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133 lines
5.9 KiB
HTML
133 lines
5.9 KiB
HTML
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<title>SI18</title>
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<h1 class="title">
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SI18 - Radio Implicancies: Methods To Practice Interdependencies
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</h1>
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<button id="intro">🎵 Intro / Outro</button>
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</div>
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<ul class="index">
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<li><a href="archive/01">01</a></li>
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<li><a href="archive/02">02</a></li>
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<li><a href="archive/03">03</a></li>
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<li><a href="archive/04">04</a></li>
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<li><a href="archive/05">05</a></li>
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<li><a href="archive/06">06</a></li>
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<li><a href="archive/07">07</a></li>
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<li><a href="archive/08">08</a></li>
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</ul>
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<div class="meta release">
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<h2 class="title hidden"></h2>
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<div class="date hidden"></div>
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<img src="" alt="" id="foreground" />
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</header>
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<main>
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<p>
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The third and last issue of the first year of Experimental Publishing (XPUB), Radio
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Implicancies: Methods To Practice Interdependencies, is a series of eight,
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increasingly ambitious, weekly released sound publications. While the name of this
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publication might give you the impression that those periodical releases were
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broadcasted, they very much took place behind closed doors, amongst the group
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members themselves…
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</p>
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<p>
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Released for the very first time on the 12th of April, the twelve members of the
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group, who where shapeshifting each Tuesday of the week into their own audience,
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constantly shuffled positions in the overall work infrastructure until the last
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release on the 21st of June. This modular approach to work positions enabled an
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interdependent publishing structure in which different figures of agency took turn
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in order to share responsibilities in a sustainable manner.
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</p>
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<p>
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Certainly captivated by the diversity in shapes, contents and experiences offered by
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the Special Issue 18's eight sound publications, one might wonder: but what is it
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all about? The time pressure and weekly format framework left the overall project
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stuck under the surface of the water, as under an ice floe. Yet, the time spared on
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reflecting over past releases was invested in a bold pace of exploration, in which
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each week the group has re-conceptualised new work methodologies. The urgency of
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experimenting with new infrastructures and breaking down mainstream hierarchical
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ones, took over the reflection of the resulted emergencies within each project. The
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ice floe broke at some place, enabling water flows, but those remained disparate, a
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stream still waiting to be connected.
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</p>
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<p>
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Every other Tuesday of each week, somehow estranged from everyones' work progress,
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all the members of the group, except the care-takers (a few members responsible of
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the overall outcome of that week's publication), would walk into a dedicated room
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unaware of what kind of experience they would step into. Some publications even
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shifted from edited projects to live performances, presenting tools, interface or
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instruments for the public to thread all the pieces together themselves.
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</p>
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<img src="img/releases/2022-06-22 17.03.22.jpg" alt="The uneven pattern website" />
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<p>
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The third week release, Uneven Patterns, was the first milestone in which the
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release's care-takers took the role of editors. The listener's experience evolved
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from that of a brutal unintentional edit of disparate sound-works, to an intentional
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curated piece, interlaced by a common rhythm: that of different binding sounds. The
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theme presented by the editors was inviting in a non-restrictive manner.
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</p>
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<p>
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From then on the publications' care-takers became the heart of each weekly release.
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</p>
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<p>
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On the fourth week, the Emergent Opera's care-takers introduced a new kind of
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release format: live edit. The release's interface, unlike the up-to-then linear
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structures, took the form of a circular constellation of sound tracks, an instrument
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that can be activated by any willing participant, generating a new kind of
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audio-collage.
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</p>
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<p>
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This potential for more performative and interactive interfaces inspired the
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care-takers of The Jingle Board Parliament to challenge said format on the fifth
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week. For the first time, the potential of found footage in media and pop culture,
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within a short-format restriction, got encouraged. The occasion to experience and
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command a once in a lifetime political landscape hosting an eclectic assemble of
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voices.
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</p>
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<p>
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The instrument became voice. While dialogues were emerging out of cheer spontaneity,
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the Nested Narratives release was the occasion to reflect together on a textual net
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around a given refrain. One that would weave the diverse reflection, on a common
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problematic, of makers and listeners together…
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</p>
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<p>
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And the voices carried methods. For the first time in months, the care-takers
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decided to take the bull by the horns and propose to confront methodologies upfront
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with the Sharing Methods for Diffractive Reading cookbook. The occasion highlighted
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that however considerate a method might be, different texts need different care and
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attention.
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</p>
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<p>
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This intricate publication blew a wind of spontaneity to the last week's release.
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Each day, the different contributors would react to one another with daily (short-)
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uploads on the Unfolding [ ] Implicancies platform. A final interface with data
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strata of all kind resulted in a generous open-end: a rhizome narrative with no top
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nor bottom, no left or right, where what ends is where that begins.
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</p>
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</main>
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</body>
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</html>
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