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<body>
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<p><a
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href="https://pzwiki.wdka.nl/mediadesign/Radio_WORM:_Protocols_for_Collective_Performance#Monday_21_October"
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class="uri">https://pzwiki.wdka.nl/mediadesign/Radio_WORM:_Protocols_for_Collective_Performance#Monday_21_October</a></p>
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<h2 id="plan">Plan</h2>
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<ul>
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<li>Review the reading (<a
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href="https://hub.xpub.nl/bootleglibrary/book/789">Bellos in Mainframe
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Experimentalism</a>)</li>
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<li>Some Examples</li>
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<li>An (off-screen) Exercise</li>
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</ul>
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<h2 id="oulipo">Oulipo</h2>
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<p>In revisiting the history of Oulipo, it’s useful to consider this
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article by Sarah Coolidge that explores the question: <a
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href="https://www.catranslation.org/feature/who-are-the-women-of-oulipo/">Who
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Are the Women of Oulipo?</a></p>
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<p>BUT the broken links are quite tragic… leading instead to online
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gaming + tourism. :0 Some alternative links:</p>
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<ul>
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<li><a
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href="https://www.poetryinternational.com/en/poets-poems/poets/poet/102-2044_Metail"
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class="uri">https://www.poetryinternational.com/en/poets-poems/poets/poet/102-2044_Metail</a></li>
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</ul>
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<p>And this page (URL corrected from the article from .com to .fr):</p>
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<ul>
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<li><p><a
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href="http://www.cipmarseille.fr/pop_documents_liens.php?id=985&type_proprio=1&gestion=E"
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class="uri">http://www.cipmarseille.fr/pop_documents_liens.php?id=985&type_proprio=1&gestion=E</a></p></li>
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<li><p>https://archive.cipmarseille.fr/pop_audio.php?id=890</p></li>
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</ul>
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<p>some repaired direct links:</p>
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<ul>
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<li><a
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href="https://archive.cipmarseille.fr/documents/448_20090613131151.mp3"
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class="uri">https://archive.cipmarseille.fr/documents/448_20090613131151.mp3</a></li>
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<li><a
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href="https://archive.cipmarseille.fr/documents/17_20061020144007.mp3"
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class="uri">https://archive.cipmarseille.fr/documents/17_20061020144007.mp3</a></li>
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<li><a
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href="https://archive.cipmarseille.fr/documents/890_20121005183822.mp3"
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class="uri">https://archive.cipmarseille.fr/documents/890_20121005183822.mp3</a></li>
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</ul>
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<p>which currently takes to to information about hotels :0…..</p>
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<p>Luckily the <a href="https://web.archive.org/">wayback machine from
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archive.org</a> has been put temporarily back online in a consultation
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only form.</p>
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<h2 id="algorithm">Algorithm</h2>
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<p>N+7 is useful as an example of an <em>algorithm</em>.</p>
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<p><img src="A_Computer_Glossary-Algorithm.png" /></p>
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<h2 id="n7">N+7</h2>
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<p><a href="http://www.spoonbill.org/n+7/"
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class="uri">http://www.spoonbill.org/n+7/</a></p>
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<p>Let’s feed the first paragraph of <a
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href="https://www.catranslation.org/feature/who-are-the-women-of-oulipo/">Who
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are the Women of Oulipo</a> to get from:</p>
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<blockquote>
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<p>A major reason for their absence on your bookshelves is that, until
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recently, hardly any works by the women of Oulipo had been published in
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English translation. This phenomenon has only further entrenched the
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notion that the world of literary rule-breaking is in fact a boys club,
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that men alone are the pioneers at the frontier of literary
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innovation.</p>
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</blockquote>
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<p>to surprisingly suggestive and critical (n+1)</p>
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<blockquote>
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<p>A major-domo reasoning for their absentee on your bookshelves is
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that, until recently, hardly any workshop by the womanizers of Oulipo
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had been published in English translator. This phial has only further
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entrenched the nought that the worm of literary ruler-breaking is in
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faction a boycotts clubhouse, that manacles alone are the pips at the
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frontiersman of literary innovator.</p>
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</blockquote>
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<p>to absurd (n+7)</p>
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<blockquote>
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<p>A malady rebound for their abyss on your bookshelves is that, until
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recently, hardly any worship by the woodcutters of Oulipo had been
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published in English transporter. This philosophy has only further
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entrenched the novice that the wound of literary rummage-breaking is in
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fag a brags clutter, that mandibles alone are the piranhas at the fruit
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of literary inquiry.</p>
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</blockquote>
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<h2 id="rhetorical-space">Rhetorical Space</h2>
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<p>Lorraine Code, Rhetorical Spaces, Essays on Gendered Locations
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(1995)</p>
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<p>(via a citation from Hope Olson, Mapping beyond Dewey’s Boundaries,
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Constructing Classificatory Space for Marginalized Knowledge Domains,
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published in Library Trends, 1998)</p>
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<blockquote>
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<p>Rhetorical spaces… are fictive but not fanciful or fixed locations,
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whose (tacit, rarely spoken) territorial imperatives structure and limit
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the kinds of utterances that can be voiced within them with <strong>a
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reasonable expectation of uptake and “choral support”: an expectation of
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being heard, understood, taken seriously.</strong> They are the sites
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where the very possibility of an utterance counting as “true-or-false”
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or of a discussion yielding insight is made manifest. Some simple
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examples will indicate what I mean the term to achieve….</p>
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<p>Imagine trying to make a true statement about whether it is more
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convenient to fly into Newark or La Guardia airport in the year 1600.
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<strong>The statement would not be false but meaningless</strong>: it
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could neither be true nor false within the available discursive
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possibilities. Or imagine trying to have a productive public debate
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about abortion in the Vatican in 1995, where there is no available
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rhetorical space, not because the actual speech acts involved would be
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overtly prohibited, but because the available rhetorical space is not
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one where ideas on such a topic can be heard and debated openly,
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responsively…</p>
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<p>What I want this terminology <a href="#rhetorical-space">rhetorical
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space</a> to do [is], namely to deflect the focus of philosophical
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analysis <strong>away from single and presumably self-contained
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propositional utterances pronounced by no one in particular and as
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though into a neutral space</strong>; and to <strong>move it into
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textured locations where it matters who is speaking and where and why,
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and where such mattering bears directly upon the possibility of
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knowledge claims, moral pronouncements, descriptions of “reality”
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achieving acknowledgment</strong>, going through. Often in such spaces
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discourse becomes a poiesis, a way of representing experience, reality,
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that remakes and alters it in the process. And the making is ordinarily
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a communal process, dependent for its continuance on receptive
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conditions, on engaged responses both favourable and critical. (p. x
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)</p>
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</blockquote>
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<h2 id="why-constraints">Why Constraints?</h2>
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<p>Each constraint (or freedom), determines a rhetorical space, of
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possible meaning, but which also determines the kinds of collaboration
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that can (and should) take place within it.</p>
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<h2 id="examples">Examples</h2>
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<h2 id="lists">Lists</h2>
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<ul>
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<li>Perec observations see <a
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href="https://ubu.com/sound/perec.html">ubuweb</a></li>
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<li>Anne-James Chaton see <a
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href="https://video.constantvzw.org/vj12/.index/AnneJamesChaton-performance.ogv/play.mp4">vj12
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performance</a>, or</li>
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</ul>
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<h2 id="allison-parrish">Allison Parrish</h2>
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<p><a href="https://www.decontextualize.com/">Allison Parrish</a> is a
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self-described poet, programmer, and professor of interactive media
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arts.</p>
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<p>Her work often contains examples of code and libraries that resonate
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with many of the protocols from Die Maschine, and the techniques of
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Oulipo.</p>
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<h2 id="unknown-unknowns">Unknown Unknowns</h2>
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<p>Self-publishing project + publications from Angie Waller</p>
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<p><a href="https://www.unknownunknowns.org/"
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class="uri">https://www.unknownunknowns.org/</a></p>
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<p><em>Last Night Bust Stop Yoga Pants, Chicago Illinois</em></p>
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<p>Example.</p>
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<h2 id="epicpedia">Epicpedia</h2>
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<p><a href="epicpedia_2024_notes.html">notes on epicpedia</a></p>
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<h2 id="han-kang-as-script">Han Kang as script…</h2>
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<p>If time perform? or just read.</p>
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<h2 id="exercise">Exercise</h2>
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<p>As a group: choose a text (Women of Oulipo, TOS, Definition of
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Rhetorical Space?)</p>
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<p>Starting in pairs, develop some protocols/algorithms to treat the
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chosen text.</p>
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<h2 id="exercises-for-over-break">Exercises for over break</h2>
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<ul>
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<li>Metronome (could work with just an audio tag, webaudio api and/or
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libraries like tonejs or pizzicato).</li>
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<li>n+7 generator</li>
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</ul>
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<p>Would be good to visit each to find a suitable project, make sure
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good resources are available.</p>
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<p>?>?</p>
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<ul>
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<li>https://developer.mozilla.org/en-US/docs/Web/JavaScript</li>
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</ul>
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<p><a
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href="https://jsbin.com/help/running-a-local-copy-of-jsbin/">Install our
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own jsbin?</a></p>
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