From 51f0b16c140b6af92d0f9c75a67478582d1d4ca6 Mon Sep 17 00:00:00 2001
From: mitsa <mitsa@xpub.nl>
Date: Thu, 15 Jun 2023 19:53:30 +0200
Subject: [PATCH] Update 'thanks_for_listening/index.html'

---
 thanks_for_listening/index.html | 14 +++++++++-----
 1 file changed, 9 insertions(+), 5 deletions(-)

diff --git a/thanks_for_listening/index.html b/thanks_for_listening/index.html
index e90ebdb..a63e5d1 100644
--- a/thanks_for_listening/index.html
+++ b/thanks_for_listening/index.html
@@ -22,11 +22,15 @@
  <div id='ihtp'>
  <object>
  <div id='about-project'>
- <p>Thanks for listening is a live coding process, a system created by a body, cables, a borrowed midi device, a microphone, a sound card, Sonic Pi, speakers, memories, desires, discomforts and vulnerability. 
-
-The driving force of this process was questinas as: How we embody gender by the ways we use our voices. How a gender binary categorises bodies depending on their vocal frequency behaviour. How sound production and instruments can potentially amplify biases but can also become a healing medium. 
-
-In this perfomance, I position my body as an extension of sound and sound technology. I create voice through my phonatory system, which gets modulated in controllable and uncontrollable ways. A midi controller which  receives data from sonic pi is pitching, stretching and looping the voice that is plugged with, through knobs, faders and buttons. A partial narration, a passive whisper or a shout on having an anomalous (ανώμαλη) voice is commented in the beginning of the code and vocalised throughout the performance.</p>
+ <p> 
+  <em>Thanks for listening</em> is a live coding process, a system created by a body, cables, a borrowed midi device, a microphone, a sound card, Sonic Pi, speakers, memories, desires, discomforts and vulnerability. 
+ </p>
+ <p>
+  The force driving this research are questions such as: How we embody gender by the ways we use our voices. How a gender binary categorises bodies depending on their vocal frequency behaviour. How sound production and instruments can potentially amplify biases but can also become a healing medium.
+ </p>
+ <p>
+  In this perfomance, I position my body as an extension of sound and sound technology. I create voice through my phonatory system, which gets modulated in controllable and uncontrollable ways. A midi controller which  receives data from sonic pi is pitching, stretching and looping the voice that is plugged with, through knobs, faders and buttons. A partial narration, a passive whisper or a shout on having an ανώμαλη, (anomalous) voice is commented in the beginning of the code and vocalised throughout the performance.
+ </p>
 </div>
 <hr align='left'>
 <div id='about-student'>