aglaia 7 months ago
commit a3cc5f8e07

@ -6,30 +6,10 @@ author: Stephen
# Colophon
Vulnerable Interfaces is a catalogue of work producted within the context of the Master of Arts in Fine art and Design: Experimental Publishing (XPUB) at the Piet Zwart Insititute, Willem de Kooning Academy, Rotterdam.
Special thanks goes to the XPUB staff whose expert help and guidance helped.
More information available at vulnerable-interfaces.xpub.nl
Vulnerable Interfaces is a catalogue of work producted within the context of the Master of Arts in Fine art and Design: Experimental Publishing (XPUB) at the Piet Zwart Insititute, Willem de Kooning Academy, Rotterdam. Special thanks goes to the XPUB staff for their expert help and guidance. More information available at vulnerable-interfaces.xpub.nl
### Course Director of XPUB
Michael Murtaugh
### Administration
Leslie Robbins
### Course tutors
Manetta Berends, Joseph Knierzinger, Michael Murtaugh, Steve Rushton, Kimmy Spreeuwenberg
### Special Issue tutors
Simone Browne, Artemis Gryllaki, Martino Morandi, Lídia Pereira
### Theses supervisor
Marloes de Valk
### External examiner for the graduation projects
Jeanne van Heeswijk
### Proof reader for this publication
Michael Murtaugh
### Special thanks to
Manetta Berends, Simone Browne, Artemis Gryllaki, Jeanne van Heeswijk, Joseph Knierzinger, Michael Murtaugh, Martino Morandi, Lídia Pereira, Leslie Robbins, Steve Rushton, Kimmy Spreeuwenberg, Marloes de Valk.
### Research, editing and production
Ada, Aglaia, Stephen and Irmak Suzan (XPUB graduates year 2022-2024)
@ -37,37 +17,37 @@ Ada, Aglaia, Stephen and Irmak Suzan (XPUB graduates year 2022-2024)
### Print run
200 copies
### Printed and Bound at
Publication Station, Willem De Koonig Academy, Rotterdam
### Printed and bound at
Publication Station, Willem De Kooning Academy, Rotterdam
### Paper
Clairefontaine, dune (80g/m3), *cover paper*
Clairefontaine Dune 80gsm, *cover paper*
### Typefaces
Platypi by David Sargent.
### Photography and Illustration
### Photography and illustration
Unless otherwise stated, all photography, illustrations and other types of visualisations in this publication are created by the same authors as the text. That which is below is like that which is above, and that which is above is like that which is below, to do the miracle of one only thing.
### Digital Tools
Paged.JS, Git, Etherpad.
### Digital tools
Writing in Etherpad. Version control in git. Design in Inkscape. Layout in paged.js. Printing in Adobe Acrobat.
### Licensing Information
### Licensing information
This publication is free to distrubite or modify under the terms of the SIXX license as published by XPUB, either version one of the SIXX License or any later version. See the SIXX License for more details.
A copy of the license can be found on xpub.nl/vulnerable-interfaces/license
A copy of the license can be found on vulnerable-interfaces.xpub.nl/license
### Postal address
Master of Arts in Fine Art and Design: Experimental Publishing,
Piet Zwart Institute,
Master of Arts in FIne Art and Design: Experimental Publishing,
P.O. Box 1272,
3000 BG Rotterdam
3000 BG Rotterdam,
The Netherlands.
### Visiting address
Wijnhaven 61,
4th floor,
3011 WJ Rotterdam,
the Netherlands
The Netherlands.
### XPUB
XPUB is the Master of Arts in Fine Art and Design: Experimental Publishing of the Piet Zwart Institute. XPUB focuses on the acts of making things public and creating publics in the age of post-digital networks. XPUBs interests in publishing are therefore twofold: first, publishing as the inquiry and participation into the technological frameworks, political context and cultural processes through which things are made public; and second, how these are, or can be, used to create publics.

@ -10,7 +10,7 @@ the reader:
Interfaces?
the book:
Interfaces are boundaries that connect and separate. They're the spaces that fill the void between us. An interface can be an act, a story, a keyboard, a cake; It allows us to be vulnerable together, to share our stories with and through each other. I am a collection of these interfaces.
Interfaces are boundaries that connect and separate. They're the spaces that fill the void between us. An interface can be an act, a story, a keyboard, a cake; It allows us to be vulnerable together, to share our stories with and through each other. I am a collection of these interfaces.
the reader (confused):
What do you mean a collection, like a catalogue?
@ -22,10 +22,11 @@ the reader:
we?
the book:
...I mean the four of us, the students of Experimental Publishing at the Piet Zwart Institute. From 2022 until today, June 2024, we published three special issues together. We wrote four theses' and made four graduation projects. We grew our hair out and cut it and grew it again and dyed it. We cared and cried for each other, we brewed muddy coffee and bootlegged books. (the book tears up) Finishing a Master's is a bit of a heavy moment for us and this book is a gentle archive, a memory of things that have been beautiful to us.
...I mean the four of us, the students of Experimental Publishing at the Piet Zwart Institute. From 2022 until today, June 2024, we published three special issues together. We wrote four theses and made four graduation projects. We grew our hair out and cut it and grew it again and dyed it. We cared and cried for each other, we brewed muddy coffee and bootlegged books. (The book tears up) Finishing a Master's is a bit of a heavy moment for us and this book is a gentle archive, a memory of things that have been beautiful to us.
the reader (sarcastically):
do you have a tissue, im soooo touched.
do you have a tissue, im soooo touched.
the book:
malaka, just read me already!
malaka, just read me already!

@ -1,4 +1,4 @@
start-matter
contents
introduction
leslie
ada
@ -10,4 +10,5 @@ specialissue19
specialissue20
specialissue21
license
colophon
colophon
reviews

Binary file not shown.

@ -10,18 +10,16 @@ Console is an oracle; an emotional first aid kit that helps you help yourself. C
Special Issue XX was co-published by xpub and Page Not Found, Den Haag. With guest editors Lídia Pereira ♈and Artemis Gryllaki ♐ we unraveled games and rituals, mapping the common characteristics and the differences between games and rituals in relation to ideology and counter-hegemony. We practiced, performed and annotated rituals, connected (or not) with our cultural backgrounds while we questioned the magic circle. We dived into the worlds of text adventure games and clicking games while drinking coffee. We talked about class, base, superstructure, (counter)hegemony, ideology and materialism. We discussed how games and rituals can function as reproductive technologies of the culture industries. We annotated games, focusing on the role of ideology and social reproduction. We reinterpreted bits of the world and created stories from it (modding, fiction, narrative) focusing on community, interaction, relationships, grief and healing.
![Console box with instruction book, games and ritual objects, produced in an edition of XX.](imagename.jpg)
![SIXX Licence reading ceremony at Page Not Found. The copyleft licence for this object included (in additional permission 4b) a term specifying the ritual absorption of intellectual property. ](imagename.jpg)
![Screenprinted book cover, from The Upside Down Oracolotto card.](imagename.jpg)
![Fiction Friction gameplay at Page Not Found](imagename.jpg)
![Oracolotto readings at Page Not Found.](imagename.jpg)
![Wheel of Fortune healing exercise at Page Not Found.](imagename.jpg)
![Holographic Oracle Deck](imagename.jpg)
![Page of book open on something else not mentioned: youtube tarot, fortnite, papa louie?](imagename.jpg)
![Page of book open on Tetris Fantasies](imagename.jpg)
![Reading with the Oracolotto cards.](imagename.jpg)
![Worry Dolls](imagename.jpg)
![Screenprinted book cover of the Console Booklet, from The Upside Down Oracolotto card.](imagename.jpg)
![Nighttime Ritual: Guided meditation from cardboardlamb](imagename.jpg)
![Worry Doll](imagename.jpg)
![Inscribed quote from Silvia Federici](imagename.jpg)
![Imagined tarot cards based on YouTube comments](imagename.jpg)
![Laser engraved quote from Silvia Federici, Love is the great magician..](imagename.jpg)
![Console box with Fiction Friction, Oracolotto, the Wheel of Fortune, a Worry Doll, tea and a tealight.](imagename.jpg)
![Screenprinted cover of the Console box.](imagename.jpg)
![SIXX Licence reading ceremony at Page Not Found. The copyleft licence for this object included (in additional permission 4b) a term specifying the ritual absorption of intellectual property. ](imagename.jpg)
![Fiction Friction gameplay during the launch at Page Not Found.](imagename.jpg)
![Modified tetris fantasies](imagename.jpg)

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