and signing, waiting again were the main components of this act.</p>
<p><strong>Reflections-Thoughts:</strong> Beyond the information
gathered through my bureaucratic-like questionnaires, the most crucial
element of this experiment was the understanding and highlighting of the
hidden performative elements that entrench these “rituals”. It was
amazing seeing the audience becoming instantly actors of the play
enacting willingly a administrative ritualistic scene. The provided
context of this “play” was a social library hosting a masters course
public event on graduation projects. I am wondering whether this
asymphony between the repetitive bureaucratic acts within the space of
Leeszaal, where such acts are not expected to be performed, evoked
contradictory feelings or thoughts. Over-identifying with a role was
being instrumentalized as an “interrogation” of one’s own involvement in
the reproduction of social discourses, power, authority, hegemony.</p>
<figure>
<imgsrc="../aglaia/queue.jpg"
alt="Leeszaal West Rotterdam - November 2023 – People queuingI was thinking of queues as a spatial oppressive tool used often by (bureaucratic) authorities. The naturalized image of bodies-in-a-line waiting for “something” to happen at “some point” under the public gaze in an efficiently defined area. to receive their documents and sign" />
alt="Leeszaal West Rotterdam - November 2023 – People queuing to receive their documents and sign. I was thinking of queues as a spatial oppressive tool used often by (bureaucratic) authorities. The naturalized image of bodies-in-a-line waiting for “something” to happen at “some point” under the public gaze in an efficiently defined area." />
<figcaptionaria-hidden="true">Leeszaal West Rotterdam - November 2023 –
People queuing<sup><spanclass="margin-note">I was thinking of queues as
a spatial oppressive tool used often by (bureaucratic) authorities. The
naturalized image of bodies-in-a-line waiting for “something” to happen
at “some point” under the public gaze in an efficiently defined
area.</span></sup> to receive their documents and sign</figcaption>
People queuing to receive their documents and sign. I was thinking of
queues as a spatial oppressive tool used often by (bureaucratic)
authorities. The naturalized image of bodies-in-a-line waiting for
“something” to happen at “some point” under the public gaze in an
efficiently defined area.</figcaption>
</figure>
<figure>
<imgsrc="../aglaia/mitsi.jpg"
@ -718,21 +725,22 @@ alt="One of the forms that the audience had to fill out during the Lesszaal even
<figcaptionaria-hidden="true">One of the forms that the audience had to
<p>Description: This scenario is the first part of a series of small
episodes that construct a bureaucratic story unfolding the processes of
my communication with the government. The body of the text of the
“theatrical” script is sourced from the original documents as well as
recordings of the conversation I had with the municipality throughout
this process. I preserved the sequence of the given sentences and by
discarding the graphic design of the initial form, I structured and
repurposed the text into a scenario. The main actors were two
<p><strong>Description:</strong> This scenario is the first part of a
series of small episodes that construct a bureaucratic story unfolding
the processes of my communication with the government. The body of the
text of the “theatrical” script is sourced from the original documents
as well as recordings of the conversation I had with the municipality
throughout this process. I preserved the sequence of the given sentences
and by discarding the graphic design of the initial form, I structured
and repurposed the text into a scenario. The main actors were two
bureaucrats vocalizing the questions addressed in the form, in turns and
sometimes speaking simultaneously like a choir, three applicants
answering the questions similarly while a narrator mainly provided the
@ -784,24 +797,29 @@ standing still behind them while they were surrounded by the audience.
The main documentation media of the act were a camera on a tripod, a
recorder in the middle of the table and myself reconstructing the memory
of the re-enactement at that present - 6 days later.</p>
<p>Reflections-Thoughts: Vocalizing and embodying the bureaucratic
questions was quite useful in acknowledging the government’s voice and
presence as something tangible rather than a floating, arbitrary entity.
It was interesting observing the bureaucrats performing their role with
confidence and entitlement, contrasting with the applicants who appeared
to be more stressed to respond convincingly and promptly. There is a
notable distinction between performativity and performance. Performing
consciously and theatrically amplifying real bureaucratic texts by
occupying roles and overidentifying with them can constitute a
diffractive moment, a tool itself. From bureaucratic text to
performative text scenarios to speech. The embedded (but rather
<p><strong>Reflections-Thoughts:</strong> Vocalizing and embodying the
bureaucratic questions was quite useful in acknowledging the
government’s voice and presence as something tangible rather than a
floating, arbitrary entity. It was interesting observing the bureaucrats
performing their role with confidence and entitlement, contrasting with
the applicants who appeared to be more stressed to respond convincingly
and promptly. There is a notable distinction between performativity and
performance. Performing consciously and theatrically amplifying real
bureaucratic texts by occupying roles and overidentifying with them can
constitute a diffractive moment, a tool itself. From bureaucratic text
to performative text scenarios to speech. The embedded (but rather
unconscious) performativity of “real” bureaucratic rituals establishes
and empowers (bureaucratic) institutions through repetitive acts. These
theatrical moments attempt to highlight the shrouded performative
elements of these processes.</p>
<p><ahref="../aglaia/postal.png">A6 booklet of the first chapter of the
<figure>
<imgsrc="../aglaia/postal.png"
alt="A6 booklet of the first chapter of the “theatrical” scenario created out of the Postal Address Application documents and performed by XPUB peers" />
<figcaptionaria-hidden="true">A6 booklet of the first chapter of the
“theatrical” scenario created out of the Postal Address Application
documents and performed by XPUB peers</a></p>
documents and performed by XPUB peers</figcaption>
This thesis is an assemblage<sup><spanclass="margin-note">I live somewhere in the margins of scattered references, footnotes, citations, examinations embracing the inconvenience of talking back to myself, to the reader and to all those people whose ideas gave soul to the text. I shelter in the borderlands of the pages my fragmented thoughts, flying words, introspections, voices. Enlightenment and inspiration given by the text “Dear Science” written by Katherine McKittrick.</span></sup> of thoughts, experiences, interpretations, intuitive explorations of what borders are, attempting to unleash a conversation concerning the entangled relation between material injurious borders and bureaucracy. I unravel empirically the thread of how borders as entities are manifested and (de)established. How does the lived experience of crossing multiple borders change and under what conditions?
@ -30,6 +31,7 @@ In the second chapter, I unpack bureaucracy and focus on its bordering function.
In the third and last chapter, I bridge the written text with the ongoing project that runs simultaneously as part of my graduation work in Experimental Publishing, where I mainly speak through my prototypes. Talking documents(5) are performative bureaucratic text inspections, vocal and non-vocal, that intend to create temporal public interventions through performative readings. The intention is to underline how the vocalization of bureaucracies as a tool can potentially reveal their territorial exclusive function and provide space for the invisible vulnerability.
---
> “on the other side is the river
> and I cannot cross it
> on the other side is the sea
@ -93,6 +95,7 @@ According to Hannah Arendt, the right to have rights and claim somebody else’
> “…<sup><spanclass="margin-note">This is a transcribed recording of my phone during a protest on migration at Dam Square in Amsterdam. I insert part of the speech of a Palestinian woman addressing the matter of undocumentedness. Date and time of the recording 18th of June 2023, 15:05.</span></sup> I am here for the rights of the children which haven't be in the taking part in the education since they have undocumented mothers and they are more than *<sup><span class="margin-note">“*” means undecipherable</span></sup> years. I am here to represent mothers who are looking for a place to have a sense of belonging or how long are you trying to continue humiliating them and the female gender. I am here to express my frustration with IND<sup><spanclass="margin-note">Immigratie- en Naturalisatiedienst - Dutch Immigration and Naturalisation Service</span></sup>. So frustrated. And I will not stop talking about democracy. Democracy is the rule of law where everybody feels included. Democracy is a rule of law where everybody feels * We, undocumented people, we don't feel a sense of belonging from the system."
---
## bureaucracy as immaterial border
Apart from the rigid visible borders, bureaucracy related to migrants, refugees and asylum seekers can also constitute an in-between less visible borderland. I used to perceive bureaucracy as an immaterial and intangible entity. However, now I can claim that this assumption is not true. Bureaucracy is material and spatial and can be seen as an apparatus, a machine, a circuitry, an institution, a territory, a borderland, a body, a zone – a “dead zone of imagination” as Graeber claims. It can be inscribed on piles of papers, folders, drawers, booklets, passports, IDs, documents, screens, tapes, bodies, hospital corridors, offices, permissions to enter, stay, work, travel, exist, come and go, leave, visit family, bury a friend.
@ -167,6 +170,7 @@ How performing a collection of small bureaucratic stories can function as an ins
I started working and engaging more with different bureaucratic material that my peers and I encountered regularly or appeared in our (e)mail (in)boxes and are partly related to our identities as foreign students coming from different places. I chose to start touching and looking for various bureaucracies that surround me as a personal filter towards it. From identification documents and application forms to rental contracts, funding applications, visa applications, quality assurance questionnaires related to the university, assessment criteria, supermarket point gathering cards, receipts. A sequence of locked doors to be unlocked more or less easily via multiple bureaucratic keys. The methods and tools used to scrutinize the administrative artifacts are not rigid or distinct. It is mainly a “collection” of small bureaucratic experiments - closely related to language as well as the performative “nature” of these texts themselves. I was intrigued by how transforming the material conditions of a piece of text could influence the potential understandings and perceptions of its meaning.
---
## prototypes
#### 1.
@ -184,6 +188,7 @@ These 'rituals' are components of a larger “culture of evidence”, serving as
---
#### 2.
**Title:** “Department of Bureaucracy and Administration Customs Enforcement”
**When:** November 2023
@ -200,6 +205,7 @@ The provided context of this “play” was a social library hosting a masters c
---
#### 3.
**Title:** “Passport Reading Session”
**When:** January 2024
@ -220,6 +226,7 @@ We read the embedded signs, symbols, categories, texts, magical numbers in our p
---
#### 4.
**Title:** “Postal Address Application Scenario”
**When:** February 2024
@ -235,6 +242,7 @@ The first and the last moment of the performance was during a semi-public tryout
---
## conclusion
### next chapters of the case with reference number A.B.2024.4.03188
@ -246,15 +254,18 @@ My case has finished by this time. I withdrew my objection [7/03/2024] and I de-
My intention is to facilitate a series of collective performative readings of bureaucratic scenarios or other portable paperwork stories as a way of publishing and inspecting bureaucratic bordering infrastructures. The marginal voices of potential applicants are embodying and performing a role. “The speech does not only describe but brings things into existence” (Austin, 1975). I would like to stretch the limits of dramaturgical speech through vocalizing a document in public with others and turn an individual administrative case into a public one. How do the inscribed words in the documents are not descriptive but on the contrary “are instrumentalized in getting things done” (Butler, 1997). Words as active agents. I am inviting past and future applicants, traumatized students, injured bearers, bureaucratic border crossers, stressed expired document holders or just curious people to share, vocalize, talk through, read out loud, amplify, (un)name, unplace, dismantle the injurious words of these artifacts.
---
---
#### “we didn’t cross the border, the border crossed us”(20)
As I sit in the waiting area at the gate B7 in the airport preparing to come back to the Netherlands, I am writing the last lines of this text. I am thinking of all these borders and gates that my body was able to pass through smoothly, carrying my magical object through which I embody power- at least within this context. However, I yearn for a reality where we stop looking at those bodies that cross the multifaceted borders and get crossed and entrenched by them, but on the contrary we start interrogating and shouting at the contexts and the frameworks that construct them and render them invisible, natural and powerful.
---
## references
Agamben, G. (2000) Means without end: Notes on politics. Minneapolis, MN: University of Minnesota Press.
@ -40,13 +42,26 @@ consumerism and low attention span is a rising issue especially amongst
young readers, this was an important task to tackle. The thought of Wink
emerged to find a more sustainable and creative way of reading for
elementary school children.</p>
<p><imgsrc="../irmak/improv.JPG"
alt="A tag made by a participant in the public moment at XPUB studio. Trying to understand different approaches to certain emotions/states for a bee" />
<imgsrc="../irmak/leeszaal knot poems.jpg"
alt="From the event at Leeszaal West, experimenting with knots and poetry. How can we see movement in text?" />
<imgsrc="../irmak/knotpoems2.jpg"
alt="From the event at Leeszaal West. Some of the results of knotting text." />
</p>
<figure>
<imgsrc="../irmak/improv.JPG"
alt="“a tag made by a participant in the public moment at XPUB studio. Trying to understand different approaches to certain emotions/states for a bee”" />
<figcaptionaria-hidden="true">“a tag made by a participant in the
public moment at XPUB studio. Trying to understand different approaches
to certain emotions/states for a bee”</figcaption>
</figure>
<figure>
<imgsrc="../irmak/leeszaalknotpoems.jpg"
alt="“From the event at Leeszaal West, experimenting with knots and poetry. How can we see movement in text?”" />
<figcaptionaria-hidden="true">“From the event at Leeszaal West,
experimenting with knots and poetry. How can we see movement in
text?”</figcaption>
</figure>
<figure>
<imgsrc="../irmak/knotpoems2.jpg"
alt="“From the event at Leeszaal West. Some of the results of knotting text”" />
<figcaptionaria-hidden="true">“From the event at Leeszaal West. Some of
the results of knotting text”</figcaption>
</figure>
<p>Working as a children’s literature editor for years, I came to a
realisation that picture books were turning into another object that
kids read and consume on daily basis. At least this is what I observed
@ -57,11 +72,18 @@ for children as there is for adults; such as ebooks, audiobooks etc. But
moreover a “book” that can be redefined, reread or be interacted with.
So I revisited an old story I wrote, translated to English and named it,
“Bee Within”.</p>
<p><imgsrc="../irmak/printp3.jpg"
alt="Example page from the print version of the picture book." />
<imgsrc="../irmak/printp4.jpg"
alt="Example page from the print version of the picture book." />
</p>
<figure>
<imgsrc="../irmak/print3.jpg"
alt="“Example page from the print version of the picture book.”" />
<figcaptionaria-hidden="true">“Example page from the print version of
the picture book.”</figcaption>
</figure>
<figure>
<imgsrc="../irmak/print4.jpg"
alt="“Example page from the print version of the picture book.”" />
<figcaptionaria-hidden="true">“Example page from the print version of
the picture book.”</figcaption>
</figure>
<p>Bee Within, is a story about grief and it is based on my experiences
throughout the years. I erased it, rewrote it, edited it, destroyed it
multiple times over the past years, simultaneously with new experiences
@ -71,30 +93,51 @@ to the fear of forgetting which I now think is a great and sweet battle
between death and life. I think it is an important subject to touch
upon, especially for children dealing with trauma in many parts of the
world.</p>
<p><imgsrc="../irmak/printp1.jpg"
alt="Example page from the print version of the picture book." />
<imgsrc="../irmak/printp2.jpg"
alt="Example page from the print version of the picture book." />
</p>
<figure>
<imgsrc="../irmak/print1p.jpg"
alt="“example page from the picture book”" />
<figcaptionaria-hidden="true">“example page from the picture
book”</figcaption>
</figure>
<figure>
<imgsrc="../irmak/printp2.jpg"
alt="“example page from the picture book”" />
<figcaptionaria-hidden="true">“example page from the picture
book”</figcaption>
</figure>
<p>Over the past two years, experimenting with storytelling techniques,
interactivity options and workshops with children and adults, around
reading and doing various exercises on Bee Within, I improved the story
to be a more playful and interactive one which can be re-read, re-played
and eventually re-formed non digitally to be reachable for all children.
</p>
<p><imgsrc="../irmak/twine.png"
alt="The twine map of text based story, reachable from Bee Within by clicking to hear more about Gray the tree." />
<imgsrc="../irmak/clickgame.png"
alt="Click game story of the Queen Bee that is reachable within Maya's main storyline." />
</p>
<p>
Here is some documentation from the beggining of this journey towards
making accesible interactive narratives…</p>
<p><imgsrc="../irmak/animationseq.png"
alt="A small sequence of onclick animation for Bee Within." />
<imgsrc="../irmak/fictionfriction.CR3"
alt="Fiction Friction cards from SI20, working on storytelling of collective traumas." />
</p>
and eventually re-formed non digitally to be reachable for all
children.</p>
<figure>
<imgsrc="../irmak/twine.png"
alt="“The twine map of text based story, reachable from Bee Within by clicking to hear more about Gray the tree.”" />
<figcaptionaria-hidden="true">“The twine map of text based story,
reachable from Bee Within by clicking to hear more about Gray the
tree.”</figcaption>
</figure>
<figure>
<imgsrc="clickgame.png"
alt="“Click game story of the Queen Bee that is reachable within Maya’s main storyline.”" />
<figcaptionaria-hidden="true">“Click game story of the Queen Bee that
is reachable within Maya’s main storyline.”</figcaption>
</figure>
<p>Here is some more documentation from the beggining of this journey
towards making accesible interactive narratives…</p>
<figure>
<imgsrc="../irmak/animationseq.png"
alt="“A small sequence of onclick animation for Bee Within”" />
<figcaptionaria-hidden="true">“A small sequence of onclick animation
for Bee Within”</figcaption>
</figure>
<figure>
<imgsrc="../irmak/fictionfriction.CR3"
alt="“Fiction Friction cards from SI20, working on storytelling of collective traumas”" />
<figcaptionaria-hidden="true">“Fiction Friction cards from SI20,
working on storytelling of collective traumas”</figcaption>
do graphic designers do all day and why do they do it and what does
“graphic design” even mean?!????!!1!?</h1>
<divid="content"><h1id="do-you-ever-dream-about-work">do you ever dream about work?</h1>
<figure>
<imgsrc="../stephen/its-ok.jpg"
alt="Custom keyboard mapping for efficient design practice." />
<figcaptionaria-hidden="true">Custom keyboard mapping for efficient
design practice.</figcaption>
</figure>
<p>Practice-led artistic research into the 21st century phenomenon of
the graphic designer. I held graphic design in my hands using
ethnography, toolmaking and performance as research methods. I examined
how designers spend their time in everyday life, this designer, me, as
well as you, what are we doing? What are our worldviews, belief systems,
mythologies and ideologies?</p>
<figure>
<imgsrc="../stephen/keylogger.jpeg"
alt="Keylogging research. I recorded the buttons a graphic designer (me) presses while working, as an autoethnographic research method into what exactly it is that designers do. To celebrate this labour, I then used a pen plotter to make a series of posters. Three minutes of the designers keypresses took about eight hours to plot. October 24th 2023." />
<figcaptionaria-hidden="true">Keylogging research. I recorded the
buttons a graphic designer (me) presses while working, as an
autoethnographic research method into what exactly it is that designers
do. To celebrate this labour, I then used a pen plotter to make a series
of posters. Three minutes of the designers keypresses took about eight
hours to plot. October 24th 2023.</figcaption>
</figure>
<p>I cut my thumb so every time I type i can feel it in my nerve
endings. Not true, it’s my left thumb so I don’t type with it. Not true,
I feel it anyway. Why are most of the function keys on the left of the
@ -59,22 +74,6 @@ I was thinking about you and I was in the same place as a friend of mine
and I was in the studio and we were in the studio and we were in the
studio and we were in the studio and we were in the</p>
<figure>
<imgsrc="../stephen/keylogger.jpeg"
alt="Keylogging research. I recorded the buttons a graphic designer (me) presses while working, as an autoethnographic research method into what exactly it is that designers do. To celebrate this labour, I then used a pen plotter to make a series of posters. Three minutes of the designers keypresses took about eight hours to plot. October 24th 2023." />
<figcaptionaria-hidden="true">Keylogging research. I recorded the
buttons a graphic designer (me) presses while working, as an
autoethnographic research method into what exactly it is that designers
do. To celebrate this labour, I then used a pen plotter to make a series
of posters. Three minutes of the designers keypresses took about eight
hours to plot. October 24th 2023.</figcaption>
</figure>
<p>Practice-led artistic research into the 21st century phenomenon of
the graphic designer. I held graphic design in my hands using
ethnography, toolmaking and performance as research methods. I examined
how designers spend their time in everyday life, this designer, me, as
well as you, what are we doing? What are our worldviews, belief systems,
mythologies and ideologies?</p>
<figure>
<imgsrc="../stephen/email.jpg"
alt="Email answering performance using Google’s Gmail service. To reveal the work of the designer clearly, I performed the designer’s task of answering email in front of an audience. Due to the performance happening at 7pm, out of office hours, there was extensive use of the Scheduled Email feature. Some stories emerged about our precarity including overdue rent and invalid payment information for Adobe Creative Cloud subscriptions. Leeszaal, Rotterdam, November 7th 2023." />
<figcaptionaria-hidden="true">Email answering performance using
@ -139,388 +138,391 @@ alt="Keyboard of things designers have said. Our feelings about work." />
<figcaptionaria-hidden="true">Keyboard of things designers have said.
Our feelings about work.</figcaption>
</figure>
<!-- # felt cute might delete later
<sectionid="keylogger">
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2024-06-06 15:53:07,228 - Key.ctrl_l<br/>
2024-06-06 15:53:07,250 - ‘’<br/>
2024-06-06 15:53:08,753 - Key.enter<br/>
2024-06-06 15:53:08,881 - Key.enter<br/>
2024-06-06 15:53:08,937 - Key.ctrl_l<br/>
2024-06-06 15:53:09,058 - ‘’<br/>
2024-06-06 15:53:10,218 - Key.up<br/>
2024-06-06 15:53:10,441 - Key.backspace<br/>
2024-06-06 15:53:10,970 - Key.down<br/>
2024-06-06 15:53:11,169 - Key.down<br/>
2024-06-06 15:53:11,577 - Key.left<br/>
2024-06-06 15:53:11,777 - Key.enter<br/>
2024-06-06 15:53:11,921 - Key.enter<br/>
2024-06-06 15:53:27,769 - Key.alt_l<br/>
2024-06-06 15:53:27,882 - Key.tab<br/>
2024-06-06 15:53:28,585 - Key.tab<br/>
2024-06-06 15:53:28,833 - Key.tab<br/>
2024-06-06 15:53:31,809 - ‘z’<br/>
2024-06-06 15:53:32,090 - ‘e’<br/>
2024-06-06 15:53:32,682 - ‘n’<br/>
2024-06-06 15:53:32,753 - ‘o’<br/>
2024-06-06 15:53:38,450 - Key.space<br/>
2024-06-06 15:53:38,713 - ‘q’<br/>
2024-06-06 15:53:38,858 - ‘u’<br/>
2024-06-06 15:53:38,937 - ‘o’<br/>
2024-06-06 15:53:39,082 - ‘t’<br/>
2024-06-06 15:53:39,129 - ‘e’<br/>
2024-06-06 15:53:39,201 - Key.enter<br/>
2024-06-06 15:53:44,858 - ‘w’<br/>
2024-06-06 15:53:44,953 - ‘i’<br/>
2024-06-06 15:53:45,129 - ‘k’<br/>
2024-06-06 15:53:45,250 - ‘i’<br/>
2024-06-06 15:53:48,817 - Key.enter<br/>
2024-06-06 15:53:55,257 - Key.ctrl_l<br/>
2024-06-06 15:53:55,513 - ‘’<br/>
2024-06-06 15:53:56,418 - ‘z’<br/>
2024-06-06 15:53:56,642 - ‘e’<br/>
2024-06-06 15:53:56,882 - ‘n’<br/>
2024-06-06 15:53:56,946 - ‘o’<br/>
2024-06-06 15:54:05,473 - Key.alt_l<br/>
2024-06-06 15:54:05,609 - Key.tab<br/>
2024-06-06 15:54:08,185 - Key.shift<br/>
2024-06-06 15:54:08,693 - Key.shift<br/>
2024-06-06 15:54:08,723 - Key.shift<br/>
2024-06-06 15:54:08,754 - Key.shift<br/>
2024-06-06 15:54:08,786 - Key.shift<br/>
2024-06-06 15:54:08,831 - Key.shift<br/>
2024-06-06 15:54:08,862 - Key.shift<br/>
2024-06-06 15:54:08,893 - Key.shift<br/>
2024-06-06 15:54:08,923 - Key.shift<br/>
2024-06-06 15:54:08,952 - Key.shift<br/>
2024-06-06 15:54:08,983 - Key.shift<br/>
2024-06-06 15:54:09,010 - ‘A’<br/>
2024-06-06 15:54:09,177 - Key.space<br/>
2024-06-06 15:54:09,778 - ‘s’<br/>
2024-06-06 15:54:09,842 - ‘a’<br/>
2024-06-06 15:54:10,026 - ‘n’<br/>
2024-06-06 15:54:10,130 - ‘e’<br/>
2024-06-06 15:54:10,242 - Key.space<br/>
2024-06-06 15:54:10,634 - ‘p’<br/>
2024-06-06 15:54:10,754 - ‘e’<br/>
2024-06-06 15:54:10,850 - ‘r’<br/>
2024-06-06 15:54:11,281 - ‘s’<br/>
2024-06-06 15:54:11,442 - ‘o’<br/>
2024-06-06 15:54:11,538 - ‘n’<br/>
2024-06-06 15:54:13,689 - Key.shift<br/>
2024-06-06 15:54:13,818 - ‘“’<br/>
2024-06-06 15:54:14,225 - Key.left<br/>
2024-06-06 15:54:14,731 - Key.left<br/>
2024-06-06 15:54:14,760 - Key.left<br/>
2024-06-06 15:54:14,791 - Key.left<br/>
2024-06-06 15:54:14,839 - Key.left<br/>
2024-06-06 15:54:14,869 - Key.left<br/>
2024-06-06 15:54:14,899 - Key.left<br/>
2024-06-06 15:54:14,930 - Key.left<br/>
2024-06-06 15:54:14,962 - Key.left<br/>
2024-06-06 15:54:14,992 - Key.left<br/>
2024-06-06 15:54:15,023 - Key.left<br/>
2024-06-06 15:54:15,055 - Key.left<br/>
2024-06-06 15:54:15,281 - Key.left<br/>
2024-06-06 15:54:15,513 - Key.left<br/>
2024-06-06 15:54:15,625 - Key.shift<br/>
2024-06-06 15:54:15,705 - ‘“’<br/>
2024-06-06 15:54:16,009 - Key.right<br/>
2024-06-06 15:54:16,514 - Key.right<br/>
2024-06-06 15:54:16,546 - Key.right<br/>
2024-06-06 15:54:16,576 - Key.right<br/>
2024-06-06 15:54:16,623 - Key.right<br/>
2024-06-06 15:54:16,653 - Key.right<br/>
2024-06-06 15:54:16,684 - Key.right<br/>
2024-06-06 15:54:16,715 - Key.right<br/>
2024-06-06 15:54:16,746 - Key.right<br/>
2024-06-06 15:54:16,777 - Key.right<br/>
2024-06-06 15:54:16,809 - Key.right<br/>
2024-06-06 15:54:16,840 - Key.right<br/>
2024-06-06 15:54:16,886 - Key.right<br/>
2024-06-06 15:54:16,916 - Key.right<br/>
2024-06-06 15:54:17,289 - Key.space<br/>
2024-06-06 15:54:18,058 - ‘s’<br/>
2024-06-06 15:54:18,130 - ‘a’<br/>
2024-06-06 15:54:18,314 - ‘y’<br/>
2024-06-06 15:54:18,394 - ‘s’<br/>
2024-06-06 15:54:19,242 - Key.space<br/>
2024-06-06 15:54:19,409 - Key.shift<br/>
2024-06-06 15:54:19,634 - ‘Z’<br/>
2024-06-06 15:54:19,866 - ‘e’<br/>
2024-06-06 15:54:20,034 - ‘n’<br/>
2024-06-06 15:54:20,114 - ‘o’<br/>
2024-06-06 15:54:20,336 - Key.alt_l<br/>
2024-06-06 15:54:20,441 - Key.tab<br/>
2024-06-06 15:54:21,433 - Key.alt_l<br/>
2024-06-06 15:54:21,521 - Key.tab<br/>
2024-06-06 15:54:22,586 - ‘,’<br/>
2024-06-06 15:54:22,665 - Key.left<br/>
2024-06-06 15:54:23,177 - Key.left<br/>
2024-06-06 15:54:23,207 - Key.left<br/>
2024-06-06 15:54:23,239 - Key.left<br/>
2024-06-06 15:54:23,270 - Key.left<br/>
2024-06-06 15:54:23,301 - Key.left<br/>
2024-06-06 15:54:23,332 - Key.left<br/>
2024-06-06 15:54:23,378 - Key.left<br/>
2024-06-06 15:54:23,409 - Key.left<br/>
2024-06-06 15:54:23,440 - Key.left<br/>
2024-06-06 15:54:23,577 - Key.left<br/>
2024-06-06 15:54:23,826 - ‘,’<br/>
2024-06-06 15:54:23,937 - Key.right<br/>
2024-06-06 15:54:24,446 - Key.right<br/>
2024-06-06 15:54:24,477 - Key.right<br/>
2024-06-06 15:54:24,508 - Key.right<br/>
2024-06-06 15:54:24,539 - Key.right<br/>
2024-06-06 15:54:24,570 - Key.right<br/>
2024-06-06 15:54:24,616 - Key.right<br/>
2024-06-06 15:54:24,648 - Key.right<br/>
2024-06-06 15:54:24,889 - Key.right<br/>
2024-06-06 15:54:25,049 - Key.right<br/>
2024-06-06 15:54:25,289 - Key.right<br/>
2024-06-06 15:54:25,425 - Key.space<br/>
2024-06-06 15:54:25,737 - Key.alt_l<br/>
2024-06-06 15:54:25,825 - Key.tab<br/>
2024-06-06 15:54:26,554 - Key.alt_l<br/>
2024-06-06 15:54:26,617 - Key.tab<br/>
2024-06-06 15:54:26,993 - Key.shift<br/>
2024-06-06 15:54:27,506 - Key.shift<br/>
2024-06-06 15:54:27,537 - Key.shift<br/>
2024-06-06 15:54:27,568 - Key.shift<br/>
2024-06-06 15:54:27,599 - Key.shift<br/>
2024-06-06 15:54:27,610 - ‘“’<br/>
2024-06-06 15:54:27,946 - ‘d’<br/>
2024-06-06 15:54:28,090 - ‘o’<br/>
2024-06-06 15:54:28,218 - ‘e’<br/>
2024-06-06 15:54:28,322 - ‘s’<br/>
2024-06-06 15:54:28,394 - ‘n’<br/>
2024-06-06 15:54:28,897 -”’”<br/>
2024-06-06 15:54:28,978 - ’t’<br/>
2024-06-06 15:54:29,105 - Key.space<br/>
2024-06-06 15:54:29,274 - ‘a’<br/>
2024-06-06 15:54:29,418 - ‘n’<br/>
2024-06-06 15:54:29,522 - ‘a’<br/>
2024-06-06 15:54:29,850 - ‘l’<br/>
2024-06-06 15:54:30,090 - ‘y’<br/>
2024-06-06 15:54:30,241 - ‘s’<br/>
2024-06-06 15:54:30,394 - ‘e’<br/>
2024-06-06 15:54:30,609 - Key.space<br/>
2024-06-06 15:54:30,930 - ‘h’<br/>
2024-06-06 15:54:31,002 - ‘i’<br/>
2024-06-06 15:54:31,137 - ‘m’<br/>
2024-06-06 15:54:31,322 - ‘s’<br/>
2024-06-06 15:54:31,458 - ‘e’<br/>
2024-06-06 15:54:31,633 - ‘l’<br/>
2024-06-06 15:54:31,730 - ‘f’<br/>
2024-06-06 15:54:32,241 - Key.alt_l<br/>
2024-06-06 15:54:32,353 - Key.tab<br/>
2024-06-06 15:54:33,737 - Key.alt_l<br/>
2024-06-06 15:54:33,833 - Key.tab<br/>
2024-06-06 15:54:34,442 - ‘,’<br/>
2024-06-06 15:54:34,585 - Key.space<br/>
2024-06-06 15:54:34,834 - ‘d’<br/>
2024-06-06 15:54:34,954 - ‘o’<br/>
2024-06-06 15:54:35,090 - ‘e’<br/>
2024-06-06 15:54:35,170 - ‘s’<br/>
2024-06-06 15:54:35,298 - ‘n’<br/>
2024-06-06 15:54:35,898 -”’”<br/>
2024-06-06 15:54:35,954 - ‘t’<br/>
2024-06-06 15:54:35,978 - ‘t’<br/>
2024-06-06 15:54:36,209 - Key.space<br/>
2024-06-06 15:54:36,378 - ‘l’<br/>
2024-06-06 15:54:36,546 - ‘o’<br/>
2024-06-06 15:54:36,666 - ‘o’<br/>
2024-06-06 15:54:36,730 - ‘k’<br/>
2024-06-06 15:54:36,881 - Key.space<br/>
2024-06-06 15:54:37,034 - ‘i’<br/>
2024-06-06 15:54:37,090 - ‘n’<br/>
2024-06-06 15:54:37,257 - Key.space<br/>
2024-06-06 15:54:37,410 - ‘t’<br/>
2024-06-06 15:54:37,482 - ‘h’<br/>
2024-06-06 15:54:37,586 - ‘e’<br/>
2024-06-06 15:54:37,681 - Key.space<br/>
2024-06-06 15:54:37,874 - ‘m’<br/>
2024-06-06 15:54:38,017 - ‘i’<br/>
2024-06-06 15:54:38,233 - ‘r’<br/>
2024-06-06 15:54:38,562 - ‘r’<br/>
2024-06-06 15:54:38,898 - ‘o’<br/>
2024-06-06 15:54:39,210 - ‘r’<br/>
2024-06-06 15:54:39,945 - Key.shift<br/>
2024-06-06 15:54:40,448 - Key.shift<br/>
2024-06-06 15:54:40,478 - Key.shift<br/>
2024-06-06 15:54:40,525 - Key.shift<br/>
2024-06-06 15:54:40,556 - Key.shift<br/>
2024-06-06 15:54:40,587 - Key.shift<br/>
2024-06-06 15:54:40,594 - ‘“’<br/>
2024-06-06 15:54:41,033 - Key.alt_l<br/>
2024-06-06 15:54:41,137 - Key.tab<br/>
2024-06-06 15:54:42,545 - Key.alt_l<br/>
2024-06-06 15:54:42,650 - Key.tab<br/>
2024-06-06 15:54:44,257 - Key.ctrl_l<br/>
2024-06-06 15:54:44,466 - ‘’<br/>
2024-06-06 15:54:45,105 - Key.alt_l<br/>
2024-06-06 15:54:45,217 - Key.tab<br/>
2024-06-06 15:54:46,361 - Key.tab<br/>
2024-06-06 15:54:46,537 - Key.tab<br/>
2024-06-06 15:54:46,729 - Key.tab<br/>
2024-06-06 15:54:48,706 - ‘g’<br/>
2024-06-06 15:54:48,770 - ‘e’<br/>
2024-06-06 15:54:48,914 - ‘n’<br/>
2024-06-06 15:54:49,034 - ‘e’<br/>
2024-06-06 15:54:49,140 - ‘r’<br/>
2024-06-06 15:54:49,570 - ‘a’<br/>
2024-06-06 15:54:49,786 - ‘t’<br/>
2024-06-06 15:54:49,866 - ‘e’<br/>
2024-06-06 15:54:50,785 - Key.backspace<br/>
2024-06-06 15:54:51,295 - Key.backspace<br/>
2024-06-06 15:54:51,325 - Key.backspace<br/>
2024-06-06 15:54:51,356 - Key.backspace<br/>
2024-06-06 15:54:51,388 - Key.backspace<br/>
2024-06-06 15:54:51,418 - Key.backspace<br/>
2024-06-06 15:54:51,450 - Key.backspace<br/>
2024-06-06 15:54:51,497 - Key.backspace<br/>
2024-06-06 15:54:51,527 - Key.backspace<br/>
2024-06-06 15:54:51,558 - Key.backspace<br/>
2024-06-06 15:54:51,589 - Key.backspace<br/>
2024-06-06 15:54:51,620 - Key.backspace<br/>
2024-06-06 15:54:51,651 - Key.backspace<br/>
2024-06-06 15:54:51,682 - Key.backspace<br/>
2024-06-06 15:54:51,728 - Key.backspace<br/>
2024-06-06 15:54:52,162 - ‘p’<br/>
2024-06-06 15:54:52,649 - ‘y’<br/>
2024-06-06 15:54:52,970 - ‘t’<br/>
2024-06-06 15:54:53,082 - ‘h’<br/>
2024-06-06 15:54:53,122 - ‘o’<br/>
2024-06-06 15:54:53,265 - ‘n’<br/>
2024-06-06 15:54:53,817 - Key.space<br/>
2024-06-06 15:54:54,410 - ‘g’<br/>
2024-06-06 15:54:54,442 - ‘e’<br/>
2024-06-06 15:54:54,609 - ‘n’<br/>
2024-06-06 15:54:54,714 - ‘e’<br/>
2024-06-06 15:54:54,810 - ‘r’<br/>
2024-06-06 15:54:55,073 - ‘a’<br/>
2024-06-06 15:54:55,202 - ‘t’<br/>
2024-06-06 15:54:55,306 - ‘e’<br/>
2024-06-06 15:54:55,809 - ‘-’<br/>
2024-06-06 15:54:56,465 - Key.tab<br/>
2024-06-06 15:54:58,945 - Key.enter<br/>
2024-06-06 15:55:06,353 - Key.alt_l<br/>
2024-06-06 15:55:06,473 - Key.tab<br/>
2024-06-06 15:55:07,265 - Key.tab<br/>
2024-06-06 15:55:10,985 - Key.ctrl_l<br/>
2024-06-06 15:55:11,492 - Key.ctrl_l<br/>
2024-06-06 15:55:11,523 - Key.ctrl_l<br/>
2024-06-06 15:55:11,554 - Key.ctrl_l<br/>
2024-06-06 15:55:11,586 - Key.ctrl_l<br/>
2024-06-06 15:55:11,630 - Key.ctrl_l<br/>
2024-06-06 15:55:11,642 - ‘’<br/>
2024-06-06 15:55:15,457 - Key.ctrl_l<br/>
2024-06-06 15:55:15,730 - ‘’<br/>
2024-06-06 15:55:16,210 - ‘z’<br/>
2024-06-06 15:55:16,434 - ‘e’<br/>
2024-06-06 15:55:16,626 - ‘n’<br/>
2024-06-06 15:55:16,714 - ‘o’<br/>
2024-06-06 15:55:20,953 - Key.alt_l<br/>
2024-06-06 15:55:21,049 - Key.tab<br/>
2024-06-06 15:55:22,681 - Key.tab<br/>
2024-06-06 15:55:22,881 - Key.tab<br/>
2024-06-06 15:55:23,113 - Key.tab<br/>
2024-06-06 15:55:26,001 - Key.ctrl_l<br/>
2024-06-06 15:55:26,338 - ‘’<br/>
2024-06-06 15:55:27,760 - Key.ctrl_l<br/>
2024-06-06 15:55:28,267 - Key.ctrl_l<br/>
2024-06-06 15:55:28,298 - Key.ctrl_l<br/>
2024-06-06 15:55:28,330 - ‘1a’<br/>
2024-06-06 15:55:28,665 - Key.ctrl_l<br/>
2024-06-06 15:55:28,834 - ‘’<br/>
2024-06-06 15:55:29,441 - Key.alt_l<br/>
2024-06-06 15:55:29,545 - Key.tab<br/>
2024-06-06 15:55:29,945 - Key.tab<br/>
2024-06-06 15:55:30,353 - Key.tab<br/>
2024-06-06 15:55:30,561 - Key.tab<br/>
2024-06-06 15:55:33,281 - Key.cmd<br/>
2024-06-06 15:55:33,617 - ‘e’</p>
2023-11-24 17:52:55,103 - Key.tab
2023-11-24 17:52:57,175 - Key.alt_l
2023-11-24 17:52:57,368 - Key.tab
2023-11-24 17:52:57,959 - Key.tab
2023-11-24 17:52:58,239 - Key.tab
2023-11-24 17:52:59,055 - Key.cmd
2023-11-24 17:52:59,208 - 'e'
2024-06-06 15:51:56,169 - Key.alt_l
2024-06-06 15:51:56,273 - Key.tab
2024-06-06 15:51:57,017 - Key.tab
2024-06-06 15:51:58,130 - Key.tab
2024-06-06 15:51:58,385 - Key.tab
2024-06-06 15:52:04,257 - Key.alt_l
2024-06-06 15:52:04,370 - Key.tab
2024-06-06 15:52:05,041 - Key.tab
2024-06-06 15:52:05,281 - Key.tab
2024-06-06 15:52:39,050 - Key.ctrl_l
2024-06-06 15:52:39,443 - '\x03'
2024-06-06 15:52:53,985 - Key.ctrl_l
2024-06-06 15:52:54,363 - '\x16'
2024-06-06 15:52:57,545 - Key.left
2024-06-06 15:52:57,761 - Key.left
2024-06-06 15:52:57,921 - Key.left
2024-06-06 15:52:58,057 - Key.left
2024-06-06 15:52:58,201 - Key.left
2024-06-06 15:52:58,337 - Key.left
2024-06-06 15:52:58,585 - Key.shift
2024-06-06 15:52:58,682 - Key.ctrl_l
2024-06-06 15:52:58,785 - Key.right
2024-06-06 15:52:59,121 - Key.right
2024-06-06 15:52:59,417 - Key.right
2024-06-06 15:53:00,530 - 'k'
2024-06-06 15:53:00,626 - 'e'
2024-06-06 15:53:00,890 - 'y'
2024-06-06 15:53:01,370 - 'l'
2024-06-06 15:53:01,546 - 'o'
2024-06-06 15:53:01,754 - 'g'
2024-06-06 15:53:01,882 - 'g'
2024-06-06 15:53:01,994 - 'e'
2024-06-06 15:53:02,162 - 'r'
2024-06-06 15:53:02,778 - '.'
2024-06-06 15:53:03,146 - 'j'
2024-06-06 15:53:03,394 - 'p'
2024-06-06 15:53:03,562 - 'e'
2024-06-06 15:53:03,818 - 'g'
2024-06-06 15:53:05,569 - Key.ctrl_l
2024-06-06 15:53:06,079 - Key.ctrl_l
2024-06-06 15:53:06,110 - Key.ctrl_l
2024-06-06 15:53:06,140 - Key.ctrl_l
2024-06-06 15:53:06,172 - Key.ctrl_l
2024-06-06 15:53:06,203 - Key.ctrl_l
2024-06-06 15:53:06,235 - Key.ctrl_l
2024-06-06 15:53:06,282 - Key.ctrl_l
2024-06-06 15:53:06,313 - Key.ctrl_l
2024-06-06 15:53:06,344 - Key.ctrl_l
2024-06-06 15:53:06,374 - Key.ctrl_l
2024-06-06 15:53:06,405 - Key.ctrl_l
2024-06-06 15:53:06,436 - Key.ctrl_l
2024-06-06 15:53:06,467 - Key.ctrl_l
2024-06-06 15:53:06,499 - Key.ctrl_l
2024-06-06 15:53:06,545 - Key.ctrl_l
2024-06-06 15:53:06,578 - Key.ctrl_l
2024-06-06 15:53:06,609 - Key.ctrl_l
2024-06-06 15:53:06,641 - Key.ctrl_l
2024-06-06 15:53:06,672 - Key.ctrl_l
2024-06-06 15:53:06,702 - Key.ctrl_l
2024-06-06 15:53:06,733 - Key.ctrl_l
2024-06-06 15:53:06,765 - Key.ctrl_l
2024-06-06 15:53:06,795 - Key.ctrl_l
2024-06-06 15:53:06,841 - Key.ctrl_l
2024-06-06 15:53:06,872 - Key.ctrl_l
2024-06-06 15:53:06,904 - Key.ctrl_l
2024-06-06 15:53:06,934 - Key.ctrl_l
2024-06-06 15:53:06,964 - Key.ctrl_l
2024-06-06 15:53:06,995 - Key.ctrl_l
2024-06-06 15:53:07,040 - Key.ctrl_l
2024-06-06 15:53:07,073 - Key.ctrl_l
2024-06-06 15:53:07,103 - Key.ctrl_l
2024-06-06 15:53:07,134 - Key.ctrl_l
2024-06-06 15:53:07,165 - Key.ctrl_l
2024-06-06 15:53:07,196 - Key.ctrl_l
2024-06-06 15:53:07,228 - Key.ctrl_l
2024-06-06 15:53:07,250 - '\x18'
2024-06-06 15:53:08,753 - Key.enter
2024-06-06 15:53:08,881 - Key.enter
2024-06-06 15:53:08,937 - Key.ctrl_l
2024-06-06 15:53:09,058 - '\x16'
2024-06-06 15:53:10,218 - Key.up
2024-06-06 15:53:10,441 - Key.backspace
2024-06-06 15:53:10,970 - Key.down
2024-06-06 15:53:11,169 - Key.down
2024-06-06 15:53:11,577 - Key.left
2024-06-06 15:53:11,777 - Key.enter
2024-06-06 15:53:11,921 - Key.enter
2024-06-06 15:53:27,769 - Key.alt_l
2024-06-06 15:53:27,882 - Key.tab
2024-06-06 15:53:28,585 - Key.tab
2024-06-06 15:53:28,833 - Key.tab
2024-06-06 15:53:31,809 - 'z'
2024-06-06 15:53:32,090 - 'e'
2024-06-06 15:53:32,682 - 'n'
2024-06-06 15:53:32,753 - 'o'
2024-06-06 15:53:38,450 - Key.space
2024-06-06 15:53:38,713 - 'q'
2024-06-06 15:53:38,858 - 'u'
2024-06-06 15:53:38,937 - 'o'
2024-06-06 15:53:39,082 - 't'
2024-06-06 15:53:39,129 - 'e'
2024-06-06 15:53:39,201 - Key.enter
2024-06-06 15:53:44,858 - 'w'
2024-06-06 15:53:44,953 - 'i'
2024-06-06 15:53:45,129 - 'k'
2024-06-06 15:53:45,250 - 'i'
2024-06-06 15:53:48,817 - Key.enter
2024-06-06 15:53:55,257 - Key.ctrl_l
2024-06-06 15:53:55,513 - '\x06'
2024-06-06 15:53:56,418 - 'z'
2024-06-06 15:53:56,642 - 'e'
2024-06-06 15:53:56,882 - 'n'
2024-06-06 15:53:56,946 - 'o'
2024-06-06 15:54:05,473 - Key.alt_l
2024-06-06 15:54:05,609 - Key.tab
2024-06-06 15:54:08,185 - Key.shift
2024-06-06 15:54:08,693 - Key.shift
2024-06-06 15:54:08,723 - Key.shift
2024-06-06 15:54:08,754 - Key.shift
2024-06-06 15:54:08,786 - Key.shift
2024-06-06 15:54:08,831 - Key.shift
2024-06-06 15:54:08,862 - Key.shift
2024-06-06 15:54:08,893 - Key.shift
2024-06-06 15:54:08,923 - Key.shift
2024-06-06 15:54:08,952 - Key.shift
2024-06-06 15:54:08,983 - Key.shift
2024-06-06 15:54:09,010 - 'A'
2024-06-06 15:54:09,177 - Key.space
2024-06-06 15:54:09,778 - 's'
2024-06-06 15:54:09,842 - 'a'
2024-06-06 15:54:10,026 - 'n'
2024-06-06 15:54:10,130 - 'e'
2024-06-06 15:54:10,242 - Key.space
2024-06-06 15:54:10,634 - 'p'
2024-06-06 15:54:10,754 - 'e'
2024-06-06 15:54:10,850 - 'r'
2024-06-06 15:54:11,281 - 's'
2024-06-06 15:54:11,442 - 'o'
2024-06-06 15:54:11,538 - 'n'
2024-06-06 15:54:13,689 - Key.shift
2024-06-06 15:54:13,818 - '"'
2024-06-06 15:54:14,225 - Key.left
2024-06-06 15:54:14,731 - Key.left
2024-06-06 15:54:14,760 - Key.left
2024-06-06 15:54:14,791 - Key.left
2024-06-06 15:54:14,839 - Key.left
2024-06-06 15:54:14,869 - Key.left
2024-06-06 15:54:14,899 - Key.left
2024-06-06 15:54:14,930 - Key.left
2024-06-06 15:54:14,962 - Key.left
2024-06-06 15:54:14,992 - Key.left
2024-06-06 15:54:15,023 - Key.left
2024-06-06 15:54:15,055 - Key.left
2024-06-06 15:54:15,281 - Key.left
2024-06-06 15:54:15,513 - Key.left
2024-06-06 15:54:15,625 - Key.shift
2024-06-06 15:54:15,705 - '"'
2024-06-06 15:54:16,009 - Key.right
2024-06-06 15:54:16,514 - Key.right
2024-06-06 15:54:16,546 - Key.right
2024-06-06 15:54:16,576 - Key.right
2024-06-06 15:54:16,623 - Key.right
2024-06-06 15:54:16,653 - Key.right
2024-06-06 15:54:16,684 - Key.right
2024-06-06 15:54:16,715 - Key.right
2024-06-06 15:54:16,746 - Key.right
2024-06-06 15:54:16,777 - Key.right
2024-06-06 15:54:16,809 - Key.right
2024-06-06 15:54:16,840 - Key.right
2024-06-06 15:54:16,886 - Key.right
2024-06-06 15:54:16,916 - Key.right
2024-06-06 15:54:17,289 - Key.space
2024-06-06 15:54:18,058 - 's'
2024-06-06 15:54:18,130 - 'a'
2024-06-06 15:54:18,314 - 'y'
2024-06-06 15:54:18,394 - 's'
2024-06-06 15:54:19,242 - Key.space
2024-06-06 15:54:19,409 - Key.shift
2024-06-06 15:54:19,634 - 'Z'
2024-06-06 15:54:19,866 - 'e'
2024-06-06 15:54:20,034 - 'n'
2024-06-06 15:54:20,114 - 'o'
2024-06-06 15:54:20,336 - Key.alt_l
2024-06-06 15:54:20,441 - Key.tab
2024-06-06 15:54:21,433 - Key.alt_l
2024-06-06 15:54:21,521 - Key.tab
2024-06-06 15:54:22,586 - ','
2024-06-06 15:54:22,665 - Key.left
2024-06-06 15:54:23,177 - Key.left
2024-06-06 15:54:23,207 - Key.left
2024-06-06 15:54:23,239 - Key.left
2024-06-06 15:54:23,270 - Key.left
2024-06-06 15:54:23,301 - Key.left
2024-06-06 15:54:23,332 - Key.left
2024-06-06 15:54:23,378 - Key.left
2024-06-06 15:54:23,409 - Key.left
2024-06-06 15:54:23,440 - Key.left
2024-06-06 15:54:23,577 - Key.left
2024-06-06 15:54:23,826 - ','
2024-06-06 15:54:23,937 - Key.right
2024-06-06 15:54:24,446 - Key.right
2024-06-06 15:54:24,477 - Key.right
2024-06-06 15:54:24,508 - Key.right
2024-06-06 15:54:24,539 - Key.right
2024-06-06 15:54:24,570 - Key.right
2024-06-06 15:54:24,616 - Key.right
2024-06-06 15:54:24,648 - Key.right
2024-06-06 15:54:24,889 - Key.right
2024-06-06 15:54:25,049 - Key.right
2024-06-06 15:54:25,289 - Key.right
2024-06-06 15:54:25,425 - Key.space
2024-06-06 15:54:25,737 - Key.alt_l
2024-06-06 15:54:25,825 - Key.tab
2024-06-06 15:54:26,554 - Key.alt_l
2024-06-06 15:54:26,617 - Key.tab
2024-06-06 15:54:26,993 - Key.shift
2024-06-06 15:54:27,506 - Key.shift
2024-06-06 15:54:27,537 - Key.shift
2024-06-06 15:54:27,568 - Key.shift
2024-06-06 15:54:27,599 - Key.shift
2024-06-06 15:54:27,610 - '"'
2024-06-06 15:54:27,946 - 'd'
2024-06-06 15:54:28,090 - 'o'
2024-06-06 15:54:28,218 - 'e'
2024-06-06 15:54:28,322 - 's'
2024-06-06 15:54:28,394 - 'n'
2024-06-06 15:54:28,897 - "'"
2024-06-06 15:54:28,978 - 't'
2024-06-06 15:54:29,105 - Key.space
2024-06-06 15:54:29,274 - 'a'
2024-06-06 15:54:29,418 - 'n'
2024-06-06 15:54:29,522 - 'a'
2024-06-06 15:54:29,850 - 'l'
2024-06-06 15:54:30,090 - 'y'
2024-06-06 15:54:30,241 - 's'
2024-06-06 15:54:30,394 - 'e'
2024-06-06 15:54:30,609 - Key.space
2024-06-06 15:54:30,930 - 'h'
2024-06-06 15:54:31,002 - 'i'
2024-06-06 15:54:31,137 - 'm'
2024-06-06 15:54:31,322 - 's'
2024-06-06 15:54:31,458 - 'e'
2024-06-06 15:54:31,633 - 'l'
2024-06-06 15:54:31,730 - 'f'
2024-06-06 15:54:32,241 - Key.alt_l
2024-06-06 15:54:32,353 - Key.tab
2024-06-06 15:54:33,737 - Key.alt_l
2024-06-06 15:54:33,833 - Key.tab
2024-06-06 15:54:34,442 - ','
2024-06-06 15:54:34,585 - Key.space
2024-06-06 15:54:34,834 - 'd'
2024-06-06 15:54:34,954 - 'o'
2024-06-06 15:54:35,090 - 'e'
2024-06-06 15:54:35,170 - 's'
2024-06-06 15:54:35,298 - 'n'
2024-06-06 15:54:35,898 - "'"
2024-06-06 15:54:35,954 - 't'
2024-06-06 15:54:35,978 - 't'
2024-06-06 15:54:36,209 - Key.space
2024-06-06 15:54:36,378 - 'l'
2024-06-06 15:54:36,546 - 'o'
2024-06-06 15:54:36,666 - 'o'
2024-06-06 15:54:36,730 - 'k'
2024-06-06 15:54:36,881 - Key.space
2024-06-06 15:54:37,034 - 'i'
2024-06-06 15:54:37,090 - 'n'
2024-06-06 15:54:37,257 - Key.space
2024-06-06 15:54:37,410 - 't'
2024-06-06 15:54:37,482 - 'h'
2024-06-06 15:54:37,586 - 'e'
2024-06-06 15:54:37,681 - Key.space
2024-06-06 15:54:37,874 - 'm'
2024-06-06 15:54:38,017 - 'i'
2024-06-06 15:54:38,233 - 'r'
2024-06-06 15:54:38,562 - 'r'
2024-06-06 15:54:38,898 - 'o'
2024-06-06 15:54:39,210 - 'r'
2024-06-06 15:54:39,945 - Key.shift
2024-06-06 15:54:40,448 - Key.shift
2024-06-06 15:54:40,478 - Key.shift
2024-06-06 15:54:40,525 - Key.shift
2024-06-06 15:54:40,556 - Key.shift
2024-06-06 15:54:40,587 - Key.shift
2024-06-06 15:54:40,594 - '"'
2024-06-06 15:54:41,033 - Key.alt_l
2024-06-06 15:54:41,137 - Key.tab
2024-06-06 15:54:42,545 - Key.alt_l
2024-06-06 15:54:42,650 - Key.tab
2024-06-06 15:54:44,257 - Key.ctrl_l
2024-06-06 15:54:44,466 - '\x13'
2024-06-06 15:54:45,105 - Key.alt_l
2024-06-06 15:54:45,217 - Key.tab
2024-06-06 15:54:46,361 - Key.tab
2024-06-06 15:54:46,537 - Key.tab
2024-06-06 15:54:46,729 - Key.tab
2024-06-06 15:54:48,706 - 'g'
2024-06-06 15:54:48,770 - 'e'
2024-06-06 15:54:48,914 - 'n'
2024-06-06 15:54:49,034 - 'e'
2024-06-06 15:54:49,140 - 'r'
2024-06-06 15:54:49,570 - 'a'
2024-06-06 15:54:49,786 - 't'
2024-06-06 15:54:49,866 - 'e'
2024-06-06 15:54:50,785 - Key.backspace
2024-06-06 15:54:51,295 - Key.backspace
2024-06-06 15:54:51,325 - Key.backspace
2024-06-06 15:54:51,356 - Key.backspace
2024-06-06 15:54:51,388 - Key.backspace
2024-06-06 15:54:51,418 - Key.backspace
2024-06-06 15:54:51,450 - Key.backspace
2024-06-06 15:54:51,497 - Key.backspace
2024-06-06 15:54:51,527 - Key.backspace
2024-06-06 15:54:51,558 - Key.backspace
2024-06-06 15:54:51,589 - Key.backspace
2024-06-06 15:54:51,620 - Key.backspace
2024-06-06 15:54:51,651 - Key.backspace
2024-06-06 15:54:51,682 - Key.backspace
2024-06-06 15:54:51,728 - Key.backspace
2024-06-06 15:54:52,162 - 'p'
2024-06-06 15:54:52,649 - 'y'
2024-06-06 15:54:52,970 - 't'
2024-06-06 15:54:53,082 - 'h'
2024-06-06 15:54:53,122 - 'o'
2024-06-06 15:54:53,265 - 'n'
2024-06-06 15:54:53,817 - Key.space
2024-06-06 15:54:54,410 - 'g'
2024-06-06 15:54:54,442 - 'e'
2024-06-06 15:54:54,609 - 'n'
2024-06-06 15:54:54,714 - 'e'
2024-06-06 15:54:54,810 - 'r'
2024-06-06 15:54:55,073 - 'a'
2024-06-06 15:54:55,202 - 't'
2024-06-06 15:54:55,306 - 'e'
2024-06-06 15:54:55,809 - '-'
2024-06-06 15:54:56,465 - Key.tab
2024-06-06 15:54:58,945 - Key.enter
2024-06-06 15:55:06,353 - Key.alt_l
2024-06-06 15:55:06,473 - Key.tab
2024-06-06 15:55:07,265 - Key.tab
2024-06-06 15:55:10,985 - Key.ctrl_l
2024-06-06 15:55:11,492 - Key.ctrl_l
2024-06-06 15:55:11,523 - Key.ctrl_l
2024-06-06 15:55:11,554 - Key.ctrl_l
2024-06-06 15:55:11,586 - Key.ctrl_l
2024-06-06 15:55:11,630 - Key.ctrl_l
2024-06-06 15:55:11,642 - '\x12'
2024-06-06 15:55:15,457 - Key.ctrl_l
2024-06-06 15:55:15,730 - '\x06'
2024-06-06 15:55:16,210 - 'z'
2024-06-06 15:55:16,434 - 'e'
2024-06-06 15:55:16,626 - 'n'
2024-06-06 15:55:16,714 - 'o'
2024-06-06 15:55:20,953 - Key.alt_l
2024-06-06 15:55:21,049 - Key.tab
2024-06-06 15:55:22,681 - Key.tab
2024-06-06 15:55:22,881 - Key.tab
2024-06-06 15:55:23,113 - Key.tab
2024-06-06 15:55:26,001 - Key.ctrl_l
2024-06-06 15:55:26,338 - '\x03'
2024-06-06 15:55:27,760 - Key.ctrl_l
2024-06-06 15:55:28,267 - Key.ctrl_l
2024-06-06 15:55:28,298 - Key.ctrl_l
2024-06-06 15:55:28,330 - '\x1a'
2024-06-06 15:55:28,665 - Key.ctrl_l
2024-06-06 15:55:28,834 - '\x18'
2024-06-06 15:55:29,441 - Key.alt_l
2024-06-06 15:55:29,545 - Key.tab
2024-06-06 15:55:29,945 - Key.tab
2024-06-06 15:55:30,353 - Key.tab
2024-06-06 15:55:30,561 - Key.tab
2024-06-06 15:55:33,281 - Key.cmd
2024-06-06 15:55:33,617 - 'e'
</section>
<!-- # felt cute might delete later
*What do graphic designers do all day and why do they do it and what does "graphic design" even mean?!????!!1!?* is an assessment of what the term "graphic design" means to its practitioners today. Through experimental ethnographic research methods and the development of reflexive tools, the project highlights and questions the boundaries that exist around this apparent category. The research focuses on my own practices as well as other people and groups that identify with "graphic designer" as a label. The research was both conducted by and shared with interested parties in the form of the tools themselves, as well as a series of performances. There is no strict distinction between the research and its publication. The tools were released in an iterative cycle throughout the process of the project, and the research is conducted through the performative use and development of these tools.
# What do graphic designers do all day and why do they do it and what does "graphic design" even mean?!????!!1!?
# do you ever dream about work?
I cut my thumb so every time I type i can feel it in my nerve endings. Not true, it's my left thumb so I don't type with it. Not true, I feel it anyway. Why are most of the function keys on the left of the keyboard. What's so functional about pressing buttons. Stephen Kerr is a designer and musician based in. Have you ever loved an instrument? The Ctrl key broke like four times since I moved here. I have one more replacement because I bought a bunch of them but at some point I gave up and use an external keyboard. I dunno I'm more confused than ever. It was something to do with dreams and working. It's the middle of the night I'm writing this on my phone. If I had a dream this is when I would be writing it. The memory is fuzzy: either I don't remember or it didn't make sense in the first place. It was something to do with fuzziness and memory no wait. Phones don't have keyboards in real life this doesn't make sense. I'm trying to type but I don't think I can get it on the way to the office for the weekend and I think it was a good idea to do it and I was thinking about you and I was thinking of you and I was thinking about you and I was in the same place as a friend of mine and I was in the studio and we were in the studio and we were in the studio and we were in the studio and we were in the
Practice-led artistic research into the 21st century phenomenon of the graphic designer. I held graphic design in my hands using ethnography, toolmaking and performance as research methods. I examined how designers spend their time in everyday life, this designer, me, as well as you, what are we doing? What are our worldviews, belief systems, mythologies and ideologies?
Practice-led artistic research into the 21st century phenomenon of the graphic designer. I held graphic design in my hands using ethnography, toolmaking and performance as research methods. I examined how designers spend their time in everyday life, this designer, me, as well as you, what are we doing? What are our worldviews, belief systems, mythologies and ideologies?
I cut my thumb so every time I type i can feel it in my nerve endings. Not true, it's my left thumb so I don't type with it. Not true, I feel it anyway. Why are most of the function keys on the left of the keyboard. What's so functional about pressing buttons. Stephen Kerr is a designer and musician based in. Have you ever loved an instrument? The Ctrl key broke like four times since I moved here. I have one more replacement because I bought a bunch of them but at some point I gave up and use an external keyboard. I dunno I'm more confused than ever. It was something to do with dreams and working. It's the middle of the night I'm writing this on my phone. If I had a dream this is when I would be writing it. The memory is fuzzy: either I don't remember or it didn't make sense in the first place. It was something to do with fuzziness and memory no wait. Phones don't have keyboards in real life this doesn't make sense. I'm trying to type but I don't think I can get it on the way to the office for the weekend and I think it was a good idea to do it and I was thinking about you and I was thinking of you and I was thinking about you and I was in the same place as a friend of mine and I was in the studio and we were in the studio and we were in the studio and we were in the studio and we were in the
Stephen Kerr
5 months ago