diff --git a/allworks_mmdc.json b/allworks_mmdc.json index e6fd323..6acec56 100644 --- a/allworks_mmdc.json +++ b/allworks_mmdc.json @@ -1 +1 @@ -{"9264": {"Website": "http://pwd.io/guide/", "Description": "It\u2019s everybody\u2019s dream to rule a repressive state, but how can this be done in the digital era? This presentation focuses on all the best tips and tricks for keeping control of your population using the Internet. It\u2019s an easy-to-follow, step-by-step guide highlighting all the best practices of what dictators should do in difficult situations. It will accompany you in the obliteration of political dissidence. By having everyone agree with you, or having people believe that everyone else agrees with you, your stay at the top will be long and prosperous. Hard copies of the guide will be available too.", "Creator": "Laurier Rochon,", "Title": "The_Dictator\u2019s_Practical_Internet_Guide_to_Power_Retention", "Thumbnail_url": "http://pzwiki.wdka.nl/mw-mediadesign/images/f/fe/Lr_media1.jpg", "Date": "2012", "Thumbnail": "Lr media1.jpg", "Extra": "{{vimeo|44977056}}
[http://www.lulu.com/shop/laurier-rochon/the-dictators-practical-internet-guide-to-power-retention/paperback/product-20216278.html lulu] [http://www.scribd.com/doc/105882261/THE-DICTATOR-S-PRACTICAL-INTERNET-GUIDE-TO-POWER-RETENTION scribd]"}, "9257": {"Description": "(re)describe is an immersive video installation that focuses on re-drawing physical spaces. This visualization, displayed on a 270 degree screen surrounding the audience, presents glimpses of the recognizable amidst an array of abstract images -sourced, generated and manipulated from physical spaces.", "Creator": "Sebastian Cimpean,", "Title": "(re)describe", "Thumbnail_url": "http://pzwiki.wdka.nl/mw-mediadesign/images/thumb/a/af/Redescribe_still1.jpg/500px-Redescribe_still1.jpg", "Date": "2012", "Thumbnail": "redescribe_still1.jpg", "Extra": "{{vimeo|46940365}}The Dictator's Practical Guide to Internet Power Retention, Global Edition is a wry little 45-page booklet that is, superfically, a book of practical advice for totalitarian, autocratic and theocratic dictators who are looking for advice on how to shape their countries' Internet policy to ensure that the network doesn't loosen their grip on power.
Really, though, this is Laurier Rochon's very goo{{youtube|XEVlyP4_11M}}d critique of the state of Internet liberation technologies -- a critical analysis of what works, what needs work, and what doesn't work in the world of networked technologies that hope to serve as a force for democratization and self-determination.[http://boingboing.net/2012/08/22/the-dictators-practical-guid.html Cory Doctorow on boingboing...]
Luther Blissett is a multiple-use name, an "open pop star" informally adopted and shared by hundreds of artists and activists all over Europe and the Americas since 1994. The pseudonym first appeared in Bologna, Italy, in mid-1994, when a number of cultural activists began using it for staging a series of urban and media pranks and to experiment with new forms of authorship and identity. From Bologna the multiple-use name spread to other European cities, such as Rome and London, as well as countries such as Germany, Spain, and Slovenia.[1] Sporadic appearances of Luther Blissett have been also noted in Canada, the United States, and Brazil.
Luther Blisset
2015
The novel Q was written by four Bologna-based members of the LBP, as a final contribution to the project, and published in Italy in 1999. So far, it has been translated into English (British and American), Spanish, German, Dutch, French, Portuguese (Brazilian), Danish, Polish, Greek, Czech, Russian, Turkish, Basque and Korean. In August 2003 the book was nominated for the Guardian First Book Prize.
+While the folk heroes of the early-modern period and the nineteenth century served a variety of social and political purposes, the Luther Blissett Project (LBP) were able to utilize the media and communication strategies unavailable to their predecessors. According to Marco Deseriis, the main purpose of the LBP was to create a folk hero of the information society whereby knowledge workers and immaterial workers could organize and recognize themselves.[5] Thus, rather than being understood only as a media prankster and culture jammer, Luther Blissett became a positive mythic figure that was supposed to embody the very process of community and cross-media storytelling. Roberto Buiâone of the co-founders of the LBP and Wu Mingâexplains the function of Luther Blissett and other radical folk heroes as mythmaking or mythopoesis
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