diff --git a/colophon/index.md b/colophon/index.md index 85f0bce..9de0afc 100644 --- a/colophon/index.md +++ b/colophon/index.md @@ -1,54 +1,37 @@ --- title: Colophon -author: Stephen +author: Stephen and Ada --- -# Colophon +
Wink is a prototype for an interactive picture book platform. This -platform aims to make reading into a mindfull and thought provoking -process by using interactive and playful elements, multiple stories -within one narrative and sound elements. Especially today where -consumerism and low attention span is a rising issue especially amongst -young readers, this was an important task to tackle. The thought of Wink -emerged to find a more sustainable and creative way of reading for -elementary school children.
-=======Working as a children’s literature editor for years, I came to a -realisation that picture books were turning into another object that -kids read and consume on daily basis.
-Teachers and parents were finding it difficult to find new books -constantly or were tired of rereading the same book.
-=======This project appeared as a need to explore potential bureaucratic dramaturgies within the educational institution I was part as a student. I was curious about educational bureaucratic mechanisms being driven by @@ -1966,7 +1937,6 @@ of Rotterdam I documented and archived throughout this period. I preserved the sequence of the given sentences and by discarding the graphic design of the initial forms, I structured and repurposed the text into a playable scenario.
->>>>>>> 6b1d2242e4269f57b814979afc6517ab767a9a2fAs a young person in the publishing sector, I believe there should be -more options for children as there is for adults; such as ebooks, -audiobooks etc. But moreover a “book” that can be redefined, reread or -be interacted with… So I revisited an old story I wrote, translated to -English and called it, “Bee Within”.
-Bee Within, is a story about grief/memory and it is based on my -experiences throughout the years. I erased it, rewrote it, edited it, -destroyed it multiple times over the past years; simultaneously with new -experiences of loss. In the end, I believe the story turned out to be an -ode to remembering or might I say an ode to not being able to forget or -an ode to the fear of forgetting which I now think is a great and sweet -battle between death and life. I think it is an important subject to -touch upon, especially for children dealing with trauma in many parts of -the world.
-Over the past two years, experimenting with storytelling techniques, -interactivity options and workshops with children and adults, around -reading and doing various exercises on Bee Within, I improved the story -to be a more playful and interactive one which can be re-read, re-played -and eventually re-formed non digitally to be reachable for all -children.
-Working as a children’s literature editor for years, I came to a -realisation that picture books were turning into another object that -kids read and consume on daily basis. At least this is what I observed -in Turkey. Teachers and parents were finding it difficult to find new -books constantly or were tired of rereading the same book.
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Working as a children’s literature editor for years, I came to a +realisation that picture books were turning into another object that +kids read and consume on daily basis.
+Teachers and parents were finding it difficult to find new books +constantly or were tired of rereading the same book.
As a young person in the publishing sector, I believe there should be more options for children as there is for adults; such as ebooks, audiobooks etc. But moreover a “book” that can be redefined, reread or -be interacted with. So I revisited an old story I wrote, translated to -English and named it, “Bee Within”.
-Bee Within, is a story about grief and it is based on my experiences -throughout the years. I erased it, rewrote it, edited it, destroyed it -multiple times over the past years, simultaneously with new experiences -of loss. In the end, I believe the story turned out to be an ode to -remembering or might I say an ode to not being able to forget or an ode -to the fear of forgetting which I now think is a great and sweet battle -between death and life. I think it is an important subject to touch -upon, especially for children dealing with trauma in many parts of the -world.
+be interacted with… So I revisited an old story I wrote, translated to +English and called it, “Bee Within”. +Bee Within, is a story about grief/memory and it is based on my +experiences throughout the years. I erased it, rewrote it, edited it, +destroyed it multiple times over the past years; simultaneously with new +experiences of loss. In the end, I believe the story turned out to be an +ode to remembering or might I say an ode to not being able to forget or +an ode to the fear of forgetting which I now think is a great and sweet +battle between death and life. I think it is an important subject to +touch upon, especially for children dealing with trauma in many parts of +the world.
Vulnerable Interfaces is a catalogue of work producted within the -context of the Master of Arts in Fine art and Design: Experimental -Publishing (XPUB) at the Piet Zwart Insititute, Willem de Kooning -Academy, Rotterdam. Special thanks goes to the XPUB staff for their -expert help and guidance. More information available at -vulnerable-interfaces.xpub.nl
-Manetta Berends, Simone Browne, Artemis Gryllaki, Jeanne van
+ vulnerable-interfaces.xpub.nl Special thanks goes to the XPUB staff for their expert help and
+guidance: Manetta Berends, Simone Browne, Artemis Gryllaki, Jeanne van
Heeswijk, Joseph Knierzinger, Michael Murtaugh, Martino Morandi, Lídia
-Pereira, Leslie Robbins, Steve Rushton, Kimmy Spreeuwenberg, Marloes de
-Valk. Ada, Aglaia, Stephen and Irmak Suzan (XPUB graduates year
-2022-2024) 200 copies Publication Station, Willem De Kooning Academy, Rotterdam Clairefontaine Dune 80gsm, cover paper Platypi by David Sargent. Unless otherwise stated, all photography, illustrations and other
-types of visualisations in this publication are created by the same
-authors as the text. That which is below is like that which is above,
-and that which is above is like that which is below, to do the miracle
-of one only thing. Writing in Etherpad. Version control in git. Design in Inkscape.
-Layout in paged.js. Printing in Adobe Acrobat. This publication is free to distribute or modify under the terms of
-the SIXX license as published by XPUB, either version one of the SIXX
-License or any later version. See the SIXX License for more details. A
-copy of the license can be found on
+ Created by: Ada, Aglaia, Stephen and Irmak Suzan (XPUB graduates year
+2022–24) Print run: 200 copies Printed and bound at: Publication Station, Willem De Kooning Academy,
+Rotterdam Paper stock: Clairefontaine Dune 80gsm, Clairefontaine Paint-On Denim
+250gsm. Typeface: Platypi by David Sargent, licensed under the SIL Open Font
+License, Version 1.1. Photography and illustration: Unless otherwise stated, all
+photography, illustrations and other types of visualisations in this
+publication are created by the same authors as the text. Digital tools: Writing in Etherpad. Version control in git. Design in
+Inkscape. Layout in paged.js. Printing in Adobe Acrobat. Licensing information: This publication is free to distribute or
+modify under the terms of the SIXX license as published by XPUB, either
+version one of the SIXX License or any later version. See the SIXX
+License for more details. A copy of the license can be found on vulnerable-interfaces.xpub.nl/license. Master of Arts in Fine Art and Design: Experimental Publishing, Piet
-Zwart Institute, P.O. Box 1272, 3000 BG Rotterdam, The Netherlands. Wijnhaven 61, 4th floor, 3011 WJ Rotterdam, The Netherlands. XPUB is the Master of Arts in Fine Art and Design: Experimental
-Publishing of the Piet Zwart Institute. XPUB focuses on the acts of
-making things public and creating publics in the age of post-digital
-networks. XPUB’s interests in publishing are therefore twofold: first,
-publishing as the inquiry and participation into the technological
-frameworks, political context and cultural processes through which
-things are made public; and second, how these are, or can be, used to
-create publics. Experimental Publishing is some experiences or feelings
-of being in xpub for two years. More information available at
-xpub.nl Experimental Publishiiiiiing, Colophon
+Research, editing and
-production
-Print run
-Printed and bound at
-Paper
-Typefaces
-Photography and illustration
-Digital tools
-Licensing information
-Postal address
-Visiting address
-XPUB
-
Wijnhaven 61,
4th floor,
+3011 WJ Rotterdam,
The Netherlands.