pzimediadesign/allworks_mmdc.json

{"15982": {"Date": "2015", "Creator": "Ana Lu\u00edsa Moura", "Thumbnail_url": "http://pzwiki.wdka.nl/mw-mediadesign/images/b/bd/Collage_007_thumbnail.jpg", "Thumbnail": "collage_007_thumbnail.jpg", "Title": "The_Aesthetics_of_Ethics"}, "15986": {"Website": "http://joak.nospace.at", "Bio": "My Bio", "Description": "my description", "Creator": "Joseph Knierzinger", "Title": "User:Joak/graduation/catalog1", "Thumbnail_url": "http://pzwiki.wdka.nl/mw-mediadesign/images/1/16/Pointer.gif", "Date": "2015", "Thumbnail": "pointer.gif", "Extra": "my free text"}, "15965": {"Website": "https://en.wikipedia.org/wiki/Luther_Blissett_%28nom_de_plume%29", "Bio": "Luther Blissett is a multiple-use name, an \"open pop star\" informally adopted and shared by hundreds of artists and activists all over Europe and the Americas since 1994. The pseudonym first appeared in Bologna, Italy, in mid-1994, when a number of cultural activists began using it for staging a series of urban and media pranks and to experiment with new forms of authorship and identity. From Bologna the multiple-use name spread to other European cities, such as Rome and London, as well as countries such as Germany, Spain, and Slovenia.[1] Sporadic appearances of Luther Blissett have been also noted in Canada, the United States, and Brazil.", "Description": "this is the description.", "Creator": "Luther Blisset", "Title": "Qq", "Thumbnail_url": "http://pzwiki.wdka.nl/mw-mediadesign/images/thumb/8/85/Luther-blissett-300.jpg/500px-Luther-blissett-300.jpg", "Date": "2015", "Thumbnail": "Luther-blissett-300.jpg", "Extra": "Free text hereWhile the folk heroes of the early-modern period and the nineteenth century served a variety of social and political purposes, the Luther Blissett Project (LBP) were able to utilize the media and communication strategies unavailable to their predecessors. According to Marco Deseriis, the main purpose of the LBP was to create \"a folk hero of the information society\" whereby knowledge workers and immaterial workers could organize and recognize themselves.[5] Thus, rather than being understood only as a media prankster and culture jammer, Luther Blissett became a positive mythic figure that was supposed to embody the very process of community and cross-media storytelling. Roberto Bui\u2014one of the co-founders of the LBP and Wu Ming\u2014explains the function of Luther Blissett and other radical folk heroes as mythmaking or mythopoesis[[File:Quipu.png]][[File:Screen_Shot_2015-03-31_at_11.07.35.png]]"}, "15974": {"Date": "2015", "Creator": "JOK", "Thumbnail_url": "http://pzwiki.wdka.nl/mw-mediadesign/images/thumb/a/af/22xxxxx.jpg/500px-22xxxxx.jpg", "Thumbnail": "22xxxxx.jpg", "Title": "Ahhhh"}, "15999": {"Website": "http://maxdovey.com", "Bio": "My Bio", "Description": "How to be more or less human", "Creator": "Max Dovey", "Title": "User:Max_Dovey/maxgradbio", "Thumbnail_url": "http://pzwiki.wdka.nl/mw-mediadesign/images/1/16/Pointer.gif", "Date": "2015", "Thumbnail": "pointer.gif", "Extra": "A solo performance exploring identity, perception and representation through automatic image analysis software. Software that is used to automatically  tag online images is used to direct a live performance. Each scene is performed alongside software that reacts and interprets the performers actions. The performance explores the potential threat of computer vision and automated image perception on the human body. Every movement of the performance is analysed in detail to reductive categorisation."}}