diff --git a/Concordance_Patches/nami_undecidibility.text b/Concordance_Patches/nami_undecidibility.text new file mode 100644 index 0000000..2c7688b --- /dev/null +++ b/Concordance_Patches/nami_undecidibility.text @@ -0,0 +1,63 @@ +eed in realizing . The second is the reality as we experience it by living . Fin +owing also intervene in the observed reality and alter it . Calvino is particula +f ‘ either… or… ’ that seems to rule reality . Artworks are places where contrad +atter whether they come as pieces of reality or as products of individual or col +isibility share the same gradient of reality , no matter whether they harmonio +either by only choosing one layer of reality , or by continuously stepping fro +ating as a prism that multiplies the reality it reflects . A space of communic +] attempts to escape the vortex of multiplicity are useless. ” [ 6 ] In his +, he subsequently focuses on [ i ] multiplicity [ i ] as a way for literatur +ore , let ’ s think visibility and multiplicity together , as : a multiplica + the contrary , it is generating a multiplicity of different gazes that are +d and thus incomplete and open . A Multiplicity of Gazes An undecidable ar +cs today , is that they generate a multiplicity of gazes and of forms of s +positions and points of view . The multiplicity of gazes produced and gath +es a radical collectivity based on multiplicity and on conflicting posit +lity and from its encounter with a multiplicity of gazes . Preserving it +ncounter between undecidable art , multiplicity of gazes , and a curator +ibid , p. 98 . 7 . Italo Calvino , Multiplicity , [ i ] Six Memos for +ive works in particular , as the contemporaneity of production , consu +the author is then challenged and responsibility is shared with the au +t Norton poetry lectures at Harvard University . In the last months of +the Next Millennium [ i ] , Harvard University Press , Cambridge 198 +searcher Laura Gemini at the Urbino University . 11 . An active grou +r rather for undecidability , as the quality of being undecidable . + In this sense , undecidability is a quality specific to some artw +ure and the intact potentiality of a quality that does not make it + Undecidability Silvia Bottiroli Multiplying the +r the undecidable , or rather for undecidability , as the qualit +al and Potential Worlds In fact , undecidability is a specific f +d actual worlds . In this sense , undecidability is a quality sp + within an art that practices its undecidability . Here , spec +uld trace back to the practice of undecidability , [ i ] Azdor + The kind of collective body that undecidability produces coul +ality . Indeed , as a practice of undecidability , art produce +t forms of visibility within it . Undecidability could then +ng from an art that practices its undecidability and from it +d under certain terms performs the possibility of its actual +cal of performance intensifies the possibility of undecida +ating this feminine figure and the possibility that it sug +and the concert revolve around the possibility of emancipa + produced , [ 10 ] multiplying the possibility to access +nd consequences already opens this possibility and even +e picture , an artistic fantasy , a community theatre wo +orks does not compose itself into a community , as there +ations involve , by the means of the infinity of lingu +ty of linguistic possibilities , the infinity of the a +the artist ’ s imagination , and the infinity of conti +sibility [ i ] , revolves around the capacity of lit +nd by setting the conditions for an intensity that c + . Rather , it generates a radical collectivity base +of undecidability , art produces a collectivity , +rkness that withholds many forms of visibility wit +lvino ’ s fourth memo , [ 1 ] [ i ] Visibility [ i +. ” [ 7 ] Therefore , let ’ s think visibility and +f producing different conditions of visibility . +where all the images that come into visibility s +order to produce different forms of visibility w +, title . 2 . Italo Calvino , [ i ] Visibility +t further and propose that art ’ s potentiality +potential when it can maintain its potentiality + actual form . In particular , the potentiality +to keep being a sheer , glimmering potentiality +ct the inner nature and the intact potentiality