form. A
|
||||
"Major Component", in this context, means a major essential component
|
||||
(kernel, window system, and so on) of the specific operating system
|
||||
(if any) on which the executable work runs, or a compiler used to
|
||||
produce the work, or an object code interpreter used to run it.
|
||||
|
||||
The "Corresponding Source" for a work in object code form means all
|
||||
the source code needed to generate, install, and (for an executable
|
||||
work) run the object code and to modify the work, including scripts to
|
||||
control those activities. However, it does not include the work's
|
||||
System Libraries, or general-purpose tools or generally available free
|
||||
programs which are used unmodified in performing those activities but
|
||||
which are not part of the work. For example, Corresponding Source
|
||||
includes interface definition files associated with source files for
|
||||
the work, and the source code for shared libraries and dynamically
|
||||
linked subprograms that the work is specifically designed to require,
|
||||
such as by intimate data communication or control flow between those
|
||||
subprograms and other parts of the work.
|
||||
|
||||
The Corresponding Source need not include anything that users
|
||||
can regenerate automatically from other parts of the Corresponding
|
||||
Source.
|
||||
|
||||
The Corresponding Source for a work in source code form is that
|
||||
same work.
|
||||
|
||||
2. Basic Permissions.
|
||||
|
||||
All rights granted under this License are granted for the term of
|
||||
copyright on the Program, and are irrevocable provided the stated
|
||||
conditions are met. This License explicitly affirms your unlimited
|
||||
permission to run the unmodified Program. The output from running a
|
||||
covered work is covered by this License only if the output, given its
|
||||
content, constitutes a covered work. This License acknowledges your
|
||||
rights of fair use or other equivalent, as provided by copyright law.
|
||||
|
||||
You may make, run and propagate covered works that you do not
|
||||
convey, without conditions so long as your license otherwise remains
|
||||
in force. You may convey covered works to others for the sole purpose
|
||||
of having them make modifications exclusively for you, or provide you
|
||||
with facilities for running those works, provided that you comply with
|
||||
the terms of this License in conveying all material for which you do
|
||||
not control copyright. Those thus making or running the covered works
|
||||
for you must do so exclusively on your behalf, under your direction
|
||||
and control, on terms that prohibit them from making any copies of
|
||||
your copyrighted material outside their relationship with you.
|
||||
|
||||
Conveying under any other circumstances is permitted solely under
|
||||
the conditions stated below. Sublicensing is not allowed; section 10
|
||||
makes it unnecessary.
|
||||
|
||||
3. Protecting Users' Legal Rights From Anti-Circumvention Law.
|
||||
|
||||
No covered work shall be deemed part of an effective technological
|
||||
measure under any applicable law fulfilling obligations under article
|
||||
11 of the WIPO copyright treaty adopted on 20 December 1996, or
|
||||
similar laws prohibiting or restricting circumvention of such
|
||||
measures.
|
||||
|
||||
When you convey a covered work, you waive any legal power to forbid
|
||||
circumvention of technological measures to the extent such circumvention
|
||||
is effected by exercising rights under this License with respect to
|
||||
the covered work, and you disclaim any intention to limit operation or
|
||||
modification of the work as a means of enforcing, against the work's
|
||||
users, your or third parties' legal rights to forbid circumvention of
|
||||
technological measures.
|
||||
|
||||
4. Conveying Verbatim Copies.
|
||||
|
||||
You may convey verbatim copies of the Program's source code as you
|
||||
receive it, in any medium, provided that you conspicuously and
|
||||
appropriately publish on each copy an appropriate copyright notice;
|
||||
keep intact all notices stating that this License and any
|
||||
non-permissive terms added in accord with section 7 apply to the code;
|
||||
keep intact all notices of the absence of any warranty; and give all
|
||||
recipients a copy of this License along with the Program.
|
||||
|
||||
You may charge any price or no price for each copy that you convey,
|
||||
and you may offer support or warranty protection for a fee.
|
||||
|
||||
5. Conveying Modified Source Versions.
|
||||
|
||||
You may convey a work based on the Program, or the modifications to
|
||||
produce it from the Program, in the form of source code under the
|
||||
terms of section 4, provided that you also meet all of these conditions:
|
||||
|
||||
a) The work must carry prominent notices stating that you modified
|
||||
it, and giving a relevant date.
|
||||
|
||||
b) The work must carry prominent notices stating that it is
|
||||
released under this License and any conditions added under section
|
||||
7. This requirement modifies the requirement in section 4 to
|
||||
"keep intact all notices".
|
||||
|
||||
c) You must license the entire work, as a whole, under this
|
||||
License to anyone who comes into possession of a copy. This
|
||||
License will therefore apply, along with any applicable section 7
|
||||
additional terms, to the whole of the work, and all its parts,
|
||||
regardless of how they are packaged. This License gives no
|
||||
permission to license the work in any other way, but it does not
|
||||
invalidate such permission if you have separately received it.
|
||||
|
||||
d) If the work has interactive user interfaces, each must display
|
||||
Appropriate Legal Notices; however, if the Program has interactive
|
||||
interfaces that do not display Appropriate Legal Notices, your
|
||||
work need not make them do so.
|
||||
|
||||
A compilation of a covered work with other separate and independent
|
||||
works, which are not by their nature extensions of the covered work,
|
||||
and which are not combined with it such as to form a larger program,
|
||||
in or on a volume of a storage or distribution medium, is called an
|
||||
"aggregate" if the compilation and its resulting copyright are not
|
||||
used to limit the access or legal rights of the compilation's users
|
||||
beyond what the individual works permit. Inclusion of a covered work
|
||||
in an aggregate does not cause this License to apply to the other
|
||||
parts of the aggregate.
|
||||
|
||||
6. Conveying Non-Source Forms.
|
||||
|
||||
You may convey a covered work in object code form under the terms
|
||||
of sections 4 and 5, provided that you also convey the
|
||||
machine-readable Corresponding Source under the terms of this License,
|
||||
in one of these ways:
|
||||
|
||||
a) Convey the object code in, or embodied in, a physical product
|
||||
(including a physical distribution medium), accompanied by the
|
||||
Corresponding Source fixed on a durable physical medium
|
||||
customarily used for software interchange.
|
||||
|
||||
b) Convey the object code in, or embodied in, a physical product
|
||||
(including a physical distribution medium), accompanied by a
|
||||
written offer, valid for at least three years and valid for as
|
||||
long as you offer spare parts or customer support for that product
|
||||
model, to give anyone who possesses the object code either (1) a
|
||||
copy of the Corresponding Source for all the software in the
|
||||
product that is covered by this License, on a durable physical
|
||||
medium customarily used for software interchange, for a price no
|
||||
more than your reasonable cost of physically performing this
|
||||
conveying of source, or (2) access to copy the
|
||||
Corresponding Source from a network server at no charge.
|
||||
|
||||
c) Convey individual copies of the object code with a copy of the
|
||||
written offer to provide the Corresponding Source. This
|
||||
alternative is allowed only occasionally and noncommercially, and
|
||||
only if you received the object code with such an offer, in accord
|
||||
with subsection 6b.
|
||||
|
||||
d) Convey the object code by offering access from a designated
|
||||
place (gratis or for a charge), and offer equivalent access to the
|
||||
Corresponding Source in the same way through the same place at no
|
||||
further charge. You need not require recipients to copy the
|
||||
Corresponding Source along with the object code. If the place to
|
||||
copy the object code is a network server, the Corresponding Source
|
||||
may be on a different server (operated by you or a third party)
|
||||
that supports equivalent copying facilities, provided you maintain
|
||||
clear directions next to the object code saying where to find the
|
||||
Corresponding Source. Regardless of what server hosts the
|
||||
Corresponding Source, you remain obligated to ensure that it is
|
||||
available for as long as needed to satisfy these requirements.
|
||||
|
||||
e) Convey the object code using peer-to-peer transmission, provided
|
||||
you inform other peers where the object code and Corresponding
|
||||
Source of the work are being offered to the general public at no
|
||||
charge under subsection 6d.
|
||||
|
||||
A separable portion of the object code, whose source code is excluded
|
||||
from the Corresponding Source as a System Library, need not be
|
||||
included in conveying the object code work.
|
||||
|
||||
A "User Product" is either (1) a "consumer product", which means any
|
||||
tangible personal property which is normally used for personal, family,
|
||||
or household purposes, or (2) anything designed or sold for incorporation
|
||||
into a dwelling. In determining whether a product is a consumer product,
|
||||
doubtful cases shall be resolved in favor of coverage. For a particular
|
||||
product received by a particular user, "normally used" refers to a
|
||||
typical or common use of that class of product, regardless of the status
|
||||
of the particular user or of the way in which the particular user
|
||||
actually uses, or expects or is expected to use, the product. A product
|
||||
is a consumer product regardless of whether the product has substantial
|
||||
commercial, industrial or non-consumer uses, unless such uses represent
|
||||
the only significant mode of use of the product.
|
||||
|
||||
"Installation Information" for a User Product means any methods,
|
||||
procedures, authorization keys, or other information required to install
|
||||
and execute modified versions of a covered work in that User Product from
|
||||
a modified version of its Corresponding Source. The information must
|
||||
suffice to ensure that the continued functioning of the modified object
|
||||
code is in no case prevented or interfered with solely because
|
||||
modification has been made.
|
||||
|
||||
If you convey an object code work under this section in, or with, or
|
||||
specifically for use in, a User Product, and the conveying occurs as
|
||||
part of a transaction in which the right of possession and use of the
|
||||
User Product is transferred to the recipient in perpetuity or for a
|
||||
fixed term (regardless of how the transaction is characterized), the
|
||||
Corresponding Source conveyed under this section must be accompanied
|
||||
by the Installation Information. But this requirement does not apply
|
||||
if neither you nor any third party retains the ability to install
|
||||
modified object code on the User Product (for example, the work has
|
||||
been installed in ROM).
|
||||
|
||||
The requirement to provide Installation Information does not include a
|
||||
requirement to continue to provide support service, warranty, or updates
|
||||
for a work that has been modified or installed by the recipient, or for
|
||||
the User Product in which it has been modified or installed. Access to a
|
||||
network may be denied when the modification itself materially and
|
||||
adversely affects the operation of the network or violates the rules and
|
||||
protocols for communication across the network.
|
||||
|
||||
Corresponding Source conveyed, and Installation Information provided,
|
||||
in accord with this section must be in a format that is publicly
|
||||
documented (and with an implementation available to the public in
|
||||
source code form), and must require no special password or key for
|
||||
unpacking, reading or copying.
|
||||
|
||||
7. Additional Terms.
|
||||
|
||||
"Additional permissions" are terms that supplement the terms of this
|
||||
License by making exceptions from one or more of its conditions.
|
||||
Additional permissions that are applicable to the entire Program shall
|
||||
be treated as though they were included in this License, to the extent
|
||||
that they are valid under applicable law. If additional permissions
|
||||
apply only to part of the Program, that part may be used separately
|
||||
under those permissions, but the entire Program remains governed by
|
||||
this License without regard to the additional permissions.
|
||||
|
||||
When you convey a copy of a covered work, you may at your option
|
||||
remove any additional permissions from that copy, or from any part of
|
||||
it. (Additional permissions may be written to require their own
|
||||
removal in certain cases when you modify the work.) You may place
|
||||
additional permissions on material, added by you to a covered work,
|
||||
for which you have or can give appropriate copyright permission.
|
||||
|
||||
Notwithstanding any other provision of this License, for material you
|
||||
add to a covered work, you may (if authorized by the copyright holders of
|
||||
that material) supplement the terms of this License with terms:
|
||||
|
||||
a) Disclaiming warranty or limiting liability differently from the
|
||||
terms of sections 15 and 16 of this License; or
|
||||
|
||||
b) Requiring preservation of specified reasonable legal notices or
|
||||
author attributions in that material or in the Appropriate Legal
|
||||
Notices displayed by works containing it; or
|
||||
|
||||
c) Prohibiting misrepresentation of the origin of that material, or
|
||||
requiring that modified versions of such material be marked in
|
||||
reasonable ways as different from the original version; or
|
||||
|
||||
d) Limiting the use for publicity purposes of names of licensors or
|
||||
authors of the material; or
|
||||
|
||||
e) Declining to grant rights under trademark law for use of some
|
||||
trade names, trademarks, or service marks; or
|
||||
|
||||
f) Requiring indemnification of licensors and authors of that
|
||||
material by anyone who conveys the material (or modified versions of
|
||||
it) with contractual assumptions of liability to the recipient, for
|
||||
any liability that these contractual assumptions directly impose on
|
||||
those licensors and authors.
|
||||
|
||||
All other non-permissive additional terms are considered "further
|
||||
restrictions" within the meaning of section 10. If the Program as you
|
||||
received it, or any part of it, contains a notice stating that it is
|
||||
governed by this License along with a term that is a further
|
||||
restriction, you may remove that term. If a license document contains
|
||||
a further restriction but permits relicensing or conveying under this
|
||||
License, you may add to a covered work material governed by the terms
|
||||
of that license document, provided that the further restriction does
|
||||
not survive such relicensing or conveying.
|
||||
|
||||
If you add terms to a covered work in accord with this section, you
|
||||
must place, in the relevant source files, a statement of the
|
||||
additional terms that apply to those files, or a notice indicating
|
||||
where to find the applicable terms.
|
||||
|
||||
Additional terms, permissive or non-permissive, may be stated in the
|
||||
form of a separately written license, or stated as exceptions;
|
||||
the above requirements apply either way.
|
||||
|
||||
8. Termination.
|
||||
|
||||
You may not propagate or modify a covered work except as expressly
|
||||
provided under this License. Any attempt otherwise to propagate or
|
||||
modify it is void, and will automatically terminate your rights under
|
||||
this License (including any patent licenses granted under the third
|
||||
paragraph of section 11).
|
||||
|
||||
However, if you cease all violation of this License, then your
|
||||
license from a particular copyright holder is reinstated (a)
|
||||
provisionally, unless and until the copyright holder explicitly and
|
||||
finally terminates your license, and (b) permanently, if the copyright
|
||||
holder fails to notify you of the violation by some reasonable means
|
||||
prior to 60 days after the cessation.
|
||||
|
||||
Moreover, your license from a particular copyright holder is
|
||||
reinstated permanently if the copyright holder notifies you of the
|
||||
violation by some reasonable means, this is the first time you have
|
||||
received notice of violation of this License (for any work) from that
|
||||
copyright holder, and you cure the violation prior to 30 days after
|
||||
your receipt of the notice.
|
||||
|
||||
Termination of your rights under this section does not terminate the
|
||||
licenses of parties who have received copies or rights from you under
|
||||
this License. If your rights have been terminated and not permanently
|
||||
reinstated, you do not qualify to receive new licenses for the same
|
||||
material under section 10.
|
||||
|
||||
9. Acceptance Not Required for Having Copies.
|
||||
|
||||
You are not required to accept this License in order to receive or
|
||||
run a copy of the Program. Ancillary propagation of a covered work
|
||||
occurring solely as a consequence of using peer-to-peer transmission
|
||||
to receive a copy likewise does not require acceptance. However,
|
||||
nothing other than this License grants you permission to propagate or
|
||||
modify any covered work. These actions infringe copyright if you do
|
||||
not accept this License. Therefore, by modifying or propagating a
|
||||
covered work, you indicate your acceptance of this License to do so.
|
||||
|
||||
10. Automatic Licensing of Downstream Recipients.
|
||||
|
||||
Each time you convey a covered work, the recipient automatically
|
||||
receives a license from the original licensors, to run, modify and
|
||||
propagate that work, subject to this License. You are not responsible
|
||||
for enforcing compliance by third parties with this License.
|
||||
|
||||
An "entity transaction" is a transaction transferring control of an
|
||||
organization, or substantially all assets of one, or subdividing an
|
||||
organization, or merging organizations. If propagation of a covered
|
||||
work results from an entity transaction, each party to that
|
||||
transaction who receives a copy of the work also receives whatever
|
||||
licenses to the work the party's predecessor in interest had or could
|
||||
give under the previous paragraph, plus a right to possession of the
|
||||
Corresponding Source of the work from the predecessor in interest, if
|
||||
the predecessor has it or can get it with reasonable efforts.
|
||||
|
||||
You may not impose any further restrictions on the exercise of the
|
||||
rights granted or affirmed under this License. For example, you may
|
||||
not impose a license fee, royalty, or other charge for exercise of
|
||||
rights granted under this License, and you may not initiate litigation
|
||||
(including a cross-claim or counterclaim in a lawsuit) alleging that
|
||||
any patent claim is infringed by making, using, selling, offering for
|
||||
sale, or importing the Program or any portion of it.
|
||||
|
||||
11. Patents.
|
||||
|
||||
A "contributor" is a copyright holder who authorizes use under this
|
||||
License of the Program or a work on which the Program is based. The
|
||||
work thus licensed is called the contributor's "contributor version".
|
||||
|
||||
A contributor's "essential patent claims" are all patent claims
|
||||
owned or controlled by the contributor, whether already acquired or
|
||||
hereafter acquired, that would be infringed by some manner, permitted
|
||||
by this License, of making, using, or selling its contributor version,
|
||||
but do not include claims that would be infringed only as a
|
||||
consequence of further modification of the contributor version. For
|
||||
purposes of this definition, "control" includes the right to grant
|
||||
patent sublicenses in a manner consistent with the requirements of
|
||||
this License.
|
||||
|
||||
Each contributor grants you a non-exclusive, worldwide, royalty-free
|
||||
patent license under the contributor's essential patent claims, to
|
||||
make, use, sell, offer for sale, import and otherwise run, modify and
|
||||
propagate the contents of its contributor version.
|
||||
|
||||
In the following three paragraphs, a "patent license" is any express
|
||||
agreement or commitment, however denominated, not to enforce a patent
|
||||
(such as an express permission to practice a patent or covenant not to
|
||||
sue for patent infringement). To "grant" such a patent license to a
|
||||
party means to make such an agreement or commitment not to enforce a
|
||||
patent against the party.
|
||||
|
||||
If you convey a covered work, knowingly relying on a patent license,
|
||||
and the Corresponding Source of the work is not available for anyone
|
||||
to copy, free of charge and under the terms of this License, through a
|
||||
publicly available network server or other readily accessible means,
|
||||
then you must either (1) cause the Corresponding Source to be so
|
||||
available, or (2) arrange to deprive yourself of the benefit of the
|
||||
patent license for this particular work, or (3) arrange, in a manner
|
||||
consistent with the requirements of this License, to extend the patent
|
||||
license to downstream recipients. "Knowingly relying" means you have
|
||||
actual knowledge that, but for the patent license, your conveying the
|
||||
covered work in a country, or your recipient's use of the covered work
|
||||
in a country, would infringe one or more identifiable patents in that
|
||||
country that you have reason to believe are valid.
|
||||
|
||||
If, pursuant to or in connection with a single transaction or
|
||||
arrangement, you convey, or propagate by procuring conveyance of, a
|
||||
covered work, and grant a patent license to some of the parties
|
||||
receiving the covered work authorizing them to use, propagate, modify
|
||||
or convey a specific copy of the covered work, then the patent license
|
||||
you grant is automatically extended to all recipients of the covered
|
||||
work and works based on it.
|
||||
|
||||
A patent license is "discriminatory" if it does not include within
|
||||
the scope of its coverage, prohibits the exercise of, or is
|
||||
conditioned on the non-exercise of one or more of the rights that are
|
||||
specifically granted under this License. You may not convey a covered
|
||||
work if you are a party to an arrangement with a third party that is
|
||||
in the business of distributing software, under which you make payment
|
||||
to the third party based on the extent of your activity of conveying
|
||||
the work, and under which the third party grants, to any of the
|
||||
parties who would receive the covered work from you, a discriminatory
|
||||
patent license (a) in connection with copies of the covered work
|
||||
conveyed by you (or copies made from those copies), or (b) primarily
|
||||
for and in connection with specific products or compilations that
|
||||
contain the covered work, unless you entered into that arrangement,
|
||||
or that patent license was granted, prior to 28 March 2007.
|
||||
|
||||
Nothing in this License shall be construed as excluding or limiting
|
||||
any implied license or other defenses to infringement that may
|
||||
otherwise be available to you under applicable patent law.
|
||||
|
||||
12. No Surrender of Others' Freedom.
|
||||
|
||||
If conditions are imposed on you (whether by court order, agreement or
|
||||
otherwise) that contradict the conditions of this License, they do not
|
||||
excuse you from the conditions of this License. If you cannot convey a
|
||||
covered work so as to satisfy simultaneously your obligations under this
|
||||
License and any other pertinent obligations, then as a consequence you may
|
||||
not convey it at all. For example, if you agree to terms that obligate you
|
||||
to collect a royalty for further conveying from those to whom you convey
|
||||
the Program, the only way you could satisfy both those terms and this
|
||||
License would be to refrain entirely from conveying the Program.
|
||||
|
||||
13. Use with the GNU Affero General Public License.
|
||||
|
||||
Notwithstanding any other provision of this License, you have
|
||||
permission to link or combine any covered work with a work licensed
|
||||
under version 3 of the GNU Affero General Public License into a single
|
||||
combined work, and to convey the resulting work. The terms of this
|
||||
License will continue to apply to the part which is the covered work,
|
||||
but the special requirements of the GNU Affero General Public License,
|
||||
section 13, concerning interaction through a network will apply to the
|
||||
combination as such.
|
||||
|
||||
14. Revised Versions of this License.
|
||||
|
||||
The Free Software Foundation may publish revised and/or new versions of
|
||||
the GNU General Public License from time to time. Such new versions will
|
||||
be similar in spirit to the present version, but may differ in detail to
|
||||
address new problems or concerns.
|
||||
|
||||
Each version is given a distinguishing version number. If the
|
||||
Program specifies that a certain numbered version of the GNU General
|
||||
Public License "or any later version" applies to it, you have the
|
||||
option of following the terms and conditions either of that numbered
|
||||
version or of any later version published by the Free Software
|
||||
Foundation. If the Program does not specify a version number of the
|
||||
GNU General Public License, you may choose any version ever published
|
||||
by the Free Software Foundation.
|
||||
|
||||
If the Program specifies that a proxy can decide which future
|
||||
versions of the GNU General Public License can be used, that proxy's
|
||||
public statement of acceptance of a version permanently authorizes you
|
||||
to choose that version for the Program.
|
||||
|
||||
Later license versions may give you additional or different
|
||||
permissions. However, no additional obligations are imposed on any
|
||||
author or copyright holder as a result of your choosing to follow a
|
||||
later version.
|
||||
|
||||
15. Disclaimer of Warranty.
|
||||
|
||||
THERE IS NO WARRANTY FOR THE PROGRAM, TO THE EXTENT PERMITTED BY
|
||||
APPLICABLE LAW. EXCEPT WHEN OTHERWISE STATED IN WRITING THE COPYRIGHT
|
||||
HOLDERS AND/OR OTHER PARTIES PROVIDE THE PROGRAM "AS IS" WITHOUT WARRANTY
|
||||
OF ANY KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO,
|
||||
THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR
|
||||
PURPOSE. THE ENTIRE RISK AS TO THE QUALITY AND PERFORMANCE OF THE PROGRAM
|
||||
IS WITH YOU. SHOULD THE PROGRAM PROVE DEFECTIVE, YOU ASSUME THE COST OF
|
||||
ALL NECESSARY SERVICING, REPAIR OR CORRECTION.
|
||||
|
||||
16. Limitation of Liability.
|
||||
|
||||
IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING
|
||||
WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MODIFIES AND/OR CONVEYS
|
||||
THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES, INCLUDING ANY
|
||||
GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING OUT OF THE
|
||||
USE OR INABILITY TO USE THE PROGRAM (INCLUDING BUT NOT LIMITED TO LOSS OF
|
||||
DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY YOU OR THIRD
|
||||
PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER PROGRAMS),
|
||||
EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF
|
||||
SUCH DAMAGES.
|
||||
|
||||
17. Interpretation of Sections 15 and 16.
|
||||
|
||||
If the disclaimer of warranty and limitation of liability provided
|
||||
above cannot be given local legal effect according to their terms,
|
||||
reviewing courts shall apply local law that most closely approximates
|
||||
an absolute waiver of all civil liability in connection with the
|
||||
Program, unless a warranty or assumption of liability accompanies a
|
||||
copy of the Program in return for a fee.
|
||||
|
||||
END OF TERMS AND CONDITIONS
|
||||
|
||||
How to Apply These Terms to Your New Programs
|
||||
|
||||
If you develop a new program, and you want it to be of the greatest
|
||||
possible use to the public, the best way to achieve this is to make it
|
||||
free software which everyone can redistribute and change under these terms.
|
||||
|
||||
To do so, attach the following notices to the program. It is safest
|
||||
to attach them to the start of each source file to most effectively
|
||||
state the exclusion of warranty; and each file should have at least
|
||||
the "copyright" line and a pointer to where the full notice is found.
|
||||
|
||||
<one line to give the program's name and a brief idea of what it does.>
|
||||
Copyright (C) <year> <name of author>
|
||||
|
||||
This program is free software: you can redistribute it and/or modify
|
||||
it under the terms of the GNU General Public License as published by
|
||||
the Free Software Foundation, either version 3 of the License, or
|
||||
(at your option) any later version.
|
||||
|
||||
This program is distributed in the hope that it will be useful,
|
||||
but WITHOUT ANY WARRANTY; without even the implied warranty of
|
||||
MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
|
||||
GNU General Public License for more details.
|
||||
|
||||
You should have received a copy of the GNU General Public License
|
||||
along with this program. If not, see <https://www.gnu.org/licenses/>.
|
||||
|
||||
Also add information on how to contact you by electronic and paper mail.
|
||||
|
||||
If the program does terminal interaction, make it output a short
|
||||
notice like this when it starts in an interactive mode:
|
||||
|
||||
<program> Copyright (C) <year> <name of author>
|
||||
This program comes with ABSOLUTELY NO WARRANTY; for details type `show w'.
|
||||
This is free software, and you are welcome to redistribute it
|
||||
under certain conditions; type `show c' for details.
|
||||
|
||||
The hypothetical commands `show w' and `show c' should show the appropriate
|
||||
parts of the General Public License. Of course, your program's commands
|
||||
might be different; for a GUI interface, you would use an "about box".
|
||||
|
||||
You should also get your employer (if you work as a programmer) or school,
|
||||
if any, to sign a "copyright disclaimer" for the program, if necessary.
|
||||
For more information on this, and how to apply and follow the GNU GPL, see
|
||||
<https://www.gnu.org/licenses/>.
|
||||
|
||||
The GNU General Public License does not permit incorporating your program
|
||||
into proprietary programs. If your program is a subroutine library, you
|
||||
may consider it more useful to permit linking proprietary applications with
|
||||
the library. If this is what you want to do, use the GNU Lesser General
|
||||
Public License instead of this License. But first, please read
|
||||
<https://www.gnu.org/licenses/why-not-lgpl.html>.
|
||||
@ -0,0 +1,35 @@
|
||||
# food-review
|
||||
|
||||
## Project setup
|
||||
```
|
||||
npm install
|
||||
```
|
||||
|
||||
### Compiles and hot-reloads for development
|
||||
```
|
||||
npm run serve
|
||||
```
|
||||
|
||||
### Compiles and minifies for production
|
||||
```
|
||||
npm run build
|
||||
```
|
||||
|
||||
### Run your tests
|
||||
```
|
||||
npm run test
|
||||
```
|
||||
|
||||
### Lints and fixes files
|
||||
```
|
||||
npm run lint
|
||||
```
|
||||
|
||||
### Customize configuration
|
||||
See [Configuration Reference](https://cli.vuejs.org/config/).
|
||||
|
||||
### Deployment
|
||||
```
|
||||
make publish
|
||||
```
|
||||
Don't forget to uncomment the vue.config.js lines!
|
||||
@ -0,0 +1,4 @@
|
||||
* On mobile view, when click on review card, take to text (otherwise, no idea there is text)
|
||||
|
||||
* iframe of pdf needs space and not be chopped on bottom of the iframe
|
||||
|
||||
@ -0,0 +1,5 @@
|
||||
module.exports = {
|
||||
presets: [
|
||||
'@vue/app'
|
||||
]
|
||||
}
|
||||
@ -0,0 +1,12 @@
|
||||
DEST := /var/www/food.alicestrete.me
|
||||
REMOTE := kstraat
|
||||
RSYNC := rsync -chavzP --rsync-path="sudo rsync"
|
||||
SRC := dist/*
|
||||
SSH := ssh -t
|
||||
BUILD := npm run build
|
||||
|
||||
build:
|
||||
$(BUILD)
|
||||
|
||||
publish: build
|
||||
$(RSYNC) $(SRC) $(REMOTE):$(DEST)
|
||||
File diff suppressed because it is too large
Load Diff
@ -0,0 +1,56 @@
|
||||
{
|
||||
"name": "food-review",
|
||||
"version": "0.1.0",
|
||||
"private": true,
|
||||
"scripts": {
|
||||
"serve": "vue-cli-service serve --host 0.0.0.0",
|
||||
"build": "vue-cli-service build",
|
||||
"lint": "vue-cli-service lint"
|
||||
},
|
||||
"dependencies": {
|
||||
"@fortawesome/fontawesome-svg-core": "^1.2.18",
|
||||
"@fortawesome/free-solid-svg-icons": "^5.8.2",
|
||||
"@fortawesome/vue-fontawesome": "^0.1.6",
|
||||
"bootstrap": "^4.3.1",
|
||||
"bootstrap-vue": "^2.0.0-rc.20",
|
||||
"core-js": "^2.6.5",
|
||||
"i": "^0.3.6",
|
||||
"npm": "^6.9.0",
|
||||
"vue": "^2.6.10",
|
||||
"vue-router": "^3.0.6",
|
||||
"webpack": "^4.32.2"
|
||||
},
|
||||
"devDependencies": {
|
||||
"@vue/cli-plugin-babel": "^3.7.0",
|
||||
"@vue/cli-plugin-eslint": "^3.7.0",
|
||||
"@vue/cli-service": "^3.7.0",
|
||||
"babel-eslint": "^10.0.1",
|
||||
"copy-webpack-plugin": "^5.0.3",
|
||||
"eslint": "^5.16.0",
|
||||
"eslint-plugin-vue": "^5.0.0",
|
||||
"vue-template-compiler": "^2.5.21"
|
||||
},
|
||||
"eslintConfig": {
|
||||
"root": true,
|
||||
"env": {
|
||||
"node": true
|
||||
},
|
||||
"extends": [
|
||||
"plugin:vue/essential",
|
||||
"eslint:recommended"
|
||||
],
|
||||
"rules": {},
|
||||
"parserOptions": {
|
||||
"parser": "babel-eslint"
|
||||
}
|
||||
},
|
||||
"postcss": {
|
||||
"plugins": {
|
||||
"autoprefixer": {}
|
||||
}
|
||||
},
|
||||
"browserslist": [
|
||||
"> 1%",
|
||||
"last 2 versions"
|
||||
]
|
||||
}
|
||||
Binary file not shown.
|
After Width: | Height: | Size: 4.2 KiB |
@ -0,0 +1,17 @@
|
||||
<!DOCTYPE html>
|
||||
<html lang="en">
|
||||
<head>
|
||||
<meta charset="utf-8">
|
||||
<meta http-equiv="X-UA-Compatible" content="IE=edge">
|
||||
<meta name="viewport" content="width=device-width,initial-scale=1.0">
|
||||
<link rel="icon" href="<%= BASE_URL %>favicon.ico">
|
||||
<title>food-review</title>
|
||||
</head>
|
||||
<body>
|
||||
<noscript>
|
||||
<strong>We're sorry but food-review doesn't work properly without JavaScript enabled. Please enable it to continue.</strong>
|
||||
</noscript>
|
||||
<div id="app"></div>
|
||||
<!-- built files will be auto injected -->
|
||||
</body>
|
||||
</html>
|
||||
@ -0,0 +1,14 @@
|
||||
<template>
|
||||
<b-container fluid>
|
||||
<router-view></router-view>
|
||||
</b-container>
|
||||
</template>
|
||||
|
||||
<script>
|
||||
export default {
|
||||
name: 'app',
|
||||
}
|
||||
</script>
|
||||
|
||||
<style>
|
||||
</style>
|
||||
Binary file not shown.
|
After Width: | Height: | Size: 6.7 KiB |
@ -0,0 +1,64 @@
|
||||
<style scoped>
|
||||
|
||||
.about-text {
|
||||
font-size: 18px;
|
||||
color: #212322;
|
||||
text-align: justify;
|
||||
}
|
||||
|
||||
h3 {
|
||||
font-family: "Open Sans", sans-serif;
|
||||
font-size: 30px;
|
||||
font-weight: bold;
|
||||
}
|
||||
|
||||
p {
|
||||
font-family: "Inconsolata", monospace;
|
||||
}
|
||||
|
||||
a:hover {
|
||||
color: hotpink;
|
||||
text-decoration: none;
|
||||
|
||||
}
|
||||
|
||||
a {
|
||||
color: gray;
|
||||
}
|
||||
|
||||
</style>
|
||||
|
||||
<template>
|
||||
|
||||
<div>
|
||||
<MenuBar/>
|
||||
<b-row class="about-text">
|
||||
<b-col md="10">
|
||||
<p>I'm Alice, a Romanian artist/researcher based in Rotterdam, and you're looking at my portfolio.</p>
|
||||
<p>For more information/questions/collaboration enquiries, drop me an email at alice.strt@gmail.com
|
||||
You can also find me on <a href="https://www.instagram.com/alicestrt/" target="_blank">Instagram</a> and <a href="https://post.lurk.org/@alcstrt" target="_blank">Mastodon</a>.
|
||||
</p>
|
||||
|
||||
|
||||
|
||||
</b-col>
|
||||
</b-row>
|
||||
|
||||
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
</template>
|
||||
|
||||
<script>
|
||||
|
||||
import MenuBar from './MenuBar'
|
||||
export default {
|
||||
name: 'AboutPage',
|
||||
components: {
|
||||
MenuBar
|
||||
}
|
||||
}
|
||||
|
||||
</script>
|
||||
@ -0,0 +1,89 @@
|
||||
<style scoped>
|
||||
|
||||
* {
|
||||
border: 0px black solid;
|
||||
}
|
||||
|
||||
.project_title {
|
||||
font-size: 40px;
|
||||
font-weight: bold;
|
||||
font-family: "Open Sans", sans-serif;
|
||||
padding-bottom: 40px;
|
||||
padding-top: 30px;
|
||||
}
|
||||
|
||||
.description_text {
|
||||
font-size: 15px;
|
||||
font-family: "Roboto Mono", monospace;
|
||||
padding-bottom: 10px;
|
||||
}
|
||||
|
||||
.tags {
|
||||
padding-top: 10px;
|
||||
font-size: 15px;
|
||||
font-style: italic;
|
||||
font-family: "Roboto Mono", monospace;
|
||||
|
||||
}
|
||||
|
||||
|
||||
</style>
|
||||
|
||||
<template>
|
||||
<b-container fluid>
|
||||
<MenuBar/>
|
||||
<b-row>
|
||||
<b-col md="12">
|
||||
<p class="project_title">A Bed, a Chair, and a Table</p>
|
||||
</b-col>
|
||||
</b-row>
|
||||
|
||||
|
||||
|
||||
<b-row>
|
||||
<b-col md="4">
|
||||
<div class="description_text">
|
||||
<p class="tags">Publication</p>
|
||||
<p>A Bed, a Chair, and a Table is a publication about the Poortgebouw, a former squat and vibrant living community located in the South of Rotterdam. In this book, oral histories from inside and outside the building are interlaced with material from various institutional and perfonal archives. By bringing together these tales of resilience, political struggle, frustration and friendship, with historical documents, this book brings forward new perspectives about Poortgebouw's unique history and its importance in the contemporary city.
|
||||
</p>
|
||||
<p>My focus in working on this publication was collecting stories and interviews from people with a strong connection to the Poortgebouw. These voices were then interlaced together to create a narrative, and to build the story of Poortgebouw's past 30 years, as well as its future.</p>
|
||||
<p>This <a href="https://issue.xpub.nl/04/">publication</a> was developed together with Natasha Berting, Angeliki Diakrousi, Joca van der Horst, Alex Roidl, Elisa Chaudet and Zalán Szakács.</p>
|
||||
|
||||
|
||||
|
||||
|
||||
</div>
|
||||
</b-col>
|
||||
|
||||
<b-col md="4">
|
||||
<b-img class="img-fluid" src="media/bed/bed.png"></b-img>
|
||||
|
||||
</b-col>
|
||||
<b-col md="4">
|
||||
<b-img class="img-fluid" src="media/bed/inside_bed.jpg"></b-img>
|
||||
<p></p>
|
||||
<b-img class="img-fluid" src="media/bed/stack_bed.jpg"></b-img>
|
||||
|
||||
</b-col>
|
||||
|
||||
</b-row>
|
||||
|
||||
</b-container>
|
||||
|
||||
</template>
|
||||
|
||||
<script>
|
||||
import MenuBar from './MenuBar'
|
||||
export default {
|
||||
name: 'BedchairtablePage',
|
||||
data: function() {
|
||||
return {
|
||||
}
|
||||
},
|
||||
name: 'MenuBar.vue',
|
||||
components: {
|
||||
MenuBar
|
||||
}
|
||||
}
|
||||
|
||||
</script>
|
||||
@ -0,0 +1,85 @@
|
||||
<style scoped>
|
||||
|
||||
* {
|
||||
border: 0px black solid;
|
||||
}
|
||||
|
||||
.project_title {
|
||||
font-size: 40px;
|
||||
font-weight: bold;
|
||||
font-family: "Open Sans", sans-serif;
|
||||
padding-bottom: 40px;
|
||||
padding-top: 30px;
|
||||
}
|
||||
|
||||
.description_text {
|
||||
font-size: 15px;
|
||||
font-family: "Roboto Mono", monospace;
|
||||
padding-bottom: 10px;
|
||||
}
|
||||
|
||||
.tags {
|
||||
padding-top: 10px;
|
||||
font-size: 15px;
|
||||
font-style: italic;
|
||||
font-family: "Roboto Mono", monospace;
|
||||
|
||||
}
|
||||
|
||||
|
||||
</style>
|
||||
|
||||
<template>
|
||||
<b-container fluid>
|
||||
<MenuBar/>
|
||||
<b-row>
|
||||
<b-col md="12">
|
||||
<p class="project_title">Upsetting Settings Catalogue</p>
|
||||
</b-col>
|
||||
</b-row>
|
||||
|
||||
|
||||
|
||||
<b-row>
|
||||
<b-col md="4">
|
||||
<div class="description_text">
|
||||
<p class="tags">Publication, graduation catalogue</p>
|
||||
<p>The Upsetting Settings Catalogue presents two years' worth of work from the 2019 graduates of the Piet Zwart Institute, Experimental Publishing. The publication was launched within the graduation show Upsetting Settings, at UBIK Rotterdam. The concept behind 'Upsetting settings' arises from the defaults of technology. In every system there are settings predefined by its creators, that most of the time stay untouched by us, as users. It's their default, not ours, but it's up to us to change it. Society is made of similar preset frameworks that we take for granted. The projects in this exhibition engage with these different default modes and intervene in their core structure/source/root.
|
||||
</p>
|
||||
|
||||
|
||||
</div>
|
||||
</b-col>
|
||||
|
||||
<b-col md="4">
|
||||
<b-img class="img-fluid" src="media/catalogue/catalogue.png"></b-img>
|
||||
<p></p>
|
||||
<b-img class="img-fluid" src="media/catalogue/catalogue1.png"></b-img>
|
||||
</b-col>
|
||||
<b-col md="4">
|
||||
<b-img class="img-fluid" src="media/catalogue/ounupo.png"></b-img>
|
||||
<p></p>
|
||||
<b-img class="img-fluid" src="media/catalogue/timetoeat.png"></b-img>
|
||||
</b-col>
|
||||
|
||||
</b-row>
|
||||
|
||||
</b-container>
|
||||
|
||||
</template>
|
||||
|
||||
<script>
|
||||
import MenuBar from './MenuBar'
|
||||
export default {
|
||||
name: 'CataloguePage',
|
||||
data: function() {
|
||||
return {
|
||||
}
|
||||
},
|
||||
name: 'MenuBar.vue',
|
||||
components: {
|
||||
MenuBar
|
||||
}
|
||||
}
|
||||
|
||||
</script>
|
||||
@ -0,0 +1,65 @@
|
||||
<style scoped>
|
||||
|
||||
@import url('https://fonts.googleapis.com/css?family=Inconsolata&display=swap');
|
||||
@import url('https://fonts.googleapis.com/css?family=Open+Sans&display=swap');
|
||||
|
||||
#header {
|
||||
margin-top: 40px;
|
||||
}
|
||||
|
||||
.pdf {
|
||||
margin-top: 40px;
|
||||
}
|
||||
|
||||
p {
|
||||
text-align: center;
|
||||
}
|
||||
|
||||
h3 {
|
||||
text-align: center;
|
||||
font-size: 30px;
|
||||
font-family: 'Open Sans', sans-serif;
|
||||
font-weight: bold;
|
||||
}
|
||||
|
||||
</style>
|
||||
|
||||
<template>
|
||||
|
||||
<div>
|
||||
<MenuBar/>
|
||||
<b-row align-h="center">
|
||||
<b-col md="6" sm="12">
|
||||
<h3>Your Body Will Make Itself Heard</h3>
|
||||
</b-col>
|
||||
</b-row>
|
||||
<b-row align-h="center">
|
||||
<b-col cols="10">
|
||||
<p><a href="https://git.xpub.nl/alicestrt/Thesis" target="_blank">Download</a> the full text of my thesis.</p>
|
||||
</b-col>
|
||||
</b-row>
|
||||
<b-row align-h="center">
|
||||
<b-col class="pdf" cols="12">
|
||||
<b-embed
|
||||
type="iframe"
|
||||
aspect="4by3"
|
||||
src="./media/thesis.pdf"
|
||||
allowfullscreen
|
||||
></b-embed>
|
||||
</b-col>
|
||||
</b-row>
|
||||
</div>
|
||||
|
||||
</template>
|
||||
|
||||
<script>
|
||||
|
||||
import MenuBar from './MenuBar'
|
||||
export default {
|
||||
name: 'FullTextPage',
|
||||
components: {
|
||||
MenuBar
|
||||
}
|
||||
}
|
||||
|
||||
</script>
|
||||
@ -0,0 +1,25 @@
|
||||
<template>
|
||||
<div>
|
||||
Glossary of terms
|
||||
</div>
|
||||
</template>
|
||||
|
||||
<script>
|
||||
export default {
|
||||
name: 'GlossaryPage',
|
||||
}
|
||||
</script>
|
||||
|
||||
<style scoped>
|
||||
#header{
|
||||
margin-top: 40px;
|
||||
}
|
||||
p {
|
||||
text-align: justify;
|
||||
}
|
||||
#introduction{
|
||||
margin-top: 30px;
|
||||
|
||||
}
|
||||
|
||||
</style>
|
||||
@ -0,0 +1,26 @@
|
||||
<template>
|
||||
<b-row class="mb-5-menu">
|
||||
<b-navbar toggleable="lg">
|
||||
<b-navbar-toggle target="nav-collapse"></b-navbar-toggle>
|
||||
<b-collapse id="nav-collapse" is-nav>
|
||||
<b-navbar-nav>
|
||||
<b-nav-item to='/'>Home</b-nav-item>
|
||||
<b-nav-item to='/about'>About</b-nav-item>
|
||||
</b-navbar-nav>
|
||||
</b-collapse>
|
||||
</b-navbar>
|
||||
</b-row>
|
||||
</template>
|
||||
|
||||
<script>
|
||||
export default {
|
||||
name: 'MenuBar',
|
||||
}
|
||||
|
||||
</script>
|
||||
|
||||
<style scoped>
|
||||
@import url('https://fonts.googleapis.com/css?family=Inconsolata&display=swap');
|
||||
@import url('https://fonts.googleapis.com/css?family=Open+Sans&display=swap');
|
||||
|
||||
</style>
|
||||
@ -0,0 +1,87 @@
|
||||
<style scoped>
|
||||
|
||||
* {
|
||||
border: 0px black solid;
|
||||
}
|
||||
|
||||
.project_title {
|
||||
font-size: 40px;
|
||||
font-weight: bold;
|
||||
font-family: "Open Sans", sans-serif;
|
||||
padding-bottom: 40px;
|
||||
padding-top: 30px;
|
||||
}
|
||||
|
||||
.description_text {
|
||||
font-size: 15px;
|
||||
font-family: "Roboto Mono", monospace;
|
||||
padding-bottom: 10px;
|
||||
}
|
||||
|
||||
.tags {
|
||||
padding-top: 10px;
|
||||
font-size: 15px;
|
||||
font-style: italic;
|
||||
font-family: "Roboto Mono", monospace;
|
||||
|
||||
}
|
||||
|
||||
|
||||
</style>
|
||||
|
||||
<template>
|
||||
<b-container fluid>
|
||||
<MenuBar/>
|
||||
<b-row>
|
||||
<b-col md="12">
|
||||
<p class="project_title">Over/Under</p>
|
||||
</b-col>
|
||||
</b-row>
|
||||
|
||||
|
||||
|
||||
<b-row>
|
||||
<b-col md="4">
|
||||
<div class="description_text">
|
||||
<p class="tags">Publication, software art</p>
|
||||
<p>Over/Under explores the connection between weaving and programming, and the almost mystical connection between women and software writing, embedded deep in women's tradition of weaving not just threads, but networks.
|
||||
</p>
|
||||
<p>The weaving-programming connection can be represented through an equation: input + rules = output. In the case of weaving, the input is thread, the rules are the pattern, and the output is fabric. In the case of software, the input is data, the rules are the sequence, syntax, etc, and the output is data modified according to the rules. I wanted to be able to reveal the rules applied to the input through the output, by tracing back the instructions line by line. From all this came the writing of an interpreted language in Python that could receive as rules basic weaving instructions 'over' and 'under', and apply a pattern onto text.</p>
|
||||
<p>The software was developed in the context of the <a href="https://issue.xpub.nl/05/">OuNuPo Special Issue</a>, at the Piet Zwart Institute. The publication was displayed at the <a href="https://gaite-lyrique.net/evenement/grrrls-tech-zine-fair">Grrrls Tech Zine Fair</a>, at Le Gaîté Lyrique, Paris.</p>
|
||||
|
||||
|
||||
</div>
|
||||
</b-col>
|
||||
|
||||
<b-col md="4">
|
||||
<b-img class="img-fluid" src="media/overunder/overunder.png"></b-img>
|
||||
<p></p>
|
||||
<b-img class="img-fluid" src="media/overunder/over_inside.png"></b-img>
|
||||
</b-col>
|
||||
<b-col md="4">
|
||||
<b-img class="img-fluid" src="media/overunder/22.png"></b-img>
|
||||
<p></p>
|
||||
<b-img class="img-fluid" src="media/overunder/instructions.png"></b-img>
|
||||
</b-col>
|
||||
|
||||
</b-row>
|
||||
|
||||
</b-container>
|
||||
|
||||
</template>
|
||||
|
||||
<script>
|
||||
import MenuBar from './MenuBar'
|
||||
export default {
|
||||
name: 'OverUnderPage',
|
||||
data: function() {
|
||||
return {
|
||||
}
|
||||
},
|
||||
name: 'MenuBar.vue',
|
||||
components: {
|
||||
MenuBar
|
||||
}
|
||||
}
|
||||
|
||||
</script>
|
||||
@ -0,0 +1,270 @@
|
||||
<style scoped>
|
||||
|
||||
@import url('https://fonts.googleapis.com/css?family=Inconsolata&display=swap');
|
||||
@import url('https://fonts.googleapis.com/css?family=Open+Sans&display=swap');
|
||||
|
||||
b-card {
|
||||
border: 0px;
|
||||
}
|
||||
|
||||
.fade-enter-active,
|
||||
.fade-leave-active {
|
||||
transition: opacity .5s;
|
||||
}
|
||||
|
||||
.fade-enter,
|
||||
.fade-leave-to
|
||||
/* .fade-leave-active below version 2.1.8 */
|
||||
|
||||
{
|
||||
opacity: 0;
|
||||
}
|
||||
|
||||
.intro_text {
|
||||
text-align: justify;
|
||||
font-size: 16px;
|
||||
color: #212322;
|
||||
font-family: 'Inconsolata', monospace;
|
||||
|
||||
}
|
||||
|
||||
.review_block {
|
||||
border-bottom: 1px solid #D3D3D3;
|
||||
|
||||
}
|
||||
|
||||
.icon_dropdown {
|
||||
margin-top: 10px;
|
||||
margin-bottom: 10px;
|
||||
}
|
||||
|
||||
.card-text {
|
||||
font-family: 'Inconsolata', monospace;
|
||||
font-size: 14px;
|
||||
}
|
||||
|
||||
.card-title {
|
||||
font-family: 'Open sans', sans-serif;
|
||||
font-size: 16px;
|
||||
font-weight: bold;
|
||||
}
|
||||
|
||||
.read-button {
|
||||
text-decoration: none;
|
||||
color: #212322;
|
||||
font-size: 14px;
|
||||
}
|
||||
|
||||
.main-cards {
|
||||
margin-top: 20px;
|
||||
}
|
||||
|
||||
#intro_title {
|
||||
font-weight: bold;
|
||||
text-align: center;
|
||||
font-size: 30px;
|
||||
color: #212322;
|
||||
font-family: 'Open Sans', sans-serif;
|
||||
}
|
||||
|
||||
|
||||
</style>
|
||||
|
||||
<template>
|
||||
|
||||
<div>
|
||||
|
||||
<MenuBar/>
|
||||
<!-- End of top menu-->
|
||||
<div class="review_block">
|
||||
<b-container fluid>
|
||||
<b-row align-h="center" class="mb-2">
|
||||
|
||||
<b-col cols="10">
|
||||
<p id="intro_title">THE REVIEW</p>
|
||||
<div class="intro_text">
|
||||
<p>
|
||||
... this goes beyond a default review. Rather than discussing the physical characteristics of one product or another, my analysis focuses on the broader context in which these products have developed, highlights the patterns of techno-solutionism I've identified as problematic, and deconstructs their benefit claims and potential for becoming increasingly relevant in today's Western societies. At the same time, having experienced such a diet myself, it also represents a situated look at what replacing food entails.
|
||||
</p>
|
||||
<p>
|
||||
I've become interested in meal replacements because the concept of rejecting food as inefficient, and replacing it with an ultra-processed powder, intrigued me. The idea was alienating, so far removed
|
||||
from my values and desires, so I had to look deeper. I ended up writing an essay, following the historical path and cultural patterns that led to the growth of a culture, an ideology, a community around the act of diminishing the importance of one
|
||||
of the most basic human habits. In addition to the text, I translated my research into a video essay, which focuses on the techno-solutionist aspects of meal replacements: the problems they claim to address, and the solutions they put forward.
|
||||
</p>
|
||||
<p>
|
||||
Below, you will find excerpts of my essay, split into the main topics covered in my research. Scattered throughout the text are images, references, articles, quotes and video snippets, some extracted from my own video essay, which together build a complex
|
||||
image of the world of meal replacements.
|
||||
</p>
|
||||
</div>
|
||||
</b-col>
|
||||
|
||||
</b-row>
|
||||
<b-row align-h="center">
|
||||
<!-- <b-col cols="6" class="text-center">
|
||||
<iframe src="https://giphy.com/embed/Jpq4T77gjhcLytGjvk" width="240" height="120" frameBorder="0" allowFullScreen></iframe>
|
||||
</b-col> -->
|
||||
</b-row>
|
||||
</b-container>
|
||||
</div>
|
||||
<!-- End of description-->
|
||||
|
||||
<b-row align-h="center" class="icon_dropdown">
|
||||
<b-col md="2" sm="12" class="text-center">
|
||||
<b-dropdown dropup variant="light" @click="onClick" no-caret class="m-2">
|
||||
<span slot="text"> <font-awesome-icon icon="stroopwafel" size="3x" /></span>
|
||||
<b-dropdown-text style="width: 240px;">
|
||||
Meal replacements aim to replace food with food-like substances, removing the need to cook. But why is the relationship between humans and cooking important in the first place?
|
||||
|
||||
</b-dropdown-text>
|
||||
<b-dropdown-divider></b-dropdown-divider>
|
||||
<b-dropdown-item v-on:click="resetShowCookingCard(showCookingCard)" href="#cooking_title" variant="primary" class="read-button">Keep reading</b-dropdown-item>
|
||||
</b-dropdown>
|
||||
</b-col>
|
||||
|
||||
<b-col md="2" sm="12" class="text-center">
|
||||
<b-dropdown dropup variant="light" @click="onClick" no-caret class="m-2">
|
||||
<span slot="text"> <font-awesome-icon icon="stopwatch" size="3x" /></span>
|
||||
<b-dropdown-text style="width: 240px;">
|
||||
|
||||
When you have no time to eat throughout the day, you have to reconsider your priorities. Sometimes, that means eating your meals in liquid form.
|
||||
</b-dropdown-text>
|
||||
<b-dropdown-divider></b-dropdown-divider>
|
||||
<b-dropdown-item v-on:click="resetShowTimeCard(showTimeCard)" href="#time_title" variant="primary" class="read-button">Keep reading</b-dropdown-item>
|
||||
|
||||
</b-dropdown>
|
||||
</b-col>
|
||||
<b-col md="2" sm="12" class="text-center">
|
||||
<b-dropdown dropup variant="light" @click="onClick" no-caret class="m-2">
|
||||
<span slot="text"> <font-awesome-icon icon="code" size="3x" /></span>
|
||||
<b-dropdown-text style="width: 240px;">
|
||||
|
||||
The food system has plenty of problems, from food waste to world hunger. Most meal replacement brands claim to tackle some of these issues through their products.
|
||||
</b-dropdown-text>
|
||||
<b-dropdown-divider></b-dropdown-divider>
|
||||
|
||||
|
||||
<b-dropdown-item v-on:click="resetShowSolutionsCard(showSolutionsCard)" href="#solutions_title" variant="primary" class="read-button">Keep reading</b-dropdown-item>
|
||||
</b-dropdown>
|
||||
|
||||
</b-col>
|
||||
<b-col md="2" sm="12" class="text-center">
|
||||
<b-dropdown dropup variant="light" @click="onClick" no-caret class="m-2">
|
||||
<span slot="text"> <font-awesome-icon icon="search-dollar" size="3x" /></span>
|
||||
<b-dropdown-text style="width: 240px;">
|
||||
If food is inefficient in keeping humans alive, what makes meal replacements an appropriate alternative?
|
||||
</b-dropdown-text>
|
||||
<b-dropdown-divider></b-dropdown-divider>
|
||||
|
||||
<b-dropdown-item v-on:click="resetShowValueCard(showValueCard)" href="#value_title" variant="primary" class="read-button">Keep reading</b-dropdown-item>
|
||||
</b-dropdown>
|
||||
</b-col>
|
||||
<b-col md="2" sm="12" class="text-center">
|
||||
<b-dropdown dropup variant="light" @click="onClick" no-caret class="m-2">
|
||||
<span slot="text"> <font-awesome-icon icon="seedling" size="3x" /></span>
|
||||
<b-dropdown-text style="width: 240px;">
|
||||
In the future, we will probably have to change the ways in which we relate to food. Will future food be purely functional?
|
||||
</b-dropdown-text>
|
||||
<b-dropdown-divider></b-dropdown-divider>
|
||||
|
||||
|
||||
<b-dropdown-item v-on:click="resetShowFutureCard(showFutureCard)" href="#future_title" variant="primary" class="read-button">Keep reading</b-dropdown-item>
|
||||
</b-dropdown>
|
||||
|
||||
</b-col>
|
||||
|
||||
</b-row>
|
||||
<b-container fluid>
|
||||
<b-row align-h="center">
|
||||
<b-col cols="12" class="main-cards">
|
||||
<transition name="fade">
|
||||
<div v-if="showCookingCard">
|
||||
<CookingCard/>
|
||||
</div>
|
||||
<div v-if="showTimeCard">
|
||||
<TimeCard/>
|
||||
</div>
|
||||
<div v-if="showSolutionsCard">
|
||||
<SolutionsCard/>
|
||||
</div>
|
||||
<div v-if="showValueCard">
|
||||
<ValueCard/>
|
||||
</div>
|
||||
<div v-if="showFutureCard">
|
||||
<FutureCard/>
|
||||
</div>
|
||||
</transition>
|
||||
</b-col>
|
||||
</b-row>
|
||||
</b-container>
|
||||
</div>
|
||||
|
||||
</template>
|
||||
|
||||
<script>
|
||||
|
||||
import CookingCard from './CookingCard'
|
||||
import TimeCard from './TimeCard'
|
||||
import SolutionsCard from './SolutionsCard'
|
||||
import ValueCard from './ValueCard'
|
||||
import FutureCard from './FutureCard'
|
||||
import MenuBar from './MenuBar'
|
||||
|
||||
export default {
|
||||
name: 'ReviewPage',
|
||||
components: {
|
||||
CookingCard, TimeCard, SolutionsCard, ValueCard, FutureCard, MenuBar
|
||||
},
|
||||
data: function() {
|
||||
return {
|
||||
showCookingCard: false,
|
||||
showTimeCard: false,
|
||||
showSolutionsCard: false,
|
||||
showValueCard: false,
|
||||
showFutureCard: false,
|
||||
}
|
||||
},
|
||||
methods: {
|
||||
onClick() {
|
||||
this.$refs.dropdown.hide(false)
|
||||
},
|
||||
// because we don't know how to program JS
|
||||
resetShowCookingCard(currentValue) {
|
||||
this.showCookingCard = !currentValue
|
||||
this.showTimeCard = false
|
||||
this.showSolutionsCard = false
|
||||
this.showValueCard = false
|
||||
this.showFutureCard = false
|
||||
},
|
||||
resetShowTimeCard(currentValue) {
|
||||
this.showCookingCard = false
|
||||
this.showTimeCard = !currentValue
|
||||
this.showSolutionsCard = false
|
||||
this.showValueCard = false
|
||||
this.showFutureCard = false
|
||||
|
||||
},
|
||||
resetShowSolutionsCard(currentValue) {
|
||||
this.showCookingCard = false
|
||||
this.showTimeCard = false
|
||||
this.showSolutionsCard = !currentValue
|
||||
this.showValueCard = false
|
||||
this.showFutureCard = false
|
||||
},
|
||||
resetShowValueCard(currentValue) {
|
||||
this.showCookingCard = false
|
||||
this.showTimeCard = false
|
||||
this.showSolutionsCard = false
|
||||
this.showValueCard = !currentValue
|
||||
this.showFutureCard = false
|
||||
},
|
||||
resetShowFutureCard(currentValue) {
|
||||
this.showCookingCard = false
|
||||
this.showTimeCard = false
|
||||
this.showSolutionsCard = false
|
||||
this.showValueCard = false
|
||||
this.showFutureCard = !currentValue
|
||||
},
|
||||
}
|
||||
}
|
||||
|
||||
</script>
|
||||
@ -0,0 +1,148 @@
|
||||
<style scoped>
|
||||
|
||||
@import url('https://fonts.googleapis.com/css?family=Inconsolata&display=swap');
|
||||
@import url('https://fonts.googleapis.com/css?family=Open+Sans&display=swap');
|
||||
@import url('https://fonts.googleapis.com/css?family=Roboto&display=swap');
|
||||
|
||||
* {
|
||||
border: 0px black solid;
|
||||
}
|
||||
|
||||
.row_title {
|
||||
font-size: 30px;
|
||||
writing-mode: vertical-rl;
|
||||
text-orientation: upright;
|
||||
font-family: "Open Sans", sans-serif;
|
||||
text-align: center;
|
||||
padding-top: 25px;
|
||||
padding-bottom: 10px;
|
||||
|
||||
}
|
||||
|
||||
.item_title {
|
||||
font-family: "Open Sans", sans-serif;
|
||||
font-size: 15px;
|
||||
padding-top: 10px;
|
||||
padding-bottom: 10px;
|
||||
text-align: center;
|
||||
|
||||
}
|
||||
#myname {
|
||||
font-size: 30px;
|
||||
font-family: "Open Sans", sans-serif;
|
||||
font-weight: bold;
|
||||
}
|
||||
|
||||
a:hover {
|
||||
color: hotpink;
|
||||
text-decoration: none;
|
||||
|
||||
}
|
||||
|
||||
a {
|
||||
color: black;
|
||||
}
|
||||
|
||||
|
||||
|
||||
</style>
|
||||
|
||||
<template>
|
||||
|
||||
<div>
|
||||
<MenuBar/>
|
||||
<b-container fluid>
|
||||
<b-row>
|
||||
<b-col md="4">
|
||||
<p id='myname'>
|
||||
Alice Strete, person
|
||||
</p>
|
||||
</b-col>
|
||||
</b-row>
|
||||
</b-container>
|
||||
|
||||
<b-container fluid>
|
||||
<b-row>
|
||||
<b-col md="1">
|
||||
<p class="row_title">PROJECTS</p>
|
||||
</b-col>
|
||||
<b-col md="2">
|
||||
<p class="item_title"><b-link to="/TimeCard">Is it time to eat, or is there no more time to eat?</b-link></p>
|
||||
<b-img class="img-fluid" center src="media/making_huel.gif"></b-img>
|
||||
</b-col>
|
||||
<b-col md="2">
|
||||
<p class="item_title"><b-link to="/HappinessPage">The Happiness Project</b-link></p>
|
||||
<b-img class="img-fluid" center src="media/cope.png"></b-img>
|
||||
</b-col>
|
||||
<b-col md="2">
|
||||
<p class="item_title"><b-link to="/xppl" >XPPL</b-link></p>
|
||||
<b-img class="img-fluid" src="media/xppl_main.png"></b-img>
|
||||
</b-col>
|
||||
<b-col md="2">
|
||||
<p class="item_title"><b-link to="/tab">Temporary Autonomous Bureau</b-link></p>
|
||||
<b-img class="img-fluid" src="media/tab.jpg"></b-img>
|
||||
</b-col>
|
||||
</b-row>
|
||||
</b-container>
|
||||
|
||||
<b-container fluid>
|
||||
<b-row>
|
||||
<b-col md="1">
|
||||
<p class="row_title">WORKSHOPS</p>
|
||||
</b-col>
|
||||
<b-col md="2">
|
||||
<p class="item_title"><b-link to="/zinemachines">Zine Machines</b-link></p>
|
||||
<b-img class="img-fluid" src="media/zinemachines.png"></b-img>
|
||||
</b-col>
|
||||
<b-col md="2">
|
||||
<p class="item_title"><b-link to="/unpacking">Unpacking Gender Roles</b-link></p>
|
||||
<b-img class="img-fluid" src="media/unpacking.png"></b-img>
|
||||
</b-col>
|
||||
|
||||
|
||||
</b-row>
|
||||
</b-container>
|
||||
|
||||
<b-container fluid>
|
||||
<b-row>
|
||||
<b-col md="1">
|
||||
<p class="row_title">PUBLICATIONS</p>
|
||||
</b-col>
|
||||
<b-col md="2">
|
||||
<p class="item_title"><b-link to="/upsetting">Upsetting Settings, Collected Works</b-link></p>
|
||||
<b-img class="img-fluid" src="media/upsetting_settings_book.png"></b-img>
|
||||
</b-col>
|
||||
<b-col md="2">
|
||||
<p class="item_title"><b-link to="/catalogue">Upsetting Settings Catalogue</b-link></p>
|
||||
<b-img class="img-fluid" src="media/catalogue.png"></b-img>
|
||||
</b-col>
|
||||
<b-col md="2">
|
||||
<p class="item_title"><b-link to="/overunder">Over/Under</b-link></p>
|
||||
<b-img class="img-fluid" src="media/overunder.png"></b-img>
|
||||
</b-col>
|
||||
<b-col md="2">
|
||||
<p class="item_title"><b-link to="/xeno">Techno/Cyber/Xeno-Feminism</b-link></p>
|
||||
<b-img class="img-fluid" src="media/Xeno.png"></b-img>
|
||||
</b-col>
|
||||
<b-col md="2">
|
||||
<p class="item_title"><b-link to="/bedchairtable" target="_blank">A Bed, a Chair and a Table</b-link></p>
|
||||
<b-img class="img-fluid" src="media/bed.png"></b-img>
|
||||
</b-col>
|
||||
|
||||
</b-row>
|
||||
</b-container>
|
||||
|
||||
</div>
|
||||
|
||||
</template>
|
||||
|
||||
<script>
|
||||
import MenuBar from './MenuBar'
|
||||
export default {
|
||||
name: 'SplashPage',
|
||||
components: {
|
||||
MenuBar
|
||||
}
|
||||
}
|
||||
|
||||
</script>
|
||||
@ -0,0 +1,108 @@
|
||||
<style scoped>
|
||||
|
||||
* {
|
||||
border: 0px black solid;
|
||||
}
|
||||
|
||||
.project_title {
|
||||
font-size: 40px;
|
||||
font-weight: bold;
|
||||
font-family: "Open Sans", sans-serif;
|
||||
padding-bottom: 40px;
|
||||
padding-top: 30px;
|
||||
}
|
||||
|
||||
.description_text {
|
||||
font-size: 15px;
|
||||
font-family: "Roboto Mono", monospace;
|
||||
padding-bottom: 10px;
|
||||
}
|
||||
|
||||
.tags {
|
||||
padding-top: 10px;
|
||||
font-size: 15px;
|
||||
font-style: italic;
|
||||
font-family: "Roboto Mono", monospace;
|
||||
|
||||
}
|
||||
|
||||
a:hover {
|
||||
color: hotpink;
|
||||
text-decoration: none;
|
||||
|
||||
}
|
||||
|
||||
a {
|
||||
color: gray;
|
||||
}
|
||||
|
||||
</style>
|
||||
|
||||
<template>
|
||||
|
||||
<b-container fluid>
|
||||
<MenuBar/>
|
||||
<b-row>
|
||||
<b-col md="12">
|
||||
<p class="project_title">Is it time to eat, or is there no more time to eat</p>
|
||||
</b-col>
|
||||
</b-row>
|
||||
|
||||
|
||||
|
||||
<b-row>
|
||||
<b-col md="4">
|
||||
<div class="description_text">
|
||||
<p class="tags">Desktop film, website, essay, installation, performance</p>
|
||||
<p>
|
||||
Is it time to eat, or is there no more time to eat is an extensive review of the most prominent techno-solutionist creation in terms of food. It manifests itself into a desktop film and an essay, alongside an archive of images, articles, videos and more, which together deconstruct the culture of future food, born in the valley of technological quick-fixes.</p>
|
||||
<p>
|
||||
The work takes a closer look at the culture around the techno-solutionist ideology, and the role of meal replacements within societies which value the authoritative roles of tech innovators and their potential to impact the way humans live.</p>
|
||||
<p>The <a href="https://www.youtube.com/watch?v=S-maUIUAC3I" target="_blank">video</a> was presented alongside an installation and a participative performance within the Upsetting Settings graduation show of the Experimental Publishing masters program, at UBIK Rotterdam, July, 2019. Find the project <a href="https://project.xpub.nl/is-it-time-to-eat-or-is-there-no-more-time-to-eat/" target="_blank">here</a> and the thesis <a href="https://project.xpub.nl/is-it-time-to-eat-or-is-there-no-more-time-to-eat/pdf/your-body-will-make-itself-heard.pdf" target="_blank">here</a>.</p>
|
||||
</div>
|
||||
</b-col>
|
||||
|
||||
<b-col md="4">
|
||||
<b-img class="img-fluid" src="media/timetoeat/examples.gif"></b-img>
|
||||
<p></p>
|
||||
<b-img class="img-fluid" src="media/timetoeat/making_huel.gif"></b-img>
|
||||
</b-col>
|
||||
|
||||
<b-col md="4">
|
||||
<b-img class="img-fluid" src="media/timetoeat/food_waste.gif"></b-img>
|
||||
<p></p>
|
||||
<b-img class="img-fluid" src="media/timetoeat/unlike_food.gif"></b-img>
|
||||
</b-col>
|
||||
</b-row>
|
||||
|
||||
<b-row>
|
||||
<b-col md="4">
|
||||
<b-img class="img-fluid" src="media/timetoeat/review.png"></b-img>
|
||||
</b-col>
|
||||
<b-col md="4">
|
||||
<b-img class="img-fluid" src="media/timetoeat/table.png"></b-img>
|
||||
</b-col>
|
||||
<b-col md="4">
|
||||
<b-img class="img-fluid" src="media/timetoeat/flyer.png"></b-img>
|
||||
</b-col>
|
||||
</b-row>
|
||||
</b-container>
|
||||
|
||||
</template>
|
||||
|
||||
<script>
|
||||
import MenuBar from './MenuBar'
|
||||
export default {
|
||||
name: 'TimeCard',
|
||||
data: function() {
|
||||
return {
|
||||
}
|
||||
},
|
||||
name: 'MenuBar.vue',
|
||||
components: {
|
||||
MenuBar
|
||||
}
|
||||
}
|
||||
|
||||
|
||||
</script>
|
||||
@ -0,0 +1,83 @@
|
||||
<style scoped>
|
||||
|
||||
* {
|
||||
border: 0px black solid;
|
||||
}
|
||||
|
||||
.project_title {
|
||||
font-size: 40px;
|
||||
font-weight: bold;
|
||||
font-family: "Open Sans", sans-serif;
|
||||
padding-bottom: 40px;
|
||||
padding-top: 30px;
|
||||
}
|
||||
|
||||
.description_text {
|
||||
font-size: 15px;
|
||||
font-family: "Roboto Mono", monospace;
|
||||
padding-bottom: 10px;
|
||||
}
|
||||
|
||||
.tags {
|
||||
padding-top: 10px;
|
||||
font-size: 15px;
|
||||
font-style: italic;
|
||||
font-family: "Roboto Mono", monospace;
|
||||
|
||||
}
|
||||
|
||||
|
||||
</style>
|
||||
|
||||
<template>
|
||||
<b-container fluid>
|
||||
<MenuBar/>
|
||||
<b-row>
|
||||
<b-col md="12">
|
||||
<p class="project_title">Unpacking Gender Roles</p>
|
||||
</b-col>
|
||||
</b-row>
|
||||
|
||||
|
||||
|
||||
<b-row>
|
||||
<b-col md="4">
|
||||
<div class="description_text">
|
||||
<p class="tags">Workshop, discussion</p>
|
||||
<p>Unpacking Gender Roles was an informal meet-up to discuss our graduation processes under the same umbrella, through the lens of gender. In our work, we explored strategies to unpack, decontextualize and infiltrate gender structures in our daily lives. During this session, we talked about public speaking and listening, visual gender representations in food culture, and how social media amplifies some voices while silencing others. The intention of this event was to make our processes public, and invite others to exchange feedback.</p>
|
||||
<p>This session was created in collaboration with Angeliki Diakrousi and Natasha Berting.</p>
|
||||
|
||||
</div>
|
||||
</b-col>
|
||||
|
||||
<b-col md="4">
|
||||
<b-img class="img-fluid" src="media/unpacking/un2.png"></b-img>
|
||||
<p></p>
|
||||
<b-img class="img-fluid" src="media/unpacking/un1.png"></b-img>
|
||||
</b-col>
|
||||
|
||||
<b-col md="4">
|
||||
<b-img class="img-fluid" src="media/unpacking/unpacking.png"></b-img>
|
||||
|
||||
</b-col>
|
||||
</b-row>
|
||||
|
||||
</b-container>
|
||||
|
||||
</template>
|
||||
|
||||
<script>
|
||||
import MenuBar from './MenuBar'
|
||||
export default {
|
||||
name: 'UnpackingPage',
|
||||
data: function() {
|
||||
return {
|
||||
}
|
||||
},
|
||||
name: 'MenuBar.vue',
|
||||
components: {
|
||||
MenuBar
|
||||
}
|
||||
}
|
||||
|
||||
</script>
|
||||
@ -0,0 +1,83 @@
|
||||
<style scoped>
|
||||
|
||||
* {
|
||||
border: 0px black solid;
|
||||
}
|
||||
|
||||
.project_title {
|
||||
font-size: 40px;
|
||||
font-weight: bold;
|
||||
font-family: "Open Sans", sans-serif;
|
||||
padding-bottom: 40px;
|
||||
padding-top: 30px;
|
||||
}
|
||||
|
||||
.description_text {
|
||||
font-size: 15px;
|
||||
font-family: "Roboto Mono", monospace;
|
||||
padding-bottom: 10px;
|
||||
}
|
||||
|
||||
.tags {
|
||||
padding-top: 10px;
|
||||
font-size: 15px;
|
||||
font-style: italic;
|
||||
font-family: "Roboto Mono", monospace;
|
||||
|
||||
}
|
||||
|
||||
|
||||
</style>
|
||||
|
||||
<template>
|
||||
<b-container fluid>
|
||||
<MenuBar/>
|
||||
<b-row>
|
||||
<b-col md="12">
|
||||
<p class="project_title">Upsetting Settings, Collected Works</p>
|
||||
</b-col>
|
||||
</b-row>
|
||||
|
||||
|
||||
|
||||
<b-row>
|
||||
<b-col md="4">
|
||||
<div class="description_text">
|
||||
<p class="tags">Publication, graduation thesis</p>
|
||||
<p>Upsetting Settings, Collected Works presents graduation theses from the 2019 graduates of the Piet Zwart Institute, Experimental Publishing. The publication was launched within the graduation show Upsetting Settings, at UBIK Rotterdam. The concept behind 'Upsetting settings' arises from the defaults of technology. In every system there are settings predefined by its creators, that most of the time stay untouched by us, as users. It's their default, not ours, but it's up to us to change it. Society is made of similar preset frameworks that we take for granted. The projects in this exhibition engage with these different default modes and intervene in their core structure/source/root.
|
||||
</p>
|
||||
<p>My graduation thesis, <i>Your Body Will Make Itself Heard</i>, deals with the meal replacement phenomenon occurring in Western countries, within a culture that falls under the sphere of influence of the startup world, driven by entrepreneurial values and libertarian views. To understand the way the role of food is being transformed by technology companies, I follow a path through the history of cooking and gender roles in food preparation, the role technology has in food culture and the way Silicon Valley is appropriating food traditions and knowledge in creating new consumer products for the privileged. At the same time, I explore the potential of future food innovations, in the context of ever increasing abstraction and commodification of food and the labour of cooking.</p>
|
||||
|
||||
</div>
|
||||
</b-col>
|
||||
|
||||
<b-col md="4">
|
||||
<b-img class="img-fluid" src="media/upsetting/scan_thesis.png"></b-img>
|
||||
|
||||
</b-col>
|
||||
|
||||
<b-col md="4">
|
||||
<b-img class="img-fluid" src="media/upsetting/cover.png"></b-img>
|
||||
|
||||
</b-col>
|
||||
</b-row>
|
||||
|
||||
</b-container>
|
||||
|
||||
</template>
|
||||
|
||||
<script>
|
||||
import MenuBar from './MenuBar'
|
||||
export default {
|
||||
name: 'UpsettingPage',
|
||||
data: function() {
|
||||
return {
|
||||
}
|
||||
},
|
||||
name: 'MenuBar.vue',
|
||||
components: {
|
||||
MenuBar
|
||||
}
|
||||
}
|
||||
|
||||
</script>
|
||||
@ -0,0 +1,63 @@
|
||||
<style scoped>
|
||||
|
||||
@import url('https://fonts.googleapis.com/css?family=Inconsolata&display=swap');
|
||||
@import url('https://fonts.googleapis.com/css?family=Open+Sans&display=swap');
|
||||
#header {
|
||||
margin-top: 40px;
|
||||
|
||||
}
|
||||
|
||||
.header_video {
|
||||
margin-bottom: 40px;
|
||||
}
|
||||
|
||||
p {
|
||||
text-align: justify;
|
||||
}
|
||||
|
||||
#introduction {
|
||||
margin-top: 30px;
|
||||
}
|
||||
|
||||
h3 {
|
||||
text-align: center;
|
||||
font-family: "Open Sans", sans-serif;
|
||||
font-weight: bold;
|
||||
}
|
||||
|
||||
</style>
|
||||
|
||||
<template>
|
||||
|
||||
<div>
|
||||
<MenuBar/>
|
||||
<b-row align-h="center">
|
||||
<b-col class="header_video" cols="10">
|
||||
<h3>Is it time to eat, or is there no more time to eat?</h3>
|
||||
</b-col>
|
||||
</b-row>
|
||||
<b-row align-h="center">
|
||||
<b-col cols="10">
|
||||
<b-embed
|
||||
type="iframe"
|
||||
aspect="16by9"
|
||||
src="https://www.youtube.com/embed/S-maUIUAC3I"
|
||||
allowfullscreen
|
||||
></b-embed>
|
||||
</b-col>
|
||||
</b-row>
|
||||
</div>
|
||||
|
||||
</template>
|
||||
|
||||
<script>
|
||||
|
||||
import MenuBar from './MenuBar'
|
||||
export default {
|
||||
name: 'VideoPage',
|
||||
components: {
|
||||
MenuBar
|
||||
}
|
||||
}
|
||||
|
||||
</script>
|
||||
@ -0,0 +1,88 @@
|
||||
<style scoped>
|
||||
|
||||
* {
|
||||
border: 0px black solid;
|
||||
}
|
||||
|
||||
.project_title {
|
||||
font-size: 40px;
|
||||
font-weight: bold;
|
||||
font-family: "Open Sans", sans-serif;
|
||||
padding-bottom: 40px;
|
||||
padding-top: 30px;
|
||||
}
|
||||
|
||||
.description_text {
|
||||
font-size: 15px;
|
||||
font-family: "Roboto Mono", monospace;
|
||||
padding-bottom: 10px;
|
||||
}
|
||||
|
||||
.tags {
|
||||
padding-top: 10px;
|
||||
font-size: 15px;
|
||||
font-style: italic;
|
||||
font-family: "Roboto Mono", monospace;
|
||||
|
||||
}
|
||||
|
||||
|
||||
</style>
|
||||
|
||||
<template>
|
||||
<b-container fluid>
|
||||
<MenuBar/>
|
||||
<b-row>
|
||||
<b-col md="12">
|
||||
<p class="project_title">Techno/Cyber/Xeno-Feminism</p>
|
||||
</b-col>
|
||||
</b-row>
|
||||
|
||||
|
||||
|
||||
<b-row>
|
||||
<b-col md="4">
|
||||
<div class="description_text">
|
||||
<p class="tags">Publication, reader</p>
|
||||
<p>Techno/Cyber/Xeno-Feminism: The Intimate and Possibly Subversive Relationship Between Women and Machines Reader explores topics from women's introduction into the technological workforce, the connection between weaving and programming, and using technology in favour of the feminist movement. One major concept that appears throughout the reader is an almost mystical connection between women and software writing, embedded deep in women's tradition of weaving not just threads, but networks. Does software have a gender?
|
||||
</p>
|
||||
|
||||
<p>The reader was developed using free software, in the context of the <a href="https://issue.xpub.nl/05/">OuNuPo Special Issue</a>, at the Piet Zwart Institute. The publication was displayed at the <a href="https://gaite-lyrique.net/evenement/grrrls-tech-zine-fair">Grrrls Tech Zine Fair</a>, at Le Gaîté Lyrique, Paris.</p>
|
||||
|
||||
|
||||
</div>
|
||||
</b-col>
|
||||
|
||||
<b-col md="4">
|
||||
<b-img class="img-fluid" src="media/xeno/Xeno.jpg"></b-img>
|
||||
<p></p>
|
||||
<b-img class="img-fluid" src="media/xeno/thumbnail.jpeg"></b-img>
|
||||
</b-col>
|
||||
<b-col md="4">
|
||||
<b-img class="img-fluid" src="media/xeno/readers.jpeg"></b-img>
|
||||
<p></p>
|
||||
<b-img class="img-fluid" src="media/xeno/zinefair.png"></b-img>
|
||||
|
||||
</b-col>
|
||||
|
||||
</b-row>
|
||||
|
||||
</b-container>
|
||||
|
||||
</template>
|
||||
|
||||
<script>
|
||||
import MenuBar from './MenuBar'
|
||||
export default {
|
||||
name: 'XenoPage',
|
||||
data: function() {
|
||||
return {
|
||||
}
|
||||
},
|
||||
name: 'MenuBar.vue',
|
||||
components: {
|
||||
MenuBar
|
||||
}
|
||||
}
|
||||
|
||||
</script>
|
||||
@ -0,0 +1,86 @@
|
||||
<style scoped>
|
||||
|
||||
* {
|
||||
border: 0px black solid;
|
||||
}
|
||||
|
||||
.project_title {
|
||||
font-size: 40px;
|
||||
font-weight: bold;
|
||||
font-family: "Open Sans", sans-serif;
|
||||
padding-bottom: 40px;
|
||||
padding-top: 30px;
|
||||
}
|
||||
|
||||
.description_text {
|
||||
font-size: 15px;
|
||||
font-family: "Roboto Mono", monospace;
|
||||
padding-bottom: 10px;
|
||||
}
|
||||
|
||||
.tags {
|
||||
padding-top: 10px;
|
||||
font-size: 15px;
|
||||
font-style: italic;
|
||||
font-family: "Roboto Mono", monospace;
|
||||
|
||||
}
|
||||
|
||||
|
||||
</style>
|
||||
|
||||
<template>
|
||||
<b-container fluid>
|
||||
<MenuBar/>
|
||||
<b-row>
|
||||
<b-col md="12">
|
||||
<p class="project_title">XPPL</p>
|
||||
</b-col>
|
||||
</b-row>
|
||||
|
||||
|
||||
|
||||
<b-row>
|
||||
<b-col md="4">
|
||||
<div class="description_text">
|
||||
<p class="tags">Pirate library, web application</p>
|
||||
<p>
|
||||
XPPL is a space for potential pirate librarianship. It is both an experiment and a working prototype for a distributed network catalogue and library that you can run and install on several machines and share/synchronise with the same bibliographical database.</p>
|
||||
<p>Initially developed as a in-house tool for the XPUB course, XPPL is a project aimed at people who are studying within and outside formal education. XPPL provides a web interface and hosts a curated catalogue of books and articles. Its distributed architecture is open to instances of uploading and downloading, and allows for the collective editing of its content. In XPPL, librarians can add, and modify small collections of books that are connected by threads of thought, or follow a certain thematic or study path.</p>
|
||||
<p>My main focus within the library revolved around the notion of stacks. Rather than a bookshelf in a library, where books are lined up and often forgotten, the stacks on your table/nightstand/bathroom floor consist of books prone to be opened and reopened at any time. The stacks in XPPL are visible for others in the network to browse, annotate, update or shuffle. </p>
|
||||
|
||||
</div>
|
||||
</b-col>
|
||||
|
||||
<b-col md="4">
|
||||
<b-img class="img-fluid" src="media/xppl/xppl.gif"></b-img>
|
||||
<p></p>
|
||||
<b-img class="img-fluid" src="media/xppl/xppl_main.png"></b-img>
|
||||
</b-col>
|
||||
|
||||
<b-col md="4">
|
||||
<b-img class="img-fluid" src="media/xppl/xppl_stack.png"></b-img>
|
||||
<p></p>
|
||||
<b-img class="img-fluid" src="media/xppl/add.png"></b-img>
|
||||
</b-col>
|
||||
</b-row>
|
||||
</b-container>
|
||||
|
||||
</template>
|
||||
|
||||
<script>
|
||||
import MenuBar from './MenuBar'
|
||||
export default {
|
||||
name: 'XpplPage',
|
||||
data: function() {
|
||||
return {
|
||||
}
|
||||
},
|
||||
name: 'MenuBar.vue',
|
||||
components: {
|
||||
MenuBar
|
||||
}
|
||||
|
||||
}
|
||||
|
||||
</script>
|
||||
@ -0,0 +1,84 @@
|
||||
<style scoped>
|
||||
|
||||
* {
|
||||
border: 0px black solid;
|
||||
}
|
||||
|
||||
.project_title {
|
||||
font-size: 40px;
|
||||
font-weight: bold;
|
||||
font-family: "Open Sans", sans-serif;
|
||||
padding-bottom: 40px;
|
||||
padding-top: 30px;
|
||||
}
|
||||
|
||||
.description_text {
|
||||
font-size: 15px;
|
||||
font-family: "Roboto Mono", monospace;
|
||||
padding-bottom: 10px;
|
||||
}
|
||||
|
||||
.tags {
|
||||
padding-top: 10px;
|
||||
font-size: 15px;
|
||||
font-style: italic;
|
||||
font-family: "Roboto Mono", monospace;
|
||||
|
||||
}
|
||||
|
||||
|
||||
</style>
|
||||
|
||||
<template>
|
||||
<b-container fluid>
|
||||
<MenuBar/>
|
||||
<b-row>
|
||||
<b-col md="12">
|
||||
<p class="project_title">Zine Machines</p>
|
||||
</b-col>
|
||||
</b-row>
|
||||
|
||||
|
||||
|
||||
<b-row>
|
||||
<b-col md="4">
|
||||
<div class="description_text">
|
||||
<p class="tags">Workshop</p>
|
||||
<p>If we let it take over, what kind of zine would a machine create? In this workshop, we explored this question through a couple of fun tools and scripts that allow us to rearrange, modify and even fully transform images, texts and sounds, in order to create unique zines.</p>
|
||||
<p>This workshop was part of <a href="http://www.spreadzinefest.nl/?utm_source=Newsletter+SIGN&utm_campaign=d6b2a38072-EMAIL_CAMPAIGN_2018_02_28_COPY_01&utm_medium=email&utm_term=0_a209f9faf4-d6b2a38072-495751117" target="_blank">Spread Zinefest 2018</a> and was held during two days at SIGN Groningen. The project was developed together with Angeliki Diakrousi and Luke Murphy.</p>
|
||||
|
||||
</div>
|
||||
</b-col>
|
||||
|
||||
<b-col md="4">
|
||||
<b-img class="img-fluid" src="media/zinemachines/zine.gif"></b-img>
|
||||
<p></p>
|
||||
<b-img class="img-fluid" src="media/zinemachines/IMG_1310.JPG"></b-img>
|
||||
</b-col>
|
||||
|
||||
<b-col md="4">
|
||||
<b-img class="img-fluid" src="media/zinemachines/IMG_1322.JPG"></b-img>
|
||||
<p></p>
|
||||
<b-img class="img-fluid" src="media/zinemachines/IMG_1316.JPG"></b-img>
|
||||
</b-col>
|
||||
</b-row>
|
||||
|
||||
</b-container>
|
||||
|
||||
</template>
|
||||
|
||||
<script>
|
||||
import MenuBar from './MenuBar'
|
||||
export default {
|
||||
name: 'ZineMachinesPage',
|
||||
data: function() {
|
||||
return {
|
||||
}
|
||||
},
|
||||
name: 'MenuBar.vue',
|
||||
components: {
|
||||
MenuBar
|
||||
}
|
||||
}
|
||||
|
||||
</script>
|
||||
@ -0,0 +1,75 @@
|
||||
import Vue from 'vue'
|
||||
import App from './App.vue'
|
||||
|
||||
import BootstrapVue from 'bootstrap-vue'
|
||||
import 'bootstrap/dist/css/bootstrap.css'
|
||||
import 'bootstrap-vue/dist/bootstrap-vue.css'
|
||||
|
||||
import { library } from '@fortawesome/fontawesome-svg-core'
|
||||
import { faCarBattery, faSeedling, faStroopwafel, faBrain, faStopwatch, faChartLine, faCode, faUserCheck, faSearchDollar, faStar, faStarHalfAlt } from '@fortawesome/free-solid-svg-icons'
|
||||
import { FontAwesomeIcon } from '@fortawesome/vue-fontawesome'
|
||||
|
||||
import { VBPopover } from 'bootstrap-vue/es/directives'
|
||||
|
||||
import { BLink } from 'bootstrap-vue'
|
||||
Vue.component('b-link', BLink)
|
||||
|
||||
import VueRouter from 'vue-router'
|
||||
// Note: Vue automatically prefixes the directive name with 'v-'
|
||||
Vue.directive('b-popover', VBPopover)
|
||||
|
||||
library.add(faCarBattery, faSeedling, faStroopwafel, faStar, faStarHalfAlt, faBrain, faStopwatch, faChartLine, faCode, faUserCheck, faSearchDollar)
|
||||
|
||||
Vue.component('font-awesome-icon', FontAwesomeIcon)
|
||||
|
||||
import SplashPage from './components/SplashPage'
|
||||
import TimeCard from './components/TimeCard'
|
||||
import ReviewPage from './components/ReviewPage'
|
||||
import AboutPage from './components/AboutPage'
|
||||
import GlossaryPage from './components/GlossaryPage'
|
||||
import FullTextPage from './components/FullTextPage'
|
||||
import VideoPage from './components/VideoPage'
|
||||
import HappinessPage from './components/HappinessPage'
|
||||
import XpplPage from './components/XpplPage'
|
||||
import TabPage from './components/TabPage'
|
||||
import ZineMachinesPage from './components/ZineMachinesPage'
|
||||
import UnpackingPage from './components/UnpackingPage'
|
||||
import UpsettingPage from './components/UpsettingPage'
|
||||
import CataloguePage from './components/CataloguePage'
|
||||
import OverunderPage from './components/OverunderPage'
|
||||
import XenoPage from './components/XenoPage'
|
||||
import BedchairtablePage from './components/BedchairtablePage'
|
||||
Vue.config.productionTip = false
|
||||
|
||||
Vue.use(BootstrapVue)
|
||||
Vue.use(VueRouter)
|
||||
|
||||
const router = new VueRouter({
|
||||
mode: 'history',
|
||||
routes: [
|
||||
{ path: '/', component: SplashPage },
|
||||
{ path: '/review', component: ReviewPage },
|
||||
{ path: '/about', component: AboutPage },
|
||||
{ path: '/glossary', component: GlossaryPage },
|
||||
{ path: '/fulltext', component: FullTextPage },
|
||||
{ path: '/video', component: VideoPage },
|
||||
{ path: '/TimeCard', component: TimeCard },
|
||||
{ path: '/HappinessPage', component: HappinessPage },
|
||||
{ path: '/xppl', component: XpplPage },
|
||||
{ path: '/tab', component: TabPage },
|
||||
{ path: '/zinemachines', component: ZineMachinesPage },
|
||||
{ path: '/unpacking', component: UnpackingPage },
|
||||
{ path: '/upsetting', component: UpsettingPage },
|
||||
{ path: '/catalogue', component: CataloguePage },
|
||||
{ path: '/overunder', component: OverunderPage },
|
||||
{ path: '/xeno', component: XenoPage },
|
||||
{ path: '/bedchairtable', component: BedchairtablePage },
|
||||
|
||||
]
|
||||
|
||||
})
|
||||
|
||||
new Vue({
|
||||
router,
|
||||
render: h => h(App),
|
||||
}).$mount('#app')
|
||||
@ -0,0 +1,5 @@
|
||||
const CopyPlugin = require('copy-webpack-plugin');
|
||||
|
||||
module.exports = {
|
||||
configureWebpack: { plugins: [ new CopyPlugin([ { from: 'media', to: 'media' } ]), ] }
|
||||
}
|
||||
Loading…
Reference in New Issue