From c7bc2f4ad6973c4b1ddce0102d23c77f771e92a1 Mon Sep 17 00:00:00 2001
From: Max Lehmann <Max@Machine.local>
Date: Fri, 17 Apr 2020 17:58:46 +0200
Subject: [PATCH] curl

---
 index.html | 14 ++++++++------
 1 file changed, 8 insertions(+), 6 deletions(-)

diff --git a/index.html b/index.html
index 71e0b2a..2a71971 100644
--- a/index.html
+++ b/index.html
@@ -1104,7 +1104,7 @@
 				<h3>Dealing with archival material when its impossible to interact with the original</h3>                                                                                                                                        
 				
 				<div class="placeholder">
-					<img src="img/name.extension" alt="alternative_title" width="100">
+					<img src="img/mvdh_1.jpg" alt="alternative_title" width="100">
 				</div>  
 				
 				<p>
@@ -1273,10 +1273,10 @@
 			
 			
 		<div class="filterDiv Ar Swarm2 methods" id="channelreceiver">
-				<div class="title-element" >
+				<h6>
 					INFORMATION SOURCE>>channel<br>
 					>>RECEIVER
-				</div>
+				</h6>
 				
 			<!-- communication annunciation img-->
 			<img src="img/swarm2_communication.png" alt="communication">
@@ -2544,7 +2544,7 @@
 				<h3>The redistribution of sensitive, underground or non-commercial archival material</h3>
 				
 				<div class="placeholder">
-					<img src="img/name.extension" alt="alternative_title" width="100">
+					<img src="img/mvdh_2.jpg" alt="alternative_title" width="100">
 				</div>  
 				<p>
 					<i>"In a time where it's possible to freely transfer gigabytes of files over a wireless network within a couple of minutes, an archive of sensitive material was brought to us on a USB stick, hidden in a bag which was transported by a human through the air on a 17-hour flight."</i>
@@ -3609,7 +3609,7 @@
 		
 				
 				<div class="placeholder">
-					<img src="img/name.extension" alt="alternative_title" width="100">
+					<img src="img/mvdh3.jpg" alt="alternative_title" width="100">
 				</div> 
 		
 				<p>
@@ -3688,7 +3688,9 @@
 						<br>
 						In ‘The Art of Zines’ (Factsheet Five #63, 1998) C. Becker gives an examples on how collective binding methods could function: “The publisher invites contributions and from a few people and each of them sends multiple copies of their work to cover the number of copies in that edition. Each zine copy is then collated and bound making (it) unique, and personalized.” 
 					</p>
-		
+				<div class="placeholder">
+					<img src="img/mvdh3.jpg" alt="alternative_title" width="100">
+				</div> 
 					<h6>3.8 On distributing physical documents </h6>
 					<p>
 						One may wonder if the more we are getting used to reading digital and volatile screen-based content, the more we have the urge for tactile physical formats. Not only to cater to our reading habits, but also for human connection and interaction it creates. The original gestural act of spreading printed content as a conductor of ideas and information*, using the possibilities of collaboration and distribution that the digital realm provides.