From 721b766e0b6c35049f382096aee3b59fcc734179 Mon Sep 17 00:00:00 2001 From: Stephen Kerr Date: Fri, 24 Mar 2023 14:34:49 +0100 Subject: [PATCH] headings and contents updates --- web/00-booklet/booklet.html | 1100 ++++++++++++++------------ web/00-booklet/booklet.template.html | 2 + web/00-booklet/print_style.css | 17 +- web/00-booklet/section-order.txt | 14 +- web/click_aglaia/index.md | 2 +- web/introduction/index.md | 1 + web/start-matter/index.md | 4 +- web/youtube_tarot/index.md | 1 + 8 files changed, 627 insertions(+), 514 deletions(-) diff --git a/web/00-booklet/booklet.html b/web/00-booklet/booklet.html index fbda6ff..1625a28 100644 --- a/web/00-booklet/booklet.html +++ b/web/00-booklet/booklet.html @@ -12,27 +12,27 @@

Co-published by Experimental Publishing, Willem de Kooning Academie, Wijnhaven 61, Rotterdam and Page Not Found Space for publishing as -artistic practice Boekhorststraat 126-128, 2512 CL Den Haag

+artistic practice Boekhorststraat 126-128, Den Haag

Licensing Information

This publication is a free publication: you can redistribute it and/or modify it under the terms of the SIXX License as published by XPUB, either version 1 of the SIXX License, or any later version.

See the SIXX License for more details. You should have received a -copy of the SIXX License along with this publication.  If not, see +copy of the SIXX License along with this publication. If not, see <https//issue.xpub.nl/20/license/>

XPUB

XPUB is the Master of Arts in Fine Art and Design: Experimental Publishing of the Piet Zwart Institute. XPUB focuses on the acts of making things public and creating publics in the age of post-digital networks. Find out more at xpub.nl

-

CONSOLE

+
CONSOLE

xpub special issue xx

-

Console is an oracle; an emotional first aid kit that helps you help +

Console is an oracle; an emotional First Aid Kit that helps you help yourself. Console invites you to open the box and discover ways of -healing; Console provides shelter for your dreams, memories and worries. +healing. Console provides shelter for your dreams, memories and worries. Face the past and encounter your fortune. Console gives you a new vantage point; a set of rituals and practices that help you cope and -care; Console asks everyday questions that give magical answers. Are you +care. Console asks everyday questions that give magical answers. Are you ready to play?

❤️ this publication was made possible thanks to:

@@ -47,56 +47,104 @@ Wind hath carried it in its belly The Earth is its nurse

Contents

@@ -153,7 +201,7 @@ course of things. Ritual relies for its power on the fact that it is concerned with quite ordinary activities, that what it describes and displays is, in principle, possible for every occurrence of these acts. But it relies, as well, for its power on the fact that, in actuality, -such possibilities cannot be realized.” (Smith,1980)

+such possibilities cannot be realized.” (Smith, 1980)

“Ideology talks of actions: I shall talk of actions inserted into @@ -162,7 +210,7 @@ rituals in which these practices are inscribed, within the material existence of an ideological apparatus(…)Ideas have disappeared as such to the precise extend that it has emerged that their existence is inscribed in the actions of practices governed by rituals defined in the -last instance by an ideological apparatus.” (Althusser,1970)

+last instance by an ideological apparatus.” (Althusser, 1970)

Similarly, videogames create worlds. Often, those worlds mirror our own, reproducing certain ideals and values as norms through their @@ -192,7 +240,7 @@ the complexity of the always expanding and changing capitalist system requires an equally flexible set of subsidiary tools capable of rapidly adjusting ideology en masse. In general, media emerge not to meet the demands or desires of individual users but to accommodate what the -predominant mode of production requires.” (Osterweil,2018)

+predominant mode of production requires.” (Osterweil, 2018)

Our intention was to look into rituals and their overlap with video games as a way to explore “forbidden” or otherwise lost knowledge erased @@ -229,7 +277,7 @@ products of consumer society that they find themselves inhabiting and using. Rather than being passive consumers, ordinary people invent varied subversive tactics for stealing back the given of everyday life. De Certeau writes, ‘Everyday life invents itself by poaching in -countless ways on the property of others.’” (Schleiner,2017)

+countless ways on the property of others.’” (Schleiner, 2017)

Meanwhile, we went through the witch as a magical practicioner, as a resisting body, a border figure. “Federici presents the witch”as the @@ -246,7 +294,7 @@ of the fields or woods. They haunt the fringes. They are at the borderline of the village, or between villages. But sorcerers not only exist at the border: as anomalous beings, they are the border itself. In other words, the borderline passes through their bodies.” (Deleuze, -Guattari,1980)

+Guattari, 1980)

How does the understanding of the hunting of the witches that happened a few centuries ago in relation to the figure of the witch as @@ -259,6 +307,7 @@ counter-hegemonic practices of collective care and healing?

+
DOCUMENTATION
@@ -331,7 +380,7 @@ alt="Cookies Questions Tea.jpeg" /> -
@@ -461,137 +510,81 @@ Doll -
-

An -hypothesised and randomly factual History of Tarot Cards

-

What follows is the story of a deck of cards and of all the -more-or-less believable claims made about its origin. This brief history -was compiled, following sources that attempted accurate historic -recalling instead of the most commonly shared semiotic, occultist story. -However, despite all efforts, the found sources told a convoluted story -due to the misinterpretation of age, sources and authorship common in -any ancient text on magic and mysticism (Dummett, 1993). As such, the -following text will recall the disproven stories that were told about -the origin of Tarot, some factual sourced material and a modern -description of its usage.

-

When we talk about Tarot cards we are talking about a deck of playing -cards composed of ten numeral cards and four court cards (Jack, Knight, -Queen and King) for each of the suits, Swords, Batons, Cups and Coins. -Alongside these more common cards, Tarot includes 22 ‘trump’ cards with -allegorical illustrations. The trumps form a sequence, usually numbered -from 1 to 21, with the single card of The Fool being separated (Decker, -Depaulis & Dummett, 1996). 

-

This specific deck of cards’ history begins at the bottom of a well -in 1440’s Northern Italy, where we place its first appearance in -history. From there we can easily find links to the common usage of -these cards in Northern Italy; from Milano to Bologna e Ferrara (Steele, -1900). These cards, initially called Trionfi and then -Tarocchi are thought to have been intended for card games, -regardless of their occasional usage in future-telling (Dummet, -1993). This finding helps us trace a factual beginning of Tarot but -leaves an open question to how these cards gained their place as the -primary tool used in modern occultism and mysticism for cartomancy. 

-
- - -
-

While this is where the story began to get intricate, it can still be -seen as the first wide spread future-telling performance appeared in -France in the 18th century. At this point, the history of tarot began to -be influenced by what each fortune teller imagined the history of the -cards to be. To fully disclose this, I will first attempt to estimate -the most notable occultists that used the cards and wrote historical -notations about their deviance and then the stories they told about -them.

-

The first encounter we have between Tarot, magical theory and -practice happens in the Monde primitif, an incredibly long -essay about Tarot cards written in 1781 by Antoine Court de Gébelin. -With this text, the pastor began what would be the endless repository of -arcane esoteric wisdom within Tarot that will follow the cards for -generations (Chisholm, 1911). In this text, Gébeling attributed the -cards’ origin to ancient Egypt, a theory that is to this day, accepted -as truthful. This belief was based on an erroneous link to “The Book of -Thoth”, an ancient Egyptian text about magic that is believed to have -been spread through Europe by Romans. This belief was then substantiated -with a similar essay by Comte de Mellet (Decker,1993). Promptly, a -Parisian fortune teller named Jean-Baptiste Alliette, professionally -known as Etteilla, having found these theories, adapted the esoteric -view of the cards to his own uses. He switched his own practice from -traditional French piquet cartomancy to the use of a self-made Tarot -card deck. This deck was based on the previously shared Hermetic -ideologies and was named “The Book of Toth”(Decker,1993)

+

click-click, +the clicking game - a matter of accumulation

+

clicking game

+

A couple of months ago, I didn’t even know clicking games existed. +When I played for the first time, I couldn’t understand why people were +intrigued enough to devote themselves to clicking, and I still struggle +to understand it. I wanted to create a clicking game that would +highlight the act of clicking to the player through the interface of the +screen. People would see a hand clicking on their screen and then at the +next stage a person in front of a screen (with a hand clicking) clicking +etc. My poor java script skills didn’t allow me to realise my initial +idea, so eventually I came up with really simple version of the +click_click game. People click on the click button that makes a “click” +sound. Every time they click, a new button is generated. The aim is to +click and accumulate bricks. A repetitive performance. You click you +gain. The game ends when you fill your screen and build a wall out of +click buttons. Then the screen clears automatically and a small victory +message appears. What happens when the only function to be performed is +clicking? Nothing I guess.

-Image from Etteilla’s Deck - +the click wall +
-

The next fundamental spin that was applied to the cards’ background -was done by Éliphas Levi, another French esoterist. Levi, repudiated -Etteilla’s theory and integrated a version of the cards that were closer -to the original than his own Cabalistic magical system. However -historically mistaken was Levi’s understanding of the cards’ travel from -Egypt to Judea into Jewish tradition, it nonetheless revolutionized the -cards in ways that survived till today. His Cabalistic theory about -signs being letters, letters being absolute ideas and absolute ideas -being numbers can be seen in even modern iterations of tarot.

-

From here on over, Tarot’s journey speeds up as the cards leave -France and become absorbed into new esoteric movements like -Swedenborgianism, Mesmerism and Spiritualism (Decker, Depaulis & -Dummet, 1996).

-

Before we make a jump through time to the next biggest relevant -development of Tarot, I will share the last of the three false -widespread theories about the origin of Tarot, the first two being Egypt -and Judaism (despite its influence on modern tarot).

-

This last theory is harder to trace back to one esoteric influence, -but nonetheless claims a Chinese origin to the cards. Most likely, this -is due to the similarity with the I Ching, a divination manual from -around 1000 BC. The manual was grounded in cleromancy; the production of -random numbers to predict divine intention. However, there is no -traceable connection between Chinese cleromancy and Tarot divination. -Modern analyses of Chinese Tarot divination draw direct correlation -between Western occultism and Tarot divination, leaving little room to -imagine any direct causation starting from China (Fu, Li, Lee, -2002).

-

For the purpose of this recalling but unsurprisingly for those -familiar, the next big step will bring us to the late19th century in -Britain, in the Hermetic Order of the Golden Dawn. The Golden Dawn was a -secret society devoted to occult Hermetic Kabbalah and one of the -largest single influences on Western occultism as a whole (Jenkins, -2000). While the society itself had a wide curriculum including -astrology, alchemy and geomancy (soil divination); our only concern at -the moment is with their links to Tarot cards. In 1909, two mystics and -members of the Golden Dawn, A.E. Waite and Pamela Colman Smith published -with the Rider Company a deck of re-made Tarot cards based on the -society’s magic system. These cards, later known as the Ride-Waite Tarot -(Dean, 2015). This deck was based on the Sola Busca deck, with symbolism -being taken from Levi’s descriptions and Egyptian and Christian -symbolism. This deck has become the paradigm and touchstone through -which modern occultists think of Tarot. Between the distribution of this -deck and the use of the cards in the Golden Dawn, it became axiomatic -among followers many traditions of mysticism that the Tarot is an -essential component of any occult science.

+ +
+ + + + +
+

Fruitual

+

text adventre game

+

Creating a text adventure game is no easy feat. It takes a lot of +time, creativity, trial and error. The key to creating an interesting +game is putting yourself in the player’s shoes and making sure there are +plenty of fun twists and turns along the way.

+

I decided to keep my game simple and tell a linear story. I used a +web engine called Twine (twinery.org, an open-source tool for telling +interactive, nonlinear stories) to help generate the game’s storyline, +and I adapted the script from a Bulgarian fairytale (“The Most Precious +Fruit”). But things didn’t always go smoothly. When the python script +started generating the wrong messages for players who strayed from the +script, I tried to find solutions on StackOverflow, but it was all too +complicated for me.

+

In the end, the game took me around 6-7 hours to make, including +writing, coding, mapping, editing, and lots of trial-and-error. It was a +great learning experience, but it also taught me that game development +can be tough if you don’t have much coding experience. I had to approach +it more from a writer’s perspective and figure out the coding later.

+

I learned that game development is an iterative process, and +sometimes your initial ideas might be more complex than what you end up +with. It’s all part of the journey. Before starting this project, I had +no idea text adventure games even existed, but now I’m happy to say I’ve +made one in just a few weeks. Lastly, I would like to express my +appreciation for the guidance and support provided by our prototyping +tutors in the development of these projects.

+

(“The Most Precious Fruit”, +https://fairytalez.com/the-most-precious-fruit/)

- - +Twine +
-

Today, Tarot is emblematic and incredibly wide spread as the most -common future-telling method and device. Tens and thousands of different -formats exist, often falling under the category of Oracle cards and as -such not having the clear formatting rules of Tarot but still -implicating divination and self-reflection through the interpretation of -allegorical illustration.

-
@@ -692,48 +685,178 @@ in question was inspired by the picture of a serpentine woman in the book of the Dutch painter Cornelis de Bruyn, who visited Turkey in the 17th century.”

-kahvegibikahve.com/blog - +kahvegibikahve.com/blog + +
+

Whether with gossip or chatting over coffee, women have always found +a way to express themselves regardless of oppression. These rituals were +performed by women as an act of sisterhood and out of respect for both +their inner worlds and each other. It is undeniable that gossip still +brings people together and that centuries of oppression failed to change +that. Through the centuries, as the word began to be weaponized against +women and became a tool to turn against each other, I can’t help but +wonder how unfair pop culture was to women. In any magazine or TV +series, anyone can spot a gossip scene with negative consequences or +aim. A woman is sassy, “bitchy” or evil when she gossips, but why do we +still let our acts be defined by the misogynistic portrayal of men? +Today, the word gossip or fortune telling may be used as something you +wouldn’t want to be a part of because it could harm someone. Let’s +oppose the negative connotation assigned to this word by men and use it +as a joyful gathering. Reclaiming gossip and fortune telling as an +intimate support system, a strong web, is the least we can do to honour +the women who met at taverns and shared a part of their souls with each +other.

+

How to make the perfect Turkish coffee and some guides to +fortune-telling:

+
    +
  1. Put two teaspoons of coffee in “cezve” the traditional pot. 
    2. +
  2. Add one cup of cold water to the pot. Mix once with the spoon. The +ratio is one cup, and two teaspoons of coffee. 
    3. +
  3. Begin cooking at a low temperature until the top coat gets +darker. 
    4. +
  4. Cook at a high temperature until the point where the coffee begins +rising. 
    5. +
  5. Take the pot off the oven right before it overflows. 
    6. +
  6. Take the foamy part with a teaspoon and put it in the cup before +pouring the rest. This will protect the foam. The foam is important for +quality check 😊
    7. +
+ +
+ + + + +
+

An +hypothesised and randomly factual History of Tarot Cards

+

What follows is the story of a deck of cards and of all the +more-or-less believable claims made about its origin. This brief history +was compiled, following sources that attempted accurate historic +recalling instead of the most commonly shared semiotic, occultist story. +However, despite all efforts, the found sources told a convoluted story +due to the misinterpretation of age, sources and authorship common in +any ancient text on magic and mysticism (Dummett, 1993). As such, the +following text will recall the disproven stories that were told about +the origin of Tarot, some factual sourced material and a modern +description of its usage.

+

When we talk about Tarot cards we are talking about a deck of playing +cards composed of ten numeral cards and four court cards (Jack, Knight, +Queen and King) for each of the suits, Swords, Batons, Cups and Coins. +Alongside these more common cards, Tarot includes 22 ‘trump’ cards with +allegorical illustrations. The trumps form a sequence, usually numbered +from 1 to 21, with the single card of The Fool being separated (Decker, +Depaulis & Dummett, 1996). 

+

This specific deck of cards’ history begins at the bottom of a well +in 1440’s Northern Italy, where we place its first appearance in +history. From there we can easily find links to the common usage of +these cards in Northern Italy; from Milano to Bologna e Ferrara (Steele, +1900). These cards, initially called Trionfi and then +Tarocchi are thought to have been intended for card games, +regardless of their occasional usage in future-telling (Dummet, +1993). This finding helps us trace a factual beginning of Tarot but +leaves an open question to how these cards gained their place as the +primary tool used in modern occultism and mysticism for cartomancy. 

+
+ + +
+

While this is where the story began to get intricate, it can still be +seen as the first wide spread future-telling performance appeared in +France in the 18th century. At this point, the history of tarot began to +be influenced by what each fortune teller imagined the history of the +cards to be. To fully disclose this, I will first attempt to estimate +the most notable occultists that used the cards and wrote historical +notations about their deviance and then the stories they told about +them.

+

The first encounter we have between Tarot, magical theory and +practice happens in the Monde primitif, an incredibly long +essay about Tarot cards written in 1781 by Antoine Court de Gébelin. +With this text, the pastor began what would be the endless repository of +arcane esoteric wisdom within Tarot that will follow the cards for +generations (Chisholm, 1911). In this text, Gébeling attributed the +cards’ origin to ancient Egypt, a theory that is to this day, accepted +as truthful. This belief was based on an erroneous link to “The Book of +Thoth”, an ancient Egyptian text about magic that is believed to have +been spread through Europe by Romans. This belief was then substantiated +with a similar essay by Comte de Mellet (Decker,1993). Promptly, a +Parisian fortune teller named Jean-Baptiste Alliette, professionally +known as Etteilla, having found these theories, adapted the esoteric +view of the cards to his own uses. He switched his own practice from +traditional French piquet cartomancy to the use of a self-made Tarot +card deck. This deck was based on the previously shared Hermetic +ideologies and was named “The Book of Toth”(Decker,1993)

+
+Image from Etteilla’s Deck + +
+

The next fundamental spin that was applied to the cards’ background +was done by Éliphas Levi, another French esoterist. Levi, repudiated +Etteilla’s theory and integrated a version of the cards that were closer +to the original than his own Cabalistic magical system. However +historically mistaken was Levi’s understanding of the cards’ travel from +Egypt to Judea into Jewish tradition, it nonetheless revolutionized the +cards in ways that survived till today. His Cabalistic theory about +signs being letters, letters being absolute ideas and absolute ideas +being numbers can be seen in even modern iterations of tarot.

+

From here on over, Tarot’s journey speeds up as the cards leave +France and become absorbed into new esoteric movements like +Swedenborgianism, Mesmerism and Spiritualism (Decker, Depaulis & +Dummet, 1996).

+

Before we make a jump through time to the next biggest relevant +development of Tarot, I will share the last of the three false +widespread theories about the origin of Tarot, the first two being Egypt +and Judaism (despite its influence on modern tarot).

+

This last theory is harder to trace back to one esoteric influence, +but nonetheless claims a Chinese origin to the cards. Most likely, this +is due to the similarity with the I Ching, a divination manual from +around 1000 BC. The manual was grounded in cleromancy; the production of +random numbers to predict divine intention. However, there is no +traceable connection between Chinese cleromancy and Tarot divination. +Modern analyses of Chinese Tarot divination draw direct correlation +between Western occultism and Tarot divination, leaving little room to +imagine any direct causation starting from China (Fu, Li, Lee, +2002).

+

For the purpose of this recalling but unsurprisingly for those +familiar, the next big step will bring us to the late19th century in +Britain, in the Hermetic Order of the Golden Dawn. The Golden Dawn was a +secret society devoted to occult Hermetic Kabbalah and one of the +largest single influences on Western occultism as a whole (Jenkins, +2000). While the society itself had a wide curriculum including +astrology, alchemy and geomancy (soil divination); our only concern at +the moment is with their links to Tarot cards. In 1909, two mystics and +members of the Golden Dawn, A.E. Waite and Pamela Colman Smith published +with the Rider Company a deck of re-made Tarot cards based on the +society’s magic system. These cards, later known as the Ride-Waite Tarot +(Dean, 2015). This deck was based on the Sola Busca deck, with symbolism +being taken from Levi’s descriptions and Egyptian and Christian +symbolism. This deck has become the paradigm and touchstone through +which modern occultists think of Tarot. Between the distribution of this +deck and the use of the cards in the Golden Dawn, it became axiomatic +among followers many traditions of mysticism that the Tarot is an +essential component of any occult science.

+
+ +
-

Whether with gossip or chatting over coffee, women have always found -a way to express themselves regardless of oppression. These rituals were -performed by women as an act of sisterhood and out of respect for both -their inner worlds and each other. It is undeniable that gossip still -brings people together and that centuries of oppression failed to change -that. Through the centuries, as the word began to be weaponized against -women and became a tool to turn against each other, I can’t help but -wonder how unfair pop culture was to women. In any magazine or TV -series, anyone can spot a gossip scene with negative consequences or -aim. A woman is sassy, “bitchy” or evil when she gossips, but why do we -still let our acts be defined by the misogynistic portrayal of men? -Today, the word gossip or fortune telling may be used as something you -wouldn’t want to be a part of because it could harm someone. Let’s -oppose the negative connotation assigned to this word by men and use it -as a joyful gathering. Reclaiming gossip and fortune telling as an -intimate support system, a strong web, is the least we can do to honour -the women who met at taverns and shared a part of their souls with each -other.

-

How to make the perfect Turkish coffee and some guides to -fortune-telling:

-
    -
  1. Put two teaspoons of coffee in “cezve” the traditional pot. 
    2. -
  2. Add one cup of cold water to the pot. Mix once with the spoon. The -ratio is one cup, and two teaspoons of coffee. 
    3. -
  3. Begin cooking at a low temperature until the top coat gets -darker. 
    4. -
  4. Cook at a high temperature until the point where the coffee begins -rising. 
    5. -
  5. Take the pot off the oven right before it overflows. 
    6. -
  6. Take the foamy part with a teaspoon and put it in the cup before -pouring the rest. This will protect the foam. The foam is important for -quality check 😊
    7. -
+

Today, Tarot is emblematic and incredibly wide spread as the most +common future-telling method and device. Tens and thousands of different +formats exist, often falling under the category of Oracle cards and as +such not having the clear formatting rules of Tarot but still +implicating divination and self-reflection through the interpretation of +allegorical illustration.

-
@@ -805,80 +928,6 @@ src="UFO-holo.jpg" alt="UFO" />

- -
-

click-click, -the clicking game - a matter of accumulation

-

clicking game

-

A couple of months ago, I didn’t even know clicking games existed. -When I played for the first time, I couldn’t understand why people were -intrigued enough to devote themselves to clicking, and I still struggle -to understand it. I wanted to create a clicking game that would -highlight the act of clicking to the player through the interface of the -screen. People would see a hand clicking on their screen and then at the -next stage a person in front of a screen (with a hand clicking) clicking -etc. My poor java script skills didn’t allow me to realise my initial -idea, so eventually I came up with really simple version of the -click_click game. People click on the click button that makes a “click” -sound. Every time they click, a new button is generated. The aim is to -click and accumulate bricks. A repetitive performance. You click you -gain. The game ends when you fill your screen and build a wall out of -click buttons. Then the screen clears automatically and a small victory -message appears. What happens when the only function to be performed is -clicking? Nothing I guess.

-
-the click wall - -
- -
- - - - -
-

Fruitual

-

text adventre game

-

Creating a text adventure game is no easy feat. It takes a lot of -time, creativity, trial and error. The key to creating an interesting -game is putting yourself in the player’s shoes and making sure there are -plenty of fun twists and turns along the way.

-

I decided to keep my game simple and tell a linear story. I used a -web engine called Twine (twinery.org, an open-source tool for telling -interactive, nonlinear stories) to help generate the game’s storyline, -and I adapted the script from a Bulgarian fairytale (“The Most Precious -Fruit”). But things didn’t always go smoothly. When the python script -started generating the wrong messages for players who strayed from the -script, I tried to find solutions on StackOverflow, but it was all too -complicated for me.

-

In the end, the game took me around 6-7 hours to make, including -writing, coding, mapping, editing, and lots of trial-and-error. It was a -great learning experience, but it also taught me that game development -can be tough if you don’t have much coding experience. I had to approach -it more from a writer’s perspective and figure out the coding later.

-

I learned that game development is an iterative process, and -sometimes your initial ideas might be more complex than what you end up -with. It’s all part of the journey. Before starting this project, I had -no idea text adventure games even existed, but now I’m happy to say I’ve -made one in just a few weeks. Lastly, I would like to express my -appreciation for the guidance and support provided by our prototyping -tutors in the development of these projects.

-

(“The Most Precious Fruit”, -https://fairytalez.com/the-most-precious-fruit/)

-
-Twine - -
- -
- - - @@ -1142,7 +1191,7 @@ Would you like to explore another daydream? -
@@ -1179,111 +1228,6 @@ issue.xpub.nl/20

-
-

YouTube Tarot

-

YouTube comments as Tarot -readings

-

The question for me (Irmak) at the beginning was why people feel the -need to know the future or their oracles that they go on YouTube and -subscribe to a channel there. Knowing the future made me anxious when -for many people it is something to look forward to or head towards. For -Ada, the answer to that question was simple. Everyone needs some clarity -and a sense of belonging and safety and it’s better and easier to -believe when told by someone else. The problem we were facing was then -about, how can a performance so intimate and personal be transferred -online for thousands to see. Doesn’t that strip the whole act of the -tarot reading of its authenticity or specificity to you? Once you have -someone read your tarot online, you are exposed to advertisement and -capitalism in a very ironic sense. The sole reason you are there is to -have a peaceful and perhaps sentimental moment with yourself, however, -you are interrupted by unintended messages.

-

Moving from these discussions, we searched for the answers in the -comments below certain tarot videos. Many commenters mentioned how their -life changed after the reading, how their luck came back and their work -life improved, or how the reading helped them get their life straight. -This was a community that needed tarot and used it as a remedy. In the -end, we decided to use some of these comments as the interpretation of -some cards. The main themes in the comments were luck, love and work. We -picked three comments for each theme and made tarot cards for them with -a divination board. We modified the illustrations on existing tarot -cards and renamed them according to the commenters’ names.

-

The divination board: Cards on love -Cards on luck Cards on work Cards on work

-

Part of the dictionary of YouTube Tarot cards: The Bella Vita Vibing The Jessica -The dhananjai

- -
- - - - -
-

Tetris Fantasies

-

Death, -Geometry and the Structure of the Individual

-

Tetris is a game where a single player is encouraged to organise the -chaos given to them from above, a limited space for play of ten by -twenty units leads to a limited ability to approach the perfection -implied by the simple shapes that are encountered in the world (always a -collection of four squares, in their seven permutations). The harnesses -of time and gravity make perfection impossible in this world; instead, -the player can only attempt, approach, and increase their efficiency. A -life’s function approaching the limit, there is no way to win, only to -get higher and higher scores, to live as long as possible through -increased throughput. Death is inevitable in Tetris, and each passing -block seems to come faster than the last. Why does it feel like -everything just keeps getting harder?

-

There are many squares to be organised in Tetris, an infinite number -apparently, but only one player is organising them. Other people can -only be seen by this individual in faint ghosts; their high scores are -there only to be beaten. And the current player can only hope to reach -those people by leaving their own mark on the high score table. -Employee-of-the-month, world’s-best-mom. But maybe there is an -alternative, a world where there is more to each falling tetromino than -simply an obstacle to be overcome, a problem to be solved. Maybe there -is a story behind the fatal pixels, a bigger space than the 10 x 20 grid -on the screen. Maybe there are humans out there with more to them than -what they produce.

-

This fanfic takes the form of a series of hand-drawn illustrations -depicting fantastical Tetris pieces, each of which is accompanied with a -fragment of a story. The cards can be read and arranged in any order, -intentionally removing the linear and framed limits of the original -Tetris, although the illustration and text on any one card have some -sort of relationship with each other.

-
-hand drawn tetris fanfic - -
-
- - -
- -
- - -
- -
- - - -
@@ -1523,7 +1467,65 @@ are! ")

- +
+

Tetris Fantasies

+

Death, +Geometry and the Structure of the Individual

+

Tetris is a game where a single player is encouraged to organise the +chaos given to them from above, a limited space for play of ten by +twenty units leads to a limited ability to approach the perfection +implied by the simple shapes that are encountered in the world (always a +collection of four squares, in their seven permutations). The harnesses +of time and gravity make perfection impossible in this world; instead, +the player can only attempt, approach, and increase their efficiency. A +life’s function approaching the limit, there is no way to win, only to +get higher and higher scores, to live as long as possible through +increased throughput. Death is inevitable in Tetris, and each passing +block seems to come faster than the last. Why does it feel like +everything just keeps getting harder?

+

There are many squares to be organised in Tetris, an infinite number +apparently, but only one player is organising them. Other people can +only be seen by this individual in faint ghosts; their high scores are +there only to be beaten. And the current player can only hope to reach +those people by leaving their own mark on the high score table. +Employee-of-the-month, world’s-best-mom. But maybe there is an +alternative, a world where there is more to each falling tetromino than +simply an obstacle to be overcome, a problem to be solved. Maybe there +is a story behind the fatal pixels, a bigger space than the 10 x 20 grid +on the screen. Maybe there are humans out there with more to them than +what they produce.

+

This fanfic takes the form of a series of hand-drawn illustrations +depicting fantastical Tetris pieces, each of which is accompanied with a +fragment of a story. The cards can be read and arranged in any order, +intentionally removing the linear and framed limits of the original +Tetris, although the illustration and text on any one card have some +sort of relationship with each other.

+
+hand drawn tetris fanfic + +
+
+ + +
+ +
+ + +
+ +
+ + + +
@@ -1553,32 +1555,32 @@ new emotions or prompt you to imagine possible futures.

collaboration in creating works that encourage people to engage in self-reflection and introspection. As such, it may contribute to any art publication exploring the human experience.

-

Courtesy to: Casey Horner (https://unsplash.com/Courtesy to: Casey Horner (unsplash.com/@mischievous_penguins)

-

Excerpt from the 404 Questionnaire: What do you want? Why do you do -what you do each day? What do you think you’re here for? What are you -doing with this day, today? What are you searching for? What are you -looking at? Have you learned something new today? This week? What -filters would you apply to your mood right now if it was an analogue -film frame? Is this what you really want to do or it is your way of -delaying your realisation? What would your day look like if you were a -pirate? If you could be any animal for a day, which one would you choose -and why? If you could be any animal for a day, how would you experience -the world differently? Do you speak horse language? (wild question) If -you were Kim, who would that person be? (wild question) What does your -body need today? What does your mind need today? What does your soul -need today? If your life was a treasure hunt, what would you be -searching for? What is your personality? What would a person that loves -you tell you if know you’re suffering? If you were in search of a new -identity, what clues would you need to find it? If you could see the -world through the eyes of any animal, which one would you choose and -why? If you were a pirate, what kind of treasure would you be searching -for? If you were a pirate, what obstacles would you face on your -journey? If you owned a boat, to which destination you would go first -and why? Think of your favourite food. How does it make you feel when -looking at it? And when eating it? What is one “yes” that you’ve been -ignoring lately? What advice would you give to someone else who is +

Excerpt from the 404 +Questionnaire:

+

What do you want? Why do you do what you do each day? What do you +think you’re here for? What are you doing with this day, today? What are +you searching for? What are you looking at? Have you learned something +new today? This week? What filters would you apply to your mood right +now if it was an analogue film frame? Is this what you really want to do +or it is your way of delaying your realisation? What would your day look +like if you were a pirate? If you could be any animal for a day, which +one would you choose and why? If you could be any animal for a day, how +would you experience the world differently? Do you speak horse language? +(wild question) If you were Kim, who would that person be? (wild +question) What does your body need today? What does your mind need +today? What does your soul need today? If your life was a treasure hunt, +what would you be searching for? What is your personality? What would a +person that loves you tell you if know you’re suffering? If you were in +search of a new identity, what clues would you need to find it? If you +could see the world through the eyes of any animal, which one would you +choose and why? If you were a pirate, what kind of treasure would you be +searching for? If you were a pirate, what obstacles would you face on +your journey? If you owned a boat, to which destination you would go +first and why? Think of your favourite food. How does it make you feel +when looking at it? And when eating it? What is one “yes” that you’ve +been ignoring lately? What advice would you give to someone else who is experiencing loss? What emotions have you been experiencing lately? How has my relationship with others changed in the last 5 years? How have my thoughts and beliefs about life and death changed in the last 5 years? @@ -1638,42 +1640,148 @@ progress + +

+

YouTube Tarot

+

YouTube comments as Tarot +readings

+

The question for me (Irmak) at the beginning was why people feel the +need to know the future or their oracles that they go on YouTube and +subscribe to a channel there. Knowing the future made me anxious when +for many people it is something to look forward to or head towards. For +Ada, the answer to that question was simple. Everyone needs some clarity +and a sense of belonging and safety and it’s better and easier to +believe when told by someone else. The problem we were facing was then +about, how can a performance so intimate and personal be transferred +online for thousands to see. Doesn’t that strip the whole act of the +tarot reading of its authenticity or specificity to you? Once you have +someone read your tarot online, you are exposed to advertisement and +capitalism in a very ironic sense. The sole reason you are there is to +have a peaceful and perhaps sentimental moment with yourself, however, +you are interrupted by unintended messages.

+

Moving from these discussions, we searched for the answers in the +comments below certain tarot videos. Many commenters mentioned how their +life changed after the reading, how their luck came back and their work +life improved, or how the reading helped them get their life straight. +This was a community that needed tarot and used it as a remedy. In the +end, we decided to use some of these comments as the interpretation of +some cards. The main themes in the comments were luck, love and work. We +picked three comments for each theme and made tarot cards for them with +a divination board. We modified the illustrations on existing tarot +cards and renamed them according to the commenters’ names.

+

The divination board:

+
+The Divination Board + +
+
+Cards on love + +
+
+Cards on luck + +
+
+Cards on work + +
+
+Cards on work + +
+
+Cards on work + +
+

Part of the dictionary of YouTube Tarot cards:

+
+The Cassandra + +
+
+The Bella Vita + +
+
+Vibing + +
+
+Help get gas price down + +
+
+The Jessica + +
+
+The dhananjai + +
+
+The Hummingbird + +
+
MANUALS
+ +
+ + +
-

The Wheel of Fortune — Manual

-

“Welcome, my dear! This exercise is all about healing, about -reconnecting with what is essential and authentic within yourself. By -understanding the true nature of our suffering, we can evoke compassion -for ourselves as we move through uncomfortable feelings on the path to -healing and peace.

-

Prerequisites: Before you begin, there are a few things you will -need. Firstly, you must have a strong intention to commit to this -exercise for some time. Secondly, find a quiet room free of -distractions, and finally, get a notebook and pen. Handwriting will -engage your mind more actively and profoundly, help you connect with -yourself, and enable the tracing of your progress over time.

-

I will be guiding you through a series of carefully selected -questions written by different authors, some are well-known, and others -will remain unknown. To begin the exercise, spin the Wheel of Fortune -located at issue.xpub.nl/20/wheel After a few seconds, a question will -appear on the screen. Then, take a photo slide from the deck and hold it -to the screen. Think about that question by looking at it and the tiny -film together like friends. If you feel like writing your thoughts, you -can use the tiny notepad made just for you.

-

These photo slides are there to help you dive deeper into your inner -world. Use them to explore moments in your life that you may not have -fully processed or understood. As you reflect on these images and answer -the questions, you may gain new insights and perspectives about yourself -and your life.

-

Enjoy the journey! Console”

+

Fiction Friction

+

storytelling tool

+

The Fiction Friction cards are made by two wanderers who spent a fair +amount of time thinking about healing, witchcraft and (contemporary) +witch-hunting, rituals, and Tarot culture. This approach can be seen as +a way to create a ritual or a (personal) journey into a collective +representation. The cards are carriers of our identities, individual +past, memory, momentary frictions and fictions. We intended to reclaim +the tarot reading ritual and reconsider the relation between the given +card interpretation and the figure of the fortuneteller by reversing it. +A group of players is invited to explore each card and reimagine its +meaning as a collective. We are keen to see how similar or completely +different experiences can be shared and new insights learned through +each round of exercise. This game serves as a tool that gives to the +group the possibility to write together, meet, connect, talk about +unspeakable things, share, interpret or even get into conflict. Each +card is a starting point, an interface for an opening, a promising +healing, a collective moment.

+

Fiction Friction is a tool for (hyper)textual conversations on (via) +abstract/symbolic/surrealistic collage cards. We based our collaging on +political events that we have experienced or have been part of our +memories, mythological figures from our cultures, collective memory +moments, literature that has inspired us, musical references, +individuals etc. The main components of the game are a deck of +illustrated cards, dice with different methods of interpretation, an +empty deck to host the new potential stories along with a a deck of +questions created by the players.

+

How to play:

+
    +

  • One player picks a card from the illustrated card deck along with +a question card and places them in the middle. The card is the starting +point of a collective story.

    • +

  • Everyone takes an empty card.

    • +

  • In turns, players write their own interpretation of the collage +card having in mind the revealed question card that works as a navigator +for the story. (There is the possibility to use the dice in the process +so as to specify the method that a player should use to +“write”)

    • +

  • At the end of the round a small story will be created out of the +interpretations of each player.

    • +
-
@@ -1722,6 +1830,7 @@ use these cards in the two ways I have imagined or create your own.

  • The first method, and the one I recommend, asks your soul to sit with the cards, ask them a question, read the answer in the following pages and find a language for new or old feelings.
    • +
  • The second method requires you to keep the deck next to your bed. Once you wake up, while the dream is still supple and alive, reach for the Oracolotto and try and find the cards that most closely resemble the @@ -1758,19 +1867,20 @@ positive thoughts.

    ✧ How to Do a Reading

    Set an intention at the start. You or the person you are reading for will ask a question, out loud or in your mind, as you shuffle the cards. -You then have two options: either spread them out or fan them, and -choose one card at a time with your dominant hand, or place the whole -deck on a surface and run your fingers alongside it until you feel like -splitting the deck and picking a card. Do it as you wish, it is -important to let your intuition guide you to a card.

    +You then have two options: either spread them out or fan them and choose +one card at a time with your dominant hand; or place the whole deck on a +surface and run your fingers alongside it until you feel like splitting +the deck and picking a card. Do it as you wish, it is important to let +your intuition guide you to a card.

    Lay the card in front of you (the “How to Lay Out the Cards” section follows). Turn the card over and feel, hear, see, and intuit its meaning concerning your question. Refer to this guidebook for interpretations. -If you give readings to others, always keep a record of your readings -because messages for others often weave into your own. Sometimes cards -will “jump” out of the deck while you are shuffling. These cards are -trying to get your attention. They are part of your reading or perhaps -the entire reading. They are important messages; take heed.

    +If you give readings to others, always keep a record of your own +readings because messages for others often weave into your own. +Sometimes cards will “jump” out of the deck while you are shuffling. +These cards are trying to get your attention. They are part of your +reading or perhaps the entire reading. They are important messages; take +heed.

    Alternatively, and if applicable, you may choose one card and place it on your altar or under your pillow at night to usher in a deeper understanding.

    @@ -1790,8 +1900,8 @@ answer.
  • Draw three cards representing what you need to know in general terms.
  • The three cards may represent the past, present or future.
    • -
  • The three cards answer questions about three issues, such as career, -love and friendship.
    • +
  • The three cards may answer questions about three issues, such as +career, love and friendship.

    • If you want to arrive at a more fleshed-out narrative, you may choose to do a bigger spread. Information about those can be found in any book @@ -1805,24 +1915,23 @@ uncertainty.

    Coffee is brewing, waiting to be poured into the empty cup on the counter. A spiritual guide sits patiently, urging you to begin while the sun shines outside a closed window. On the side, enormous snowdrops have -blossomed, indicating the first tentative steps of spring.

    -

    While the Coffee is number 42, this card comes before the others. -Like an unhatched egg, it contains all the potential for the journey. -The cup is empty, but you are urged to pour it, to drink it and to be on -the journey. A spiritual guide urges you forward. Like the prophet -Muhammad who was given coffee(قهوة) by the Archangel Jibreel, you are -urged to begin.

    -

    The Coffee upright in a reading tells you that now is the time to be -naive and courageous. Set on a new adventure and do not worry about the -consequences. It is time; the coffee is ready.

    +blossomed, indicating the first tentative steps of spring. While the +Coffee is number 42, this card comes before the others. Like an +unhatched egg, it contains all the potential for the journey. The cup is +empty, but you are urged to pour it, to drink it and to be on the +journey. A spiritual guide urges you forward. Like the prophet Muhammad +who was given coffee(قهوة) by the Archangel Jibreel, you are urged to +begin. The Coffee upright in a reading tells you that now is the time to +be naive and courageous. Set on a new adventure and do not worry about +the consequences. It is time; the coffee is ready.

    Reversed

    If the Coffee appears reversed, it is a warning. The coffee will spill, and it may burn you or others. Be careful not to disregard the consequences of your actions. Your eagerness for freedom and new beginnings may harm others or yourself. Now, you are being asked for consistency and patience. There is a time to be brave and to set off on -new paths, a time to be reliable and patient. Wisdom lies in knowing the -difference.

    +new paths and a time to be reliable and patient. Wisdom lies in knowing +the difference.

    ✳ tarot correspondence: 0. the fool.

    ✳ zodiac correspondence: all signs, the universe.

    @@ -1848,8 +1957,7 @@ chosen the path of spiritual power but two unmarried older women. Do not be fooled. The power is in your hands; your potential lays dormant beneath your doubts and lack of self-esteem. Trust in your ability, and trust the Spinsters to weave you back to an active role within your own -life.
    -

    +life.

    ✳ tarot correspondence: 1. the magician.

    ✳ zodiac correspondence: gemini & virgo.

    ✳ 63. the bride or ’a @@ -2060,17 +2168,17 @@ purgatory’s souls or ll’aneme o priatorio

    .keywords: passivity, cost, holding back, patience, allowing events to unfold, meditation and mindful practice, inner peace, self-acceptance, overcoming ego

    -

    A man dangles, his foot loosely tied with rope, his wings closed by -his sides, his braids falling beyond sight. Next to him, others hang in -the same situation. We see Purgatory’s Souls, the souls of people in a -state of temporary punishment and purification, in a state of grace, but -not yet ready to enter heaven. Let the souls inspire you in their state -of acceptance, as it is not their work that will send them to heaven. -They are, just like you, ready for peace and joy. What you must do now -is fully succumb to your situation and release. If the soul trusts the -flow of events and let’s go, he realises he has had wings all along. A -brazen metaphor, a simple reminder that it is not time to struggle for -control. Trust the universe, trust yourself and let go.

    +

    A man dangles from a branch, his wings closed by his sides, his braid +falling beyond sight. Next to him, others hang in the same situation. We +see Purgatory’s Souls, the souls of people in a state of temporary +punishment and purification, in a state of grace, but not yet ready to +enter heaven. Let the souls inspire you in their state of acceptance, as +it is not their work that will send them to heaven. They are, just like +you, ready for peace and joy. What you must do now is fully succumb to +your situation and release. If the soul trusts the flow of events and +let’s go, he realises he has had wings all along. A brazen metaphor, a +simple reminder that it is not time to struggle for control. Trust the +universe, trust yourself and let go.

    Reversed

    As Purgatory’s Souls appear reversed, they tell a different story. They are not hanging but anchored to the soil. You are pulling yourself @@ -2135,14 +2243,13 @@ riavule

    .keywords: bondage, addiction, materialism, destructive behaviours, harmful cycles, choosing to get free, or choosing not to get free, confronting fear, committing to your freedom.

    -

    Five little devils dance naked above a reversed pentacle. They hold a -chain that leads to a circle of light containing a key. The Devils -symbolise that which keeps us bound and trapped. It is a small circle -containing you, a metaphorical jail to which you do not yet have a key. -This card cautions you against finding blame and refers instead to what -is constrained by ourselves, our subconscious and direct choices. Do not -let ideas, people or situations absorb you so intensely that it causes -you to ignore other relationships.

    +

    Five little devils dance naked. They hold each other’s hands, forming +a chain. The Devils symbolise that which keeps us bound and trapped. It +is a small circle containing you, a metaphorical jail to which you do +not yet have a key. This card cautions you against finding blame and +refers instead to what is constrained by ourselves, our subconscious and +direct choices. Do not let ideas, people or situations absorb you so +intensely that it causes you to ignore other relationships.

    Reversed

    The Devil being upside down immediately reveals the bondage. You are aware of your chains. The unhealthy dynamics in your life that keep you @@ -2183,9 +2290,9 @@ natale

    .keywords: hope, love and support, coming home to yourself, self-care, healing, being true to yourself, being guided by your intuition, integrity, honesty, a positive new start or new vision.

    -

    In a warm room, a candle-lit Christmas appears next to a window. On -the windowsill sits a still, warm cup of tea. The comforting view of the -room is contrasted by the magical view through the window, where an +

    In a warm room, a candle-lit Christmas tree appears next to a window. +On the windowsill sits a still, warm cup of tea. The comforting view of +the room is contrasted by the magical view through the window, where an enormous star pours light on a snowy landscape. Christmas is a card of hope. A time of renewal, comfort and homeliness lies ahead. It is time to leave the hard times behind. The star shines alone through the @@ -2310,56 +2417,41 @@ soon the Good Wine will be yours.

    -

    Fiction Friction

    -

    storytelling tool

    -

    The Fiction Friction cards are made by two wanderers who spent a fair -amount of time thinking about healing, witchcraft and (contemporary) -witch-hunting, rituals, and Tarot culture. This approach can be seen as -a way to create a ritual or a (personal) journey into a collective -representation. The cards are carriers of our identities, individual -past, memory, momentary frictions and fictions. We intended to reclaim -the tarot reading ritual and reconsider the relation between the given -card interpretation and the figure of the fortuneteller by reversing it. -A group of players is invited to explore each card and reimagine its -meaning as a collective. We are keen to see how similar or completely -different experiences can be shared and new insights learned through -each round of exercise. This game serves as a tool that gives to the -group the possibility to write together, meet, connect, talk about -unspeakable things, share, interpret or even get into conflict. Each -card is a starting point, an interface for an opening, a promising -healing, a collective moment.

    -

    Fiction Friction is a tool for (hyper)textual conversations on (via) -abstract/symbolic/surrealistic collage cards. We based our collaging on -political events that we have experienced or have been part of our -memories, mythological figures from our cultures, collective memory -moments, literature that has inspired us, musical references, -individuals etc. The main components of the game are a deck of -illustrated cards, dice with different methods of interpretation, an -empty deck to host the new potential stories along with a a deck of -questions created by the players.

    -

    How to play:

    -
      -

    • One player picks a card from the illustrated card deck along with -a question card and places them in the middle. The card is the starting -point of a collective story.

      • -

    • Everyone takes an empty card.

      • -

    • In turns, players write their own interpretation of the collage -card having in mind the revealed question card that works as a navigator -for the story. (There is the possibility to use the dice in the process -so as to specify the method that a player should use to -“write”)

      • -

    • At the end of the round a small story will be created out of the -interpretations of each player.

      • -
    +

    The Wheel of Fortune — Manual

    +

    “Welcome, my dear! This exercise is all about healing, about +reconnecting with what is essential and authentic within yourself. By +understanding the true nature of our suffering, we can evoke compassion +for ourselves as we move through uncomfortable feelings on the path to +healing and peace.

    +

    Prerequisites: Before you begin, there are a few things you will +need. Firstly, you must have a strong intention to commit to this +exercise for some time. Secondly, find a quiet room free of +distractions, and finally, get a notebook and pen. Handwriting will +engage your mind more actively and profoundly, help you connect with +yourself, and enable the tracing of your progress over time.

    +

    I will be guiding you through a series of carefully selected +questions written by different authors, some are well-known, and others +will remain unknown. To begin the exercise, spin the Wheel of Fortune +located at issue.xpub.nl/20/wheel After a few seconds, a question will +appear on the screen. Then, take a photo slide from the deck and hold it +to the screen. Think about that question by looking at it and the tiny +film together like friends. If you feel like writing your thoughts, you +can use the tiny notepad made just for you.

    +

    These photo slides are there to help you dive deeper into your inner +world. Use them to explore moments in your life that you may not have +fully processed or understood. As you reflect on these images and answer +the questions, you may gain new insights and perspectives about yourself +and your life.

    +

    Enjoy the journey! Console”

    -
    @@ -2377,17 +2469,19 @@ special gift from the sun god that allowed her to solve any problem a human could ever worry about. The worry doll represents the princess and the wisdom she carries. With this wisdom, humans will be able to overcome their troubles.

    +
    Worry Dolls
    +

    Bibliography

    diff --git a/web/00-booklet/booklet.template.html b/web/00-booklet/booklet.template.html index 0be5afa..4f59496 100644 --- a/web/00-booklet/booklet.template.html +++ b/web/00-booklet/booklet.template.html @@ -16,7 +16,9 @@

    Contents

      {% for title in titles %} + {% if loop.index > 1 %}
    • {{ title }}
      • + {% endif %} {% endfor %}
    diff --git a/web/00-booklet/print_style.css b/web/00-booklet/print_style.css index 1c9dbfe..7c26492 100644 --- a/web/00-booklet/print_style.css +++ b/web/00-booklet/print_style.css @@ -130,6 +130,19 @@ h1{ padding: 13mm; } +h6{ + font-size: 3rem; + break-before: right; + /* break-after: right; */ + background-color: var(--spot-color-1); + color: #fff; + height: 186mm; + width: 133mm; + margin: -13mm 0 0 -30mm; + padding: 87mm 10mm 0; + text-align: center; +} + section{ break-after: page; @@ -139,7 +152,9 @@ section{ background-color: var(--spot-color-1); color: #ccc; } - +.toc{ + break-before: page; +} .toc-title{ break-before: none; break-after: none; diff --git a/web/00-booklet/section-order.txt b/web/00-booklet/section-order.txt index 1e164f8..e15f483 100644 --- a/web/00-booklet/section-order.txt +++ b/web/00-booklet/section-order.txt @@ -2,23 +2,23 @@ start-matter introduction doc-rituals-games doc-monday-rituals -historyoftarot -gossip-on-gossip -holograms click_aglaia fruitual +gossip-on-gossip +historyoftarot +holograms long_time pacifist-fortnite papa-louie peace sims-mod -youtube_tarot -tetris_fantasies superdeconstruction +tetris_fantasies wheel-doc -wheel-manual -oracle +youtube_tarot fiction_friction +oracle +wheel-manual worry-dolls bibliography license diff --git a/web/click_aglaia/index.md b/web/click_aglaia/index.md index 087b743..939914b 100644 --- a/web/click_aglaia/index.md +++ b/web/click_aglaia/index.md @@ -1,5 +1,5 @@ --- -title: click-click +title: Click-Click author: --- diff --git a/web/introduction/index.md b/web/introduction/index.md index 0b4dafd..8eff0d8 100644 --- a/web/introduction/index.md +++ b/web/introduction/index.md @@ -41,4 +41,5 @@ How does the understanding of the hunting of the witches that happened a few cen ![Never stop questioning never stop mapping](wall.jpg) +###### DOCUMENTATION diff --git a/web/start-matter/index.md b/web/start-matter/index.md index 955f144..2fbd2d9 100644 --- a/web/start-matter/index.md +++ b/web/start-matter/index.md @@ -24,7 +24,7 @@ See the SIXX License for more details. You should have received a copy of the S XPUB is the Master of Arts in Fine Art and Design: Experimental Publishing of the Piet Zwart Institute. XPUB focuses on the acts of making things public and creating publics in the age of post-digital networks. Find out more at xpub.nl -# CONSOLE +###### CONSOLE ### xpub special issue xx @@ -37,7 +37,7 @@ Console asks everyday questions that give magical answers. Are you ready to play? -## ❤️ this publication was made possible thanks to: +### ❤️ this publication was made possible thanks to: Lídia Pereira (ed.) Artemis Gryllaki (ed.) diff --git a/web/youtube_tarot/index.md b/web/youtube_tarot/index.md index 58c0db4..990ea67 100644 --- a/web/youtube_tarot/index.md +++ b/web/youtube_tarot/index.md @@ -42,3 +42,4 @@ Part of the dictionary of YouTube Tarot cards: ![The Hummingbird](013.jpg) +###### MANUALS