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<title>SI18</title>
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<div class="meta">
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<h1 class="title">
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SI18 - Radio Implicancies: Methods To Practice Interdependencies
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</h1>
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<button id="intro">🎵 Intro / Outro</button>
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</ul>
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<div class="meta release">
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<h2 class="title hidden"></h2>
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<div class="date hidden"></div>
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<img src="" alt="" id="foreground" />
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</header>
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<main>
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<p>
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The third and last issue of the first year of Experimental Publishing (XPUB),
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<em> Radio Implicancies: Methods To Practice Interdependencies</em>
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, is a series of eight, increasingly ambitious, weekly released sound publications.
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While the name of this publication might give you the impression that those
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periodical <a href="#release" class="note">releases</a> were broadcasted, they very
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much took place behind closed doors, amongst the group members themselves…
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</p>
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<p>
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Released for the very first time on the 12th of April, the twelve members of the
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group, who where shapeshifting each Tuesday of the week into their own audience,
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constantly shuffled positions in the overall work infrastructure until the last
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release on the 21st of June. This modular approach to work positions enabled an
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<a href="#interdependent" class="note">interdependent</a>
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publishing structure in which different figures of agency took turn in order to
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share responsibilities in a sustainable manner.
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</p>
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<p>
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Certainly captivated by the diversity in shapes, contents and experiences offered by
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the Special Issue 18’s eight sound publications, one might wonder: but what is it
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all about? The time pressure and weekly format framework left the overall project
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stuck under the surface of the water, as under an ice floe. Yet, the time spared on
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reflecting over past releases was invested in a bold pace of exploration, in which
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each week the group has re-conceptualised new work methodologies. The urgency of
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experimenting with new infrastructures and breaking down mainstream hierarchical
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ones, took over the reflection of the resulted emergencies within each project. The
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ice floe broke at some place, enabling water flows, but those remained disparate, a
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stream still waiting to be connected.
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</p>
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<p>
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Every other Tuesday of each week, somehow estranged from everyones’ work progress,
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all the members of the group, except the
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<a href="#caretakers" class="note">care-takers</a>
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(a few members responsible of the overall outcome of that week’s publication), would
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walk into a dedicated room unaware of what kind of experience they would step into.
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Some publications even shifted from edited projects to live performances, presenting
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tools, interface or instruments for the public to thread all the pieces together
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themselves.
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</p>
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<img src="img/releases/2022-06-22 17.03.22.jpg" alt="The uneven pattern website" />
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<p>
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The third week release, Uneven Patterns, was the first milestone in which the
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release’s care-takers took the role of editors. The listener’s experience evolved
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from that of a brutal unintentional edit of disparate sound-works, to an intentional
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curated piece, interlaced by a common rhythm: that of different binding sounds. The
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theme presented by the editors was inviting in a non-restrictive manner.
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</p>
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<p>
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From then on the publications’ care-takers became the heart of each weekly release.
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</p>
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<p>
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On the fourth week, the Emergent Opera’s care-takers introduced a new kind of
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release format: live edit. The release’s interface, unlike the up-to-then linear
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structures, took the form of a circular constellation of sound tracks, an instrument
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that can be activated by any willing participant, generating a new kind of
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audio-collage.
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</p>
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<p>
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This potential for more performative and interactive interfaces inspired the
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care-takers of The Jingle Board Parliament to challenge said format on the fifth
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week. For the first time, the potential of found footage in media and pop culture,
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within a short-format restriction, got encouraged. The occasion to experience and
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command a once in a lifetime political landscape hosting an eclectic assemble of
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voices.
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</p>
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<p>
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The instrument became voice. While dialogues were emerging out of cheer spontaneity,
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the Nested Narratives release was the occasion to reflect together on a textual net
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around a given refrain. One that would weave the diverse reflection, on a common
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problematic, of makers and listeners together…
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</p>
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<p>
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And the voices carried methods. For the first time in months, the care-takers
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decided to take the bull by the horns and propose to confront methodologies upfront
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with the Sharing Methods for Diffractive Reading cookbook. The occasion highlighted
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that however considerate a method might be, different texts need different care and
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attention.
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</p>
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<p>
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This intricate publication blew a wind of spontaneity to the last week’s release.
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Each day, the different <a href="#contributors" class="note">contributors</a> would
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react to one another with daily (short-) uploads on the Unfolding [ ] Implicancies
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platform. A final interface with data strata of all kind resulted in a generous
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open-end: a rhizome narrative with no top nor bottom, no left or right, where what
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ends is where that begins.
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</p>
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</main>
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<footer>
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<h3>Glossary</h3>
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<dl>
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<dt id="release">Release</dt>
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<dd>
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Audio files/interfaces/instruments that have been made available for listeners
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(the group members) in a customised and ad hoc environment designed by the
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care-takers of the week to access the content in the most apt and fitting way.
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The release happened once a week, every Tuesday, and included a listening
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session and a consequent discussion, when critiques, improvements inputs and
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appreciations would be collected and stashed for later use.
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</dd>
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<dt id="caretakers">Care-takers</dt>
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<dd>
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A few assigned members of the group responsible of the overall outcome of that
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week’s publication whose role included, in very different ways for every
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release, providing the contributors a theme, a method or a guideline,
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coordinating the recording, giving technical support, preparing materials for
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publication, setting up of the listening environmen and web page or interface,
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etc.. Care-takers, in addition, can decide to be or not to be also contributors
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to their weekly release.
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</dd>
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<dt id="contributors">Contributors</dt>
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<dd>
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Members of the group that took part in the creation of the audio piece.
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Contributors read the proposal from the care-takers and, following the given
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constraints, produced the materials before the imposed deadline, to give time to
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care-takers to organise the materials for the listening session (the release).
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</dd>
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<dt id="interdependent">Interdependent</dt>
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<dd>
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Interdependent publishing happens when the parts of a structure are
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interconnected and entangled between each other. Every segment has an influence
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on the others and viceversa; they are mutually dependent on each other.
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</dd>
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<!-- <dt id="implicancy">Implicancy</dt>
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<dd>
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In the case of the fifth release, implicancies are the connections that can be
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made when reacting to already existing content. By looking at the files proposed
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as the foundation of the entire structure, the contributors are asked to
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interact with the content to produce a continous flow of creation.
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</dd>
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<dt id="emergent">Emergent</dt>
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<dd>
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A traditional structure of an opera piece has been shifted to an emergent one:
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each property is part of a bigger whole, that comes together in the becoming.
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</dd>
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<dt id="eclectic">Eclectic</dt>
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<dd>
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For the Jingle Board Parliament release, a selection of audio snippets from
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various sources have been selected to be part of the seats of a parliament. This
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means that no linear or predefined outcome would result, but a collection of
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voices would be played individually, collectively or respectively.
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</dd>
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<dt id="nesting">Nesting</dt>
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<dd>
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The term nesting comes from HTML language and means placing one HTML element
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inside another. This concept is at the for the fifth release Nested Narratives:
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the idea is that the anchor text ("if we censor art what is left to discuss")
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functions as starting and end points and the contributions are then "nested" in
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between the anchor text. This concept has been further developed in the seventh
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release, Unfolding Implicancies.
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</dd> -->
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</dl>
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</footer>
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</body>
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</html>
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