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<!DOCTYPE html>
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<html data-init="no-js">
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<head>
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<meta charset="UTF-8" />
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<title>story</title>
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<meta name="viewport" content="width=device-width,initial-scale=1" />
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<!--
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SugarCube (v2.36.1): A free (gratis and libre) story format.
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Copyright © 2013–2021 Thomas Michael Edwards <thomasmedwards@gmail.com>.
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All rights reserved.
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Redistribution and use in source and binary forms, with or without
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modification, are permitted provided that the following conditions are met:
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1. Redistributions of source code must retain the above copyright notice, this
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list of conditions and the following disclaimer.
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2. Redistributions in binary form must reproduce the above copyright notice,
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this list of conditions and the following disclaimer in the documentation
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and/or other materials provided with the distribution.
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THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS "AS IS" AND
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ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED
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WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE
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DISCLAIMED. IN NO EVENT SHALL THE COPYRIGHT OWNER OR CONTRIBUTORS BE LIABLE FOR
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ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES
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(INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES;
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LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND
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ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT
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(INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS
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SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.
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-->
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<script id="script-libraries" type="text/javascript">
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if(document.head&&document.addEventListener&&document.querySelector&&Object.create&&Object.freeze&&JSON){document.documentElement.setAttribute("data-init", "loading");
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/*! @source http://purl.eligrey.com/github/classList.js/blob/1.2.20171210/classList.js */
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"document"in self&&("classList"in document.createElement("_")&&(!document.createElementNS||"classList"in document.createElementNS("http://www.w3.org/2000/svg","g"))||!function(t){"use strict";if("Element"in t){var e="classList",n="prototype",i=t.Element[n],s=Object,r=String[n].trim||function(){return this.replace(/^\s+|\s+$/g,"")},o=Array[n].indexOf||function(t){for(var e=0,n=this.length;n>e;e++)if(e in this&&this[e]===t)return e;return-1},c=function(t,e){this.name=t,this.code=DOMException[t],this.message=e},a=function(t,e){if(""===e)throw new c("SYNTAX_ERR","The token must not be empty.");if(/\s/.test(e))throw new c("INVALID_CHARACTER_ERR","The token must not contain space characters.");return o.call(t,e)},l=function(t){for(var e=r.call(t.getAttribute("class")||""),n=e?e.split(/\s+/):[],i=0,s=n.length;s>i;i++)this.push(n[i]);this._updateClassName=function(){t.setAttribute("class",this.toString())}},u=l[n]=[],h=function(){return new l(this)};if(c[n]=Error[n],u.item=function(t){return this[t]||null},u.contains=function(t){return~a(this,t+"")},u.add=function(){var t,e=arguments,n=0,i=e.length,s=!1;do t=e[n]+"",~a(this,t)||(this.push(t),s=!0);while(++n<i);s&&this._updateClassName()},u.remove=function(){var t,e,n=arguments,i=0,s=n.length,r=!1;do for(t=n[i]+"",e=a(this,t);~e;)this.splice(e,1),r=!0,e=a(this,t);while(++i<s);r&&this._updateClassName()},u.toggle=function(t,e){var n=this.contains(t),i=n?e!==!0&&"remove":e!==!1&&"add";return i&&this[i](t),e===!0||e===!1?e:!n},u.replace=function(t,e){var n=a(t+"");~n&&(this.splice(n,1,e),this._updateClassName())},u.toString=function(){return this.join(" ")},s.defineProperty){var f={get:h,enumerable:!0,configurable:!0};try{s.defineProperty(i,e,f)}catch(p){void 0!==p.number&&-2146823252!==p.number||(f.enumerable=!1,s.defineProperty(i,e,f))}}else s[n].__defineGetter__&&i.__defineGetter__(e,h)}}(self),function(){"use strict";var t=document.createElement("_");if(t.classList.add("c1","c2"),!t.classList.contains("c2")){var e=function(t){var e=DOMTokenList.prototype[t];DOMTokenList.prototype[t]=function(t){var n,i=arguments.length;for(n=0;i>n;n++)t=arguments[n],e.call(this,t)}};e("add"),e("remove")}if(t.classList.toggle("c3",!1),t.classList.contains("c3")){var n=DOMTokenList.prototype.toggle;DOMTokenList.prototype.toggle=function(t,e){return 1 in arguments&&!this.contains(t)==!e?e:n.call(this,t)}}"replace"in document.createElement("_").classList||(DOMTokenList.prototype.replace=function(t,e){var n=this.toString().split(" "),i=n.indexOf(t+"");~i&&(n=n.slice(i),this.remove.apply(this,n),this.add(e),this.add.apply(this,n.slice(1)))}),t=null}());
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/*!
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* https://github.com/es-shims/es5-shim
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* @license es5-shim Copyright 2009-2020 by contributors, MIT License
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* see https://github.com/es-shims/es5-shim/blob/v4.5.14/LICENSE
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*/
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(function(t,r){"use strict";if(typeof define==="function"&&define.amd){define(r)}else if(typeof exports==="object"){module.exports=r()}else{t.returnExports=r()}})(this,function(){var t=Array;var r=t.prototype;var e=Object;var n=e.prototype;var i=Function;var a=i.prototype;var o=String;var f=o.prototype;var u=Number;var l=u.prototype;var s=r.slice;var c=r.splice;var v=r.push;var h=r.unshift;var p=r.concat;var y=r.join;var d=a.call;var g=a.apply;var w=Math.max;var b=Math.min;var T=n.toString;var m=typeof Symbol==="function"&&typeof Symbol.toStringTag==="symbol";var D;var S=Function.prototype.toString,x=/^\s*class /,O=function isES6ClassFn(t){try{var r=S.call(t);var e=r.replace(/\/\/.*\n/g,"");var n=e.replace(/\/\*[.\s\S]*\*\//g,"");var i=n.replace(/\n/gm," ").replace(/ {2}/g," ");return x.test(i)}catch(a){return false}},E=function tryFunctionObject(t){try{if(O(t)){return false}S.call(t);return true}catch(r){return false}},j="[object Function]",I="[object GeneratorFunction]",D=function isCallable(t){if(!t){return false}if(typeof t!=="function"&&typeof t!=="object"){return false}if(m){return E(t)}if(O(t)){return false}var r=T.call(t);return r===j||r===I};var M;var U=RegExp.prototype.exec,$=function tryRegexExec(t){try{U.call(t);return true}catch(r){return false}},F="[object RegExp]";M=function isRegex(t){if(typeof t!=="object"){return false}return m?$(t):T.call(t)===F};var N;var C=String.prototype.valueOf,k=function tryStringObject(t){try{C.call(t);return true}catch(r){return false}},A="[object String]";N=function isString(t){if(typeof t==="string"){return true}if(typeof t!=="object"){return false}return m?k(t):T.call(t)===A};var R=e.defineProperty&&function(){try{var t={};e.defineProperty(t,"x",{enumerable:false,value:t});for(var r in t){return false}return t.x===t}catch(n){return false}}();var P=function(t){var r;if(R){r=function(t,r,n,i){if(!i&&r in t){return}e.defineProperty(t,r,{configurable:true,enumerable:false,writable:true,value:n})}}else{r=function(t,r,e,n){if(!n&&r in t){return}t[r]=e}}return function defineProperties(e,n,i){for(var a in n){if(t.call(n,a)){r(e,a,n[a],i)}}}}(n.hasOwnProperty);var J=function isPrimitive(t){var r=typeof t;return t===null||r!=="object"&&r!=="function"};var Y=u.isNaN||function isActualNaN(t){return t!==t};var z={ToInteger:function ToInteger(t){var r=+t;if(Y(r)){r=0}else if(r!==0&&r!==1/0&&r!==-(1/0)){r=(r>0||-1)*Math.floor(Math.abs(r))}return r},ToPrimitive:function ToPrimitive(t){var r,e,n;if(J(t)){return t}e=t.valueOf;if(D(e)){r=e.call(t);if(J(r)){return r}}n=t.toString;if(D(n)){r=n.call(t);if(J(r)){return r}}throw new TypeError},ToObject:function(t){if(t==null){throw new TypeError("can't convert "+t+" to object")}return e(t)},ToUint32:function ToUint32(t){return t>>>0}};var Z=function Empty(){};P(a,{bind:function bind(t){var r=this;if(!D(r)){throw new TypeError("Function.prototype.bind called on incompatible "+r)}var n=s.call(arguments,1);var a;var o=function(){if(this instanceof a){var i=g.call(r,this,p.call(n,s.call(arguments)));if(e(i)===i){return i}return this}else{return g.call(r,t,p.call(n,s.call(arguments)))}};var f=w(0,r.length-n.length);var u=[];for(var l=0;l<f;l++){v.call(u,"$"+l)}a=i("binder","return function ("+y.call(u,",")+"){ return binder.apply(this, arguments); }")(o);if(r.prototype){Z.prototype=r.prototype;a.prototype=new Z;Z.prototype=null}return a}});var G=d.bind(n.hasOwnProperty);var H=d.bind(n.toString);var W=d.bind(s);var B=g.bind(s);if(typeof document==="object"&&document&&document.documentElement){try{W(document.documentElement.childNodes)}catch(X){var L=W;var q=B;W=function arraySliceIE(t){var r=[];var e=t.length;while(e-- >0){r[e]=t[e]}return q(r,L(arguments,1))};B=function arraySliceApplyIE(t,r){return q(W(t),r)}}}var K=d.bind(f.slice);var Q=d.bind(f.split);var V=d.bind(f.indexOf);var _=d.bind(v);var tt=d.bind(n.propertyIsEnumerable);var rt=d.bind(r.sort);var et=t.isArray||function isArray(t){return H(t)==="[object Array]"};var nt=[].unshift(0)!==1;P(r,{unshift:function(){h.apply(this,arguments);return this.length}},nt);P(t,{isArray:et});var it=e("a");va
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/*!
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* https://github.com/paulmillr/es6-shim
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* @license es6-shim Copyright 2013-2016 by Paul Miller (http://paulmillr.com)
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* and contributors, MIT License
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* es6-shim: v0.35.4
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* see https://github.com/paulmillr/es6-shim/blob/0.35.4/LICENSE
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* Details and documentation:
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* https://github.com/paulmillr/es6-shim/
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*/
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(function(e,t){if(typeof define==="function"&&define.amd){define(t)}else if(typeof exports==="object"){module.exports=t()}else{e.returnExports=t()}})(this,function(){"use strict";var e=Function.call.bind(Function.apply);var t=Function.call.bind(Function.call);var r=Array.isArray;var n=Object.keys;var o=function notThunker(t){return function notThunk(){return!e(t,this,arguments)}};var i=function(e){try{e();return false}catch(t){return true}};var a=function valueOrFalseIfThrows(e){try{return e()}catch(t){return false}};var u=o(i);var f=function(){return!i(function(){return Object.defineProperty({},"x",{get:function(){}})})};var s=!!Object.defineProperty&&f();var c=function foo(){}.name==="foo";var l=Function.call.bind(Array.prototype.forEach);var p=Function.call.bind(Array.prototype.reduce);var v=Function.call.bind(Array.prototype.filter);var y=Function.call.bind(Array.prototype.some);var h=function(e,t,r,n){if(!n&&t in e){return}if(s){Object.defineProperty(e,t,{configurable:true,enumerable:false,writable:true,value:r})}else{e[t]=r}};var b=function(e,t,r){l(n(t),function(n){var o=t[n];h(e,n,o,!!r)})};var g=Function.call.bind(Object.prototype.toString);var d=typeof/abc/==="function"?function IsCallableSlow(e){return typeof e==="function"&&g(e)==="[object Function]"}:function IsCallableFast(e){return typeof e==="function"};var m={getter:function(e,t,r){if(!s){throw new TypeError("getters require true ES5 support")}Object.defineProperty(e,t,{configurable:true,enumerable:false,get:r})},proxy:function(e,t,r){if(!s){throw new TypeError("getters require true ES5 support")}var n=Object.getOwnPropertyDescriptor(e,t);Object.defineProperty(r,t,{configurable:n.configurable,enumerable:n.enumerable,get:function getKey(){return e[t]},set:function setKey(r){e[t]=r}})},redefine:function(e,t,r){if(s){var n=Object.getOwnPropertyDescriptor(e,t);n.value=r;Object.defineProperty(e,t,n)}else{e[t]=r}},defineByDescriptor:function(e,t,r){if(s){Object.defineProperty(e,t,r)}else if("value"in r){e[t]=r.value}},preserveToString:function(e,t){if(t&&d(t.toString)){h(e,"toString",t.toString.bind(t),true)}}};var O=Object.create||function(e,t){var r=function Prototype(){};r.prototype=e;var o=new r;if(typeof t!=="undefined"){n(t).forEach(function(e){m.defineByDescriptor(o,e,t[e])})}return o};var w=function(e,t){if(!Object.setPrototypeOf){return false}return a(function(){var r=function Subclass(t){var r=new e(t);Object.setPrototypeOf(r,Subclass.prototype);return r};Object.setPrototypeOf(r,e);r.prototype=O(e.prototype,{constructor:{value:r}});return t(r)})};var j=function(){if(typeof self!=="undefined"){return self}if(typeof window!=="undefined"){return window}if(typeof global!=="undefined"){return global}throw new Error("unable to locate global object")};var S=j();var T=S.isFinite;var I=Function.call.bind(String.prototype.indexOf);var E=Function.apply.bind(Array.prototype.indexOf);var P=Function.call.bind(Array.prototype.concat);var C=Function.call.bind(String.prototype.slice);var M=Function.call.bind(Array.prototype.push);var x=Function.apply.bind(Array.prototype.push);var N=Function.call.bind(Array.prototype.shift);var A=Math.max;var R=Math.min;var _=Math.floor;var k=Math.abs;var L=Math.exp;var F=Math.log;var D=Math.sqrt;var z=Function.call.bind(Object.prototype.hasOwnProperty);var q;var W=function(){};var G=S.Map;var H=G&&G.prototype["delete"];var V=G&&G.prototype.get;var B=G&&G.prototype.has;var U=G&&G.prototype.set;var $=S.Symbol||{};var J=$.species||"@@species";var X=Number.isNaN||function isNaN(e){return e!==e};var K=Number.isFinite||function isFinite(e){return typeof e==="number"&&T(e)};var Z=d(Math.sign)?Math.sign:function sign(e){var t=Number(e);if(t===0){return t}if(X(t)){return t}return t<0?-1:1};var Y=function log1p(e){var t=Number(e);if(t<-1||X(t)){return NaN}if(t===0||t===Infinity){return t}if(t===-1){return-Infinity}return 1+t-1===0?t:t*(F(1+t)/(1+t-1))};var Q=function isArguments(e){return g(e)==="[object Arguments]"};var ee=function isArguments(e){return e!==null&&typeof e==="object"&&typeof e.length==="number"&&e.length>=0&&g(e)!=="[object
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h(Math,"acosh",Cr.acosh,Math.acosh(Number.MAX_VALUE)===Infinity);h(Math,"acosh",Cr.acosh,!Mr(Math.acosh(1+Number.EPSILON),Math.sqrt(2*Number.EPSILON)));h(Math,"cbrt",Cr.cbrt,!Mr(Math.cbrt(1e-300),1e-100));h(Math,"sinh",Cr.sinh,Math.sinh(-2e-17)!==-2e-17);var xr=Math.expm1(10);h(Math,"expm1",Cr.expm1,xr>22025.465794806718||xr<22025.465794806718);var Nr=Math.round;var Ar=Math.round(.5-Number.EPSILON/4)===0&&Math.round(-.5+Number.EPSILON/3.99)===1;var Rr=mr+1;var _r=2*mr-1;var kr=[Rr,_r].every(function(e){return Math.round(e)===e});h(Math,"round",function round(e){var t=_(e);var r=t===-1?-0:t+1;return e-t<.5?t:r},!Ar||!kr);m.preserveToString(Math.round,Nr);var Lr=Math.imul;if(Math.imul(4294967295,5)!==-5){Math.imul=Cr.imul;m.preserveToString(Math.imul,Lr)}if(Math.imul.length!==2){ne(Math,"imul",function imul(e,t){return ce.Call(Lr,Math,arguments)})}var Fr=function(){var e=S.setTimeout;if(typeof e!=="function"&&typeof e!=="object"){return}ce.IsPromise=function(e){if(!ce.TypeIsObject(e)){return false}if(typeof e._promise==="undefined"){return false}return true};var r=function(e){if(!ce.IsConstructor(e)){throw new TypeError("Bad promise constructor")}var t=this;var r=function(e,r){if(t.resolve!==void 0||t.reject!==void 0){throw new TypeError("Bad Promise implementation!")}t.resolve=e;t.reject=r};t.resolve=void 0;t.reject=void 0;t.promise=new e(r);if(!(ce.IsCallable(t.resolve)&&ce.IsCallable(t.reject))){throw new TypeError("Bad promise constructor")}};var n;if(typeof window!=="undefined"&&ce.IsCallable(window.postMessage)){n=function(){var e=[];var t="zero-timeout-message";var r=function(r){M(e,r);window.postMessage(t,"*")};var n=function(r){if(r.source===window&&r.data===t){r.stopPropagation();if(e.length===0){return}var n=N(e);n()}};window.addEventListener("message",n,true);return r}}var o=function(){var e=S.Promise;var t=e&&e.resolve&&e.resolve();return t&&function(e){return t.then(e)}};var i=ce.IsCallable(S.setImmediate)?S.setImmediate:typeof process==="object"&&process.nextTick?process.nextTick:o()||(ce.IsCallable(n)?n():function(t){e(t,0)});var a=function(e){return e};var u=function(e){throw e};var f=0;var s=1;var c=2;var l=0;var p=1;var v=2;var y={};var h=function(e,t,r){i(function(){g(e,t,r)})};var g=function(e,t,r){var n,o;if(t===y){return e(r)}try{n=e(r);o=t.resolve}catch(i){n=i;o=t.reject}o(n)};var d=function(e,t){var r=e._promise;var n=r.reactionLength;if(n>0){h(r.fulfillReactionHandler0,r.reactionCapability0,t);r.fulfillReactionHandler0=void 0;r.rejectReactions0=void 0;r.reactionCapability0=void 0;if(n>1){for(var o=1,i=0;o<n;o++,i+=3){h(r[i+l],r[i+v],t);e[i+l]=void 0;e[i+p]=void 0;e[i+v]=void 0}}}r.result=t;r.state=s;r.reactionLength=0};var m=function(e,t){var r=e._promise;var n=r.reactionLength;if(n>0){h(r.rejectReactionHandler0,r.reactionCapability0,t);r.fulfillReactionHandler0=void 0;r.rejectReactions0=void 0;r.reactionCapability0=void 0;if(n>1){for(var o=1,i=0;o<n;o++,i+=3){h(r[i+p],r[i+v],t);e[i+l]=void 0;e[i+p]=void 0;e[i+v]=void 0}}}r.result=t;r.state=c;r.reactionLength=0};var O=function(e){var t=false;var r=function(r){var n;if(t){return}t=true;if(r===e){return m(e,new TypeError("Self resolution"))}if(!ce.TypeIsObject(r)){return d(e,r)}try{n=r.then}catch(o){return m(e,o)}if(!ce.IsCallable(n)){return d(e,r)}i(function(){j(e,r,n)})};var n=function(r){if(t){return}t=true;return m(e,r)};return{resolve:r,reject:n}};var w=function(e,r,n,o){if(e===I){t(e,r,n,o,y)}else{t(e,r,n,o)}};var j=function(e,t,r){var n=O(e);var o=n.resolve;var i=n.reject;try{w(r,t,o,i)}catch(a){i(a)}};var T,I;var E=function(){var e=function Promise(t){if(!(this instanceof e)){throw new TypeError('Constructor Promise requires "new"')}if(this&&this._promise){throw new TypeError("Bad construction")}if(!ce.IsCallable(t)){throw new TypeError("not a valid resolver")}var r=Ae(this,e,T,{_promise:{result:void 0,state:f,reactionLength:0,fulfillReactionHandler0:void 0,rejectReactionHandler0:void 0,reactionCapability0:void 0}});var n=O(r);var o=n.reject;try{t(n.resolve,o)}catch(i){o(i)}return r};return e}();T=E.prototype;var P=function(e,t,r,n){var o=f
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/*! jQuery v3.6.0 | (c) OpenJS Foundation and other contributors | jquery.org/license */
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!function(e,t){"use strict";"object"==typeof module&&"object"==typeof module.exports?module.exports=e.document?t(e,!0):function(e){if(!e.document)throw new Error("jQuery requires a window with a document");return t(e)}:t(e)}("undefined"!=typeof window?window:this,function(C,e){"use strict";var t=[],r=Object.getPrototypeOf,s=t.slice,g=t.flat?function(e){return t.flat.call(e)}:function(e){return t.concat.apply([],e)},u=t.push,i=t.indexOf,n={},o=n.toString,v=n.hasOwnProperty,a=v.toString,l=a.call(Object),y={},m=function(e){return"function"==typeof e&&"number"!=typeof e.nodeType&&"function"!=typeof e.item},x=function(e){return null!=e&&e===e.window},E=C.document,c={type:!0,src:!0,nonce:!0,noModule:!0};function b(e,t,n){var r,i,o=(n=n||E).createElement("script");if(o.text=e,t)for(r in c)(i=t[r]||t.getAttribute&&t.getAttribute(r))&&o.setAttribute(r,i);n.head.appendChild(o).parentNode.removeChild(o)}function w(e){return null==e?e+"":"object"==typeof e||"function"==typeof e?n[o.call(e)]||"object":typeof e}var f="3.6.0",S=function(e,t){return new S.fn.init(e,t)};function p(e){var t=!!e&&"length"in e&&e.length,n=w(e);return!m(e)&&!x(e)&&("array"===n||0===t||"number"==typeof t&&0<t&&t-1 in e)}S.fn=S.prototype={jquery:f,constructor:S,length:0,toArray:function(){return s.call(this)},get:function(e){return null==e?s.call(this):e<0?this[e+this.length]:this[e]},pushStack:function(e){var t=S.merge(this.constructor(),e);return t.prevObject=this,t},each:function(e){return S.each(this,e)},map:function(n){return this.pushStack(S.map(this,function(e,t){return n.call(e,t,e)}))},slice:function(){return this.pushStack(s.apply(this,arguments))},first:function(){return this.eq(0)},last:function(){return this.eq(-1)},even:function(){return this.pushStack(S.grep(this,function(e,t){return(t+1)%2}))},odd:function(){return this.pushStack(S.grep(this,function(e,t){return t%2}))},eq:function(e){var t=this.length,n=+e+(e<0?t:0);return this.pushStack(0<=n&&n<t?[this[n]]:[])},end:function(){return this.prevObject||this.constructor()},push:u,sort:t.sort,splice:t.splice},S.extend=S.fn.extend=function(){var e,t,n,r,i,o,a=arguments[0]||{},s=1,u=arguments.length,l=!1;for("boolean"==typeof a&&(l=a,a=arguments[s]||{},s++),"object"==typeof a||m(a)||(a={}),s===u&&(a=this,s--);s<u;s++)if(null!=(e=arguments[s]))for(t in e)r=e[t],"__proto__"!==t&&a!==r&&(l&&r&&(S.isPlainObject(r)||(i=Array.isArray(r)))?(n=a[t],o=i&&!Array.isArray(n)?[]:i||S.isPlainObject(n)?n:{},i=!1,a[t]=S.extend(l,o,r)):void 0!==r&&(a[t]=r));return a},S.extend({expando:"jQuery"+(f+Math.random()).replace(/\D/g,""),isReady:!0,error:function(e){throw new Error(e)},noop:function(){},isPlainObject:function(e){var t,n;return!(!e||"[object Object]"!==o.call(e))&&(!(t=r(e))||"function"==typeof(n=v.call(t,"constructor")&&t.constructor)&&a.call(n)===l)},isEmptyObject:function(e){var t;for(t in e)return!1;return!0},globalEval:function(e,t,n){b(e,{nonce:t&&t.nonce},n)},each:function(e,t){var n,r=0;if(p(e)){for(n=e.length;r<n;r++)if(!1===t.call(e[r],r,e[r]))break}else for(r in e)if(!1===t.call(e[r],r,e[r]))break;return e},makeArray:function(e,t){var n=t||[];return null!=e&&(p(Object(e))?S.merge(n,"string"==typeof e?[e]:e):u.call(n,e)),n},inArray:function(e,t,n){return null==t?-1:i.call(t,e,n)},merge:function(e,t){for(var n=+t.length,r=0,i=e.length;r<n;r++)e[i++]=t[r];return e.length=i,e},grep:function(e,t,n){for(var r=[],i=0,o=e.length,a=!n;i<o;i++)!t(e[i],i)!==a&&r.push(e[i]);return r},map:function(e,t,n){var r,i,o=0,a=[];if(p(e))for(r=e.length;o<r;o++)null!=(i=t(e[o],o,n))&&a.push(i);else for(o in e)null!=(i=t(e[o],o,n))&&a.push(i);return g(a)},guid:1,support:y}),"function"==typeof Symbol&&(S.fn[Symbol.iterator]=t[Symbol.iterator]),S.each("Boolean Number String Function Array Date RegExp Object Error Symbol".split(" "),function(e,t){n["[object "+t+"]"]=t.toLowerCase()});var d=function(n){var e,d,b,o,i,h,f,g,w,u,l,T,C,a,E,v,s,c,y,S="sizzle"+1*new Date,p=n.document,k=0,r=0,m=ue(),x=ue(),A=ue(),N=ue(),j=function(e,t){return e===t&&(l=!0),0},D={}.hasOwnProperty,t=[],q=t.pop,L=t.push,H=t.push,O=t.slice,P=function(e
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/*
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* jQuery throttle / debounce - v1.1 - 3/7/2010
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* http://benalman.com/projects/jquery-throttle-debounce-plugin/
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*
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* Copyright (c) 2010 "Cowboy" Ben Alman
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* Dual licensed under the MIT and GPL licenses.
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* http://benalman.com/about/license/
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*/
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(function(b,c){var $=b.jQuery||b.Cowboy||(b.Cowboy={}),a;$.throttle=a=function(e,f,j,i){var h,d=0;if(typeof f!=="boolean"){i=j;j=f;f=c}function g(){var o=this,m=+new Date()-d,n=arguments;function l(){d=+new Date();j.apply(o,n)}function k(){h=c}if(i&&!h){l()}h&&clearTimeout(h);if(i===c&&m>e){l()}else{if(f!==true){h=setTimeout(i?k:l,i===c?e-m:e)}}}if($.guid){g.guid=j.guid=j.guid||$.guid++}return g};$.debounce=function(d,e,f){return f===c?a(d,e,false):a(d,f,e!==false)}})(this);
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/*!
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* imagesLoaded PACKAGED v4.1.4
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* JavaScript is all like "You images are done yet or what?"
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* MIT License
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*/
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!function(e,t){"function"==typeof define&&define.amd?define("ev-emitter/ev-emitter",t):"object"==typeof module&&module.exports?module.exports=t():e.EvEmitter=t()}("undefined"!=typeof window?window:this,function(){function e(){}var t=e.prototype;return t.on=function(e,t){if(e&&t){var i=this._events=this._events||{},n=i[e]=i[e]||[];return n.indexOf(t)==-1&&n.push(t),this}},t.once=function(e,t){if(e&&t){this.on(e,t);var i=this._onceEvents=this._onceEvents||{},n=i[e]=i[e]||{};return n[t]=!0,this}},t.off=function(e,t){var i=this._events&&this._events[e];if(i&&i.length){var n=i.indexOf(t);return n!=-1&&i.splice(n,1),this}},t.emitEvent=function(e,t){var i=this._events&&this._events[e];if(i&&i.length){i=i.slice(0),t=t||[];for(var n=this._onceEvents&&this._onceEvents[e],o=0;o<i.length;o++){var r=i[o],s=n&&n[r];s&&(this.off(e,r),delete n[r]),r.apply(this,t)}return this}},t.allOff=function(){delete this._events,delete this._onceEvents},e}),function(e,t){"use strict";"function"==typeof define&&define.amd?define(["ev-emitter/ev-emitter"],function(i){return t(e,i)}):"object"==typeof module&&module.exports?module.exports=t(e,require("ev-emitter")):e.imagesLoaded=t(e,e.EvEmitter)}("undefined"!=typeof window?window:this,function(e,t){function i(e,t){for(var i in t)e[i]=t[i];return e}function n(e){if(Array.isArray(e))return e;var t="object"==typeof e&&"number"==typeof e.length;return t?d.call(e):[e]}function o(e,t,r){if(!(this instanceof o))return new o(e,t,r);var s=e;return"string"==typeof e&&(s=document.querySelectorAll(e)),s?(this.elements=n(s),this.options=i({},this.options),"function"==typeof t?r=t:i(this.options,t),r&&this.on("always",r),this.getImages(),h&&(this.jqDeferred=new h.Deferred),void setTimeout(this.check.bind(this))):void a.error("Bad element for imagesLoaded "+(s||e))}function r(e){this.img=e}function s(e,t){this.url=e,this.element=t,this.img=new Image}var h=e.jQuery,a=e.console,d=Array.prototype.slice;o.prototype=Object.create(t.prototype),o.prototype.options={},o.prototype.getImages=function(){this.images=[],this.elements.forEach(this.addElementImages,this)},o.prototype.addElementImages=function(e){"IMG"==e.nodeName&&this.addImage(e),this.options.background===!0&&this.addElementBackgroundImages(e);var t=e.nodeType;if(t&&u[t]){for(var i=e.querySelectorAll("img"),n=0;n<i.length;n++){var o=i[n];this.addImage(o)}if("string"==typeof this.options.background){var r=e.querySelectorAll(this.options.background);for(n=0;n<r.length;n++){var s=r[n];this.addElementBackgroundImages(s)}}}};var u={1:!0,9:!0,11:!0};return o.prototype.addElementBackgroundImages=function(e){var t=getComputedStyle(e);if(t)for(var i=/url\((['"])?(.*?)\1\)/gi,n=i.exec(t.backgroundImage);null!==n;){var o=n&&n[2];o&&this.addBackground(o,e),n=i.exec(t.backgroundImage)}},o.prototype.addImage=function(e){var t=new r(e);this.images.push(t)},o.prototype.addBackground=function(e,t){var i=new s(e,t);this.images.push(i)},o.prototype.check=function(){function e(e,i,n){setTimeout(function(){t.progress(e,i,n)})}var t=this;return this.progressedCount=0,this.hasAnyBroken=!1,this.images.length?void this.images.forEach(function(t){t.once("progress",e),t.check()}):void this.complete()},o.prototype.progress=function(e,t,i){this.progressedCount++,this.hasAnyBroken=this.hasAnyBroken||!e.isLoaded,this.emitEvent("progress",[this,e,t]),this.jqDeferred&&this.jqDeferred.notify&&this.jqDeferred.notify(this,e),this.progressedCount==this.images.length&&this.complete(),this.options.debug&&a&&a.log("progress: "+i,e,t)},o.prototype.complete=function(){var e=this.hasAnyBroken?"fail":"done";if(this.isComplete=!0,this.emitEvent(e,[this]),this.emitEvent("always",[this]),this.jqDeferred){var t=this.hasAnyBroken?"reject":"resolve";this.jqDeferred[t](this)}},r.prototype=Object.create(t.prototype),r.prototype.check=function(){var e=this.getIsImageComplete();return e?void this.confirm(0!==this.img.naturalWidth,"naturalWidth"):(this.proxyImage=new Image,this.proxyImage.addEventListener("load",this),this.proxyImage.addEventListener("error",this),this.img.addEventListener("load",this),this.img.addEv
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/*! lz-string-1.3.3-min.js | (c) 2013 Pieroxy | Licensed under a WTFPL license */
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var LZString={_keyStr:"ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz0123456789+/=",_f:String.fromCharCode,compressToBase64:function(e){if(e==null)return"";var t="";var n,r,i,s,o,u,a;var f=0;e=LZString.compress(e);while(f<e.length*2){if(f%2==0){n=e.charCodeAt(f/2)>>8;r=e.charCodeAt(f/2)&255;if(f/2+1<e.length)i=e.charCodeAt(f/2+1)>>8;else i=NaN}else{n=e.charCodeAt((f-1)/2)&255;if((f+1)/2<e.length){r=e.charCodeAt((f+1)/2)>>8;i=e.charCodeAt((f+1)/2)&255}else r=i=NaN}f+=3;s=n>>2;o=(n&3)<<4|r>>4;u=(r&15)<<2|i>>6;a=i&63;if(isNaN(r)){u=a=64}else if(isNaN(i)){a=64}t=t+LZString._keyStr.charAt(s)+LZString._keyStr.charAt(o)+LZString._keyStr.charAt(u)+LZString._keyStr.charAt(a)}return t},decompressFromBase64:function(e){if(e==null)return"";var t="",n=0,r,i,s,o,u,a,f,l,c=0,h=LZString._f;e=e.replace(/[^A-Za-z0-9\+\/\=]/g,"");while(c<e.length){u=LZString._keyStr.indexOf(e.charAt(c++));a=LZString._keyStr.indexOf(e.charAt(c++));f=LZString._keyStr.indexOf(e.charAt(c++));l=LZString._keyStr.indexOf(e.charAt(c++));i=u<<2|a>>4;s=(a&15)<<4|f>>2;o=(f&3)<<6|l;if(n%2==0){r=i<<8;if(f!=64){t+=h(r|s)}if(l!=64){r=o<<8}}else{t=t+h(r|i);if(f!=64){r=s<<8}if(l!=64){t+=h(r|o)}}n+=3}return LZString.decompress(t)},compressToUTF16:function(e){if(e==null)return"";var t="",n,r,i,s=0,o=LZString._f;e=LZString.compress(e);for(n=0;n<e.length;n++){r=e.charCodeAt(n);switch(s++){case 0:t+=o((r>>1)+32);i=(r&1)<<14;break;case 1:t+=o(i+(r>>2)+32);i=(r&3)<<13;break;case 2:t+=o(i+(r>>3)+32);i=(r&7)<<12;break;case 3:t+=o(i+(r>>4)+32);i=(r&15)<<11;break;case 4:t+=o(i+(r>>5)+32);i=(r&31)<<10;break;case 5:t+=o(i+(r>>6)+32);i=(r&63)<<9;break;case 6:t+=o(i+(r>>7)+32);i=(r&127)<<8;break;case 7:t+=o(i+(r>>8)+32);i=(r&255)<<7;break;case 8:t+=o(i+(r>>9)+32);i=(r&511)<<6;break;case 9:t+=o(i+(r>>10)+32);i=(r&1023)<<5;break;case 10:t+=o(i+(r>>11)+32);i=(r&2047)<<4;break;case 11:t+=o(i+(r>>12)+32);i=(r&4095)<<3;break;case 12:t+=o(i+(r>>13)+32);i=(r&8191)<<2;break;case 13:t+=o(i+(r>>14)+32);i=(r&16383)<<1;break;case 14:t+=o(i+(r>>15)+32,(r&32767)+32);s=0;break}}return t+o(i+32)},decompressFromUTF16:function(e){if(e==null)return"";var t="",n,r,i=0,s=0,o=LZString._f;while(s<e.length){r=e.charCodeAt(s)-32;switch(i++){case 0:n=r<<1;break;case 1:t+=o(n|r>>14);n=(r&16383)<<2;break;case 2:t+=o(n|r>>13);n=(r&8191)<<3;break;case 3:t+=o(n|r>>12);n=(r&4095)<<4;break;case 4:t+=o(n|r>>11);n=(r&2047)<<5;break;case 5:t+=o(n|r>>10);n=(r&1023)<<6;break;case 6:t+=o(n|r>>9);n=(r&511)<<7;break;case 7:t+=o(n|r>>8);n=(r&255)<<8;break;case 8:t+=o(n|r>>7);n=(r&127)<<9;break;case 9:t+=o(n|r>>6);n=(r&63)<<10;break;case 10:t+=o(n|r>>5);n=(r&31)<<11;break;case 11:t+=o(n|r>>4);n=(r&15)<<12;break;case 12:t+=o(n|r>>3);n=(r&7)<<13;break;case 13:t+=o(n|r>>2);n=(r&3)<<14;break;case 14:t+=o(n|r>>1);n=(r&1)<<15;break;case 15:t+=o(n|r);i=0;break}s++}return LZString.decompress(t)},compress:function(e){if(e==null)return"";var t,n,r={},i={},s="",o="",u="",a=2,f=3,l=2,c="",h=0,p=0,d,v=LZString._f;for(d=0;d<e.length;d+=1){s=e.charAt(d);if(!Object.prototype.hasOwnProperty.call(r,s)){r[s]=f++;i[s]=true}o=u+s;if(Object.prototype.hasOwnProperty.call(r,o)){u=o}else{if(Object.prototype.hasOwnProperty.call(i,u)){if(u.charCodeAt(0)<256){for(t=0;t<l;t++){h=h<<1;if(p==15){p=0;c+=v(h);h=0}else{p++}}n=u.charCodeAt(0);for(t=0;t<8;t++){h=h<<1|n&1;if(p==15){p=0;c+=v(h);h=0}else{p++}n=n>>1}}else{n=1;for(t=0;t<l;t++){h=h<<1|n;if(p==15){p=0;c+=v(h);h=0}else{p++}n=0}n=u.charCodeAt(0);for(t=0;t<16;t++){h=h<<1|n&1;if(p==15){p=0;c+=v(h);h=0}else{p++}n=n>>1}}a--;if(a==0){a=Math.pow(2,l);l++}delete i[u]}else{n=r[u];for(t=0;t<l;t++){h=h<<1|n&1;if(p==15){p=0;c+=v(h);h=0}else{p++}n=n>>1}}a--;if(a==0){a=Math.pow(2,l);l++}r[o]=f++;u=String(s)}}if(u!==""){if(Object.prototype.hasOwnProperty.call(i,u)){if(u.charCodeAt(0)<256){for(t=0;t<l;t++){h=h<<1;if(p==15){p=0;c+=v(h);h=0}else{p++}}n=u.charCodeAt(0);for(t=0;t<8;t++){h=h<<1|n&1;if(p==15){p=0;c+=v(h);h=0}else{p++}n=n>>1}}else{n=1;for(t=0;t<l;t++){h=h<<1|n;if(p==15){p=0;c+=v(h);h=0}else{p++}n=0}n=u.charCodeAt(0);for(t=0;t<16;t++){h=h<<1|n&1;if(p==15){p=0;c+=v(h);h=0}else{p++}n=n>>1}}a--;if(a==0){a=Math
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/*! @source http://purl.eligrey.com/github/FileSaver.js/blob/master/dist/FileSaver.js */
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(function(a,b){if("function"==typeof define&&define.amd)define([],b);else if("undefined"!=typeof exports)b();else{b(),a.FileSaver={exports:{}}.exports}})(this,function(){"use strict";function b(a,b){return"undefined"==typeof b?b={autoBom:!1}:"object"!=typeof b&&(console.warn("Deprecated: Expected third argument to be a object"),b={autoBom:!b}),b.autoBom&&/^\s*(?:text\/\S*|application\/xml|\S*\/\S*\+xml)\s*;.*charset\s*=\s*utf-8/i.test(a.type)?new Blob(["\uFEFF",a],{type:a.type}):a}function c(a,b,c){var d=new XMLHttpRequest;d.open("GET",a),d.responseType="blob",d.onload=function(){g(d.response,b,c)},d.onerror=function(){console.error("could not download file")},d.send()}function d(a){var b=new XMLHttpRequest;b.open("HEAD",a,!1);try{b.send()}catch(a){}return 200<=b.status&&299>=b.status}function e(a){try{a.dispatchEvent(new MouseEvent("click"))}catch(c){var b=document.createEvent("MouseEvents");b.initMouseEvent("click",!0,!0,window,0,0,0,80,20,!1,!1,!1,!1,0,null),a.dispatchEvent(b)}}var f="object"==typeof window&&window.window===window?window:"object"==typeof self&&self.self===self?self:"object"==typeof global&&global.global===global?global:void 0,a=/Macintosh/.test(navigator.userAgent)&&/AppleWebKit/.test(navigator.userAgent)&&!/Safari/.test(navigator.userAgent),g=f.saveAs||("object"!=typeof window||window!==f?function(){}:"download"in HTMLAnchorElement.prototype&&!a?function(b,g,h){var i=f.URL||f.webkitURL,j=document.createElement("a");g=g||b.name||"download",j.download=g,j.rel="noopener","string"==typeof b?(j.href=b,j.origin===location.origin?e(j):d(j.href)?c(b,g,h):e(j,j.target="_blank")):(j.href=i.createObjectURL(b),setTimeout(function(){i.revokeObjectURL(j.href)},4E4),setTimeout(function(){e(j)},0))}:"msSaveOrOpenBlob"in navigator?function(f,g,h){if(g=g||f.name||"download","string"!=typeof f)navigator.msSaveOrOpenBlob(b(f,h),g);else if(d(f))c(f,g,h);else{var i=document.createElement("a");i.href=f,i.target="_blank",setTimeout(function(){e(i)})}}:function(b,d,e,g){if(g=g||open("","_blank"),g&&(g.document.title=g.document.body.innerText="downloading..."),"string"==typeof b)return c(b,d,e);var h="application/octet-stream"===b.type,i=/constructor/i.test(f.HTMLElement)||f.safari,j=/CriOS\/[\d]+/.test(navigator.userAgent);if((j||h&&i||a)&&"undefined"!=typeof FileReader){var k=new FileReader;k.onloadend=function(){var a=k.result;a=j?a:a.replace(/^data:[^;]*;/,"data:attachment/file;"),g?g.location.href=a:location=a,g=null},k.readAsDataURL(b)}else{var l=f.URL||f.webkitURL,m=l.createObjectURL(b);g?g.location=m:location.href=m,g=null,setTimeout(function(){l.revokeObjectURL(m)},4E4)}});f.saveAs=g.saveAs=g,"undefined"!=typeof module&&(module.exports=g)});
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/*! seedrandom.js v2.3.3 | (c) 2013 David Bau, all rights reserved. | Licensed under a BSD-style license */
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<style id="style-ui-dialog" type="text/css">html[data-dialog] body{overflow:hidden}#ui-overlay.open{visibility:visible;-webkit-transition:opacity .2s ease-in;-o-transition:opacity .2s ease-in;transition:opacity .2s ease-in}#ui-overlay:not(.open){-webkit-transition:visibility .2s step-end,opacity .2s ease-in;-o-transition:visibility .2s step-end,opacity .2s ease-in;transition:visibility .2s step-end,opacity .2s ease-in}#ui-overlay{visibility:hidden;opacity:0;z-index:100000;position:fixed;top:-50%;left:-50%;height:200%;width:200%}#ui-dialog.open{display:block;-webkit-transition:opacity .2s ease-in;-o-transition:opacity .2s ease-in;transition:opacity .2s ease-in}#ui-dialog{display:none;opacity:0;z-index:100100;position:fixed;top:50px;margin:0;padding:0}#ui-dialog>*{-webkit-box-sizing:border-box;box-sizing:border-box}#ui-dialog-titlebar{position:relative}#ui-dialog-close{display:block;position:absolute;right:0;top:0;white-space:nowrap}#ui-dialog-body{overflow:auto;min-width:280px;height:92%;height:calc(100% - 2.1em)}@media (prefers-reduced-motion:reduce){#ui-overlay.open{-webkit-transition:opacity 0s;-o-transition:opacity 0s;transition:opacity 0s}#ui-overlay:not(.open){-webkit-transition:opacity 0s;-o-transition:opacity 0s;transition:opacity 0s}#ui-dialog.open{-webkit-transition:opacity 0s;-o-transition:opacity 0s;transition:opacity 0s}}#ui-overlay{background-color:#000}#ui-overlay.open{opacity:.8}#ui-dialog{max-width:66em}#ui-dialog.open{opacity:1}#ui-dialog-titlebar{background-color:#444;min-height:24px}#ui-dialog-title{margin:0;padding:.2em 3.5em .2em .5em;font-size:1.5em;text-align:center;text-transform:uppercase}#ui-dialog-close{cursor:pointer;font-size:120%;margin:0;padding:0;width:3.6em;height:92%;background-color:transparent;border:1px solid transparent;-webkit-transition-duration:.2s;-o-transition-duration:.2s;transition-duration:.2s}#ui-dialog-close:hover{background-color:#b44;border-color:#d66}#ui-dialog-body{background-color:#111;border:1px solid #444;text-align:left;line-height:1.5;padding:1em}#ui-dialog-body>:first-child{margin-top:0}#ui-dialog-body hr{background-color:#444}#ui-dialog-body ul.buttons{margin:0;padding:0;list-style:none}#ui-dialog-body ul.buttons li{display:inline-block;margin:0;padding:.4em .4em 0 0}#ui-dialog-body ul.buttons>li+li>button{margin-left:1em}#ui-dialog-close{-webkit-user-select:none;-moz-user-select:none;-ms-user-select:none;user-select:none}#ui-dialog-close{font-family:tme-fa-icons!important;font-style:normal;font-weight:900;font-variant:normal;line-height:1;speak:never;text-rendering:auto;text-transform:none;-webkit-font-smoothing:antialiased;-moz-osx-font-smoothing:grayscale}</style>
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<style id="style-ui" type="text/css">#ui-dialog-body.settings [id|=setting-body]>div:first-child{display:table;width:100%}#ui-dialog-body.settings [id|=setting-label]{display:table-cell;padding:.4em 2em .4em 0}#ui-dialog-body.settings [id|=setting-label]+div{display:table-cell;min-width:8em;text-align:right;vertical-align:middle;white-space:nowrap}#ui-dialog-body.list{padding:0}#ui-dialog-body.list ul{margin:0;padding:0;list-style:none;border:1px solid transparent}#ui-dialog-body.list li{margin:0}#ui-dialog-body.list li:not(:first-child){border-top:1px solid #444}#ui-dialog-body.list li a{display:block;padding:.25em .75em;border:1px solid transparent;color:#eee;text-decoration:none}#ui-dialog-body.list li a:hover{background-color:#333;border-color:#eee}#ui-dialog-body.saves{padding:0 0 1px}#ui-dialog-body.saves>:not(:first-child){border-top:1px solid #444}#ui-dialog-body.saves table{border-spacing:0;width:100%}#ui-dialog-body.saves tr:not(:first-child){border-top:1px solid #444}#ui-dialog-body.saves td{padding:.33em .33em}#ui-dialog-body.saves td:first-child{min-width:1.5em;text-align:center}#ui-dialog-body.saves td:nth-child(3){line-height:1.2}#ui-dialog-body.saves td:last-child{text-align:right}#ui-dialog-body.saves .empty{color:#999;speak:none;text-align:center;-webkit-user-select:none;-moz-user-select:none;-ms-user-select:none;user-select:none}#ui-dialog-body.saves .datestamp{font-size:75%;margin-left:1em}#ui-dialog-body.saves ul.buttons li{padding:.4em}#ui-dialog-body.saves ul.buttons>li+li>button{margin-left:.2em}#ui-dialog-body.saves ul.buttons li:last-child{float:right}#ui-dialog-body.settings div[id|=header-body]{margin:1em 0}#ui-dialog-body.settings div[id|=header-body]:first-child{margin-top:0}#ui-dialog-body.settings div[id|=header-body]:not(:first-child){border-top:1px solid #444;padding-top:1em}#ui-dialog-body.settings div[id|=header-body]>*{margin:0}#ui-dialog-body.settings h2[id|=header-heading]{font-size:1.375em}#ui-dialog-body.settings p[id|=header-desc],#ui-dialog-body.settings p[id|=setting-desc]{font-size:87.5%;margin:0 0 0 .5em}#ui-dialog-body.settings div[id|=setting-body]+div[id|=setting-body]{margin:1em 0}#ui-dialog-body.settings [id|=setting-control]{white-space:nowrap}#ui-dialog-body.settings button[id|=setting-control]{color:#eee;background-color:transparent;border:1px solid #444;padding:.4em}#ui-dialog-body.settings button[id|=setting-control]:hover{background-color:#333;border-color:#eee}#ui-dialog-body.settings button[id|=setting-control].enabled{background-color:#282;border-color:#4a4}#ui-dialog-body.settings button[id|=setting-control].enabled:hover{background-color:#4a4;border-color:#6c6}#ui-dialog-body.settings input[type=range][id|=setting-control]{max-width:35vw}#ui-dialog-body.list a,#ui-dialog-body.settings span[id|=setting-input]{-webkit-user-select:none;-moz-user-select:none;-ms-user-select:none;user-select:none}#ui-dialog-body.saves button[id=saves-clear]:before,#ui-dialog-body.saves button[id=saves-export]:before,#ui-dialog-body.saves button[id=saves-import]:before,#ui-dialog-body.settings button[id|=setting-control].enabled:after,#ui-dialog-body.settings button[id|=setting-control]:after{font-family:tme-fa-icons!important;font-style:normal;font-weight:900;font-variant:normal;line-height:1;speak:never;text-rendering:auto;text-transform:none;-webkit-font-smoothing:antialiased;-moz-osx-font-smoothing:grayscale}#ui-dialog-body.saves button[id=saves-export]:before{content:"\e829\00a0"}#ui-dialog-body.saves button[id=saves-import]:before{content:"\e82a\00a0"}#ui-dialog-body.saves button[id=saves-clear]:before{content:"\e827\00a0"}#ui-dialog-body.settings button[id|=setting-control]:after{content:"\00a0\00a0\e830"}#ui-dialog-body.settings button[id|=setting-control].enabled:after{content:"\00a0\00a0\e831"}</style>
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<style id="style-ui-bar" type="text/css">#story{margin-left:20em;-webkit-transition:margin-left .2s ease-in;-o-transition:margin-left .2s ease-in;transition:margin-left .2s ease-in}#ui-bar.stowed~#story{margin-left:4.5em}@media screen and (max-width:1136px){#story{margin-left:19em}#ui-bar.stowed~#story{margin-left:3.5em}}@media screen and (max-width:768px){#story{margin-left:3.5em}}#ui-bar{position:fixed;z-index:50;top:0;left:0;width:17.5em;height:100%;margin:0;padding:0;-webkit-transition:left .2s ease-in;-o-transition:left .2s ease-in;transition:left .2s ease-in}#ui-bar.stowed{left:-15.5em}#ui-bar-tray{position:absolute;top:.2em;left:0;right:0}#ui-bar-body{height:90%;height:calc(100% - 2.5em);margin:2.5em 0;padding:0 1.5em}#ui-bar.stowed #ui-bar-body,#ui-bar.stowed #ui-bar-history{visibility:hidden;-webkit-transition:visibility .2s step-end;-o-transition:visibility .2s step-end;transition:visibility .2s step-end}@media (prefers-reduced-motion:reduce){#story{-webkit-transition:margin-left 0s;-o-transition:margin-left 0s;transition:margin-left 0s}#ui-bar{-webkit-transition:left 0s;-o-transition:left 0s;transition:left 0s}}#ui-bar{background-color:#222;border-right:1px solid #444;text-align:center}#ui-bar a{text-decoration:none}#ui-bar hr{border-color:#444}#ui-bar-history [id|=history],#ui-bar-toggle{font-size:1.2em;line-height:inherit;color:#eee;background-color:transparent;border:1px solid #444}#ui-bar-toggle{display:block;position:absolute;top:0;right:0;border-right:none;padding:.3em .45em .25em}#ui-bar.stowed #ui-bar-toggle{padding:.3em .35em .25em .55em}#ui-bar-toggle:hover{background-color:#444;border-color:#eee}#ui-bar-history{margin:0 auto}#ui-bar-history [id|=history]{padding:.2em .45em .35em}#ui-bar-history #history-jumpto{padding:.2em .665em .35em}#ui-bar-history [id|=history]:not(:first-child){margin-left:1.2em}#ui-bar-history [id|=history]:hover{background-color:#444;border-color:#eee}#ui-bar-history [id|=history]:disabled{color:#444;background-color:transparent;border-color:#444}#ui-bar-body{line-height:1.5;overflow:auto}#ui-bar-body>:not(:first-child){margin-top:2em}#story-title{margin:0;font-size:162.5%}#story-author{margin-top:2em;font-weight:700}#menu ul{margin:1em 0 0;padding:0;list-style:none;border:1px solid #444}#menu ul:empty{display:none}#menu li{margin:0}#menu li:not(:first-child){border-top:1px solid #444}#menu li a{display:block;padding:.25em .75em;border:1px solid transparent;color:#eee;text-transform:uppercase}#menu li a:hover{background-color:#444;border-color:#eee}#menu a,#ui-bar-history [id|=history],#ui-bar-toggle{-webkit-user-select:none;-moz-user-select:none;-ms-user-select:none;user-select:none}#menu-core li[id|=menu-item] a:before,#ui-bar-history [id|=history],#ui-bar-toggle:before{font-family:tme-fa-icons!important;font-style:normal;font-weight:900;font-variant:normal;line-height:1;speak:never;text-rendering:auto;text-transform:none;-webkit-font-smoothing:antialiased;-moz-osx-font-smoothing:grayscale}#ui-bar-toggle:before{content:"\e81d"}#ui-bar.stowed #ui-bar-toggle:before{content:"\e81e"}#menu-item-saves a:before{content:"\e82b\00a0"}#menu-item-settings a:before{content:"\e82d\00a0"}#menu-item-restart a:before{content:"\e82c\00a0"}#menu-item-share a:before{content:"\e82f\00a0"}</style>
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<style id="style-ui-debug" type="text/css">#debug-bar{background-color:#222;border-left:1px solid #444;border-top:1px solid #444;bottom:0;margin:0;max-height:75%;padding:.5em;position:fixed;right:0;z-index:99900}#debug-bar>div:not([id])+div{margin-top:.5em}#debug-bar>div>label{margin-right:.5em}#debug-bar>div>input[type=text]{min-width:0;width:8em}#debug-bar>div>select{width:15em}#debug-bar-toggle{color:#eee;background-color:#222;border:1px solid #444;height:101%;height:calc(100% + 1px);left:-2em;left:calc(-2em - 1px);position:absolute;top:-1px;width:2em}#debug-bar-toggle:hover{background-color:#333;border-color:#eee}#debug-bar-hint{bottom:.175em;font-size:4.5em;opacity:.33;pointer-events:none;position:fixed;right:.6em;-webkit-user-select:none;-moz-user-select:none;-ms-user-select:none;user-select:none;white-space:nowrap}#debug-bar-watch{background-color:#222;border-left:1px solid #444;border-top:1px solid #444;bottom:102%;bottom:calc(100% + 1px);font-size:.9em;left:-1px;max-height:650%;max-height:65vh;position:absolute;overflow-x:hidden;overflow-y:scroll;right:0;z-index:99800}#debug-bar-watch[hidden]{display:none}#debug-bar-watch div{color:#999;font-style:italic;margin:1em auto;text-align:center}#debug-bar-watch table{width:100%}#debug-bar-watch tr:nth-child(2n){background-color:rgba(127,127,127,.15)}#debug-bar-watch td{padding:.2em 0}#debug-bar-watch td:first-child+td{padding:.2em .3em .2em .1em}#debug-bar-watch .watch-delete{background-color:transparent;border:none;color:#c00}#debug-bar-watch-all,#debug-bar-watch-none{margin-left:.5em}#debug-bar-views-toggle,#debug-bar-watch-toggle{color:#eee;background-color:transparent;border:1px solid #444;margin-right:1em;padding:.4em}#debug-bar-views-toggle:hover,#debug-bar-watch-toggle:hover{background-color:#333;border-color:#eee}#debug-bar-watch:not([hidden])~div #debug-bar-watch-toggle,html[data-debug-view] #debug-bar-views-toggle{background-color:#282;border-color:#4a4}#debug-bar-watch:not([hidden])~div #debug-bar-watch-toggle:hover,html[data-debug-view] #debug-bar-views-toggle:hover{background-color:#4a4;border-color:#6c6}#debug-bar-hint:after,#debug-bar-toggle:before,#debug-bar-views-toggle:after,#debug-bar-watch .watch-delete:before,#debug-bar-watch-add:before,#debug-bar-watch-all:before,#debug-bar-watch-none:before,#debug-bar-watch-toggle:after{font-family:tme-fa-icons!important;font-style:normal;font-weight:900;font-variant:normal;line-height:1;speak:never;text-rendering:auto;text-transform:none;-webkit-font-smoothing:antialiased;-moz-osx-font-smoothing:grayscale}#debug-bar-toggle:before{content:"\e838"}#debug-bar-hint:after{content:"\e838\202f\e822"}#debug-bar-watch .watch-delete:before{content:"\e804"}#debug-bar-watch-add:before{content:"\e805"}#debug-bar-watch-all:before{content:"\e83a"}#debug-bar-watch-none:before{content:"\e827"}#debug-bar-views-toggle:after,#debug-bar-watch-toggle:after{content:"\00a0\00a0\e830"}#debug-bar-watch:not([hidden])~div #debug-bar-watch-toggle:after,html[data-debug-view] #debug-bar-views-toggle:after{content:"\00a0\00a0\e831"}html[data-debug-view] .debug{padding:.25em;background-color:#234}html[data-debug-view] .debug[title]{cursor:help}html[data-debug-view] .debug.block{display:inline-block;vertical-align:middle}html[data-debug-view] .debug.invalid{text-decoration:line-through}html[data-debug-view] .debug.hidden,html[data-debug-view] .debug.hidden .debug{background-color:#555}html:not([data-debug-view]) .debug.hidden{display:none}html[data-debug-view] .debug[data-name][data-type].nonvoid:after,html[data-debug-view] .debug[data-name][data-type]:before{background-color:rgba(0,0,0,.25);font-family:monospace,monospace;white-space:pre}html[data-debug-view] .debug[data-name][data-type]:before{content:attr(data-name)}html[data-debug-view] .debug[data-name][data-type|=macro]:before{content:"<<" attr(data-name) ">>"}html[data-debug-view] .debug[data-name][data-type|=macro].nonvoid:after{content:"<</" attr(data-name) ">>"}html[data-debug-view] .debug[data-name][data-type|=html]:before{content:"<" attr(data-name) ">"}html[data-debug-view] .debug[
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</head>
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<body>
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<div id="init-screen">
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<div id="init-no-js"><noscript>JavaScript must be enabled to play.</noscript></div>
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<div id="init-lacking"><p>Browser lacks capabilities required to play.</p><p>Upgrade or switch to another browser.</p></div>
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<div id="init-loading"><div>Loading…</div></div>
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</div>
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<tw-storydata name="story" startnode="2" creator="Twine" creator-version="2.3.16" ifid="75ECD343-6C4C-49BE-9D54-F85DB702AD7B" zoom="1" format="SugarCube" format-version="2.36.1" options="" hidden><style role="stylesheet" id="twine-user-stylesheet" type="text/twine-css">@import url('https://fonts.googleapis.com/css2?family=DotGothic16&display=swap');
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html {
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font-family: 'DotGothic16', sans-serif;
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padding-left: 7%;
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padding-right: 7%;
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padding-top: 0.5%;
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}
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h1 {
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font-size: 75px;
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line-height: 77px;
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}
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h2 {
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font-size: 35px;
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line-height: 37px;
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}
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body {
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background-color: blue;
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color: white;
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}
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.passage {
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font-size: 20px;
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line-height: 27px;
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}
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.passage a{
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color: red;
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text-decoration: underline;
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}
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.passage a:hover {
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color: red;
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}
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.passage a:active {
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color: red;
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}
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#passage-home{
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white-space: pre-wrap;
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}
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#passage-listen{
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white-space: pre-wrap;
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}
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#passage-nest-3{
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white-space: pre;
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}
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#passage-nest-5{
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white-space: pre;
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}
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#passage-nest-3-submit{
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white-space: pre;
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}
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#passage-nest-5-submit{
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white-space: pre;
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}
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#passages {
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margin: 0;
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max-width: 50em;
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}
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input {
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border: 1px solid white;
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background-color: red;
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color: white;
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}
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input:not(:disabled):hover{
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background-color: white;
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color: red;
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}
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input:not(:disabled):focus{
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background-color: white;
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color: red;
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}</style><script role="script" id="twine-user-script" type="text/twine-javascript">$('#ui-bar').remove();
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$(document.head).find('#style-ui-bar').remove();</script><tw-passagedata pid="1" name="enter" tags="" position="1800,350" size="100,100">[[SI#18|home]] > [[Expand|expand]] > Continue from an existing nest
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!Hello, $name.
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!!Pick a nest:
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[[→ ⚀|nest 1]]
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[[→ ⚁|nest 2]]
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[[→ ⚂|nest 3]]
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[[→ ⚃|nest 4]]
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[[→ ⚄|nest 5]]
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</tw-passagedata><tw-passagedata pid="2" name="home" tags="" position="1300,350" size="100,100">!Nested narratives: //what is left to discuss?//
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!!Special Issue #18 — Weekly Release #5
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What if a group of people writes a piece that starts (or ends) with the same sentence?
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__If we censor art what is left to discuss?__
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Apparently, a lot. Pay attention to every word, draw your focus on the paper. The five contributions that compose this audio piece are not only defining what censorship is; they are, instead, giving an open overview of a wide range of meanings to this word, creating the feeling that censorship does not have fixed boundaries as someone could think.
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!!About
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The release of this week is a collaboratively written text recorded as audio pieces by the composers.
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The method chosen for the collective writing is inter-dependent and inter-connected, but at the same time allows everyone to work at their own pace.
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The structure is built up on the refrain if we censor art what is left to discuss that produced different scenarios and visions with the same beginning or end. The idea is that every piece can go one after the other and that new pieces of text could be added, producing a never-ending collective writing piece:
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if we censor art what is left to discuss<<cycle "$week5contribs" autoselect>>
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<<option "? What does art mean to us?" "contrib1">>
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<<option ": the reasons, the motivations behind the censorship of art perhaps." "contrib2">>
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<<option " expression and representation are not the same thing" "contrib3">>
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<<option " And I guess I am not the most qualified to talk" "contrib4">>
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<<option " but" "contrib5">>
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<</cycle>>
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While listening to this piece, we invite you to pay heed to the words coming out of the speakers and to doodle/draw on a piece of paper. The result will be part of the documentation for this release.
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!!What would you like to do?
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[[→ Listen|listen]]
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[[→ Expand|expand]]
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[[→ Drag|https://hub.xpub.nl/soupboat/~flem/FIVE_The%20Drag-able/draggable.html]]
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!!Contributors(*) & Caretakers(**)
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Miriam Schöb(*)
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Mitsa Chaida-Michelakou(*)
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Ål Nik (Alexandra Nikolova)(*, **)
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Supisara Burapachaisri(*, **)
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Francesco Luzzana(*)
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Emma Prato(*, **)
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Jian Haake(*)
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Erica Gargaglione(*)
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Gersande Schellinx(*)
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Chaeyoung Kim(*)</tw-passagedata><tw-passagedata pid="3" name="StoryInit" tags="" position="600,200" size="100,100"><<cacheaudio "five-mix" "music/five-mix.mp3">> </tw-passagedata><tw-passagedata pid="4" name="nest 1 submit" tags="" position="875,825" size="100,100">[[SI#18|home]] > [[Expand|expand]] > [[Continue from an existing nest|enter]] > [[Nest 1|nest 1]] > Nested text
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!//Congratulations! Your text has been nested://
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__Person A:__
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if we censor art what is left to discuss?
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__Person B:__
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what does art mean to us?
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__Person A:__
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A calling
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A gut feeling you can’t ignore
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(For lack of a better word) a labor of love
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A cryptic yet decipherable language
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A way to say something without actually saying it (some things can’t be expressed through just words)
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__Person B:__
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the way I can address and express my most pressing thoughts and feelings
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the way I can address a topic that I am passionate about
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__Person A:__
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art as a mode of address...is there always an addressee? sometimes i feel like i'm expressing into a void..
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__Person B:__
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do you ever feel uncomfortable to share what you have created?
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__Person A:__
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sometimes, when something still feels half-baked or isn’t yet in a digestible state. But at the same time, this uncomfortable feeling is part of the process, and accepting and going along with it can take you to unexpected and even more interesting places.
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__Person B:__
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when I doubt myself; sometimes I fear what people will think about it. Perhaps I am afraid of harsh critique or feeling that my work is a joke. Sometimes I don't believe my work is good enough. Sometimes I feel I will be misunderstood. Or whatever I do doesn't matter at all.
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__Person A:__
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does the environment you’re in shape your practice/creation process?
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__Person B:__
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all the time. I am so easy to be influenced by things happening around me. I think I am quite sensitive. I observe and feel things and then I need to digest them and get them out of my system.
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__Person A:__
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i can relate. it can also be difficult when you're trying to go with the motions and haven't properly digested some things yet / are still in the marinating process.
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__Person B:__
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when I am forced to create after a quick snack, I feel like the outcome is not really solid. I need more time to process the things before I am able to reflect and turn them into something valuable. But then, when I know what I want to do, I can do it really fast.
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__Person A:__
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what do you (or would like to) refrain from in your artistic practice?
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__Person B:__
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fear and holding myself back. Easier said than done though.
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__Person A:__
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but this push and pull is also where growth happens :)
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__Person B:__
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we're growing up all the time :D
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__Person A:__
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is there a common refrain in your creations? An uncommon one you’d like to see more of or experiment with? for me i feel like there is or is taking shape but hasn't quite crystallized yet..
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__Person B:__
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I feel like my music is always in different genres. I am constantly trying out new things and aesthetics but then a lot of people still say they recognise my "voice". I guess, the refrain is me. I am looking for one that I can see, but it is actually the one other people see, that matters.
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__Person A:__
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...what is left to discuss?
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__$name:__
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$contrib
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[[→ Visit another nest|enter]]
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[[→ I'm done nesting|end nest]]</tw-passagedata><tw-passagedata pid="5" name="nest 2 submit" tags="" position="1075,825" size="100,100">!!//Congratulations! Your text has been nested://
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If we censor art what is left to discuss: the reasons, the motivations behind the censorship of art perhaps. Or would that also be censored? Something like the liar's paradox as mentioned by Dennis the Pillow in Everything is Alive. Is censorship openly discussed when censorship is also taking place? Can censorship be discuss simultaneously while it is happening? "I am lying" says the liar. Would censored art be censored to discuss? A motivation to rename, rebrand, re-contextualise. Be under the radar, under-scrutinized in opposition to overanalysed.
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If we understand art what is left to discuss? In a book I am currently reading, Weight of the Earth The Tape Journals of David Wojnarowicz, I read the following: "I liked that things carry the possibility for unlimited interpretations." Oh how I like this image. Oh how I rediscover this thought I've had at many occasions: that of a text with million of stories. Well, each set of eyes has a different rhythm, a singular attention span, personal assumptions of certain words and sentences and definitions; some might skip over a sentence, some letters, misconstruct a narration or a structure... so many variables depending of the reader. These different circumstances put together, leave the text to interpretation, leave the "things" with "the possibility for unlimited interpretations."
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If we misunderstand art what is left to discuss? I am 126 pages into the book and for the first time I smile and fold the bottom of the page, underline this sentence as not to forget its placement. Not that I didn't enjoy the book until that moment, but there is something in this sentence I recognised. Something I wanted to mark down, as to acknowledge it and be able to come back to it at any given moment. Not to censor, rather to underline.
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What is left to discuss? The ones that I stroke out. I left them out, for they are too concrete.
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Does it trigger your curiosity? If it beeps, does it trigger your imagination? If it is highlighted, is there any way you would not read it? Probably your eyes would roll back over, again and again. Like marbles, sliding towards the highlighted sentences. Like magnets, drawn to their opposites: a fluorescent body, so unnatural to our eyes that they are not to be missed. Impossible to ignore, a coloured scream.
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If we underline censorship what is left to art? The questions above triggered me to overlap the acts of highlighting and censoring and deleting. During the Japanese Colonial Period in Korea and from the 60s to the 80s during the military government, a lot of newspapers were censored, published as blank blocks or with blackened lines, a colourless shout. Highlighting and deleting texts within the line are the same movements. They offer different outcomes, with different intentions. To highlight becomes a form of militantism, to delete presents a twisted kind of activism. A space to enhance words, another to strike absence.
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For now I want to highlight this sentence, "Not to censor, rather to underline".
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$contrib
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[[→ Visit another nest|enter]]
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[[→ I'm done nesting|end nest]]</tw-passagedata><tw-passagedata pid="6" name="nest 3 submit" tags="" position="1275,825" size="100,100">!!//Congratulations! Your text has been nested://
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if we censor art
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what is left to discuss
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expression and representation are not the same thing
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i once had a dream
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if we censor art
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are we hiding the lies
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if we censor art
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are we hiding the truth
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if we censor art
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people will still be tired
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if we censor art
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what should we talk about
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are we response-able
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if we censor art
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what should we talk about
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if we censor art
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who will start a conversation
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if we discuss art
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what is left to censor
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everything starts from within
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if we discuss art
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where can we start
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from within
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if we discuss art
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who takes part in that discussion
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and who is left out
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if we discuss art
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who takes part in that discussion
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free will
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but in a relational way
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but with certain limitations
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if we discuss art
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who takes part in that discussion
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free will
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can be abusive and oppressive
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and cynical
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when it makes everything relative
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is there freedom to un-be
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if we discuss art
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who takes part in that discussion
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free will
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of being dust accumulated on archived folders
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of being the expression of denied evidences
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if we discuss art
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who takes part in that discussion
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social pressure
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does it have a voice
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or is it polyphonic
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if we discuss art
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who takes part in that discussion
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social pressure
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is something you cannot escape from
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if we discuss art
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who takes part in that discussion
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the prosecutor
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cannot have the loudest voice
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the prosecutor
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has left the room
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the public opinion
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has agency
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the public opinion
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has left the room
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if we discuss art
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who takes part in that discussion
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the victim
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is not alone
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the victim
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wants to speak
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the victim
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was forgotten
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if we discuss art
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will you be able to sleep
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if we discuss art
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would you censor anything at all
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above
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the ground
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and below the sky
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if we discuss art
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would you censor anything at all
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below
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the surface
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if we discuss art
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would you censor anything at all
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i dont compromise with censorship
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if we discuss art
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would you censor anything at all
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if the words are not enough
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the artwork must speak for itself
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if we discuss art
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would you censor anything at all
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if the words are not enough
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to censor
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if a gesture is not enough
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if the words are not enough
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to censor
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what gesture is the next step
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if we discuss art
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would you censor anything at all
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something that hurts you
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can hurt somebody else
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if we discuss art
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would you censor anything at all
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something that hurts you
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grows bigger and bigger
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if we discuss art
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would you censor anything at all
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something that hurts you
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is something that cuts you off
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if we discuss art
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would you censor anything at all
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to hide painful truths
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a painless truth is a lie
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if we discuss art
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would you censor anything at all
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to prevent damage
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if we discuss art
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would you censor anything at all
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to protect someone you love
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i dont know
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if we discuss art
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would you censor anything at all
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to protect someone you love
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then what is your protection about
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if we discuss art
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would you censor anything at all
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within
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i would smuggle a glimpse of truth
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if we discuss art
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would you censor anything at all
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within
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this entangled world
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if we discuss art
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would you censor art
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and what is art then
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if we discuss censorship
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who is allowed to speak
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and who has been silenced
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shall we pretend nothing happened
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shall we have a coffee one of these days
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shall we pretend nothing happened
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wait did you get a new haircut
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shall we pretend nothing happened
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what did you have for dinner
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shall we pretend nothing happened
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what is your star sign
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the clouds in the sky
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discussing about the weather forecast
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awkwardly
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in the spotlight
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the clouds in the sky
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discussing about the weather forecast
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awkwardly
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intertwined and dependent
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the clouds in the sky
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discussing about the weather forecast
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surprisingly
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aware of what they leave behind
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the clouds in the sky
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discussing about the weather forecast
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when you cannot speak of anything else
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because there are no words
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the conversation ends
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silence around you makes you think
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the clouds in the sky
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discussing about the weather forecast
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when you cannot speak of anything else
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because there are no words
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this is where it starts
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the clouds in the sky
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discussing about the weather forecast
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when you cannot speak of anything else
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dont be afraid
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to call it proscription
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the clouds in the sky
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discussing about the weather forecast
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when you cannot speak of anything else
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what is left to say
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the clouds in the sky
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discussing about the weather forecast
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when you dont know what else to say
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and the silence weighs heavy on all of us
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absence of words is loud
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and there is no understanding
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of the why
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the clouds in the sky
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discussing about the weather forecast
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when you dont know what else to say
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and the silence weighs heavy on all of us
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absence of words is loud
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because something is being forgotten
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the clouds in the sky
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discussing about the weather forecast
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when you dont know what else to say
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and the silence weighs heavy on all of us
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absence of words is loud
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it is a black mark
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the clouds in the sky
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discussing about the weather forecast
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when you dont know what else to say
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and the silence weighs heavy on all of us
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absence of words is loud
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it is a ripped off corner
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the clouds in the sky
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discussing about the weather forecast
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when you dont know what else to say
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and the silence weighs heavy on all of us
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absence of words is loud
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it is redressing mistakes
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it is makeup on a bruise
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the clouds in the sky
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discussing about the weather forecast
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when you dont know what else to say
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and the silence weighs heavy on all of us
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absence of words is loud
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it is redressing mistakes
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it was somebody else s fault
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the clouds in the sky
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discussing about the weather forecast
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when you dont know what else to say
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and the silence weighs heavy on all of us
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it feels awkward again
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the clouds in the sky
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discussing about the weather forecast
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when you dont know what else to say
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and the silence weighs heavy on all of us
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there is an elephant in the room
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the clouds in the sky
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would they continue their travels
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the clouds in the sky
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would they move on
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$contrib
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[[→ Visit another nest|enter]]
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[[→ I'm done nesting|end nest]]</tw-passagedata><tw-passagedata pid="7" name="cont. nest 1" tags="" position="775,1075" size="100,100">//Congratulations! Your contribution has been nested://
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__Person A:__
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if we censor art what is left to discuss?
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__Person B:__
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what does art mean to us?
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__Person A:__
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A calling
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A gut feeling you can’t ignore
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(For lack of a better word) a labor of love
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A cryptic yet decipherable language
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A way to say something without actually saying it (some things can’t be expressed through just words)
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__Person B:__
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the way I can address and express my most pressing thoughts and feelings
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the way I can address a topic that I am passionate about
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__Person A:__
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art as a mode of address...is there always an addressee? sometimes i feel like i'm expressing into a void..
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__Person B:__
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do you ever feel uncomfortable to share what you have created?
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__Person A:__
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sometimes, when something still feels half-baked or isn’t yet in a digestible state. But at the same time, this uncomfortable feeling is part of the process, and accepting and going along with it can take you to unexpected and even more interesting places.
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__Person B:__
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when I doubt myself; sometimes I fear what people will think about it. Perhaps I am afraid of harsh critique or feeling that my work is a joke. Sometimes I don't believe my work is good enough. Sometimes I feel I will be misunderstood. Or whatever I do doesn't matter at all.
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__Person A:__
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does the environment you’re in shape your practice/creation process?
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__Person B:__
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all the time. I am so easy to be influenced by things happening around me. I think I am quite sensitive. I observe and feel things and then I need to digest them and get them out of my system.
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__Person A:__
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i can relate. it can also be difficult when you're trying to go with the motions and haven't properly digested some things yet / are still in the marinating process.
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__Person B:__
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when I am forced to create after a quick snack, I feel like the outcome is not really solid. I need more time to process the things before I am able to reflect and turn them into something valuable. But then, when I know what I want to do, I can do it really fast.
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__Person A:__
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what do you (or would like to) refrain from in your artistic practice?
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__Person B:__
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fear and holding myself back. Easier said than done though.
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__Person A__
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but this push and pull is also where growth happens :)
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__Person B:__
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we're growing up all the time :D
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__Person A:__
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is there a common refrain in your creations? An uncommon one you’d like to see more of or experiment with? for me i feel like there is or is taking shape but hasn't quite crystallized yet..
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__Person B:__
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I feel like my music is always in different genres. I am constantly trying out new things and aesthetics but then a lot of people still say they recognise my "voice". I guess, the refrain is me. I am looking for one that I can see, but it is actually the one other people see, that matters.
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__Person A:__
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...what is left to discuss?
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__$name:__
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$contrib
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__$name:__
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<<textbox "$contrib" "">>
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[[→ submit|nest 1 submit]]</tw-passagedata><tw-passagedata pid="8" name="listen" tags="" position="750,350" size="100,100">[[SI#18|home]] > Listen
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!If we censor art what is left to discuss?
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If we censor art what is left to discuss: the reasons, the motivations behind the censorship of art perhaps. Or would that also be censored? Something like the liar's paradox as mentioned by Dennis the Pillow in Everything is Alive. Is censorship openly discussed when censorship is also taking place? Can censorship be discuss simultaneously while it is happening? "I am lying" says the liar. Would censored art be censored to discuss? A motivation to rename, rebrand, re-contextualise. Be under the radar, under-scrutinized in opposition to overanalysed.
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If we understand art what is left to discuss? In a book I am currently reading, Weight of the Earth The Tape Journals of David Wojnarowicz, I read the following: "I liked that things carry the possibility for unlimited interpretations." Oh how I like this image. Oh how I rediscover this thought I've had at many occasions: that of a text with million of stories. Well, each set of eyes has a different rhythm, a singular attention span, personal assumptions of certain words and sentences and definitions; some might skip over a sentence, some letters, misconstruct a narration or a structure... so many variables depending of the reader. These different circumstances put together, leave the text to interpretation, leave the "things" with "the possibility for unlimited interpretations."
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If we misunderstand art what is left to discuss? I am 126 pages into the book and for the first time I smile and fold the bottom of the page, underline this sentence as not to forget its placement. Not that I didn't enjoy the book until that moment, but there is something in this sentence I recognised. Something I wanted to mark down, as to acknowledge it and be able to come back to it at any given moment. Not to censor, rather to underline.
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What is left to discuss? The ones that I stroke out. I left them out, for they are too concrete.
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Does it trigger your curiosity? If it beeps, does it trigger your imagination? If it is highlighted, is there any way you would not read it? Probably your eyes would roll back over, again and again. Like marbles, sliding towards the highlighted sentences. Like magnets, drawn to their opposites: a fluorescent body, so unnatural to our eyes that they are not to be missed. Impossible to ignore, a coloured scream.
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If we underline censorship what is left to art? The questions above triggered me to overlap the acts of highlighting and censoring and deleting. During the Japanese Colonial Period in Korea and from the 60s to the 80s during the military government, a lot of newspapers were censored, published as blank blocks or with blackened lines, a colourless shout. Highlighting and deleting texts within the line are the same movements. They offer different outcomes, with different intentions. To highlight becomes a form of militantism, to delete presents a twisted kind of activism. A space to enhance words, another to strike absence.
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For now I want to highlight this sentence, "Not to censor, rather to underline".
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if we censor art
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what is left to discuss
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expression and representation are not the same thing
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i once had a dream
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if we censor art
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are we hiding the lies
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if we censor art
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are we hiding the truth
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if we censor art
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people will still be tired
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if we censor art
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what should we talk about
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are we response-able
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if we censor art
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what should we talk about
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if we censor art
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who will start a conversation
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if we discuss art
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what is left to censor
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everything starts from within
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if we discuss art
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where can we start
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from within
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if we discuss art
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who takes part in that discussion
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and who is left out
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if we discuss art
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who takes part in that discussion
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free will
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but in a relational way
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but with certain limitations
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if we discuss art
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who takes part in that discussion
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free will
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can be abusive and oppressive
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and cynical
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when it makes everything relative
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is there freedom to un-be
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if we discuss art
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who takes part in that discussion
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free will
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of being dust accumulated on archived folders
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of being the expression of denied evidences
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if we discuss art
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who takes part in that discussion
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social pressure
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does it have a voice
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or is it polyphonic
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if we discuss art
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who takes part in that discussion
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social pressure
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is something you cannot escape from
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if we discuss art
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who takes part in that discussion
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the prosecutor
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cannot have the loudest voice
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the prosecutor
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has left the room
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the public opinion
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has agency
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the public opinion
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has left the room
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if we discuss art
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who takes part in that discussion
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the victim
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is not alone
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the victim
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wants to speak
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the victim
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was forgotten
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if we discuss art
|
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will you be able to sleep
|
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if we discuss art
|
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would you censor anything at all
|
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above
|
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the ground
|
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and below the sky
|
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if we discuss art
|
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would you censor anything at all
|
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below
|
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the surface
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if we discuss art
|
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would you censor anything at all
|
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i dont compromise with censorship
|
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if we discuss art
|
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would you censor anything at all
|
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if the words are not enough
|
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the artwork must speak for itself
|
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if we discuss art
|
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|
would you censor anything at all
|
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if the words are not enough
|
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to censor
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if a gesture is not enough
|
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if the words are not enough
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to censor
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what gesture is the next step
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if we discuss art
|
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would you censor anything at all
|
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something that hurts you
|
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can hurt somebody else
|
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if we discuss art
|
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would you censor anything at all
|
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something that hurts you
|
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grows bigger and bigger
|
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if we discuss art
|
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|
would you censor anything at all
|
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something that hurts you
|
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|
is something that cuts you off
|
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if we discuss art
|
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would you censor anything at all
|
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to hide painful truths
|
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a painless truth is a lie
|
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|
if we discuss art
|
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|
|
would you censor anything at all
|
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|
to prevent damage
|
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|
|
if we discuss art
|
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|
|
|
|
would you censor anything at all
|
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|
|
|
|
to protect someone you love
|
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|
|
i dont know
|
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|
|
|
if we discuss art
|
|
|
|
|
|
would you censor anything at all
|
|
|
|
|
|
to protect someone you love
|
|
|
|
|
|
then what is your protection about
|
|
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|
|
if we discuss art
|
|
|
|
|
|
would you censor anything at all
|
|
|
|
|
|
within
|
|
|
|
|
|
i would smuggle a glimpse of truth
|
|
|
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|
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|
|
|
|
|
if we discuss art
|
|
|
|
|
|
would you censor anything at all
|
|
|
|
|
|
within
|
|
|
|
|
|
this entangled world
|
|
|
|
|
|
|
|
|
|
|
|
if we discuss art
|
|
|
|
|
|
would you censor art
|
|
|
|
|
|
and what is art then
|
|
|
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|
|
if we discuss censorship
|
|
|
|
|
|
who is allowed to speak
|
|
|
|
|
|
and who has been silenced
|
|
|
|
|
|
|
|
|
|
|
|
shall we pretend nothing happened
|
|
|
|
|
|
shall we have a coffee one of these days
|
|
|
|
|
|
|
|
|
|
|
|
shall we pretend nothing happened
|
|
|
|
|
|
wait did you get a new haircut
|
|
|
|
|
|
|
|
|
|
|
|
shall we pretend nothing happened
|
|
|
|
|
|
what did you have for dinner
|
|
|
|
|
|
|
|
|
|
|
|
shall we pretend nothing happened
|
|
|
|
|
|
what is your star sign
|
|
|
|
|
|
|
|
|
|
|
|
the clouds in the sky
|
|
|
|
|
|
discussing about the weather forecast
|
|
|
|
|
|
awkwardly
|
|
|
|
|
|
in the spotlight
|
|
|
|
|
|
|
|
|
|
|
|
the clouds in the sky
|
|
|
|
|
|
discussing about the weather forecast
|
|
|
|
|
|
awkwardly
|
|
|
|
|
|
intertwined and dependent
|
|
|
|
|
|
|
|
|
|
|
|
the clouds in the sky
|
|
|
|
|
|
discussing about the weather forecast
|
|
|
|
|
|
surprisingly
|
|
|
|
|
|
aware of what they leave behind
|
|
|
|
|
|
|
|
|
|
|
|
the clouds in the sky
|
|
|
|
|
|
discussing about the weather forecast
|
|
|
|
|
|
when you cannot speak of anything else
|
|
|
|
|
|
because there are no words
|
|
|
|
|
|
the conversation ends
|
|
|
|
|
|
silence around you makes you think
|
|
|
|
|
|
|
|
|
|
|
|
the clouds in the sky
|
|
|
|
|
|
discussing about the weather forecast
|
|
|
|
|
|
when you cannot speak of anything else
|
|
|
|
|
|
because there are no words
|
|
|
|
|
|
this is where it starts
|
|
|
|
|
|
|
|
|
|
|
|
the clouds in the sky
|
|
|
|
|
|
discussing about the weather forecast
|
|
|
|
|
|
when you cannot speak of anything else
|
|
|
|
|
|
dont be afraid
|
|
|
|
|
|
to call it proscription
|
|
|
|
|
|
|
|
|
|
|
|
the clouds in the sky
|
|
|
|
|
|
discussing about the weather forecast
|
|
|
|
|
|
when you cannot speak of anything else
|
|
|
|
|
|
what is left to say
|
|
|
|
|
|
|
|
|
|
|
|
the clouds in the sky
|
|
|
|
|
|
discussing about the weather forecast
|
|
|
|
|
|
when you dont know what else to say
|
|
|
|
|
|
and the silence weighs heavy on all of us
|
|
|
|
|
|
absence of words is loud
|
|
|
|
|
|
and there is no understanding
|
|
|
|
|
|
of the why
|
|
|
|
|
|
|
|
|
|
|
|
the clouds in the sky
|
|
|
|
|
|
discussing about the weather forecast
|
|
|
|
|
|
when you dont know what else to say
|
|
|
|
|
|
and the silence weighs heavy on all of us
|
|
|
|
|
|
absence of words is loud
|
|
|
|
|
|
because something is being forgotten
|
|
|
|
|
|
|
|
|
|
|
|
the clouds in the sky
|
|
|
|
|
|
discussing about the weather forecast
|
|
|
|
|
|
when you dont know what else to say
|
|
|
|
|
|
and the silence weighs heavy on all of us
|
|
|
|
|
|
absence of words is loud
|
|
|
|
|
|
it is a black mark
|
|
|
|
|
|
|
|
|
|
|
|
the clouds in the sky
|
|
|
|
|
|
discussing about the weather forecast
|
|
|
|
|
|
when you dont know what else to say
|
|
|
|
|
|
and the silence weighs heavy on all of us
|
|
|
|
|
|
absence of words is loud
|
|
|
|
|
|
it is a ripped off corner
|
|
|
|
|
|
|
|
|
|
|
|
the clouds in the sky
|
|
|
|
|
|
discussing about the weather forecast
|
|
|
|
|
|
when you dont know what else to say
|
|
|
|
|
|
and the silence weighs heavy on all of us
|
|
|
|
|
|
absence of words is loud
|
|
|
|
|
|
it is redressing mistakes
|
|
|
|
|
|
it is makeup on a bruise
|
|
|
|
|
|
|
|
|
|
|
|
the clouds in the sky
|
|
|
|
|
|
discussing about the weather forecast
|
|
|
|
|
|
when you dont know what else to say
|
|
|
|
|
|
and the silence weighs heavy on all of us
|
|
|
|
|
|
absence of words is loud
|
|
|
|
|
|
it is redressing mistakes
|
|
|
|
|
|
it was somebody else s fault
|
|
|
|
|
|
|
|
|
|
|
|
the clouds in the sky
|
|
|
|
|
|
discussing about the weather forecast
|
|
|
|
|
|
when you dont know what else to say
|
|
|
|
|
|
and the silence weighs heavy on all of us
|
|
|
|
|
|
it feels awkward again
|
|
|
|
|
|
|
|
|
|
|
|
the clouds in the sky
|
|
|
|
|
|
discussing about the weather forecast
|
|
|
|
|
|
when you dont know what else to say
|
|
|
|
|
|
and the silence weighs heavy on all of us
|
|
|
|
|
|
there is an elephant in the room
|
|
|
|
|
|
|
|
|
|
|
|
the clouds in the sky
|
|
|
|
|
|
would they continue their travels
|
|
|
|
|
|
|
|
|
|
|
|
the clouds in the sky
|
|
|
|
|
|
would they move on
|
|
|
|
|
|
|
|
|
|
|
|
If we censor art what is left to discuss?
|
|
|
|
|
|
|
|
|
|
|
|
but
|
|
|
|
|
|
|
|
|
|
|
|
what is right not to say
|
|
|
|
|
|
not to explore
|
|
|
|
|
|
not to research
|
|
|
|
|
|
not to investigate
|
|
|
|
|
|
not to disturb
|
|
|
|
|
|
not to move
|
|
|
|
|
|
not to play around with
|
|
|
|
|
|
not to harm
|
|
|
|
|
|
not to modify
|
|
|
|
|
|
not to evolve
|
|
|
|
|
|
not to question
|
|
|
|
|
|
|
|
|
|
|
|
what is right not to issue
|
|
|
|
|
|
not to challenge
|
|
|
|
|
|
not to interrogate
|
|
|
|
|
|
not to query
|
|
|
|
|
|
|
|
|
|
|
|
what is right not to intrude
|
|
|
|
|
|
or not to invade
|
|
|
|
|
|
|
|
|
|
|
|
what is right not to mess
|
|
|
|
|
|
not to change
|
|
|
|
|
|
not to develop
|
|
|
|
|
|
not to analyze
|
|
|
|
|
|
not to evaluate
|
|
|
|
|
|
not to violate
|
|
|
|
|
|
not to bother
|
|
|
|
|
|
nor to bore
|
|
|
|
|
|
or to trouble
|
|
|
|
|
|
|
|
|
|
|
|
what is right not to analyze
|
|
|
|
|
|
not to consult
|
|
|
|
|
|
not to explore
|
|
|
|
|
|
not to investigate
|
|
|
|
|
|
not to probe
|
|
|
|
|
|
not to estimate
|
|
|
|
|
|
not to look into
|
|
|
|
|
|
|
|
|
|
|
|
not to care for
|
|
|
|
|
|
not to look for
|
|
|
|
|
|
what is right not to see
|
|
|
|
|
|
what is right not to choose
|
|
|
|
|
|
nor to pick
|
|
|
|
|
|
to want
|
|
|
|
|
|
to hear
|
|
|
|
|
|
nor to feel
|
|
|
|
|
|
|
|
|
|
|
|
what is right
|
|
|
|
|
|
not to deal with
|
|
|
|
|
|
not to stand for
|
|
|
|
|
|
nor to evoke
|
|
|
|
|
|
|
|
|
|
|
|
what is right
|
|
|
|
|
|
not to reflect on
|
|
|
|
|
|
not to think of
|
|
|
|
|
|
not to consider
|
|
|
|
|
|
not to remember
|
|
|
|
|
|
not to believe in
|
|
|
|
|
|
not to mention
|
|
|
|
|
|
|
|
|
|
|
|
what is right
|
|
|
|
|
|
not to understand
|
|
|
|
|
|
not to absorb
|
|
|
|
|
|
not to take over
|
|
|
|
|
|
not to control
|
|
|
|
|
|
nor to check
|
|
|
|
|
|
|
|
|
|
|
|
what is right not to collect
|
|
|
|
|
|
not to correct
|
|
|
|
|
|
nor to connect
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
what is right not to rush
|
|
|
|
|
|
what is right not to flash
|
|
|
|
|
|
not to smash
|
|
|
|
|
|
|
|
|
|
|
|
not to destroy
|
|
|
|
|
|
not to crash
|
|
|
|
|
|
|
|
|
|
|
|
what is right not to press
|
|
|
|
|
|
what i right not to compress
|
|
|
|
|
|
not to oppress
|
|
|
|
|
|
|
|
|
|
|
|
what is right
|
|
|
|
|
|
not to collection
|
|
|
|
|
|
not to exhibit
|
|
|
|
|
|
not to display
|
|
|
|
|
|
not to visualise
|
|
|
|
|
|
nor to admire
|
|
|
|
|
|
what is right not to
|
|
|
|
|
|
not to confess
|
|
|
|
|
|
not to say
|
|
|
|
|
|
not to convey
|
|
|
|
|
|
|
|
|
|
|
|
what is right not to illustrate
|
|
|
|
|
|
what not to diffract
|
|
|
|
|
|
not to diffuse
|
|
|
|
|
|
neither to share
|
|
|
|
|
|
|
|
|
|
|
|
what is right not to play with
|
|
|
|
|
|
not to start with
|
|
|
|
|
|
not to end with
|
|
|
|
|
|
not to
|
|
|
|
|
|
|
|
|
|
|
|
but
|
|
|
|
|
|
|
|
|
|
|
|
supi:
|
|
|
|
|
|
if we censor art what is left to discuss?
|
|
|
|
|
|
|
|
|
|
|
|
al:
|
|
|
|
|
|
what does art mean to us?
|
|
|
|
|
|
|
|
|
|
|
|
supi:
|
|
|
|
|
|
A calling
|
|
|
|
|
|
A gut feeling you can’t ignore
|
|
|
|
|
|
(For lack of a better word) a labor of love
|
|
|
|
|
|
A cryptic yet decipherable language
|
|
|
|
|
|
A way to say something without actually saying it (some things can’t be expressed through just words)
|
|
|
|
|
|
|
|
|
|
|
|
al:
|
|
|
|
|
|
the way I can address and express my most pressing thoughts and feelings
|
|
|
|
|
|
the way I can address a topic that I am passionate about
|
|
|
|
|
|
|
|
|
|
|
|
supi:
|
|
|
|
|
|
art as a mode of address...is there always an addressee? sometimes i feel like i'm expressing into a void..
|
|
|
|
|
|
|
|
|
|
|
|
al:
|
|
|
|
|
|
do you ever feel uncomfortable to share what you have created?
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
supi:
|
|
|
|
|
|
sometimes, when something still feels half-baked or isn’t yet in a digestible state. But at the same time, this uncomfortable feeling is part of the process, and accepting and going along with it can take you to unexpected and even more interesting places.
|
|
|
|
|
|
|
|
|
|
|
|
al:
|
|
|
|
|
|
when I doubt myself; sometimes I fear what people will think about it. Perhaps I am afraid of harsh critique or feeling that my work is a joke. Sometimes I don't believe my work is good enough. Sometimes I feel I will be misunderstood. Or whatever I do doesn't matter at all.
|
|
|
|
|
|
|
|
|
|
|
|
supi:
|
|
|
|
|
|
does the environment you’re in shape your practice/creation process?
|
|
|
|
|
|
|
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|
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al:
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all the time. I am so easy to be influenced by things happening around me. I think I am quite sensitive. I observe and feel things and then I need to digest them and get them out of my system.
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supi:
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i can relate. it can also be difficult when you're trying to go with the motions and haven't properly digested some things yet / are still in the marinating process.
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al:
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when I am forced to create after a quick snack, I feel like the outcome is not really solid. I need more time to process the things before I am able to reflect and turn them into something valuable. But then, when I know what I want to do, I can do it really fast.
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supi:
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what do you (or would like to) refrain from in your artistic practice?
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al:
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fear and holding myself back. Easier said than done though.
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supi:
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but this push and pull is also where growth happens :)
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al:
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we're growing up all the time :D
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supi:
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is there a common refrain in your creations? An uncommon one you’d like to see more of or experiment with? for me i feel like there is or is taking shape but hasn't quite crystallized yet..
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al:
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I feel like my music is always in different genres. I am constantly trying out new things and aesthetics but then a lot of people still say they recognise my "voice". I guess, the refrain is me. I am looking for one that I can see, but it is actually the one other people see, that matters.
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supi:
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...what is left to discuss?
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Mi(tsa)
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And I guess I am not the most qualified to talk
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and perhaps that is my undoing's core
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I can think of big, scary events that make us gather in the streets
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or in white naked squares helpless to the gaze
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designed for great speeches, markets and parades
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for the troops, the students, the peaceful and the free
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citizens that pace for individual growth and change
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thorougly wash their hands and clean their face
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and tho I liked your passion for our common democratic state
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I can't but see the lines that orient and those that erase
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what is censorship?
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The state that in one evening shuts the public media station
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that used to serve the unified nation while it shouldn't
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that station that has been framing illegal the migration
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and talks about terrorists and lazy and unskilled
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the official fines for gay kisses on prime tv
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the thankful tollerance as long as we're unseen
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the murder of the sick body in the middle of the day
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in the heart of the center by the presence of the crowd
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by the aknowledged and the accepted and the normal
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whose violence sets who is normal and abnormal
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what is censorship?
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The idea that I am someone else rather than me
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_____________________________________________________________________________
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Mi(ri)
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I have been doing this since years
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And I find it funny
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That after a show
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people come up to me and thank me
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for making them feel something
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and I ask myself if that is what we’re doing here
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Artists make people feel something
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Every once in a while
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They come up to me with a smile
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Big grin, gratified, happy eyes
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Taken by surprise? Jokes aside
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Leaving some words of gratitude
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They really liked my attitude
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Gave them some pleasure in their leisure
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And I can promise, forever
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It’s always worth to spend some money
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On the words leaving my mouth, honey
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I can make you laugh and I can make you cry
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You say you’ve been touched
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I tell you why
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You call us performers, I call us dealers
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for emotions, you wanna see us
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perform in motion like hyenas
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We are here to fill arenas
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Our stage is a shopping catalog
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You can buy whatever you want
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Everyone is coming by
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to get entertained, to get satisfied
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Tell me your needs, i’m gonna comply
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I can do it all, you’d be surprised
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This mind’s as deep as your self esteem
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This is why they call me the machine
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I can give you the tears and I can give you the rage
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when I come on stage and the show begins
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Pulling strings like a violin, fueling the souls within
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My ego is a diamond ring
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Scene is set, you’re my marionettes
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I’ll let you feel what you paid for
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meet the machine you were waiting for
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Our stage is a shopping catalog
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You can buy whatever you want
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Yes, we’re little sluts for attention
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Guess, we’re a bit nuts with intention
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But everyone is coming by
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to get entertained, to get satisfied
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Tell me your needs, we’re gonna comply
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We can do it all, you’d be surprised
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Culture saves us on a daily basis
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I know enough faces that can make it
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go to my homie, he knows how to phrase it
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when you’re lonely, read his poetry
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My friends making art here, breaking hearts here
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making music that is too sick
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I know painters and entertainers
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and creators and animators
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Forget the haters of labor
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that does the haters a favor
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By giving them the feels everyday
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fulfilling needs here, being low paid
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Standing ovation in a basement
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big applause, no replacement
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for the big names in the small spaces
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and the small names are never displaced
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People are hungry, they wanna see mommy
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Mommy’s gotta feed them, like a Tsunami
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Gobble the air coming outta my mouth
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I model the sphere, I model the crowd
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You wanna hear my wit and my thoughts
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give me applause, I’m not gonna pause
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Try to stop me, it’s your loss
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If we tryna censor art,
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what is left to discuss
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<<audio five-mix play>></tw-passagedata><tw-passagedata pid="9" name="expand" tags="" position="1300,525" size="100,100">[[SI#18|home]] > Expand
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!Expand
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!!You can expand on the existing texts here
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[[→ Continue from an existing nest|continue]]
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[[→ Start a new nest|start]]</tw-passagedata><tw-passagedata pid="10" name="end nest" tags="" position="900,1075" size="100,100">Thanks for nesting with us!
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[[→ Home|home]</tw-passagedata><tw-passagedata pid="11" name="continue" tags="" position="1675,350" size="100,100">[[SI18|home]] > [[Expand|expand]] > Continue from an existing nest
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!!To begin, enter your name:
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<<textbox "$name" "">>
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[[→ Enter|enter]]</tw-passagedata><tw-passagedata pid="12" name="start" tags="" position="1925,350" size="100,100">[[SI#18|home]] > [[Expand|expand]] > Start a new nest
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!Start a new nest
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!!Insert text into your preferred nest:
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__Nest A__
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<<textbox "$contrib-a" "">> if we censor art what is left to discuss
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__Nest B__
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if we censor art <<textbox "$contrib-b" "">> what is left to discuss
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__Nest C__
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If we censor art what is left to discuss <<textbox "$contrib-c" "">>
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__Nest D__
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if we censor <<textbox "$contrib-d1" "">> what is left to discuss
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[[→ Back|enter]]
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</tw-passagedata><tw-passagedata pid="13" name="nest 1" tags="" position="875,700" size="100,100">[[SI#18|home]] > [[Expand|expand]] > [[Continue from an existing nest|enter]] > Nest 1
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!Nest 1
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!!//Scroll to the bottom of the page to continue nesting.//
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__Person A:__
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if we censor art what is left to discuss?
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__Person B:__
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what does art mean to us?
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__Person A:__
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A calling
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A gut feeling you can’t ignore
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(For lack of a better word) a labor of love
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A cryptic yet decipherable language
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A way to say something without actually saying it (some things can’t be expressed through just words)
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__Person B:__
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the way I can address and express my most pressing thoughts and feelings
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the way I can address a topic that I am passionate about
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__Person A:__
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art as a mode of address...is there always an addressee? sometimes i feel like i'm expressing into a void..
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__Person B:__
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do you ever feel uncomfortable to share what you have created?
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__Person A:__
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sometimes, when something still feels half-baked or isn’t yet in a digestible state. But at the same time, this uncomfortable feeling is part of the process, and accepting and going along with it can take you to unexpected and even more interesting places.
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__Person B:__
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when I doubt myself; sometimes I fear what people will think about it. Perhaps I am afraid of harsh critique or feeling that my work is a joke. Sometimes I don't believe my work is good enough. Sometimes I feel I will be misunderstood. Or whatever I do doesn't matter at all.
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__Person A:__
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does the environment you’re in shape your practice/creation process?
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__Person B:__
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all the time. I am so easy to be influenced by things happening around me. I think I am quite sensitive. I observe and feel things and then I need to digest them and get them out of my system.
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__Person A:__
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i can relate. it can also be difficult when you're trying to go with the motions and haven't properly digested some things yet / are still in the marinating process.
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__Person B:__
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when I am forced to create after a quick snack, I feel like the outcome is not really solid. I need more time to process the things before I am able to reflect and turn them into something valuable. But then, when I know what I want to do, I can do it really fast.
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__Person A:__
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what do you (or would like to) refrain from in your artistic practice?
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__Person B:__
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fear and holding myself back. Easier said than done though.
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__Person A:__
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but this push and pull is also where growth happens :)
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__Person B:__
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we're growing up all the time :D
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__Person A:__
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is there a common refrain in your creations? An uncommon one you’d like to see more of or experiment with? for me i feel like there is or is taking shape but hasn't quite crystallized yet..
|
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|
|
|
|
|
|
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__Person B:__
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I feel like my music is always in different genres. I am constantly trying out new things and aesthetics but then a lot of people still say they recognise my "voice". I guess, the refrain is me. I am looking for one that I can see, but it is actually the one other people see, that matters.
|
|
|
|
|
|
|
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__Person A:__
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...what is left to discuss?
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__$name:__
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<<textbox "$contrib" "">>
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[[→ Nest my text|nest 1 submit]]</tw-passagedata><tw-passagedata pid="14" name="nest 2" tags="" position="1075,700" size="100,100">[[SI#18|home]] > [[Expand|expand]] > [[Continue from an existing nest|enter]] > Nest 2
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!Nest 2
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!!//Scroll to the bottom of the page to continue nesting.//
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If we censor art what is left to discuss: the reasons, the motivations behind the censorship of art perhaps. Or would that also be censored? Something like the liar's paradox as mentioned by Dennis the Pillow in Everything is Alive. Is censorship openly discussed when censorship is also taking place? Can censorship be discuss simultaneously while it is happening? "I am lying" says the liar. Would censored art be censored to discuss? A motivation to rename, rebrand, re-contextualise. Be under the radar, under-scrutinized in opposition to overanalysed.
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If we understand art what is left to discuss? In a book I am currently reading, Weight of the Earth The Tape Journals of David Wojnarowicz, I read the following: "I liked that things carry the possibility for unlimited interpretations." Oh how I like this image. Oh how I rediscover this thought I've had at many occasions: that of a text with million of stories. Well, each set of eyes has a different rhythm, a singular attention span, personal assumptions of certain words and sentences and definitions; some might skip over a sentence, some letters, misconstruct a narration or a structure... so many variables depending of the reader. These different circumstances put together, leave the text to interpretation, leave the "things" with "the possibility for unlimited interpretations."
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If we misunderstand art what is left to discuss? I am 126 pages into the book and for the first time I smile and fold the bottom of the page, underline this sentence as not to forget its placement. Not that I didn't enjoy the book until that moment, but there is something in this sentence I recognised. Something I wanted to mark down, as to acknowledge it and be able to come back to it at any given moment. Not to censor, rather to underline. What is left to discuss? The ones that I stroke out. I left them out, for they are too concrete.
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Does it trigger your curiosity? If it beeps, does it trigger your imagination? If it is highlighted, is there any way you would not read it? Probably your eyes would roll back over, again and again. Like marbles, sliding towards the highlighted sentences. Like magnets, drawn to their opposites: a fluorescent body, so unnatural to our eyes that they are not to be missed. Impossible to ignore, a coloured scream.
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If we underline censorship what is left to art? The questions above triggered me to overlap the acts of highlighting and censoring and deleting. During the Japanese Colonial Period in Korea and from the 60s to the 80s during the military government, a lot of newspapers were censored, published as blank blocks or with blackened lines, a colourless shout. Highlighting and deleting texts within the line are the same movements. They offer different outcomes, with different intentions. To highlight becomes a form of militantism, to delete presents a twisted kind of activism. A space to enhance words, another to strike absence.
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For now I want to highlight this sentence, "Not to censor, rather to underline".
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<<textbox "$contrib" "">>
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[[→ Nest my text|nest 2 submit]]
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</tw-passagedata><tw-passagedata pid="15" name="nest 3" tags="" position="1275,700" size="100,100">[[SI#18|home]] > [[Expand|expand]] > [[Continue from an existing nest|enter]] > Nest 3
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!Nest 3
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!!//Scroll to the bottom of the page to continue nesting.//
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if we censor art
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what is left to discuss
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expression and representation are not the same thing
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i once had a dream
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if we censor art
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are we hiding the lies
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if we censor art
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are we hiding the truth
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if we censor art
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people will still be tired
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if we censor art
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what should we talk about
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are we response-able
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if we censor art
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what should we talk about
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if we censor art
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who will start a conversation
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if we discuss art
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what is left to censor
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everything starts from within
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if we discuss art
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where can we start
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from within
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if we discuss art
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who takes part in that discussion
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and who is left out
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if we discuss art
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who takes part in that discussion
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free will
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but in a relational way
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but with certain limitations
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if we discuss art
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who takes part in that discussion
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free will
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can be abusive and oppressive
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and cynical
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when it makes everything relative
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is there freedom to un-be
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if we discuss art
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who takes part in that discussion
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free will
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of being dust accumulated on archived folders
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of being the expression of denied evidences
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if we discuss art
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who takes part in that discussion
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social pressure
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does it have a voice
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or is it polyphonic
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if we discuss art
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who takes part in that discussion
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social pressure
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is something you cannot escape from
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if we discuss art
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who takes part in that discussion
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the prosecutor
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cannot have the loudest voice
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the prosecutor
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has left the room
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the public opinion
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has agency
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the public opinion
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has left the room
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if we discuss art
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who takes part in that discussion
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the victim
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is not alone
|
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the victim
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wants to speak
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the victim
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was forgotten
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if we discuss art
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|
will you be able to sleep
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if we discuss art
|
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|
would you censor anything at all
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above
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the ground
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|
and below the sky
|
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|
if we discuss art
|
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|
would you censor anything at all
|
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|
below
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|
the surface
|
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|
if we discuss art
|
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|
would you censor anything at all
|
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|
i dont compromise with censorship
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|
if we discuss art
|
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|
would you censor anything at all
|
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if the words are not enough
|
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|
the artwork must speak for itself
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|
if we discuss art
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|
would you censor anything at all
|
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|
if the words are not enough
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|
to censor
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|
if a gesture is not enough
|
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|
if the words are not enough
|
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|
to censor
|
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|
|
what gesture is the next step
|
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|
if we discuss art
|
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|
would you censor anything at all
|
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|
something that hurts you
|
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|
|
can hurt somebody else
|
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|
|
if we discuss art
|
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|
|
would you censor anything at all
|
|
|
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|
|
something that hurts you
|
|
|
|
|
|
grows bigger and bigger
|
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|
|
if we discuss art
|
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|
|
would you censor anything at all
|
|
|
|
|
|
something that hurts you
|
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|
|
is something that cuts you off
|
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|
|
if we discuss art
|
|
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|
|
would you censor anything at all
|
|
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|
|
|
to hide painful truths
|
|
|
|
|
|
a painless truth is a lie
|
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|
|
if we discuss art
|
|
|
|
|
|
would you censor anything at all
|
|
|
|
|
|
to prevent damage
|
|
|
|
|
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|
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|
|
if we discuss art
|
|
|
|
|
|
would you censor anything at all
|
|
|
|
|
|
to protect someone you love
|
|
|
|
|
|
i dont know
|
|
|
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|
|
|
|
|
if we discuss art
|
|
|
|
|
|
would you censor anything at all
|
|
|
|
|
|
to protect someone you love
|
|
|
|
|
|
then what is your protection about
|
|
|
|
|
|
|
|
|
|
|
|
if we discuss art
|
|
|
|
|
|
would you censor anything at all
|
|
|
|
|
|
within
|
|
|
|
|
|
i would smuggle a glimpse of truth
|
|
|
|
|
|
|
|
|
|
|
|
if we discuss art
|
|
|
|
|
|
would you censor anything at all
|
|
|
|
|
|
within
|
|
|
|
|
|
this entangled world
|
|
|
|
|
|
|
|
|
|
|
|
if we discuss art
|
|
|
|
|
|
would you censor art
|
|
|
|
|
|
and what is art then
|
|
|
|
|
|
|
|
|
|
|
|
if we discuss censorship
|
|
|
|
|
|
who is allowed to speak
|
|
|
|
|
|
and who has been silenced
|
|
|
|
|
|
|
|
|
|
|
|
shall we pretend nothing happened
|
|
|
|
|
|
shall we have a coffee one of these days
|
|
|
|
|
|
|
|
|
|
|
|
shall we pretend nothing happened
|
|
|
|
|
|
wait did you get a new haircut
|
|
|
|
|
|
|
|
|
|
|
|
shall we pretend nothing happened
|
|
|
|
|
|
what did you have for dinner
|
|
|
|
|
|
|
|
|
|
|
|
shall we pretend nothing happened
|
|
|
|
|
|
what is your star sign
|
|
|
|
|
|
|
|
|
|
|
|
the clouds in the sky
|
|
|
|
|
|
discussing about the weather forecast
|
|
|
|
|
|
awkwardly
|
|
|
|
|
|
in the spotlight
|
|
|
|
|
|
|
|
|
|
|
|
the clouds in the sky
|
|
|
|
|
|
discussing about the weather forecast
|
|
|
|
|
|
awkwardly
|
|
|
|
|
|
intertwined and dependent
|
|
|
|
|
|
|
|
|
|
|
|
the clouds in the sky
|
|
|
|
|
|
discussing about the weather forecast
|
|
|
|
|
|
surprisingly
|
|
|
|
|
|
aware of what they leave behind
|
|
|
|
|
|
|
|
|
|
|
|
the clouds in the sky
|
|
|
|
|
|
discussing about the weather forecast
|
|
|
|
|
|
when you cannot speak of anything else
|
|
|
|
|
|
because there are no words
|
|
|
|
|
|
the conversation ends
|
|
|
|
|
|
silence around you makes you think
|
|
|
|
|
|
|
|
|
|
|
|
the clouds in the sky
|
|
|
|
|
|
discussing about the weather forecast
|
|
|
|
|
|
when you cannot speak of anything else
|
|
|
|
|
|
because there are no words
|
|
|
|
|
|
this is where it starts
|
|
|
|
|
|
|
|
|
|
|
|
the clouds in the sky
|
|
|
|
|
|
discussing about the weather forecast
|
|
|
|
|
|
when you cannot speak of anything else
|
|
|
|
|
|
dont be afraid
|
|
|
|
|
|
to call it proscription
|
|
|
|
|
|
|
|
|
|
|
|
the clouds in the sky
|
|
|
|
|
|
discussing about the weather forecast
|
|
|
|
|
|
when you cannot speak of anything else
|
|
|
|
|
|
what is left to say
|
|
|
|
|
|
|
|
|
|
|
|
the clouds in the sky
|
|
|
|
|
|
discussing about the weather forecast
|
|
|
|
|
|
when you dont know what else to say
|
|
|
|
|
|
and the silence weighs heavy on all of us
|
|
|
|
|
|
absence of words is loud
|
|
|
|
|
|
and there is no understanding
|
|
|
|
|
|
of the why
|
|
|
|
|
|
|
|
|
|
|
|
the clouds in the sky
|
|
|
|
|
|
discussing about the weather forecast
|
|
|
|
|
|
when you dont know what else to say
|
|
|
|
|
|
and the silence weighs heavy on all of us
|
|
|
|
|
|
absence of words is loud
|
|
|
|
|
|
because something is being forgotten
|
|
|
|
|
|
|
|
|
|
|
|
the clouds in the sky
|
|
|
|
|
|
discussing about the weather forecast
|
|
|
|
|
|
when you dont know what else to say
|
|
|
|
|
|
and the silence weighs heavy on all of us
|
|
|
|
|
|
absence of words is loud
|
|
|
|
|
|
it is a black mark
|
|
|
|
|
|
|
|
|
|
|
|
the clouds in the sky
|
|
|
|
|
|
discussing about the weather forecast
|
|
|
|
|
|
when you dont know what else to say
|
|
|
|
|
|
and the silence weighs heavy on all of us
|
|
|
|
|
|
absence of words is loud
|
|
|
|
|
|
it is a ripped off corner
|
|
|
|
|
|
|
|
|
|
|
|
the clouds in the sky
|
|
|
|
|
|
discussing about the weather forecast
|
|
|
|
|
|
when you dont know what else to say
|
|
|
|
|
|
and the silence weighs heavy on all of us
|
|
|
|
|
|
absence of words is loud
|
|
|
|
|
|
it is redressing mistakes
|
|
|
|
|
|
it is makeup on a bruise
|
|
|
|
|
|
|
|
|
|
|
|
the clouds in the sky
|
|
|
|
|
|
discussing about the weather forecast
|
|
|
|
|
|
when you dont know what else to say
|
|
|
|
|
|
and the silence weighs heavy on all of us
|
|
|
|
|
|
absence of words is loud
|
|
|
|
|
|
it is redressing mistakes
|
|
|
|
|
|
it was somebody else s fault
|
|
|
|
|
|
|
|
|
|
|
|
the clouds in the sky
|
|
|
|
|
|
discussing about the weather forecast
|
|
|
|
|
|
when you dont know what else to say
|
|
|
|
|
|
and the silence weighs heavy on all of us
|
|
|
|
|
|
it feels awkward again
|
|
|
|
|
|
|
|
|
|
|
|
the clouds in the sky
|
|
|
|
|
|
discussing about the weather forecast
|
|
|
|
|
|
when you dont know what else to say
|
|
|
|
|
|
and the silence weighs heavy on all of us
|
|
|
|
|
|
there is an elephant in the room
|
|
|
|
|
|
|
|
|
|
|
|
the clouds in the sky
|
|
|
|
|
|
would they continue their travels
|
|
|
|
|
|
|
|
|
|
|
|
the clouds in the sky
|
|
|
|
|
|
would they move on
|
|
|
|
|
|
|
|
|
|
|
|
<<textbox "$contrib" "">>
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[[→ Nest my text|nest 3 submit]]</tw-passagedata><tw-passagedata pid="16" name="nest 4" tags="" position="1475,700" size="100,100">[[SI#18|home]] > [[Expand|expand]] > [[Continue from an existing nest|enter]] > Nest 4
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|
!Nest 4
|
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|
!!//Scroll to the bottom of the page to continue nesting.//
|
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|
//Person A://
|
|
|
|
|
|
|
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|
|
And I guess I am not the most qualified to talk
|
|
|
|
|
|
and perhaps that is my undoing's core
|
|
|
|
|
|
I can think of big, scary events that make us gather in the streets
|
|
|
|
|
|
or in white naked squares helpless to the gaze
|
|
|
|
|
|
designed for great speeches, markets and parades
|
|
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|
|
for the troops, the students, the peaceful and the free
|
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|
|
citizens that pace for individual growth and change
|
|
|
|
|
|
thorougly wash their hands and clean their face
|
|
|
|
|
|
and tho I liked your passion for our common democratic state
|
|
|
|
|
|
I can't but see the lines that orient and those that erase
|
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|
|
|
|
|
|
|
|
|
what is censorship?
|
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|
|
The state that in one evening shuts the public media station
|
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|
|
|
|
that used to serve the unified nation while it shouldn't
|
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|
|
that station that has been framing illegal the migration
|
|
|
|
|
|
and talks about terrorists and lazy and unskilled
|
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|
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|
|
the official fines for gay kisses on prime tv
|
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|
the thankful tollerance as long as we're unseen
|
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|
|
the murder of the sick body in the middle of the day
|
|
|
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|
|
in the heart of the center by the presence of the crowd
|
|
|
|
|
|
by the aknowledged and the accepted and the normal
|
|
|
|
|
|
whose violence sets who is normal and abnormal
|
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|
|
|
|
|
|
|
|
|
|
what is censorship?
|
|
|
|
|
|
|
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|
|
|
|
The idea that I am someone else rather than me
|
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|
_____________________________________________________________________________
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//Person B://
|
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|
I have been doing this since years
|
|
|
|
|
|
And I find it funny
|
|
|
|
|
|
That after a show
|
|
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|
|
|
people come up to me and thank me
|
|
|
|
|
|
for making them feel something
|
|
|
|
|
|
and I ask myself if that is what we’re doing here
|
|
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|
Artists make people feel something
|
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|
|
Every once in a while
|
|
|
|
|
|
They come up to me with a smile
|
|
|
|
|
|
Big grin, gratified, happy eyes
|
|
|
|
|
|
Taken by surprise? Jokes aside
|
|
|
|
|
|
Leaving some words of gratitude
|
|
|
|
|
|
They really liked my attitude
|
|
|
|
|
|
Gave them some pleasure in their leisure
|
|
|
|
|
|
And I can promise, forever
|
|
|
|
|
|
It’s always worth to spend some money
|
|
|
|
|
|
On the words leaving my mouth, honey
|
|
|
|
|
|
I can make you laugh and I can make you cry
|
|
|
|
|
|
You say you’ve been touched
|
|
|
|
|
|
I tell you why
|
|
|
|
|
|
|
|
|
|
|
|
You call us performers, I call us dealers
|
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|
|
|
|
for emotions, you wanna see us
|
|
|
|
|
|
perform in motion like hyenas
|
|
|
|
|
|
We are here to fill arenas
|
|
|
|
|
|
Our stage is a shopping catalog
|
|
|
|
|
|
You can buy whatever you want
|
|
|
|
|
|
Everyone is coming by
|
|
|
|
|
|
to get entertained, to get satisfied
|
|
|
|
|
|
Tell me your needs, i’m gonna comply
|
|
|
|
|
|
I can do it all, you’d be surprised
|
|
|
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|
|
|
|
|
|
|
|
This mind’s as deep as your self esteem
|
|
|
|
|
|
This is why they call me the machine
|
|
|
|
|
|
I can give you the tears and I can give you the rage
|
|
|
|
|
|
when I come on stage and the show begins
|
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|
|
|
Pulling strings like a violin, fueling the souls within
|
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|
|
My ego is a diamond ring
|
|
|
|
|
|
Scene is set, you’re my marionettes
|
|
|
|
|
|
I’ll let you feel what you paid for
|
|
|
|
|
|
meet the machine you were waiting for
|
|
|
|
|
|
|
|
|
|
|
|
Our stage is a shopping catalog
|
|
|
|
|
|
You can buy whatever you want
|
|
|
|
|
|
Yes, we’re little sluts for attention
|
|
|
|
|
|
Guess, we’re a bit nuts with intention
|
|
|
|
|
|
But everyone is coming by
|
|
|
|
|
|
to get entertained, to get satisfied
|
|
|
|
|
|
Tell me your needs, we’re gonna comply
|
|
|
|
|
|
We can do it all, you’d be surprised
|
|
|
|
|
|
|
|
|
|
|
|
Culture saves us on a daily basis
|
|
|
|
|
|
I know enough faces that can make it
|
|
|
|
|
|
go to my homie, he knows how to phrase it
|
|
|
|
|
|
when you’re lonely, read his poetry
|
|
|
|
|
|
My friends making art here, breaking hearts here
|
|
|
|
|
|
making music that is too sick
|
|
|
|
|
|
I know painters and entertainers
|
|
|
|
|
|
and creators and animators
|
|
|
|
|
|
Forget the haters of labor
|
|
|
|
|
|
that does the haters a favor
|
|
|
|
|
|
By giving them the feels everyday
|
|
|
|
|
|
fulfilling needs here, being low paid
|
|
|
|
|
|
|
|
|
|
|
|
Standing ovation in a basement
|
|
|
|
|
|
big applause, no replacement
|
|
|
|
|
|
for the big names in the small spaces
|
|
|
|
|
|
and the small names are never displaced
|
|
|
|
|
|
People are hungry, they wanna see mommy
|
|
|
|
|
|
Mommy’s gotta feed them, like a Tsunami
|
|
|
|
|
|
Gobble the air coming outta my mouth
|
|
|
|
|
|
I model the sphere, I model the crowd
|
|
|
|
|
|
You wanna hear my wit and my thoughts
|
|
|
|
|
|
give me applause, I’m not gonna pause
|
|
|
|
|
|
Try to stop me, it’s your loss
|
|
|
|
|
|
If we tryna censor art,
|
|
|
|
|
|
what is left to discuss
|
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|
<<textbox "$contrib" "">>
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|
[[→ Nest my text|nest 4 submit]]</tw-passagedata><tw-passagedata pid="17" name="nest 5" tags="" position="1675,700" size="100,100">[[SI#18|home]] > [[Expand|expand]] > [[Continue from an existing nest|enter]] > Nest 5
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!Nest 5
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|
!!//Scroll to the bottom of the page to continue nesting.//
|
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|
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|
|
If we censor art what is left to discuss?
|
|
|
|
|
|
|
|
|
|
|
|
but
|
|
|
|
|
|
|
|
|
|
|
|
what is right not to say
|
|
|
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|
|
not to explore
|
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|
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|
|
not to research
|
|
|
|
|
|
not to investigate
|
|
|
|
|
|
not to disturb
|
|
|
|
|
|
not to move
|
|
|
|
|
|
not to play around with
|
|
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|
|
|
not to harm
|
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|
|
not to modify
|
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not to evolve
|
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|
not to question
|
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|
what is right not to issue
|
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|
not to challenge
|
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not to interrogate
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not to query
|
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|
what is right not to intrude
|
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|
or not to invade
|
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|
what is right not to mess
|
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not to change
|
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not to develop
|
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|
not to analyze
|
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|
not to evaluate
|
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not to violate
|
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not to bother
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nor to bore
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|
or to trouble
|
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what is right not to analyze
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|
not to consult
|
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not to explore
|
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|
|
not to investigate
|
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|
not to probe
|
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|
not to estimate
|
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|
not to look into
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|
not to care for
|
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|
|
not to look for
|
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|
what is right not to see
|
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|
what is right not to choose
|
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|
nor to pick
|
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|
to want
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|
to hear
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|
nor to feel
|
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what is right
|
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|
not to deal with
|
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not to stand for
|
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|
nor to evoke
|
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|
what is right
|
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|
not to reflect on
|
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|
not to think of
|
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|
|
not to consider
|
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|
|
not to remember
|
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|
|
not to believe in
|
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|
|
not to mention
|
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|
|
|
|
|
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|
|
what is right
|
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|
|
not to understand
|
|
|
|
|
|
not to absorb
|
|
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|
|
not to take over
|
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|
|
|
|
not to control
|
|
|
|
|
|
nor to check
|
|
|
|
|
|
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|
|
|
|
|
what is right not to collect
|
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|
|
not to correct
|
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|
|
nor to connect
|
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|
what is right not to rush
|
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|
|
what is right not to flash
|
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|
|
not to smash
|
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|
not to destroy
|
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|
not to crash
|
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|
what is right not to press
|
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|
|
what i right not to compress
|
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|
|
not to oppress
|
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|
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|
what is right
|
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|
|
not to collection
|
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|
|
not to exhibit
|
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|
|
not to display
|
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|
|
not to visualise
|
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|
|
nor to admire
|
|
|
|
|
|
what is right not to
|
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|
|
|
not to confess
|
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|
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|
|
not to say
|
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|
|
not to convey
|
|
|
|
|
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|
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|
|
what is right not to illustrate
|
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|
|
what not to diffract
|
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|
|
not to diffuse
|
|
|
|
|
|
neither to share
|
|
|
|
|
|
|
|
|
|
|
|
what is right not to play with
|
|
|
|
|
|
not to start with
|
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|
|
not to end with
|
|
|
|
|
|
not to
|
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|
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|
|
but
|
|
|
|
|
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|
|
|
|
|
|
<<textbox "$contrib" "">>
|
|
|
|
|
|
[[→ Nest my text|nest 5 submit]]</tw-passagedata><tw-passagedata pid="18" name="nest 4 submit" tags="" position="1475,825" size="100,100">!!//Congratulations! Your text has been nested://
|
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|
//Person A://
|
|
|
|
|
|
|
|
|
|
|
|
And I guess I am not the most qualified to talk
|
|
|
|
|
|
and perhaps that is my undoing's core
|
|
|
|
|
|
I can think of big, scary events that make us gather in the streets
|
|
|
|
|
|
or in white naked squares helpless to the gaze
|
|
|
|
|
|
designed for great speeches, markets and parades
|
|
|
|
|
|
for the troops, the students, the peaceful and the free
|
|
|
|
|
|
citizens that pace for individual growth and change
|
|
|
|
|
|
thorougly wash their hands and clean their face
|
|
|
|
|
|
and tho I liked your passion for our common democratic state
|
|
|
|
|
|
I can't but see the lines that orient and those that erase
|
|
|
|
|
|
|
|
|
|
|
|
what is censorship?
|
|
|
|
|
|
|
|
|
|
|
|
The state that in one evening shuts the public media station
|
|
|
|
|
|
that used to serve the unified nation while it shouldn't
|
|
|
|
|
|
that station that has been framing illegal the migration
|
|
|
|
|
|
and talks about terrorists and lazy and unskilled
|
|
|
|
|
|
the official fines for gay kisses on prime tv
|
|
|
|
|
|
the thankful tollerance as long as we're unseen
|
|
|
|
|
|
the murder of the sick body in the middle of the day
|
|
|
|
|
|
in the heart of the center by the presence of the crowd
|
|
|
|
|
|
by the aknowledged and the accepted and the normal
|
|
|
|
|
|
whose violence sets who is normal and abnormal
|
|
|
|
|
|
|
|
|
|
|
|
what is censorship?
|
|
|
|
|
|
|
|
|
|
|
|
The idea that I am someone else rather than me
|
|
|
|
|
|
|
|
|
|
|
|
_____________________________________________________________________________
|
|
|
|
|
|
|
|
|
|
|
|
//Person B://
|
|
|
|
|
|
|
|
|
|
|
|
I have been doing this since years
|
|
|
|
|
|
And I find it funny
|
|
|
|
|
|
That after a show
|
|
|
|
|
|
people come up to me and thank me
|
|
|
|
|
|
for making them feel something
|
|
|
|
|
|
and I ask myself if that is what we’re doing here
|
|
|
|
|
|
Artists make people feel something
|
|
|
|
|
|
|
|
|
|
|
|
Every once in a while
|
|
|
|
|
|
They come up to me with a smile
|
|
|
|
|
|
Big grin, gratified, happy eyes
|
|
|
|
|
|
Taken by surprise? Jokes aside
|
|
|
|
|
|
Leaving some words of gratitude
|
|
|
|
|
|
They really liked my attitude
|
|
|
|
|
|
Gave them some pleasure in their leisure
|
|
|
|
|
|
And I can promise, forever
|
|
|
|
|
|
It’s always worth to spend some money
|
|
|
|
|
|
On the words leaving my mouth, honey
|
|
|
|
|
|
I can make you laugh and I can make you cry
|
|
|
|
|
|
You say you’ve been touched
|
|
|
|
|
|
I tell you why
|
|
|
|
|
|
|
|
|
|
|
|
You call us performers, I call us dealers
|
|
|
|
|
|
for emotions, you wanna see us
|
|
|
|
|
|
perform in motion like hyenas
|
|
|
|
|
|
We are here to fill arenas
|
|
|
|
|
|
Our stage is a shopping catalog
|
|
|
|
|
|
You can buy whatever you want
|
|
|
|
|
|
Everyone is coming by
|
|
|
|
|
|
to get entertained, to get satisfied
|
|
|
|
|
|
Tell me your needs, i’m gonna comply
|
|
|
|
|
|
I can do it all, you’d be surprised
|
|
|
|
|
|
|
|
|
|
|
|
This mind’s as deep as your self esteem
|
|
|
|
|
|
This is why they call me the machine
|
|
|
|
|
|
I can give you the tears and I can give you the rage
|
|
|
|
|
|
when I come on stage and the show begins
|
|
|
|
|
|
Pulling strings like a violin, fueling the souls within
|
|
|
|
|
|
My ego is a diamond ring
|
|
|
|
|
|
Scene is set, you’re my marionettes
|
|
|
|
|
|
I’ll let you feel what you paid for
|
|
|
|
|
|
meet the machine you were waiting for
|
|
|
|
|
|
|
|
|
|
|
|
Our stage is a shopping catalog
|
|
|
|
|
|
You can buy whatever you want
|
|
|
|
|
|
Yes, we’re little sluts for attention
|
|
|
|
|
|
Guess, we’re a bit nuts with intention
|
|
|
|
|
|
But everyone is coming by
|
|
|
|
|
|
to get entertained, to get satisfied
|
|
|
|
|
|
Tell me your needs, we’re gonna comply
|
|
|
|
|
|
We can do it all, you’d be surprised
|
|
|
|
|
|
|
|
|
|
|
|
Culture saves us on a daily basis
|
|
|
|
|
|
I know enough faces that can make it
|
|
|
|
|
|
go to my homie, he knows how to phrase it
|
|
|
|
|
|
when you’re lonely, read his poetry
|
|
|
|
|
|
My friends making art here, breaking hearts here
|
|
|
|
|
|
making music that is too sick
|
|
|
|
|
|
I know painters and entertainers
|
|
|
|
|
|
and creators and animators
|
|
|
|
|
|
Forget the haters of labor
|
|
|
|
|
|
that does the haters a favor
|
|
|
|
|
|
By giving them the feels everyday
|
|
|
|
|
|
fulfilling needs here, being low paid
|
|
|
|
|
|
|
|
|
|
|
|
Standing ovation in a basement
|
|
|
|
|
|
big applause, no replacement
|
|
|
|
|
|
for the big names in the small spaces
|
|
|
|
|
|
and the small names are never displaced
|
|
|
|
|
|
People are hungry, they wanna see mommy
|
|
|
|
|
|
Mommy’s gotta feed them, like a Tsunami
|
|
|
|
|
|
Gobble the air coming outta my mouth
|
|
|
|
|
|
I model the sphere, I model the crowd
|
|
|
|
|
|
You wanna hear my wit and my thoughts
|
|
|
|
|
|
give me applause, I’m not gonna pause
|
|
|
|
|
|
Try to stop me, it’s your loss
|
|
|
|
|
|
If we tryna censor art,
|
|
|
|
|
|
what is left to discuss
|
|
|
|
|
|
|
|
|
|
|
|
$contrib
|
|
|
|
|
|
|
|
|
|
|
|
[[→ Visit another nest|enter]]
|
|
|
|
|
|
[[→ I'm done nesting|end nest]]</tw-passagedata><tw-passagedata pid="19" name="nest 5 submit" tags="" position="1675,825" size="100,100">!!//Congratulations! Your text has been nested://
|
|
|
|
|
|
|
|
|
|
|
|
If we censor art what is left to discuss?
|
|
|
|
|
|
|
|
|
|
|
|
but
|
|
|
|
|
|
|
|
|
|
|
|
what is right not to say
|
|
|
|
|
|
not to explore
|
|
|
|
|
|
not to research
|
|
|
|
|
|
not to investigate
|
|
|
|
|
|
not to disturb
|
|
|
|
|
|
not to move
|
|
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not to play around with
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not to harm
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not to modify
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not to evolve
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not to question
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what is right not to issue
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not to challenge
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not to interrogate
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not to query
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what is right not to intrude
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or not to invade
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what is right not to mess
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not to change
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not to develop
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not to analyze
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not to evaluate
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not to violate
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not to bother
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nor to bore
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or to trouble
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what is right not to analyze
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not to consult
|
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not to explore
|
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not to investigate
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not to probe
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not to estimate
|
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not to look into
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not to care for
|
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not to look for
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what is right not to see
|
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what is right not to choose
|
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nor to pick
|
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to want
|
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to hear
|
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nor to feel
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what is right
|
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not to deal with
|
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not to stand for
|
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nor to evoke
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what is right
|
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|
not to reflect on
|
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not to think of
|
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not to consider
|
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not to remember
|
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not to believe in
|
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not to mention
|
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what is right
|
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not to understand
|
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not to absorb
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not to take over
|
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not to control
|
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nor to check
|
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what is right not to collect
|
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not to correct
|
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nor to connect
|
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what is right not to rush
|
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what is right not to flash
|
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|
not to smash
|
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|
not to destroy
|
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|
not to crash
|
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|
what is right not to press
|
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|
what i right not to compress
|
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|
not to oppress
|
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|
|
what is right
|
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|
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|
|
not to collection
|
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|
not to exhibit
|
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|
|
not to display
|
|
|
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|
|
not to visualise
|
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|
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|
|
nor to admire
|
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|
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|
what is right not to
|
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|
|
not to confess
|
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|
not to say
|
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|
|
not to convey
|
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|
what is right not to illustrate
|
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|
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|
what not to diffract
|
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|
not to diffuse
|
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|
neither to share
|
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|
what is right not to play with
|
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|
not to start with
|
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|
not to end with
|
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not to
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but
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|
$contrib
|
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[[→ Visit another nest|enter]]
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[[→ I'm done nesting|end nest]]</tw-passagedata><tw-passagedata pid="20" name="cont. nest 2" tags="" position="1075,950" size="100,100">Double-click this passage to edit it.</tw-passagedata></tw-storydata>
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