@@ -4782,10 +4761,10 @@ Machine
+alt="I’ve fallen in love with you and I have no idea what to do about it. Phone cards inviting participation in “Hey Babe”." />
I’ve fallen in love with you and I have
no idea what to do about it. Phone cards inviting participation in “Hey
-Babe”. Someone holding it in the street?
+Babe”.
Date: Thu, 20 Jun 2024 16:00:37 +0200
Subject: [PATCH 2/5] added bits
---
ada/thesis.md | 14 +++++++-------
print/index.html | 27 ++++++++++++++++-----------
print/print_style.css | 16 +++++++++++++++-
3 files changed, 38 insertions(+), 19 deletions(-)
diff --git a/ada/thesis.md b/ada/thesis.md
index c388e61..8c86a89 100644
--- a/ada/thesis.md
+++ b/ada/thesis.md
@@ -6,14 +6,14 @@ author: Ada
# <?water bodies>
-### A narrative exploration of divergent digital intimacies
+
A narrative exploration of divergent digital intimacies
---
> Water, stories, the body,
> all the things we do, are
> mediums
-that hide and show what’s
+>that hide and show what’s
> hidden.
> (Rumi, 1995 translation)
@@ -905,10 +905,11 @@ are me.
## 2. A LIFE TO BE HAD11
-
11 Was this the end of this story?
+
11 Was this the end of this story?\
In the epilogue, you sit your body down and enter your
computer. The air coming in from the window smells wet and
-earthy, new. The sun shines low on the horizon.
+earthy, new. The sun shines low on the horizon.\
+
You log in to the internet and realize you are being told a story.
You start to listen, carefully and, full of love, touch the story to
let it know you are there. Delicate-fingered, curious like a child
@@ -967,8 +968,7 @@ eSq9p.\
Fuck.\
You try not to panic, but you know you have been detected.\
-You pack up your things: the pie I made you, a love letter, two
-hands made out of felt, a star, a door, a stuffed animal; and
+You pack up your things: the pie I made you, a love letter, a hand made out of felt, a star, a door, a stuffed animal; and
you leave again.
## THANK YOU
@@ -1040,4 +1040,4 @@ doi:10.1177/1440783313486220.
Yun, J. (2020) ‘The Leaving Season’, in Some Are
Always Hungry. University of Nebraska Press.
-# </?water bodies>
+
</?water bodies>
diff --git a/print/index.html b/print/index.html
index f4d6be4..199c7a9 100644
--- a/print/index.html
+++ b/print/index.html
@@ -165,8 +165,9 @@ alt="Photo by Leslie Robbins" />
<?water bodies>
-
A
-narrative exploration of divergent digital intimacies
+
+A narrative exploration of divergent digital intimacies
+
Water, stories, the body,
@@ -788,12 +789,14 @@ desperately. It has to exist and yet it can’t for long.
because I love you, little digital body and you are me.
2. A LIFE TO BE HAD11
-
11 Was this the end of this story? In the epilogue, you
-sit your body down and enter your computer. The air coming in from the
-window smells wet and earthy, new. The sun shines low on the horizon.
-You log in to the internet and realize you are being told a story. You
-start to listen, carefully and, full of love, touch the story to let it
-know you are there. Delicate-fingered, curious like a child holding a
+
11 Was this the end of this story?
+In the epilogue, you sit your body down and enter your computer. The air
+coming in from the window smells wet and earthy, new. The sun shines low
+on the horizon.
+
+
You log in to the internet and realize you are being told a story.
+You start to listen, carefully and, full of love, touch the story to let
+it know you are there. Delicate-fingered, curious like a child holding a
fallen bird. I hold you and the story tentatively.
I don’t know if I am touching you, to tell you the truth. Digital
@@ -849,8 +852,8 @@ eSq9p.
Fuck.
You try not to panic, but you know you have been detected.
-You pack up your things: the pie I made you, a love letter, two hands
-made out of felt, a star, a door, a stuffed animal; and you leave again.
+You pack up your things: the pie I made you, a love letter, a hand made
+out of felt, a star, a door, a stuffed animal; and you leave again.
THANK YOU
Special thanks to Marloes de Valk, Michael Murtaugh, Manetta Berends,
@@ -902,7 +905,9 @@ cybercommunities’, Journal of Sociology, 51(4), pp. 950–967.
doi:10.1177/1440783313486220.
Yun, J. (2020) ‘The Leaving Season’, in Some Are Always Hungry.
University of Nebraska Press.
-
</?water bodies>
+
+</?water bodies>
+
diff --git a/print/print_style.css b/print/print_style.css
index 55df035..c1da0c3 100644
--- a/print/print_style.css
+++ b/print/print_style.css
@@ -99,7 +99,7 @@ blockquote .margin-note{
margin-left: -25mm;
}
.fake-margin-note{
- margin: 40mm 0 0;
+ margin: 20mm 0 0;
a{color:var(--spot-color-1)};
h1{font-size: 7pt;}
}
@@ -133,6 +133,16 @@ h1 {
string-set: title content(text);
}
+h2 {
+ font-size: 1.6em;
+}
+
+.h2-no-pagebreak {
+ font-size: 1.6em;
+ line-height: 1;
+ font-style: italic;
+ break-after: avoid;
+}
.reset-margin-notes{
counter-reset: markerNote_marginNote -10;
@@ -208,3 +218,7 @@ margin-left: 40mm;
display: inline-block;
line-height: 0;
}
+
+#bibliography{
+ font-size: 6pt;
+}
From 05f1c47a93ee6a2474f3b07d977c8705373a773d Mon Sep 17 00:00:00 2001
From: suzan
Date: Thu, 20 Jun 2024 17:05:54 +0300
Subject: [PATCH 3/5] biblio
---
ada/index.md | 3 +
ada/thesis.html | 2 +-
ada/thesis.md | 3 +
aglaia/thesis.html | 2 +-
aglaia/thesis.md | 2 +
irmak/index.md | 28 +-
irmak/loop.png | Bin 12455 -> 11517 bytes
irmak/map.png | Bin 55054 -> 50947 bytes
irmak/thesis.html | 17 +-
irmak/thesis.md | 20 +-
print/fairleads.css | 12 +-
print/index.html | 2781 ++++++++++++++++++++---------------------
print/print_style.css | 1 +
stephen/thesis.md | 5 +-
14 files changed, 1449 insertions(+), 1427 deletions(-)
diff --git a/ada/index.md b/ada/index.md
index 8743cf0..be84b60 100644
--- a/ada/index.md
+++ b/ada/index.md
@@ -41,3 +41,6 @@ The play ends as all plays do. The curtains close, the website stays but the sto
There is no moral, no bow to wrap the story in. A great big mess of transcendence into the digital, of intimacy and of bodies. The way it always is. Thankfully.\
![Accept My Cookies, biscuits for the performance.](biscuit.png){.image-95}
+
+---
+
diff --git a/ada/thesis.html b/ada/thesis.html
index bfb0f90..42910fa 100644
--- a/ada/thesis.html
+++ b/ada/thesis.html
@@ -698,7 +698,7 @@ know you have been detected.
You pack up your things: the pie I made you, a love letter, two hands
made out of felt, a star, a door, a stuffed animal; and you leave
again.
-
references
+
references
Adler, P.A. and Adler, P. (2008) ‘The Cyber Worlds of self-injurers:
Deviant communities, relationships, and selves’, Symbolic Interaction,
31(1), pp. 33–56. doi:10.1525/si.2008.31.1.33.
diff --git a/ada/thesis.md b/ada/thesis.md
index d0a381c..f17b85f 100644
--- a/ada/thesis.md
+++ b/ada/thesis.md
@@ -970,6 +970,8 @@ You pack up your things: the pie I made you, a love letter, two
hands made out of felt, a star, a door, a stuffed animal; and
you leave again.
+
+
## references
Adler, P.A. and Adler, P. (2008) ‘The Cyber Worlds of
@@ -1033,5 +1035,6 @@ doi:10.1177/1440783313486220.
Yun, J. (2020) ‘The Leaving Season’, in Some Are
Always Hungry. University of Nebraska Press.
+
# <?/water bodies>
diff --git a/aglaia/thesis.html b/aglaia/thesis.html
index 4d8a9d5..f10a687 100644
--- a/aglaia/thesis.html
+++ b/aglaia/thesis.html
@@ -878,7 +878,7 @@ contrary we start interrogating and shouting at the contexts and the
frameworks that construct them and render them invisible, natural and
powerful.
-
references
+
references
Agamben, G. (2000) Means without end: Notes on politics. Minneapolis,
MN: University of Minnesota Press.
Anzaldua, G. (1987) Borderlands - la Frontera: The new mestiza. 2nd
diff --git a/aglaia/thesis.md b/aglaia/thesis.md
index c178e4a..c4c85f0 100644
--- a/aglaia/thesis.md
+++ b/aglaia/thesis.md
@@ -287,6 +287,7 @@ My intention is to facilitate a series of collective performative readings of bu
As I sit in the waiting area at the gate B7 in the airport preparing to come back to the Netherlands, I am writing the last lines of this text. I am thinking of all these borders and gates that my body was able to pass through smoothly, carrying my magical object through which I embody power- at least within this context. However, I yearn for a reality where we stop looking at those bodies that cross the multifaceted borders and get crossed and entrenched by them, but on the contrary we start interrogating and shouting at the contexts and the frameworks that construct them and render them invisible, natural and powerful.
---
+
## references
@@ -332,3 +333,4 @@ Mouffe, C. (2008) ‘Art and Democracy: Art as an Agonistic Internvention’. Op
Pater, R. (2021) Caps lock: How capitalism took hold of graphic design, and how to escape from it. Amsterdam, Netherlands: Valiz.
Picozza, F. (2021). The coloniality of asylum : mobility, autonomy and solidarity in the wake of Europe’s refugee crisis. London: Rowman & Littlefield Publishers.
+
\ No newline at end of file
diff --git a/irmak/index.md b/irmak/index.md
index 78cf825..af88f32 100644
--- a/irmak/index.md
+++ b/irmak/index.md
@@ -14,42 +14,42 @@ author: Irmak
Wink is a prototype for an interactive picture book platform. This platform aims to make reading into a mindfull and thought provoking process by using interactive and playful elements, multiple stories within one narrative and sound elements. Especially today where consumerism and low attention span is a rising issue especially amongst young readers, this was an important task to tackle. The thought of Wink emerged to find a more sustainable and creative way of reading for elementary school children.
-!["The twine map of text based story, reachable from Bee Within."](../irmak/twine.png){.half-image}
+![The twine map of text based story, reachable from Bee Within.](../irmak/twine.png){.half-image}
Working as a children's literature editor for years, I came to a realisation that picture books were turning into another object that kids read and consume on daily basis.
-!["Click game story of the Queen Bee."](../irmak/cg.png){.image-95}
+![Click game story of the Queen Bee.](../irmak/cg.png){.image-95}
Teachers and parents were finding it difficult to find new books constantly or were tired of rereading the same book.
-!["Example page from the print version of the picture book."](../irmak/printp33.jpg){.image-95}
+![Example page from the print version of the picture book.](../irmak/printp33.jpg){.image-95}
-!["Example page from the print version of the picture book."](../irmak/printp3.jpg){.image-95}
+![Example page from the print version of the picture book.](../irmak/printp3.jpg){.image-95}
-![''](../irmak/printp44.jpg){.image-95}
+![](../irmak/printp44.jpg){.image-95}
-![''](../irmak/printp4.jpg){.image-95}
+![](../irmak/printp4.jpg){.image-95}
As a young person in the publishing sector, I believe there should be more options for children as there is for adults; such as ebooks, audiobooks etc. But moreover a "book" that can be redefined, reread or be interacted with... So I revisited an old story I wrote, translated to English and called it, "Bee Within".
Bee Within, is a story about grief/memory and it is based on my experiences throughout the years.
I erased it, rewrote it, edited it, destroyed it multiple times over the past years; simultaneously with new experiences of loss. In the end, I believe the story turned out to be an ode to remembering or might I say an ode to not being able to forget or an ode to the fear of forgetting which I now think is a great and sweet battle between death and life. I think it is an important subject to touch upon, especially for children dealing with trauma in many parts of the world.
-!["example page from the picture book"](../irmak/printp1.jpg){.half-image}
+![Example page from the picture book.](../irmak/printp1.jpg){.half-image}
-!["example page from the picture book"](../irmak/printp22.jpg){.image-95}
+![Example page from the picture book.](../irmak/printp22.jpg){.image-95}
-!["example page from the picture book"](../irmak/printp2.jpg){.image-95}
+![Example page from the picture book.](../irmak/printp2.jpg){.image-95}
Over the past two years, experimenting with storytelling techniques, interactivity options and workshops with children and adults, around reading and doing various exercises on Bee Within, I improved the story to be a more playful and interactive one which can be re-read, re-played and eventually re-formed non digitally to be reachable for all children.
-!["a tag made by a participant in the public moment at XPUB studio. Trying to understand different approaches to certain emotions/states for a bee"](../irmak/improv.JPG){.half-image}
+![A tag made by a participant in the public moment at XPUB studio. Trying to understand different approaches to certain emotions/states for a bee.](../irmak/improv.JPG){.half-image}
-!["From the event at Leeszaal West, experimenting with knots and poetry. How can we see movement in text?"](../irmak/leeszaalknotpoems.jpg){.image-95}
+![From the event at Leeszaal West, experimenting with knots and poetry. How can we see movement in text?](../irmak/leeszaalknotpoems.jpg){.image-95}
-!["From the event at Leeszaal West. Some of the results of knotting text"](../irmak/knotpoems2.jpg){.image-95}
+![From the event at Leeszaal West. Some of the results of knotting text.](../irmak/knotpoems2.jpg){.image-95}
-!["A small sequence of onclick animation for Bee Within"](../irmak/animationseq.png){.image-95}
+![A small sequence of onclick animation for Bee Within.](../irmak/animationseq.png){.image-95}
-!["A screenshot from Wink!"](../irmak/45.png){.half-image}
+![A screenshot from Wink!](../irmak/45.png){.half-image}
diff --git a/irmak/loop.png b/irmak/loop.png
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