diff --git a/Concordance_Patches/hope_again.txt b/Concordance_Patches/hope_again.txt new file mode 100644 index 0000000..bd7c1fc --- /dev/null +++ b/Concordance_Patches/hope_again.txt @@ -0,0 +1,74 @@ + a + 1 a p + fo a Pa + 6 , a mes + on h a show + for P a half + thoug A Good N + t Istan a pity th + a pity t a shower i + e was one a context w + wrote : “ a flame in t + n very dark a confidence + ts . It is l a promise. ” O + s located som a bibliography + ddle East . I a “ Hope Syllabu + essively a bibl a response to the + ” I ’ ve been c A Sociology of Hop + Chantal Mouffe ’ a “ democracy to co + nected with the no a cynical withdrawal + ary ? ” Agamben des a particular relation + blinded by its ligh a light that strives b + ontemporary is nostal a particular time yet s + she is aware of her e a certain historical sen + erogeneous , Agamben ar a particular relationship + en hope and remembrance a full engagement with the + w yet persistent work of a social reality larger tha + t sense , being hopeful en a non-linear understanding o + me . In that regard , hope a project-driven world where + and meaning in the journey i a series works since the mid-1 + for Mouffe refers to the set a society is created and govern + to the uncontested hegemony o a rationalist and individualist + ration this antagonistic dimens a compromise among competing inte + negotiate a compromise among com a rational , fully inclusive conse + us/them distinction of antagonis a way that is compatible with the r + tion of pluralism . In other words a democracy that acknowledges the in + wledges the ineradicable dimension a pluralist public space in which the + blish a pluralist public space in wh a nonviolent way . For Mouffe , this e + ails transforming antagonism to “ ago a situation where opposing political + now an adversary rather than an enemy a final agreement can be reached . A + ’ s understanding of the political is “ a hegemonic one established by a se + cal is “ hegemony. ” Every social order a series of practices and institut + egemonic one established by a series of p a context of contingency . In oth + tutions within a context of contingency . a temporary and precarious artic + order is a temporary and precarious articu a given moment as ‘ natural ’ o + ng order to install another form of hegemony a complex argument into a bite + her form of hegemony . It may not be fair to a bite-size portion , but for + of radical democracy as the “ impossibility of a genuinely pluralistic demo + s to remain pluralistic at all ) . That is , if a given order it would not + rst place ; there wouldn ’ t be any differences a static situation that co + . This would culminate in a static situation tha a totalitarian society . + ’ s not going to be completely realized , it will a process [ i ] that we + eed to despair . Laclau and Mouffe ’ s ideas about a project without an en + our political struggles , without the expectation of a final destination . + final destination . In the wake of the Jörg Haider m a right-wing mobiliza + ddressed the concept of hope and its relation to passi a more direct manner + material representations that evoke certain meanings an a flag , a song , a + representations that evoke certain meanings and emotions a song , a style o + ations that evoke certain meanings and emotions such as a a style of speaki + the origin of racist articulations , the Left has been add a moralistic dis + exploits . During the Gezi protests in June 2013 , I realiz a futile effort + oğan supporters what the protests meant for the participants a “ coupt atte + protests meant for the participants . It was not a “ coupt at a riot provok + ed by “ foreign spies. ” Dialogue is possible if all sides sha a square mil + 13 , the Prime Minister and the pro-government media started to a blatant l + o circulate a blatant lie , now known as the “ Kabataş lie. ” Al a group of + topless male Gezi protesters clad in black skinny leather pants a woman i + tions failed to come to terms with the phenomenon . I found out Fr a concep + Freud ’ s concept of “ illusion ” is mostly about religion , it ’ a usefu + r helplessness [ 18 ] . Granted our psychological inclination for se a sour + s the social sciences and the arts , I observe both fields are practi a cri + f the times—as it has become common practice lately when , for instanc a pu + ublic symposium on current issues in the contemporary dance field becom a c + as become symptomatic of our epoch . Are we , perhaps , equating adoptin a + nly describing and analyzing the world but also contributing to making it a