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we
i we h
m we
ce we des
inua we deny
, we we descr
inuity we descri
d lik we display
one per we need to
talist Ru we speak abo
often use We see this w
of arriv we will later
later arri we arrive at a
omething real We tend to forge
t home. We we understand as
[ i ] only is we feel unheimis
gnized it . Or s we are accustomed t
would state , we think about progr
that one will ar We can not arrive in
d , as worlds are c We need continuous lan
or mode awaiting you we give to a future tha
i ] presence [ i ] , We need a language that
you about him I love all my heart and my soul W
elative as no genitals all adjectives that she fi
discovered the Am all the life that was ther
onsidered meaningful o all . It was no life . It
ave in some way or a all along . Those who arri
common , inspirationa all about the journey fo
d arrival , unless one all is journey. When we
air you are given by T All of these factors helpe
nd upon my arrival I c all worlds and all sides t
val I could forget tha all sides that are always
asonable wealthy and e All would be fine as the s
speaking , but an ete all , allowing everything
eminist practise . Que embrace of what s described
straight one , it is a embrace in which it is unclear
at embraces what : does embrace the listener , does the
ace the listener , does t embrace the description , does th
scription , does the event embrace the continuous language th
gage the event ? It s an embrace with few coordinates . It
ace with few coordinates . I embrace of which it is unsure whethe
which it is unsure whether i embrace . It is moving , taking form
ne and seizable , instead of a continuous thinking she is trying to surf
w attention to ? How can we di continuous time while using language ? La
at is described . It means tha continuous ( well- ) being of what is des
ecause of your positionality . continuous noticing is necessary to re-di
oes the event described embrac continuous language that is trying to lin
, but to acknowledge the world continuous place , instead of believing t
s are constantly arriving . We continuous language . There is no platfor
untered with [ i ] presence [ continuous life . We need a language that
I understood that it was her language that displayed , inhabited , s
ted her love and trust for him language wasn t just a true account of
a true account of her worship , language generated and endorsed the love
the content of this message . I l language . I love language so much that I
s message . I love language . I lo language so much that I can sound very conv
eling submission . In this convince language , by expressing surrender I would e
uld experience surrender because the language of worship and submission is not des
words , but I m very much aimed at language s shortcomings . One of the diffic
comings . One of the difficulties of language I have recently been involved with ,
thinking she is trying to surface . Language kills continuation . When we describ
display continuous time while using language ? Language itself is constantly draw
ntinuous time while using language ? Language itself is constantly drawing from th
I was experiencing continuousness of language when I was having sex and feeling my
m a moment in time and space . While language kills what is being described , it e
ng a few dominant narratives using language to create proximity can just as well
nclear what embraces what : does the language embrace the listener , does the list
ent described embrace the continuous language that is trying to linguistically eng
tantly arriving . We need continuous language . There is no platform waiting for y
ing our arrival ? The future needs a language that does not identify the future as
uture as a separate era . It needs a language in which the deadening force of word
[ i ] , continuous life . We need a language that is not old , nor presents itsel
gitimatize its existence . What does language need ? It needs faith . It needs spe
ivity , who recognize the effects of language , understanding that the expression
the conversation . A feminist queer language may well be that : God-language . A